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Immortal Beloved Poster

Immortal Beloved

1994 | 121m | English

(27113 votes)

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Popularity: 1 (history)

Director: Bernard Rose
Writer: Bernard Rose
Staring:
Details

A chronicle of the life of infamous classical composer Ludwig van Beethoven and his painful struggle with hearing loss. Following Beethoven's death in 1827, his assistant, Schindler, searches for an elusive woman referred to in the composer's love letters as "immortal beloved." As Schindler solves the mystery, a series of flashbacks reveal Beethoven's transformation from passionate young man to troubled musical genius.
Release Date: Dec 16, 1994
Director: Bernard Rose
Writer: Bernard Rose
Genres: Drama, Romance, Music
Keywords composer, deaf, letter, biography, sister-in-law, character study, uncle nephew relationship, für elise, ludwig van beethoven
Production Companies Columbia Pictures, Majestic Films International, Icon Entertainment International
Box Office Revenue: $0
Budget: $120
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Gary Oldman Ludwig van Beethoven
Jeroen Krabbé Anton Felix Schindler
Isabella Rossellini Anna Marie Erdödy
Johanna ter Steege Johanna Reiss
Marco Hofschneider Karl van Beethoven
Miriam Margolyes Nanette Streicherová
Barry Humphries Clemens Metternich
Valeria Golino Giulietta Guicciardi
Gerard Horan Nikolaus Johann van Beethoven
Christopher Fulford Kaspar Anton Carl van Beethoven
Luigi Diberti Franz Josef Guicciardi
Michael Culkin Jakob Hotscevar
Sandra Voe Marie Fröhlich
Bernard Rose Elector Max Friedrich
Alexandra Pigg Therese Obermeyer
Donal Gibson Karl Holz
Matthew North Young Karl van Beethoven
Geno Lechner Josephine von Brunsvik
Claudia Solti Theresa von Brunsvik
Rory Edwards Wenzel Robert von Gallenberg
Hannes Flaschberger Joseph Deym
Leo Faulkner Young Ludwig van Beethoven
Fintan McKeown Johann van Beethoven, Sr
Everton Nelson George Bridgetower
Jindra Petráková Lilo Braun
Marek Vašut Custody policeman
Hugo Kaminský Magistrate
Stanislav Behal Ignaz Schuppanzigh
Arna Mohelská Suzanna Guicciardi
Stepan Hlatky Zoltan
Gordon Lovitt Metternich's flunky
Anna Kolínská Fritzi Erdödy
Johan Kolinsky August Erdödy
Josef Kolínský August Erdödy
Jan Kuželka Country policeman
Barbora Srncová Erdödy's servant
Bruce Davey Artillery Captain
Name Job
Maurizio Millenotti Costume Designer
Jiří Hlupý Production Design
Dan Rae Editor
Olga Rosenfelderová Art Direction
Mo Henry Negative Cutter
Peter Suschitzky Director of Photography
Bernard Rose Director, Writer
John Myhre Art Direction
Trey Batchelor Second Assistant Director
Janek Sirrs Compositing Artist
Name Title
Bruce Davey Producer
Stephen McEveety Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 19 39 11
2024 5 19 33 12
2024 6 17 26 9
2024 7 17 32 11
2024 8 14 22 8
2024 9 15 22 8
2024 10 13 34 7
2024 11 12 18 8
2024 12 13 18 9
2025 1 16 29 11
2025 2 11 18 3
2025 3 5 15 1
2025 4 1 2 1
2025 5 1 2 1
2025 6 1 2 1
2025 7 1 1 0
2025 8 1 2 1

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Reviews

Geronimo1967
7.0

Ten years after the success of "Amadeus"; Hollywood decided to offer us a biopic of this giant of 19th century music who helped set up Vienna as the Mecca of classical music at the time. A truly multi-talented Gary Oldman is on good form as Bernard Rose guides us through the life, and fairly frequen ... t loves, of this genius. His flaws are writ large from the beginning; his, at times, quite brutal upbringing and his womanising certainly didn't make him the nicest of men; and as his deafness takes over his character becomes more irascible and unpredictable. The story is presented as a retrospective, starting at his funeral, and is largely described through the perspective of his friend Anton Schindler (a considered effort from Jeroen Krabbé) and we see how his nature could vacillate from kindly, cruel, passionate and loving to selfish and vile. There are strong supporting contributions from Isabella Rossellini and Johanna Reiss that help keep this film focused and engaging. There are also ample opportunities to hear some of his music played, quite possibly, in a venue he would have himself attended. The attention to detail is superb: costumes, sets and locations all looking excellent. The dialogue is sparing, but it's what they all do with it - especially Gary Oldman - that helps make this film stand out. Two hours just flew by, and if you are fan of the music and interested in the man - then this is a good watch.

Apr 04, 2022