Menu
The Ballad of Tam Lin Poster

The Ballad of Tam Lin

She drained them of their manhood …and then-of their LIVES!
1970 | 106m | English

(858 votes)

TMDb IMDb

Popularity: 1.0 (history)

Director: Roddy McDowall
Writer: William Spier
Staring:
Details

Based upon the Celtic legend Tam Lin, a young man is bewitched by a beautiful, heartless, aging sorceress to become her lover. When his attention wanders to a lovely girl, he is doomed to ritual sacrifice by the sorceress.
Release Date: Dec 01, 1970
Director: Roddy McDowall
Writer: William Spier
Genres: Horror, Mystery
Keywords witchcraft, swinging 60s
Production Companies Commonwealth United Entertainment, Winkast Film Productions
Box Office Revenue: $0
Budget: $0
Updates Updated: Jan 29, 2026
Entered: Apr 20, 2024
Trailers

Extras

Backdrops

International Posters

Full Credits

Name Character
Ava Gardner Michaela Cazaret
Ian McShane Tom Lynn
Richard Wattis Elroy
Cyril Cusack Vicar Julian Ainsley
Stephanie Beacham Janet Ainsley
David Whitman Oliver
Fabia Drake Miss Gibson
Sinéad Cusack Rose
Joanna Lumley Georgia
Jenny Hanley Caroline
Madeline Smith Sue
Bruce Robinson Alan
Victoria Fairbrother Vanna
Rosemary Blake Kate
Michael Bills Michael
Virginia Tingwell Lottie
Peter Hinwood Guy
Hayward Morse Andy
Julian Barnes Terry
Norman Oliver Peter
Salena Jones Self
Jannice Dinnen Second Coven
Andrew Grant Second Coven
Don Hawkins Second Coven
Delia Lindsay Second Coven
Linda Marlowe Second Coven
Michael Mundell Second Coven
Yvonne Quenet Second Coven
Erika Raffael Second Coven
Jocelyne Sbath Second Coven
Christopher Williams Second Coven
Jimmy Winston Second Coven
John Bawden Kip (uncredited)
Name Job
Roddy McDowall Director
Stanley Myers Original Music Composer
Pierre Balmain Costume Design
Billy Williams Director of Photography
Robert Burns Idea
Donald M. Ashton Production Design
Colin M. Brewer Production Manager
John Victor-Smith Editor
John Graysmark Art Direction
Beatrice Dawson Costume Design
Kip Gowans Assistant Director
William Spier Screenplay
Anne Box Hairdresser
Mibs Parker Hairdresser
Ricky Rickersby Makeup Artist
Jane Seymour Hairdresser
Tony Sforzini Makeup Artist
Frank Turner Makeup Artist
Peter Beale Second Unit Director
David Wimbury Second Assistant Director
Name Title
Stanley Mann Producer
Denis Holt Associate Producer
Jerry Gershwin Executive Producer
Anthony B. Unger Executive Producer
Henry T. Weinstein Executive Producer
Alan Ladd Jr. Producer
Elliott Kastner Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 8 19 3
2024 5 9 22 5
2024 6 6 18 2
2024 7 7 20 3
2024 8 6 11 2
2024 9 4 10 2
2024 10 3 7 2
2024 11 4 11 1
2024 12 3 6 1
2025 1 3 7 1
2025 2 2 4 1
2025 3 2 4 1
2025 4 1 2 1
2025 5 1 2 1
2025 6 1 1 1
2025 7 0 0 0
2025 8 0 1 0
2025 9 1 1 0
2025 10 1 2 1
2025 11 2 4 0
2025 12 2 6 0
2026 1 0 0 0
2026 2 0 1 0

Trending Position


No trending metrics available.

Return to Top

Reviews

Geronimo1967
5.0

Using the baronial Traquair House in the Scottish borders and a fair smattering of Jacqui McShee's dulcet tones, Roddy McDowall attempts to re-create a story from 16th century folklore about a magical Queen of the Fairies who surrounds herself with youth and beauty. He's time-shifted the scenario to ... the 1960s though, and it's the enigmatic "Micky" (Ava Gardner) who is doing the alluring. Top of her target list is the handsome young "Tom" (Ian McShane) but fairly quickly you gather that his is bit of a transitory role in the life of his lover. What she isn't used to, though, is competition - and that comes in the form of local minister's daughter "Janet" (Stephanie Beacham). With most of her acolytes desperate to stay in favour and enjoy all the wealth that brings, "Tom" rather bucks the trend as he demonstrates an independence streak that evokes that even older adage: beware the woman scorned. For a time this works quite well as it marries the haunting soundtrack with a sense of the carefree existence she promotes for her "children", but after the umpteenth close up of Gardner and/or McShane whom the camera clearly love, the story grinds to an almost glacial pace with little effort made to develop the fantasy elements of the story. Richard Wattis turns in an interesting effort as the general factotum "Elroy" - a man who serves his mistress with a slightly menacing degree of loyalty, but that isn't really built upon either. The photography and limited use of visual effects can be quite effective at times, especially at the end but somehow I felt like I was watching their antics through a plate glass window. It's certainly a modernised critique on the human vices of venality and frivolousness but too much of it is padding and it's all somewhat lacking in substance.

Nov 28, 2024