Popularity: 38 (history)
| Director: | Simon Stone | 
|---|---|
| Writer: | Simon Stone, Anna Waterhouse, Ruth Ware, Joe Shrapnel | 
| Staring: | 
| On a lavish yacht for an assignment, a journalist sees a passenger go overboard. But when no one believes her, she risks her life to uncover the truth. | |
| Release Date: | Oct 09, 2025 | 
|---|---|
| Director: | Simon Stone | 
| Writer: | Simon Stone, Anna Waterhouse, Ruth Ware, Joe Shrapnel | 
| Genres: | Crime, Mystery, Thriller | 
| Keywords | based on novel or book, boat, yacht, fake identity, investigation, murder, luxury yacht, mystery | 
| Production Companies | The Gotham Group, CBS Films, SISTER | 
| Box Office | 
              
                Revenue: $0
                Budget: $0  | 
      
| Updates | 
          Updated: Oct 23, 2025 Entered: Oct 10, 2025  | 
      
| Name | Character | 
|---|---|
| Keira Knightley | Laura 'Lo' Blacklock | 
| Guy Pearce | Richard Bullmer | 
| David Ajala | Ben Morgan | 
| Gitte Witt | Carrie | 
| Art Malik | Dr. Robert Mehta | 
| Gugu Mbatha-Raw | Rowan | 
| Hannah Waddingham | Heidi Heatherley | 
| Kaya Scodelario | Grace Phillips | 
| David Morrissey | Thomas Heatherley | 
| Daniel Ings | Adam Sutherland | 
| Christopher Rygh | Lars Jensen | 
| Pippa Bennett-Warner | Karla | 
| John Macmillan | Captain Addis | 
| Paul Kaye | Danny Tyler | 
| Amanda Collin | Sigrid Nilssen | 
| Lisa Loven Kongsli | Anne Bullmer | 
| Charles Craddock | First Officer Hewitt | 
| Ayọ̀ Owóyẹmi-Peters | Izzy | 
| Síofra Ní Éilí | Orla | 
| Holly Godliman | Eva | 
| Kasper Hilton-Hille | Will | 
| Chengxi Fu | Malcolm | 
| Antonia Ganeva | Elena | 
| Ingar Helge Gimle | Lyngstad Family Lawyer | 
| Jaouhar Ben Ayed | Kev | 
| Alyth Ross | Sasha | 
| Name | Job | 
|---|---|
| Simon Stone | Director, Screenplay | 
| Doren John Farmer | Stunts | 
| Des Whelan | "A" Camera Operator | 
| Benjamin Wallfisch | Original Music Composer | 
| Perry Evans | Gaffer | 
| Jenny Shircore | Hairstylist, Makeup Artist | 
| Sarah Kane | Set Decoration | 
| Anna Waterhouse | Screenplay | 
| Ruth Ware | Novel | 
| Elliot Hawkes | Stunts | 
| Kharmel Cochrane | Casting | 
| Jakub Chilczuk | Visual Effects Producer | 
| Anna Czerwatiuk | Art Direction | 
| Joe Shrapnel | Screenplay | 
| Ben Davis | Director of Photography | 
| Paul Lowe | Stunt Coordinator | 
| Mark Day | Editor | 
| Bryan Grill | Visual Effects Supervisor | 
| Eimer Ní Mhaoldomhnaigh | Costume Design | 
| Alice Normington | Production Design | 
| Anna Wright | Foley Artist | 
| Name | Title | 
|---|---|
| Elisabeth Murdoch | Producer | 
| Ilda Diffley | Executive Producer | 
| Debra Hayward | Producer | 
| Richard Hewitt | Executive Producer | 
| Cindy Holland | Producer | 
| Sister Hayward | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 5 | 1 | 2 | 1 | 
| 2024 | 6 | 1 | 2 | 0 | 
| 2024 | 7 | 2 | 9 | 0 | 
| 2024 | 8 | 1 | 5 | 0 | 
| 2024 | 9 | 1 | 3 | 1 | 
| 2024 | 10 | 2 | 6 | 1 | 
| 2024 | 11 | 2 | 3 | 1 | 
| 2024 | 12 | 1 | 3 | 1 | 
| 2025 | 1 | 1 | 4 | 1 | 
| 2025 | 2 | 3 | 7 | 1 | 
| 2025 | 3 | 1 | 2 | 1 | 
| 2025 | 4 | 1 | 1 | 1 | 
| 2025 | 5 | 1 | 1 | 1 | 
| 2025 | 6 | 1 | 1 | 1 | 
| 2025 | 7 | 0 | 1 | 0 | 
| 2025 | 8 | 2 | 4 | 0 | 
| 2025 | 9 | 3 | 3 | 2 | 
| 2025 | 10 | 111 | 192 | 4 | 
| 2025 | 11 | 42 | 44 | 38 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 11 | 49 | 80 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 10 | 1 | 32 | 
I like the concept that every character is unsympathetic, including the protagonist. This makes it much more open to who's up to what, and what is going on. However, the lengthy exposition at the beginning is annoying. There is potential in slowly building up the situation and characters; but tha ... t wasn't done here: flat characters. Too many clichés. And clichés save time; that's their positive side. They don't need to be repeated. Also, a bit too much moral and political correctness, which is then dragged out. Speaking of which: it runs well over two hours, but fortunately, unlike TV and cinema, you can speed up playback when streaming. The mystery is a "classic" (that is, old and proven, Hitchcock and others). But that is not the problem here. It lacks tension and doesn't really captivate you, not even in the most dramatic moments (which you can tell from the music). And when the plot finally progresses, it stil is sloooow and spells out everything (of the clichés). What became of "show, don't tell"? Solid enough work by all the departments, including actors; but production, script and direction dropped the ball here. Not worth the time.