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Rocky Balboa

It ain't over 'til it's over.
2006 | 102m | English

(238731 votes)

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Popularity: 5 (history)

Details

His wife is dead and his son hates him, but this old man still has fight in him! When he loses a highly publicized virtual boxing match to ex-champ Rocky Balboa, reigning heavyweight titleholder Mason Dixon retaliates by challenging Rocky to a nationally televised, 10-round exhibition bout. To the surprise of his son and friends, Rocky agrees to come out of retirement and face an opponent who's faster, stronger, and thirty years his junior.
Release Date: Dec 20, 2006
Director: Sylvester Stallone
Writer: Sylvester Stallone
Genres: Drama
Keywords philadelphia, pennsylvania, transporter, fight, love of one's life, publicity, boxer, tombstone, comeback, training, restaurant owner, world champion, challenger, virtual fight, defeat, victory, cancer, over-the-hill fighter, inspiring, boxing, inspirational, powerful
Production Companies Columbia Pictures, Metro-Goldwyn-Mayer, Revolution Studios, Chartoff-Winkler Productions
Box Office Revenue: $155,929,020
Budget: $24,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Sylvester Stallone Robert 'Rocky' Balboa
Burt Young Paulie Pennino
Antonio Tarver Mason 'The Line' Dixon
Geraldine Hughes Marie
Milo Ventimiglia Robert 'Rocky' Balboa Jr.
Tony Burton Tony 'Duke' Evers
A.J. Benza L.C.
James Francis Kelly III Steps
Lou DiBella Lou DiBella
Mike Tyson Mike Tyson
Henry G. Sanders Martin
Pedro Lovell Spider Rico
Ana Gerena Isabel
Louis Giansante Bar Thug
Maureen Schilling Lucky's Bartender
Lahmard J. Tate X-Cell
Woody Paige ESPN Commentator
Skip Bayless ESPN Commentator
Jay Crawford ESPN Commentator
Brian Kenny ESPN Host
Dana Jacobson ESPN Host
Charles Johnson ESPN Host
James Binns Commissioner
Johnnie Hobbs Jr. Commissioner
Barney Fitzpatrick Commissioner
Jim Lampley HBO Commentator
Larry Merchant HBO Commentator
Max Kellerman HBO Commentator
LeRoy Neiman LeRoy Neiman
Bert Sugar Ring Magazine Reporter
Bernardo Fernández Boxing Association of America Writer
Gunnar Peterson Weightlifting Trainer
Yahya Dixon's Opponent
Marc Ratner Weigh-In Official
Anthony Lato Jr. Rocky's Inspector
Jack Lazzarado Dixon's Inspector
Michael Buffer Ring Announcer
Joe Cortez Referee
Carter Mitchell Shamrock Foreman
Vinod Kumar Ravi
Fran Pultro Father at Restaurant
Frank Stallone Jr. Dinner Patron
Jody Giambelluca Dinner Patron
Tobias Segal Robert's Friend
Tim Carr Robert's Friend
Matt Frack Robert's Friend #3
Paul Dion Monte Robert's Friend
Kevin King Templeton Robert's Friend
Robert Michael Kelly Mr. Tomilson
Rick Buchborn Rocky Fan
Nick Baker Irish Pub Bartender
Don Sherman Andy
Stu Nahan Computer Fight Commentator (voice)
Gary Compton Security Guard
David Gere Patron at Adrian's (uncredited)
Jacob 'Stitch' Duran Stitch (uncredited)
Talia Shire Adrianna "Adrian" Balboa (Archive Footage) (uncredited)
Burgess Meredith Micky Goldmill (Archive Footage) (uncredited)
Angelyna Martinez-Boyd Angie
Name Job
Bill Conti Original Music Composer
Clark Mathis Director of Photography
Mark De Alessandro Stunt Coordinator
Kent H. Johnson Property Master
Mark Ulano Production Sound Mixer
Jonah Markowitz Assistant Art Director
Barbara Harris ADR Voice Casting
Chris McGeary Music Editor
Rob Ostir Digital Compositor
David Stinnett Visual Effects Supervisor
Derron Ross Animation Supervisor
Al Shier Visual Effects Producer
Sylvester Stallone Director, Writer, Characters
Sheila Jaffe Casting
Gretchen Patch Costume Designer
Sean Albertson Editor
Franco-Giacomo Carbone Production Design
Rob Sale Technical Advisor
Udi Nedivi Unit Production Manager
Rip Murray First Assistant Director
Christina Fong Second Assistant Director
Michael Atwell Art Direction
Jesse Rosenthal Art Direction
Robert Greenfield Set Decoration
Marion Tumen Script Supervisor
Paul Harb Additional Editing
Steve Maslow Sound Mixer
Tateum Kohut Sound Mixer
Anthony J. Ciccolini III Supervising Sound Editor
Kelly Moran-Brown Production Coordinator
Patricia Taggart Location Manager
Paul Schreiber Location Manager
Daniel L. Turrett "A" Camera Operator
John S. Moyer "B" Camera Operator
James Maxtone-Graham "B" Camera Operator
Brian S. Osmond First Assistant "A" Camera
Nathan Wilson Second Assistant "A" Camera
Tim Metivier First Assistant "B" Camera
Rod Calarco First Assistant "B" Camera
Leon Sanginiti Second Assistant "B" Camera
Neal Morrell Second Assistant "B" Camera
Daniel D. Sariano Camera Loader
Colette Gabriel Camera Loader
Hope Slepak Costume Supervisor
Bob Moore Jr. Key Costumer
Laurel Frushour Costumer
Jennifer Antony Costumer
Teresa Binder Westby Costumer
Maren Reese Costumer
Honora Jackson Costumer
Scott H. Eddo Makeup Department Head
James R. Kail Key Makeup Artist
Diane Heller Makeup Artist
Nicole Venables Hair Department Head
David Danon Key Hair Stylist
Diane Dixon Hairstylist
Larry Wallace Chief Lighting Technician
Jason Santelli Assistant Chief Lighting Technician
R. Adam Chambers Rigging Gaffer
Francine Natale Best Boy Electric
John Chickanis Best Boy Electric
Brian H. Reynolds Key Grip
Chris Beattie Best Boy Grip
S. Toulouse Holliday Best Boy Grip
Fred Cooper Dolly Grip
Sheridan Braxton Grip
Dan Carpluk Grip
Mark Elliot Catania Grip
Gregory F. Johnson Grip
Robert M. Mock Grip
Jason Newton Grip
Joseph Presson Grip
Niel Williams Grip
M.R. Smith Key Rigging Grip
Kimberly Rial Best Boy Grip
Erasto T. Garcia Best Boy Grip
Tom Hartig Boom Operator
Adam Blantz Utility Sound
Scott Crabbe Video Assist Operator
David Katz Video Assist Operator
John C. Hartigan Special Effects Coordinator
Michael Frechette Special Effects Technician
Julian Ruhe Assistant Location Manager
Stephen Fischer Assistant Location Manager
Rebecca L. Milgrom Assistant Location Manager
Brad Warden Assistant Location Manager
David Raynor Assistant Production Coordinator
David Malley Assistant Production Coordinator
Paul Maiello Construction Coordinator
Joseph Kearney Construction Coordinator
Alberto Gonzalez-Reyna Assistant Art Director
Luis Russo Storyboard Artist
Mark Vena Storyboard Artist
Sean Ginevan Leadman
Audrey A. Johnson Assistant Property Master
Vic Petrotta Jr. Assistant Property Master
Katie Carroll Second Second Assistant Director
Louis Guerra Second Second Assistant Director
Tracy Dixon Extras Casting
David Kramer Extras Casting
Diane Heery Local Casting
Jason Loftus Casting Associate
Susan Paley Abramson Casting Associate
Danielle Colli Casting Assistant
Carey Len Smith Post Production Supervisor
Seth Clark First Assistant Editor
Robert Drwila Assistant Editor
David Matusek Editorial Staff
Julia Grove Editorial Staff
Lynn Sable Assistant Sound Editor
Gaston Biraben Dialogue Editor
John M. Chalfant Sound Effects Editor
Steven Ticknor Sound Effects Editor
Larry Kemp ADR Editor
Solange S. Schwalbe Foley Supervisor
Brian Gardner Apprentice Sound Editor
Pamela Kahn Foley Artist
Vincent Guisetti Foley Artist
Kyle Rochlin Foley Mixer
Howard London ADR Mixer
Tom Burns Sound Recordist
Mark Freund Visual Effects Supervisor
Ladd Lanford Visual Effects Producer
Phillip Hoffman Visual Effects Coordinator
Tom Lamb Digital Compositor
Maureen Healy Digital Compositor
Robert Montgomery Digital Compositor
Kiley Bond Digital Compositor
Alan De Castro Digital Compositor
Michael Degtjarewsky Digital Compositor
Bob Wiatr Digital Compositor
Scott Evans Digital Compositor
Francis Yu Digital Compositor
Patrick Keenan Digital Compositor
Charles Winkler Second Unit Director
Patrick Phillips Digital Compositor
Ozzie Carmona Digital Compositor
Jennifer Law Digital Compositor
James Chul Rim Digital Compositor
Matthew Melis Digital Compositor
Brian Hanable Digital Compositor
Jennifer Chantnicki Digital Compositor
Matt Seckman Digital Compositor
Jim O'Hagan Digital Compositor
Paul Bronkar Digital Intermediate Colorist
Cindy Bond Digital Intermediate Producer
Kate Crossley Digital Intermediate Editor
Lisa Jaime Music Editor
Bruce Schluter Title Designer
Gary Burritt Negative Cutter
Ramiro Adan Gómez Second Assistant Director
Melody L. Moses Second Assistant Director
Dennis Burrell Second Assistant Director
Kim Houser Location Manager
Michael J. Walker "D" Camera Operator
Nathaniel Miller Digital Imaging Technician
Peter Gray Digital Imaging Technician
Debra Knotts Hairstylist
Harold Groshon Rigging Gaffer
Mark Driscoll Visual Effects Producer
Henrik Fett Visual Effects Supervisor
Derek Bird Digital Supervisor
Jenny Foster Visual Effects Coordinator
Danny S. Kim Digital Compositor
Doug Witskin Digital Compositor
Chad Schott Digital Compositor
Chad Buehler Digital Compositor
Michael Kaelin Digital Compositor
Lloyd Lee Barnett Digital Compositor
Chris Hopkins Digital Compositor
Evan Schiff Assistant Editor
Name Title
Irwin Winkler Executive Producer
Robert Chartoff Executive Producer
Kevin King Templeton Producer
Charles Winkler Producer
Guy Riedel Co-Producer
William Chartoff Producer
David Winkler Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 53 81 31
2024 5 58 84 33
2024 6 44 72 30
2024 7 49 70 34
2024 8 45 62 34
2024 9 42 60 31
2024 10 37 64 29
2024 11 39 52 31
2024 12 41 58 28
2025 1 40 58 28
2025 2 28 36 5
2025 3 9 41 3
2025 4 6 8 5
2025 5 5 6 5
2025 6 5 6 3
2025 7 5 6 4
2025 8 5 5 4

Trending Position


Year Month High Avg
2025 7 315 783
Year Month High Avg
2025 6 319 703
Year Month High Avg
2025 5 343 724
Year Month High Avg
2025 4 151 628
Year Month High Avg
2025 3 152 696
Year Month High Avg
2025 2 247 564
Year Month High Avg
2025 1 583 810
Year Month High Avg
2024 12 499 788
Year Month High Avg
2024 11 588 846
Year Month High Avg
2024 10 939 939
Year Month High Avg
2024 9 765 853
Year Month High Avg
2024 8 291 650

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Reviews

themoviediorama
5.0

Rocky Balboa, much like the titular character, throws tired punches within the constraints of its clichéd boxing ring. Thirty years since Rocky, the underdog from Philadelphia, graciously climbed into the ring and gave Apollo Creed a run for his money. Then a sequel was commissioned. And another one ... . And another. Until the negligently produced ‘Rocky V’ was released with its disappointing conclusion, leaving fans underwhelmed. Stallone too, discontent with the final product. Thus, the sixth title in the series was conceived, with Stallone starring, writing and directing the feature. Throughout the sequels, many tropes were repeatedly utilised to capitalise on the resounding success of the original instalment, after all it received the Best Picture award of ‘76. The training montage to “Gonna Fly Now”, the awkward conversational exchanges between Rocky and a potential love interest, the old optimistic monologue and Stallone attempting to demonstrate he isn’t just a masterpiece wax work by shedding one tear. All culminating into an emotional boxing match where it doesn’t matter who wins, “it’s about how many hits you can take, and still keep moving forward”. The narrative difference in all these thirty years? Rocky is older now. Fine, that was somewhat harsh. Stallone implements some note-worthy additions to the linear storytelling. The brooding aura of melancholy that envelops Rocky and Philadelphia, struggling to move on from the passing of his wife Adrian. This sorrowful force restraining Balboa to a mere relic within the sport that he fought so viciously in. Guests visiting his restaurant (aptly names “Adrian’s”) to intently listen to his tales, as if a museum piece for all to reminisce. Struggling to retain his symbolic status within boxing. The problem is, Stallone never progresses the plot. In fact, he maintained the narrative to be a simple yet dull nostalgia trip that relied heavily on sentimentality. A wearisome derivative of the original that, unfortunately, felt fatigued in terms of homaging certain plot points. The entire first act was Balboa moping around, despite Adrian passing years ago, embodying remorse. Stallone, as Rocky, nailed the consistency of his character. From the awkward dialogue to his emphatic mannerisms, he constantly reminded us that he is the only actor available to play this legendary cinematic character. Whilst Stallone’s performance was commendable, others not so much. There’s an underlying issue with insufficient chemistry between the actors. Stallone and Hughes, reprising the character of Marie, were decent if undercooked. Stallone and Ventimiglia on the other hand, who portrays his son, had nothing. All dialogue exchanges between them felt forced and lacked emotionality, particularly when Ventimiglia was “supporting” his father outside the ring. Young was passable as Paulie, although acting talent has diminished considerably over the years with his constant shouting. The third act boxing match was filmed concisely, with Stallone taking a distant approach in order to exploit the energy within the room. The corny punching sound effects were removed, with Stallone and Tarver actually throwing real punches. It certainly exhumed realism, if a tad pedestrian. However, Stallone then opted to embed unusual visualised effects within the fight to indicate Rocky’s thought process as he remembers past fights in search for vigour. Far too cheesy and cumbersome, breaking up the flow of the match with unnecessary slow motion. Rocky’s opponent Mason Dixon was severely underdeveloped, lacking strength within his motives as he yearns to be taken seriously as a heavyweight champion. Rocky Balboa will entertain fans of the franchise. It encompasses several vital narrative elements that many have learned to adore. However, for the casual audience who are neither here nor there regarding the series, it’s a drained formulaic story that depends too heavily on paying homage to its predecessors. Ultimately exhausting itself before the penultimate fight commences.

Jun 23, 2021
GenerationofSwine
10.0

You know this was the story that SHOULD have been told in Rocky V, or at least this is the kind of story that should have been told. Unfortunately it is a story told sans Talia Shire, who along with Burt Young and Carl Weathers are Rocky staples... of course Creed was dead in the timeline, so his ... absence is excusable... but we all kind of wanted to see Adrian, and wanted another story that developed her especially since they kind of stopped developing her as of Rocky III and relegated her to the sidelines. But, you got to see a typical Rocky story. You got to see Rocky dig in and be inspiring again... and that is why we all love Rocky stories isn't it? Rovky V lacked the inspiration, Rocky Balboa came back with full force and it has continued though Creed, and, hopefully, when I get around to watching it, it will be there in Creed II as well. The magic is that it comes back to the Rocky I and II dynamic, where it's not just about boxing, it's about Rocky and his story. And that is what we all missed in III and IV, and was attempted but failed miserably in V. It felt like an early Rocky film, it felt like both an end and a rebirth of the franchise, and it was a very satisfying film to watch... especially given didn't really pull the punch we were all dreading and hit us full force.

Jan 12, 2023
Wuchak
7.0

**_Rocky as a has-been and, maybe, still-is_** It has been over 20 years since Rocky’s been in the ring. He runs his Italian restaurant in Philadelphia named after his wife while trying to get closer to his distant son, a corporate lawyer, and reacquainting with Marie (the troublesome girl he esc ... orted home in the first movie). When the surprising opportunity arises to return to the limelight, the fading boxer must discover if he still has his fighting spirit despite his age. "Rocky Balboa” (2006) was the sixth Rocky film, appearing sixteen years after the previous installment. Also known as “Rocky VI,” this is a fine way to end the proper series, although Sylvester Stallone says a seventh film, an epilogue, is being considered (and I hope materializes). To be expected, this one sticks to the tried-and-true Rocky formula, effectively showing where the key characters are at three decades after the original flick, plus introducing a few new faces, including an old canine named Punchy. Sure, it’s predictable, but it’s entertaining as it continues Rocky’s story in his mid-50s. Of course, the successful spin-off series, Creed, brought Rocky back in 2015 and 2018 with a third installment to be released this year. The film runs 1 hour, 42 minutes, and, was shot in Philadelphia, Los Angeles and Las Vegas. GRADE: B

Mar 11, 2023
TitanGusang
6.0

Much like the previous two entries, Rocky Balboa has a lot going for it, but is held back in many key areas. The entire process that fuels Rocky to fight again is great. It is incredibly heartbreaking to see Rocky so down in his life, coping with the loss of his wife and his estranged relationshi ... p with his son. He is broken and needs an outlet for his pent-up anger and to gain a connection with his past life. This part worked excellently, but the online simulated fight gimmick that sparked the bout was ridiculous. The main villain was very underbaked and generic, causing the final fight to have very limited stakes. The final fight was pretty average as well. I felt as if they tried to replicate an actual boxing match in terms of presentation instead of delivering a true cinematic experience. This led to it being pretty difficult to watch with the bland presentation and terrible editing. I think the addition of Marie was pointless. It was nice to give Rocky a character from his past to fill the void left by Adrian, but the script was written in such a way that it felt more like a pseudo-love story. This was really awkward because Rocky’s true love was Adrian, and his connection to Marie was filmed in a romantic light, which took me out of the film entirely. Not to mention the fact that it was a child that he used to look out for in the first film, which felt kind of predatory. In my opinion, Marie's screen time should have been replaced by his son, giving them more time together to develop and mend their relationship. It would have worked much better. Overall, I think this film has one of the stronger plots since Rocky II, but I can’t help but feel it was wasted. The pacing was extremely slow, and some decisions that were made really limited my enjoyment of the film. I still think it is a decent entry, but one of my least favorites of the franchise. Score: 56% | Verdict: Decent

Mar 03, 2023