The Rip
Count the money. Count it again. Count on no one.
2026 | 113m | English
Popularity: 168 (history)
| Director: | Joe Carnahan |
|---|---|
| Writer: | Joe Carnahan, Michael McGrale |
| Staring: |
| Trust frays when a team of Miami cops discovers millions in cash inside a run-down stash house, calling everyone — and everything — into question. | |
| Release Date: | Jan 13, 2026 |
|---|---|
| Director: | Joe Carnahan |
| Writer: | Joe Carnahan, Michael McGrale |
| Genres: | Action, Thriller, Crime |
| Keywords | miami, florida, police, dirty cop, trust, angry, hidden money, lala gomà, dramatic |
| Production Companies | Artists Equity |
| Box Office |
Revenue: $0
Budget: $100,000,000 |
| Updates |
Updated: Jan 27, 2026 Entered: Oct 15, 2025 |
| Name | Character |
|---|---|
| Matt Damon | Lieutenant Dane Dumars |
| Ben Affleck | Detective Sergeant J.D. Byrne |
| Steven Yeun | Detective Mike Ro |
| Teyana Taylor | Detective Numa Baptistie |
| Catalina Sandino Moreno | Detective Lolo Salazar |
| Sasha Calle | Desiree 'Desi' Lopez Molina |
| Kyle Chandler | DEA Agent Mateo 'Matty' Nix |
| Scott Adkins | FBI Agent Del Byrne |
| Daisuke Tsuji | FBI Agent Logan Casiano |
| Nestor Carbonell | Major Thom Vallejo |
| Lina Esco | Captain Jackie Velez |
| Alex Hernandez | Hialeah Patrolman Warwick |
| Cliff Chamberlain | Hialeah Patrolman Junger |
| Jose Pablo Cantillo | DEA Agent Dayo Reyes |
| Marco Morales | Cartel Lookout |
| Sal Lopez | Mr. Zeltzin |
| Angel Rosario Jr. | Grizzled Carter Man |
| Jayson Merrill | Lead DEA Official |
| Rani Balsamo | DEA Official |
| John P. Brady | DEA Official |
| Joseph Ross | DEA Official |
| David Anthony Buglione | FBI Tactical Sniper |
| Isabella Aparicio | Little Girl Jackie |
| Christopher Silvestri | DEA Agent |
| Rockne Carnahan | DEA Medical Staff |
| Chris Casiano | TNT Detective Al Pardo |
| Lourdes Hernández | TNT Detective Hernandez |
| Jovan Perez | TNT Detective J. Perez |
| Jesse Valdivia | TNT Detective Valdivia |
| Joel Perez | TNT Detective Perez |
| Edward E. Thornton | TNT Dog Handler |
| Joe Carnahan | Threatening Phone Voice |
| Wilbur The Dog | Wilbur the Money Dog |
| Kathleen Deming | Ringleader (uncredited) |
| Scot Teller | (uncredited) |
| Allie Moreno | (uncredited) |
| Chyril Paulann | (uncredited) |
| Shawn Michael | (uncredited) |
| Iván Amaro Bullón | Miami Sheriff (uncredited) |
| Dave Ferrier | Prisoner (uncredited) |
| Joshua Jackson | société secrete |
| Name | Job |
|---|---|
| Marvin Williams | Second Unit First Assistant Director |
| Jayson Merrill | First Assistant Director |
| Stacey Panepinto | Makeup Department Head |
| Carrie Stewart | Set Decoration |
| Walt Perez | Grip |
| Juan Miguel Azpiroz | Director of Photography |
| Rebecca Woodfork | Hair Department Head |
| Joe Carnahan | Story, Screenplay, Director |
| Clinton Shorter | Original Music Composer |
| Walter Pluff Jr. | Set Decoration |
| Jesse Rosenthal | Supervising Art Director |
| Judy Becker | Production Design |
| Kelli Jones | Costume Design |
| Greg Baldi | Second Unit Director of Photography |
| Sharon Bialy | Casting |
| Alyssa Morris | Casting Associate |
| Alexander Linde | Art Direction |
| Landon Bootsma | Visual Effects Supervisor |
| Petra McElvenny | Visual Effects Producer |
| Michael McGrale | Story |
| Anthony Kerum | Catering |
| Glenn D. Feig | Legal Services |
| Mandy Blandford | Legal Services |
| Weston K. O'Connor | Legal Services |
| Kevin Hale | Editor |
| Candace Sundine | Legal Services |
| Alison Dement | Legal Services |
| Vincent Gomes | Production Design |
| Sherry Thomas | Casting |
| Blake Hawes | Set Production Assistant |
| David 'Gus' Gustafson | Production Supervisor |
| Kevin Halloran | Unit Production Manager |
| Elayne Keratsis | Unit Production Manager |
| Michael J. Urann | Post Production Supervisor |
| Sasha Veneziano | Unit Production Manager |
| Jamie Arbuckle | On Set Dresser |
| Sean Capitelli | Set Dresser |
| Jeremy Cisneros | On Set Dresser |
| Eleni Diamantopoulos | Graphic Designer |
| Luis Felix | Set Dresser |
| Lisa Gigliotti | Set Decoration Buyer |
| Maddie Jones | Art Department Coordinator |
| Miguel Lequericabeascoa | Set Dresser |
| Gilchrist Macquarrie | Set Decoration Buyer |
| Carlton McClarence | Set Dresser |
| Danny Metz | Set Dresser |
| Jonathan Mitchell | Set Dresser |
| Jason Palisi | Set Dresser |
| David Peters | Assistant Art Director |
| Celeste Robert | Set Decorating Coordinator |
| Frances H. Smith | Set Decoration Buyer |
| Lynette Wich | Art Department Coordinator |
| Fante Zamora | Set Dresser |
| Craig Mann | Supervising Sound Editor |
| Audrey Cain | Casting Assistant |
| Zacharias Foppe | Extras Casting |
| Allison Hall | Extras Casting |
| LaShawnna Stanley | Extras Casting |
| Stef Maus | Assistant Costume Designer |
| Molly Mitchell | Assistant Costume Designer |
| Helen Monaghan | Costume Supervisor |
| Kathryn Neale | Assistant Costume Designer |
| Nikia Nelson | Assistant Costume Designer |
| Anne E. Stebbins | Costume Coordinator |
| Haley Vigil | Costume Coordinator |
| Sean Carlsen | Assistant Editor |
| Kristin Derella | Assistant Editor |
| Emily Ann Rayl Russell | First Assistant Editor, Title Designer |
| Olivia Betz | Location Assistant |
| Bridget Dennin | Location Coordinator |
| Brian Giannone | Location Assistant |
| Justin Hank | Location Scout |
| Brendan Kehoe | Location Scout |
| Sean McManus | Location Scout |
| Luis M. Moral | Assistant Location Manager |
| Jose Ricardo Paez | Assistant Location Manager |
| Jerry Pangol | Location Assistant |
| Susanne Ragnarsson | Location Manager |
| Brad Reichel | Assistant Location Manager |
| Paul Schreiber | Location Manager |
| Sean Traynor | Assistant Location Manager |
| David Velasco | Location Manager |
| Jason Markey | Music Supervisor |
| Sam Zeines | Music Editor |
| Steve Gehrke | Script Supervisor |
| Barry L. Caldwell | Additional Script Supervisor |
| Melinda Taksen | Script Supervisor |
| Theresa Frankel | Production Coordinator |
| Amanda O'Reilly | Production Coordinator |
| Alexander Pelinovschi | Assistant Production Coordinator |
| Laura Peña | Production Coordinator |
| Sally Potters | Production Coordinator |
| Daniel Pagan | Supervising Sound Editor |
| Willie D. Burton | Sound Mixer |
| Jon Title | Sound Effects Editor |
| D. Chris Smith | Sound Effects Editor |
| Stefan Fraticelli | Foley Artist |
| Jason Charbonneau | Foley Artist |
| Randy Wilson | Foley Mixer |
| Dan Hosh | Foley Mixer |
| Ron Mellegers | Foley Mixer |
| Justin Helle | Foley Editor |
| Name | Title |
|---|---|
| Michael McGrale | Co-Producer |
| Michael Joe | Executive Producer |
| Ben Affleck | Producer |
| Luciana Damon | Producer |
| Gage Hanlon | Associate Producer |
| Kevin Halloran | Executive Producer |
| Sasha Veneziano | Co-Producer |
| Dani Bernfeld | Producer |
| Matt Damon | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 6 | 1 | 2 | 0 |
| 2024 | 7 | 2 | 6 | 0 |
| 2024 | 8 | 3 | 5 | 1 |
| 2024 | 9 | 2 | 3 | 1 |
| 2024 | 10 | 2 | 3 | 1 |
| 2024 | 11 | 2 | 4 | 1 |
| 2024 | 12 | 2 | 3 | 1 |
| 2025 | 1 | 2 | 4 | 1 |
| 2025 | 2 | 3 | 7 | 1 |
| 2025 | 3 | 2 | 5 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 1 | 1 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
| 2025 | 9 | 5 | 12 | 0 |
| 2025 | 10 | 5 | 6 | 3 |
| 2025 | 11 | 5 | 6 | 3 |
| 2025 | 12 | 6 | 9 | 3 |
| 2026 | 1 | 221 | 577 | 9 |
| 2026 | 2 | 182 | 197 | 168 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 2 | 9 | 14 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 1 | 1 | 63 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 12 | 109 | 504 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 11 | 722 | 860 |
Full review: https://movieswetextedabout.com/the-rip-movie-review-matt-damon-and-ben-affleck-shine-in-a-twisty-thriller-that-surpasses-expectations/ Rating: B "The Rip reveals itself to be an intriguing surprise that swaps easy pyrotechnics for psychological tension, leaning on the undeniable ... charisma of the Matt Damon and Ben Affleck duo and a steady direction by Joe Carnahan that values spatial containment. Despite a lack of deeper secondary character development, the film stands out for the honesty with which it treats its themes and its refusal to betray the logic of its protagonists in favor of mindless spectacle. It’s a raw portrait of the fragility of human bonds when faced with absolute temptation that doesn’t deserve to go unnoticed."
"The RIP" harks back to earlier 80's and 90's style cop crime thrillers but ultimately, feels more like a fascimile, than an original work, in its own right. To be fair, perhaps the biggest problem with this genre, in general, is its become its own cliche. Hard drinking, sweary, hairy, violent t ... ough guy, sterotypes, who drive souped up cars and are smarter than first appearances, would suggest. The RIP leans heavily into this cliche, with predictable outcomes. About half way through, I'd worked out who was doing what and why. Its not because I'm especially clever, its because I've seen this all before in one form or another. Yet, the film includes a reveal that explain's everything, that's supposed, I'm assuming, to come as a revelation to the audience. Performances from well known faces are alright but hardly add a lot in the way of gravitas, to what is, only a moderately entertaining action, "who dunnit", thriller. In summary, Hollywood needs new material.You can't expect endless repitition to equal boundless success. In short, an okay watch but does nothing to distinguish itself.
The Rip: A Knives Out Mystery Convoluted bullshit mystery. How many plates can you spin Mr. Damon? You are incredible and Ben...just does exactly what you know he'll do. Which is the right thing because you are all so just. Well done officers. Could have been shorter. ...
If Scott Adkins doesn't kick the snot out of Matt Damon and Ben Affleck in this movie, I'm rating it a big fat "0". TBC whenever I get around to watching it. ...