The Adventures of Baron Munchausen
Remarkable. Unbelievable. Impossible. And true.
1988 | 126m | English
Popularity: 2 (history)
| Director: | Terry Gilliam |
|---|---|
| Writer: | Terry Gilliam, Charles McKeown, Gottfried August Bürger, Rudolph Erich Raspe |
| Staring: |
| An account of Baron Munchausen's supposed travels and fantastical experiences with his band of misfits. | |
| Release Date: | Dec 07, 1988 |
|---|---|
| Director: | Terry Gilliam |
| Writer: | Terry Gilliam, Charles McKeown, Gottfried August Bürger, Rudolph Erich Raspe |
| Genres: | Adventure, Comedy, Fantasy |
| Keywords | moon, based on novel or book, monster, surreal, hot air balloon, satire, baron, steampunk, european, roman mythology, eccentricity, irreverent, lighthearted, absurd, preposterous |
| Production Companies | Columbia Pictures, Allied Filmmakers, Prominent Features, Laura Film |
| Box Office |
Revenue: $8,083,123
Budget: $46,630,000 |
| Updates |
Updated: Feb 03, 2026 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| John Neville | Hieronymus Karl Frederick Baron von Munchausen |
| Eric Idle | Desmond / Berthold |
| Sarah Polley | Sally Salt |
| Oliver Reed | Vulcan |
| Charles McKeown | Rupert / Adolphus |
| Winston Dennis | Bill / Albrecht |
| Jack Purvis | Jeremy / Gustavus |
| Valentina Cortese | Queen Ariadne / Violet |
| Jonathan Pryce | The Right Ordinary Horatio Jackson |
| Bill Paterson | Henry Salt |
| Peter Jeffrey | Sultan |
| Uma Thurman | Venus / Rose |
| Alison Steadman | Daisy |
| Ray Cooper | Functionary |
| Don Henderson | Commander |
| Robin Williams | King of the Moon |
| Sting | Heroic Officer |
| Andrew MacLachlan | Colonel |
| José Lifante | Dr. Death |
| Mohamed Badrsalem | Executioner |
| Kiran Shah | Executioner's Assistant |
| Franco Adducci | Treasurer |
| Ettore Martini | First General |
| Antonio Pistillo | Second General |
| Michael Polley | Gunner |
| Tony Smart | Gunner |
| Laura Lieblein Adam | Theatergoer (uncredited) |
| Calogero Azzaretto | Pirate (uncredited) |
| Angelo Casadei | Citizen (uncredited) |
| Martin Dansky | German Noble (uncredited) |
| Terry Gilliam | Irritating Singer Inside Fish (uncredited) |
| Alba Maiolini | Citizen (uncredited) |
| Franca Scagnetti | Citizen (uncredited) |
| Luciano Zanussi | Citizen (uncredited) |
| Name | Job |
|---|---|
| Terry Gilliam | Screenplay, Director |
| Peter Hollywood | Editor |
| Irene Lamb | Casting |
| Charles McKeown | Screenplay |
| Gottfried August Bürger | Novel |
| Rudolph Erich Raspe | Novel |
| Giuseppe Rotunno | Director of Photography |
| Francesco Cinieri | Casting |
| Margery Simkin | Casting |
| Gabriella Pescucci | Costume Design |
| Francesca Lo Schiavo | Set Decoration |
| Michael Kamen | Orchestrator, Original Music Composer, Conductor |
| Dante Ferretti | Production Design |
| Nikki Clapp | Script Supervisor |
| Chris Corbould | Special Effects Technician |
| Nazzareno Piana | Art Direction, Set Designer |
| David Tomblin | Line Producer |
| Maggie Weston | Hair Designer, Makeup Designer |
| Fabrizio Sforza | Makeup Designer |
| Massimo Razzi | Supervising Art Director |
| Maria Teresa Barbasso | Art Direction |
| Arthur Tarry | Production Controller |
| Joyce Herlihy | Production Executive |
| Robert Gordon Edwards | Executive In Charge Of Production |
| Mario Pisani | Production Supervisor |
| Francisco Molero | Production Manager |
| Pino Butti | Production Manager |
| Vittorio Fornasiero | Unit Manager |
| Fernando Marquerie | Unit Manager |
| John Cozzo | First Assistant Director |
| Lee Cleary | First Assistant Director |
| Luca Lachin | Assistant Director |
| José Luis Escolar | Assistant Director |
| Nancy Rubin Levin | Production Coordinator |
| Susana Prieto | Production Coordinator |
| Gail Samuelson | Production Coordinator |
| Daniela Edelburg | Producer's Assistant |
| Lisa Dasteel | Production Secretary |
| Jan Green | Dialogue Coach |
| Franco Bruni | Camera Operator |
| Gianmaria Majorana | First Assistant Camera |
| Daniele Cimini | Second Assistant Camera |
| Giovanni Piperno | Second Assistant Camera, Video Assist Operator |
| Aldo Colanzi | Key Grip |
| Ian Kelly | Video Assist Operator |
| Frank Jahn | Production Sound Mixer |
| Raymond Meyer | Boom Operator |
| Günther Ruckdeschel | Boom Operator |
| Giorgio Giovannini | Art Direction |
| Sante Barelli | Painter |
| Giovanni Passanisi | Assistant Set Decoration |
| Atos Mastrogirolamo | Assistant Set Decoration |
| Gianni Fiumi | Property Master |
| Charles Torbett | Property Master |
| Bruno Tempera | Property Buyer |
| Pam Meager | Makeup Artist, Hairstylist |
| Jole Cecchini | Hair Supervisor |
| Giancarlo Marin | Hairdresser |
| Carla Indoni | Hairdresser |
| Elisabetta De Leonardis | Hairdresser |
| Antonio Maltempo | Makeup Artist |
| Enrico Iacoponi | Makeup Artist |
| Alfredo Tiberi | Makeup Artist |
| Gino Tamagnini | Makeup Artist |
| Cristina De Rossi | Makeup Artist |
| Carlo Poggioli | Assistant Costume Designer |
| Alberto Spiazzi | Assistant Costume Designer |
| Alfonsina Lettieri | Assistant Costume Designer |
| Gregorio Simili | Wardrobe Master |
| Irene Santar | Wardrobe Master |
| Celeste Franzi | Wardrobe Assistant |
| Enzo Sisti | Accountant |
| Santiago de Benito | Accountant |
| Pauline Granby | Assistant Accountant |
| Alberto De Stefani | Assistant Accountant |
| Carla Zacchia | Assistant Accountant |
| Luidi Camac | Assistant Accountant |
| Leandro Muslera | Assistant Accountant |
| Maria Fiorito | Assistant Accountant |
| Chris Blunden | Associate Editor |
| Brian Mann | Visual Effects Editor |
| Peter Pennell | Supervising Sound Editor |
| Richard Conway | Visual Effects |
| Colin Miller | Sound Editor |
| Peter Horrocks | Sound Editor |
| Bob Risk | Sound Editor |
| Rusty Coppleman | Sound Editor |
| Steven Maguire | Assistant Editor |
| Ben Palmer | Assistant Editor |
| Martyn Robinson | Assistant Editor |
| Natalie Baker | Assistant Editor |
| Stefna Smal | Assistant Editor |
| Bill Barringer | Assistant Editor |
| Christine Newell | Assistant Editor |
| Mick Monks | Assistant Editor |
| Graham V. Hartstone | ADR Mixer |
| Nicolas Le Messurier | ADR Mixer |
| Michael A. Carter | ADR Mixer |
| Adriano Pischiutta | Special Effects Supervisor |
| Antonio Parra | Special Effects Supervisor |
| Fausto Baldinelli | Special Effects Technician |
| Luigi Battestelli | Special Effects Technician |
| Michele Borea | Special Effects Technician |
| Beniamino Carozza | Special Effects Technician |
| Marcello Coccia | Special Effects Technician |
| Marino Erca | Special Effects Technician |
| Gianni Indovino | Special Effects Technician |
| Giancarlo Mancini | Special Effects Technician |
| Massimo Nespoli | Special Effects Technician |
| Duilio Olmi | Special Effects Technician |
| Claudio Savassi | Special Effects Technician |
| Simon Weisse | Special Effects Technician |
| Norman Baillie | Special Effects Technician |
| Christopher Cobould | Special Effects Technician |
| Peter Davey | Special Effects Technician |
| Jamie Courtier | Special Effects Technician, Animatronics Designer |
| Martin Gant | Special Effects Technician, Modelling Supervisor |
| Steve Hamilton | Special Effects Technician |
| Bob Hollow | Special Effects Technician |
| Brian Lince | Special Effects Technician |
| Dave McCall | Special Effects Technician |
| Tim Willis | Special Effects Technician |
| Tony Smart | Animal Wrangler, Stunt Coordinator |
| Riccardo Mioni | Stunt Coordinator |
| Billy Horrigan | Stunts |
| Leslie Maryon | Stunts |
| Riccardo Cruz Moral | Stunts |
| Dinny Powell | Stunts |
| Angelo Ragusa | Stunts |
| Kiran Shah | Stunts |
| Jesús Riarán | Stunts |
| Pino Penesse | Choreographer |
| Giorgio Rossi | Choreographer |
| Eugene Rizzo | Unit Publicist |
| Klaus Schühly | Unit Publicist |
| Grady Clarkson | Unit Publicist |
| Francesco Bellomo | Still Photographer |
| Sergio Strizzi | Still Photographer |
| Riccardo Spada | Production Assistant |
| Claudio Corbucci | Production Assistant |
| Manolo Garcia | Production Assistant |
| Gonzalo Jiménez | Production Assistant |
| Yolanda Marquerie | Production Secretary |
| Massimiliano Mazzini | Production Runner |
| Tino Torrescusa | Production Runner |
| Remo Ubertini | Transportation Coordinator |
| Francisco Ardura | Transportation Coordinator |
| Renato Sardini | Gaffer |
| Giuseppe Bertucci | Electrician |
| Massimo Bertucci | Electrician |
| Mario Bramucci | Electrician |
| Giuseppe Fabrizi | Electrician |
| Claudio Frollano | Electrician |
| Gianni Gentili | Electrician |
| Ignazio Maccarone | Electrician |
| Luciano Marocchi | Electrician |
| Giorgio Pasqualini | Electrician |
| Francesco Quattrone | Electrician |
| Luigi Sergianni | Construction Manager |
| Ramón Moya | Construction Manager |
| Filomeno Crisara | Sculptor |
| Gianni Gianese | Sculptor |
| Salvatore Placenti | Sculptor |
| Christopher Brooks | Music Editor |
| Fiachra Trench | Orchestrator |
| John Fiddy | Orchestrator |
| Alan Arnold | Orchestrator |
| Ed Shearmur | Orchestrator |
| Rick Wentworth | Orchestrator |
| Michael Kaman | Music Producer |
| Ray Cooper | Music Producer |
| Doug Ferris | Matte Painter |
| Joy Cuff | Matte Painter |
| Bob Cuff | Matte Painter |
| Leigh Took | Matte Painter |
| Chris Allies | Title Graphics |
| Michele Soavi | Second Unit Director |
| Caterina Ventura | Assistant Director |
| Javier Chinchilla | Second Unit First Assistant Director |
| Javier Balaguer | Second Assistant Director |
| Manuel Zarzo | Third Assistant Director |
| Yuyi Beringola | Script Supervisor |
| Giorgio Russo | Production Manager |
| Pepe Panero | Second Unit Location Manager |
| Paolo Merosi | Production Assistant |
| Doriana Bonora | Production Secretary |
| Giovanni Fiore Coltellacci | Second Unit Director of Photography |
| Roberto Marsigli | Assistant Camera |
| Umberto Lucigna | Assistant Camera |
| Fernanda Perez | Makeup Artist |
| Jose Perez | Makeup Artist |
| Manuel Martin Gonzalez | Makeup Artist |
| Alicia Regueiro | Hairstylist |
| Martín Díaz | Wardrobe Master |
| Gianni Doddi | Wardrobe Master |
| Manolo Gómez | Special Effects Technician |
| Spartaco Sardini | Gaffer |
| Elio Bosi | Key Grip |
| Eduardo Garcia | Stunts |
| José García | Stunts |
| Paquito Gómez | Stunts |
| Luis Gutiérrez | Stunts |
| Mario Salvador | Stunts |
| Camilo Vila Novoa | Stunts |
| Roger Pratt | Additional Director of Photography |
| Graham Martyr | Clapper Loader |
| Peter Butler | Grip |
| Michael Lamont | Art Direction |
| Ken Court | Art Direction |
| Mark Harris | Assistant Art Director |
| Dennis Bosher | Draughtsman |
| Neil Lamont | Draughtsman |
| Tony Greaysmark | Construction Manager |
| Peter Williams | Construction Manager |
| Keith Horsley | Art Department Assistant |
| Lezlie Wheeler | Special Effects Technician |
| Frank Guiney | Special Effects Technician |
| Stephen Onions | Animatronics Designer |
| Ian Whittaker | Animatronics Designer |
| Jim Machin | Modeling |
| Brian Cole | Modeling |
| Keith Short | Sculptor |
| John Blakely | Sculptor |
| Robert Walker | Decorator |
| illian Noyes-Court | Set Decoration |
| Ted Read | Gaffer |
| Peter Lamb | Best Boy Grip |
| Vernon Connolly | Electrician |
| Stuart King | Electrician |
| Barry Read | Electrician |
| Tonino Danieli | Transportation Coordinator |
| Don French | Thanks |
| Name | Title |
|---|---|
| Thomas Schühly | Producer |
| Jake Eberts | Executive Producer |
| Stratton Leopold | Supervising Producer |
| Ray Cooper | Co-Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 22 | 29 | 16 |
| 2024 | 5 | 22 | 29 | 16 |
| 2024 | 6 | 21 | 36 | 13 |
| 2024 | 7 | 26 | 42 | 16 |
| 2024 | 8 | 21 | 33 | 14 |
| 2024 | 9 | 18 | 29 | 11 |
| 2024 | 10 | 18 | 35 | 12 |
| 2024 | 11 | 19 | 45 | 11 |
| 2024 | 12 | 16 | 25 | 11 |
| 2025 | 1 | 18 | 30 | 12 |
| 2025 | 2 | 13 | 21 | 4 |
| 2025 | 3 | 6 | 25 | 1 |
| 2025 | 4 | 2 | 3 | 2 |
| 2025 | 5 | 2 | 3 | 1 |
| 2025 | 6 | 2 | 6 | 2 |
| 2025 | 7 | 2 | 3 | 1 |
| 2025 | 8 | 2 | 3 | 2 |
| 2025 | 9 | 3 | 5 | 2 |
| 2025 | 10 | 4 | 6 | 3 |
| 2025 | 11 | 2 | 4 | 1 |
| 2025 | 12 | 2 | 2 | 1 |
| 2026 | 1 | 2 | 3 | 1 |
| 2026 | 2 | 2 | 2 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 11 | 771 | 911 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 579 | 764 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 524 | 653 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 478 | 771 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 608 | 879 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 384 | 717 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 663 | 863 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 834 | 906 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 883 | 956 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 958 | 963 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 471 | 710 |
My dad and I had a movie tradition, because there is always time to watch a movie and catch is weather dependent. This was one of the movies he took me to see as like the father-son bonding time. And I can understand why, no one loved pulp novels more than my dad and when it came to picking thing ... s the word "Adventures" really played to his pulp trash sensibilities. I might have inherited a bit of that. This was my first introduction to Gilliam, and from there it opened up Monty Python and all kinds of craziness right down to effecting some of my reading habits. So, as a child, this movie had a profound effect on me. It was funny, it was an adventure, it was silly, it was deep (deep enough where even an 8 year old can sense there was more going on than he could understand at that age) and it was one of those movies that dad and I could both enjoy as father and child, for two different reasons... .... now, however, that's probably an inappropriate thing to do and I am certain that if I bonded with my kids the way dad bonded with my sister and I, I'd get arrested for taking them to see a movie like this. So we watch these things at home. Because, whatever, I have complete and total faith my kids are smart enough to know what a movie is and emotionally equipped enough to deal with this type of fun. At any rate, this was brilliant and I still hold it in high esteem because it introduced me to Gilliam and that opened a lot of doors for me.