The Moment
and it's a movie about brat and charli and a tour but none of it happened but maybe some of it did.
2026 | 103m | English
Popularity: 7 (history)
| Director: | Aidan Zamiri |
|---|---|
| Writer: | Aidan Zamiri, Bertie Brandes |
| Staring: |
| A rising pop sensation navigates fame and industry pressures while preparing for her arena tour debut, revealing the transformation of underground culture into mainstream success. | |
| Release Date: | Jan 30, 2026 |
|---|---|
| Director: | Aidan Zamiri |
| Writer: | Aidan Zamiri, Bertie Brandes |
| Genres: | Music, Drama, Comedy |
| Keywords | london, england, pop star, scandal, narcissism, concert, ibiza, controversy, mockumentary, biting, price of fame, apology, nostalgic, social media, frantic, satirical, complex, playful, introspective, meta, independent film, provocative, didactic, dramatic, suspenseful, witty, hilarious, intense, audacious, bold, euphoric, excited, exhilarated, exuberant, farcical, powerful, sardonic, vibrant, wry |
| Production Companies | A24, Atlantic Records, 2AM, Studio365, Good World |
| Box Office |
Revenue: $3,804,949
Budget: $4,000,000 |
| Updates |
Updated: Mar 23, 2026 Entered: Dec 23, 2025 |
| Name | Character |
|---|---|
| Charli xcx | Charli xcx |
| Alexander Skarsgård | Johannes |
| Rosanna Arquette | Tammy |
| Hailey Benton Gates | Celeste |
| Jamie Demetriou | Tim |
| Rachel Sennott | Rachel Sennott |
| Kate Berlant | Molly |
| Rish Shah | Jamie |
| Kylie Jenner | Kylie Jenner |
| Isaac Powell | Lloyd |
| Arielle Dombasle | Maria |
| Trew Mullen | Ana |
| Mel Ottenberg | Mel Ottenberg |
| Tish Weinstock | Josette |
| Julia Fox | Julia Fox |
| Michael Workéyè | Josh |
| Shygirl | Shygirl |
| A. G. Cook | A. G. Cook |
| Francesca Faridany | TV News Anchor |
| Errol Barnett | Errol Barnett |
| Ben Castle-Gibb | Alex |
| Richard Perez | Morgh |
| Riana Duce | Pauline |
| James Bayes | Alan |
| Ethan Moorhouse | Driver |
| Phillipa Dunne | Rebecca |
| Alex Macqueen | Martin |
| Matthew Jacobs Morgan | Joao |
| Raymond Anum | Brian |
| Stephen Colbert | Stephen Colbert |
| Zachary Hourihane | The Swiftologist |
| Anthony Fantano | Anthony Fantano |
| Sarah Beck Mather | Smiling Girl |
| Diana Bovio | Concierge |
| Alex Blake | Ted |
| Esh Alladi | Rashid |
| Simon Thorp | Bruce |
| Bowen Yang | Bowen Yang (uncredited) |
| Matt Rogers | Matt Rogers (uncredited) |
| Name | Job |
|---|---|
| Jennifer Venditti | Casting |
| Jasper Clarkson | Gaffer, Chief Lighting Technician |
| Neal Farmer | Editor |
| Francesca Balestra Di Mottola | Production Design |
| Mark Inglis | Second Assistant Director |
| Billy Sneddon | Editor |
| Charli xcx | Idea |
| A. G. Cook | Original Music Composer |
| Aidan Zamiri | Writer, Director |
| Sean Price Williams | Director of Photography |
| Jonathan Farmer | First Assistant Director |
| Bertie Brandes | Writer |
| Violet Elliot | Set Decoration |
| Zoe King | Foley Artist |
| Rebecca Heathcote | Foley Artist |
| Reece Franklin | Digital Imaging Technician |
| Timothée Chalamet | Thanks |
| Romain Gavras | Thanks |
| Paolina Russo | Thanks |
| Horace Page | Thanks |
| Nathan Reinhart | Executive In Charge Of Production |
| Tim Leach | Line Producer |
| Suzie Swift | Post Production Producer |
| Tony Lucken | Stunt Coordinator |
| Noelia Gil Cristobal | Stunt Double |
| Laurie Walters | Art Direction |
| Emma Painter | Supervising Art Director |
| Rosalind Boulton | Standby Art Director |
| Oona Brown | Graphic Designer |
| Chris Kitisakkul | Graphic Designer |
| Isabella Faull | Assistant Set Decoration |
| Jonathan Greenham | Property Master |
| Emilio Schlappi | "B" Camera Operator |
| Mathieu Treacy | First Assistant "A" Camera |
| Kelly Smith | Second Assistant "A" Camera |
| Mairead Albiston | Second Assistant "A" Camera |
| Sonia Rodríguez Serrano | Second Assistant "B" Camera |
| Louisa Bablin | Camera Trainee |
| Riccardo Angei | Camera Trainee |
| Thomas Moodie | Script Supervisor |
| Rowena Ladbury | Script Supervisor |
| Tarn Willers | Production Sound Mixer |
| Stephane Malenfant | First Assistant Sound Editor |
| Harvey Davies | Digital Imaging Technician |
| Elliott Linehan-Cross | Lighting Design |
| Sam Jones | Lighting Programmer |
| Jamie Cobb | Key Grip |
| Phill Heale | Additional Grip |
| Ray Wooldridge | Costume Supervisor |
| Taylor Mitchell | Costume Design |
| Geanie Cussons | Costume Coordinator |
| Laura Schiavo | Hair Designer, Makeup Designer |
| Martine Jones | Hair Designer, Makeup Designer |
| Matt Benns | Hairstylist |
| Yasmin Istanbouli | Makeup Artist |
| Holly Jenkins | Makeup & Hair |
| Joseph Koniak | Makeup & Hair |
| Ellie Coverdale | Production Coordinator |
| Angel Fullylove | Assistant Production Coordinator |
| Caitlin Wilcox | Production Secretary |
| Robbie Lynch | Special Effects Technician |
| Rob Baker Ashton | Still Photographer |
| Lucy Amos | Local Casting |
| Duncan Newton-Grant | Third Assistant Director |
| Molly Manning Walker | Second Unit Director of Photography |
| Jake Hunter | Second Unit Director of Photography |
| Luisa Castellanos | Second Unit First Assistant Director |
| Chris Dagostino | Second Unit First Assistant Director |
| Paolo Buzzetti | Assistant Editor |
| Simon Astall | Music Supervisor |
| Timeri Duplat | Music Editor |
| Paolo Pavesi | Foley Editor |
| Zoe Freed | Foley Artist |
| Brad Rees | Sound Editor |
| Luke Barnfather | Sound Editor |
| Francesca Bourne | Foley Mixer |
| Tom Holmes | Foley Mixer |
| Nathaniel Allam | Foley Mixer |
| Helen Miles | Sound Re-Recording Mixer |
| Tobias Crane | Sound Re-Recording Mixer |
| John Kennedy | Visual Effects Supervisor |
| Name | Title |
|---|---|
| Brandon Creed | Executive Producer |
| David Hinojosa | Producer |
| Johann Knobel | Executive Producer |
| Mikey Schwartz-Wright | Executive Producer |
| Charli xcx | Producer |
| Zach Nutman | Executive Producer |
| Izzi Rassouli | Associate Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2025 | 1 | 1 | 2 | 1 |
| 2025 | 2 | 1 | 2 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 1 | 3 | 0 |
| 2025 | 9 | 0 | 1 | 0 |
| 2025 | 10 | 1 | 2 | 0 |
| 2025 | 11 | 2 | 5 | 1 |
| 2025 | 12 | 4 | 6 | 2 |
| 2026 | 1 | 3 | 6 | 2 |
| 2026 | 2 | 5 | 6 | 3 |
| 2026 | 3 | 15 | 30 | 3 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 3 | 2 | 111 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 2 | 18 | 94 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 1 | 45 | 352 |
I was reminded quite often of “Vox Lux” (2018) as this docudrama shines it’s spotlight on the fickleness and traumas of the music business. Charlie XCX plays herself as a young artist walking the tightrope of her own creative ambitions and the commercial expectations of the business that is making h ... er a wealthy woman. With one successful album already under her belt she and her small team of confidantes now find the yanks taking more of an interest thanks to Rosanna Arquette’s non-nonsense record company boss “Tammy” - and that means a documentary of her build up to a live concert. She’s unconvinced, but so long as her creative director “Celeste” (Hailey Gates) is in charge, she will indulge. Ha! No chance. They have drafted in “Johannes” (Alexander Skarsgård) to beef things up, tones things down and channel her energies into something more akin to the glowing wristband experience of a Coldplay concert. Exasperated, she takes a break in Ibiza where she makes a fairly hefty online faux-pas that leaves her entirely exposed to the more venal elements of her industry and she, quite literally, dangling from the ceiling (or hiding in an eight foot tall cigarette lighter). I reckon this is really one for her fans, of whom there are plenty. For the rest of us, though, it doesn’t ever really catch fire. Lots of expletive-ridden dialogue, chain smoking and temper tantrums later I didn’t think this told me anything about the music business that I didn’t already know. If anything what this does illustrate is that when she had complete control as an aspiring singer-songwriter, she produced something heartfelt, honest and relevant to her audience. Now that the marketeers have got their hands on her, though, things lose their edge and become more generically sterilised. Is it supposed to be a satirical critique of her life or an all too realistic one? Perhaps she ought to have waited five years or so to make this and then she could have provided some more answers. As it is, it is little better than a well produced but fairly shallow dose of self-indulgence about someone whose endurance is yet to be tested by an exceptionally volatile consumer.