Popularity: 5 (history)
Director: | Sylvester Stallone |
---|---|
Writer: | Sylvester Stallone |
Staring: |
His wife is dead and his son hates him, but this old man still has fight in him! When he loses a highly publicized virtual boxing match to ex-champ Rocky Balboa, reigning heavyweight titleholder Mason Dixon retaliates by challenging Rocky to a nationally televised, 10-round exhibition bout. To the surprise of his son and friends, Rocky agrees to come out of retirement and face an opponent who's faster, stronger, and thirty years his junior. | |
Release Date: | Dec 20, 2006 |
---|---|
Director: | Sylvester Stallone |
Writer: | Sylvester Stallone |
Genres: | Drama |
Keywords | philadelphia, pennsylvania, transporter, fight, love of one's life, publicity, boxer, tombstone, comeback, training, restaurant owner, world champion, challenger, virtual fight, defeat, victory, cancer, over-the-hill fighter, inspiring, boxing, inspirational, powerful |
Production Companies | Columbia Pictures, Metro-Goldwyn-Mayer, Revolution Studios, Chartoff-Winkler Productions |
Box Office |
Revenue: $155,929,020
Budget: $24,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Sylvester Stallone | Robert 'Rocky' Balboa |
Burt Young | Paulie Pennino |
Antonio Tarver | Mason 'The Line' Dixon |
Geraldine Hughes | Marie |
Milo Ventimiglia | Robert 'Rocky' Balboa Jr. |
Tony Burton | Tony 'Duke' Evers |
A.J. Benza | L.C. |
James Francis Kelly III | Steps |
Lou DiBella | Lou DiBella |
Mike Tyson | Mike Tyson |
Henry G. Sanders | Martin |
Pedro Lovell | Spider Rico |
Ana Gerena | Isabel |
Louis Giansante | Bar Thug |
Maureen Schilling | Lucky's Bartender |
Lahmard J. Tate | X-Cell |
Woody Paige | ESPN Commentator |
Skip Bayless | ESPN Commentator |
Jay Crawford | ESPN Commentator |
Brian Kenny | ESPN Host |
Dana Jacobson | ESPN Host |
Charles Johnson | ESPN Host |
James Binns | Commissioner |
Johnnie Hobbs Jr. | Commissioner |
Barney Fitzpatrick | Commissioner |
Jim Lampley | HBO Commentator |
Larry Merchant | HBO Commentator |
Max Kellerman | HBO Commentator |
LeRoy Neiman | LeRoy Neiman |
Bert Sugar | Ring Magazine Reporter |
Bernardo Fernández | Boxing Association of America Writer |
Gunnar Peterson | Weightlifting Trainer |
Yahya | Dixon's Opponent |
Marc Ratner | Weigh-In Official |
Anthony Lato Jr. | Rocky's Inspector |
Jack Lazzarado | Dixon's Inspector |
Michael Buffer | Ring Announcer |
Joe Cortez | Referee |
Carter Mitchell | Shamrock Foreman |
Vinod Kumar | Ravi |
Fran Pultro | Father at Restaurant |
Frank Stallone Jr. | Dinner Patron |
Jody Giambelluca | Dinner Patron |
Tobias Segal | Robert's Friend |
Tim Carr | Robert's Friend |
Matt Frack | Robert's Friend #3 |
Paul Dion Monte | Robert's Friend |
Kevin King Templeton | Robert's Friend |
Robert Michael Kelly | Mr. Tomilson |
Rick Buchborn | Rocky Fan |
Nick Baker | Irish Pub Bartender |
Don Sherman | Andy |
Stu Nahan | Computer Fight Commentator (voice) |
Gary Compton | Security Guard |
David Gere | Patron at Adrian's (uncredited) |
Jacob 'Stitch' Duran | Stitch (uncredited) |
Talia Shire | Adrianna "Adrian" Balboa (Archive Footage) (uncredited) |
Burgess Meredith | Micky Goldmill (Archive Footage) (uncredited) |
Angelyna Martinez-Boyd | Angie |
Name | Job |
---|---|
Bill Conti | Original Music Composer |
Clark Mathis | Director of Photography |
Mark De Alessandro | Stunt Coordinator |
Kent H. Johnson | Property Master |
Mark Ulano | Production Sound Mixer |
Jonah Markowitz | Assistant Art Director |
Barbara Harris | ADR Voice Casting |
Chris McGeary | Music Editor |
Rob Ostir | Digital Compositor |
David Stinnett | Visual Effects Supervisor |
Derron Ross | Animation Supervisor |
Al Shier | Visual Effects Producer |
Sylvester Stallone | Director, Writer, Characters |
Sheila Jaffe | Casting |
Gretchen Patch | Costume Designer |
Sean Albertson | Editor |
Franco-Giacomo Carbone | Production Design |
Rob Sale | Technical Advisor |
Udi Nedivi | Unit Production Manager |
Rip Murray | First Assistant Director |
Christina Fong | Second Assistant Director |
Michael Atwell | Art Direction |
Jesse Rosenthal | Art Direction |
Robert Greenfield | Set Decoration |
Marion Tumen | Script Supervisor |
Paul Harb | Additional Editing |
Steve Maslow | Sound Mixer |
Tateum Kohut | Sound Mixer |
Anthony J. Ciccolini III | Supervising Sound Editor |
Kelly Moran-Brown | Production Coordinator |
Patricia Taggart | Location Manager |
Paul Schreiber | Location Manager |
Daniel L. Turrett | "A" Camera Operator |
John S. Moyer | "B" Camera Operator |
James Maxtone-Graham | "B" Camera Operator |
Brian S. Osmond | First Assistant "A" Camera |
Nathan Wilson | Second Assistant "A" Camera |
Tim Metivier | First Assistant "B" Camera |
Rod Calarco | First Assistant "B" Camera |
Leon Sanginiti | Second Assistant "B" Camera |
Neal Morrell | Second Assistant "B" Camera |
Daniel D. Sariano | Camera Loader |
Colette Gabriel | Camera Loader |
Hope Slepak | Costume Supervisor |
Bob Moore Jr. | Key Costumer |
Laurel Frushour | Costumer |
Jennifer Antony | Costumer |
Teresa Binder Westby | Costumer |
Maren Reese | Costumer |
Honora Jackson | Costumer |
Scott H. Eddo | Makeup Department Head |
James R. Kail | Key Makeup Artist |
Diane Heller | Makeup Artist |
Nicole Venables | Hair Department Head |
David Danon | Key Hair Stylist |
Diane Dixon | Hairstylist |
Larry Wallace | Chief Lighting Technician |
Jason Santelli | Assistant Chief Lighting Technician |
R. Adam Chambers | Rigging Gaffer |
Francine Natale | Best Boy Electric |
John Chickanis | Best Boy Electric |
Brian H. Reynolds | Key Grip |
Chris Beattie | Best Boy Grip |
S. Toulouse Holliday | Best Boy Grip |
Fred Cooper | Dolly Grip |
Sheridan Braxton | Grip |
Dan Carpluk | Grip |
Mark Elliot Catania | Grip |
Gregory F. Johnson | Grip |
Robert M. Mock | Grip |
Jason Newton | Grip |
Joseph Presson | Grip |
Niel Williams | Grip |
M.R. Smith | Key Rigging Grip |
Kimberly Rial | Best Boy Grip |
Erasto T. Garcia | Best Boy Grip |
Tom Hartig | Boom Operator |
Adam Blantz | Utility Sound |
Scott Crabbe | Video Assist Operator |
David Katz | Video Assist Operator |
John C. Hartigan | Special Effects Coordinator |
Michael Frechette | Special Effects Technician |
Julian Ruhe | Assistant Location Manager |
Stephen Fischer | Assistant Location Manager |
Rebecca L. Milgrom | Assistant Location Manager |
Brad Warden | Assistant Location Manager |
David Raynor | Assistant Production Coordinator |
David Malley | Assistant Production Coordinator |
Paul Maiello | Construction Coordinator |
Joseph Kearney | Construction Coordinator |
Alberto Gonzalez-Reyna | Assistant Art Director |
Luis Russo | Storyboard Artist |
Mark Vena | Storyboard Artist |
Sean Ginevan | Leadman |
Audrey A. Johnson | Assistant Property Master |
Vic Petrotta Jr. | Assistant Property Master |
Katie Carroll | Second Second Assistant Director |
Louis Guerra | Second Second Assistant Director |
Tracy Dixon | Extras Casting |
David Kramer | Extras Casting |
Diane Heery | Local Casting |
Jason Loftus | Casting Associate |
Susan Paley Abramson | Casting Associate |
Danielle Colli | Casting Assistant |
Carey Len Smith | Post Production Supervisor |
Seth Clark | First Assistant Editor |
Robert Drwila | Assistant Editor |
David Matusek | Editorial Staff |
Julia Grove | Editorial Staff |
Lynn Sable | Assistant Sound Editor |
Gaston Biraben | Dialogue Editor |
John M. Chalfant | Sound Effects Editor |
Steven Ticknor | Sound Effects Editor |
Larry Kemp | ADR Editor |
Solange S. Schwalbe | Foley Supervisor |
Brian Gardner | Apprentice Sound Editor |
Pamela Kahn | Foley Artist |
Vincent Guisetti | Foley Artist |
Kyle Rochlin | Foley Mixer |
Howard London | ADR Mixer |
Tom Burns | Sound Recordist |
Mark Freund | Visual Effects Supervisor |
Ladd Lanford | Visual Effects Producer |
Phillip Hoffman | Visual Effects Coordinator |
Tom Lamb | Digital Compositor |
Maureen Healy | Digital Compositor |
Robert Montgomery | Digital Compositor |
Kiley Bond | Digital Compositor |
Alan De Castro | Digital Compositor |
Michael Degtjarewsky | Digital Compositor |
Bob Wiatr | Digital Compositor |
Scott Evans | Digital Compositor |
Francis Yu | Digital Compositor |
Patrick Keenan | Digital Compositor |
Charles Winkler | Second Unit Director |
Patrick Phillips | Digital Compositor |
Ozzie Carmona | Digital Compositor |
Jennifer Law | Digital Compositor |
James Chul Rim | Digital Compositor |
Matthew Melis | Digital Compositor |
Brian Hanable | Digital Compositor |
Jennifer Chantnicki | Digital Compositor |
Matt Seckman | Digital Compositor |
Jim O'Hagan | Digital Compositor |
Paul Bronkar | Digital Intermediate Colorist |
Cindy Bond | Digital Intermediate Producer |
Kate Crossley | Digital Intermediate Editor |
Lisa Jaime | Music Editor |
Bruce Schluter | Title Designer |
Gary Burritt | Negative Cutter |
Ramiro Adan Gómez | Second Assistant Director |
Melody L. Moses | Second Assistant Director |
Dennis Burrell | Second Assistant Director |
Kim Houser | Location Manager |
Michael J. Walker | "D" Camera Operator |
Nathaniel Miller | Digital Imaging Technician |
Peter Gray | Digital Imaging Technician |
Debra Knotts | Hairstylist |
Harold Groshon | Rigging Gaffer |
Mark Driscoll | Visual Effects Producer |
Henrik Fett | Visual Effects Supervisor |
Derek Bird | Digital Supervisor |
Jenny Foster | Visual Effects Coordinator |
Danny S. Kim | Digital Compositor |
Doug Witskin | Digital Compositor |
Chad Schott | Digital Compositor |
Chad Buehler | Digital Compositor |
Michael Kaelin | Digital Compositor |
Lloyd Lee Barnett | Digital Compositor |
Chris Hopkins | Digital Compositor |
Evan Schiff | Assistant Editor |
Name | Title |
---|---|
Irwin Winkler | Executive Producer |
Robert Chartoff | Executive Producer |
Kevin King Templeton | Producer |
Charles Winkler | Producer |
Guy Riedel | Co-Producer |
William Chartoff | Producer |
David Winkler | Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 53 | 81 | 31 |
2024 | 5 | 58 | 84 | 33 |
2024 | 6 | 44 | 72 | 30 |
2024 | 7 | 49 | 70 | 34 |
2024 | 8 | 45 | 62 | 34 |
2024 | 9 | 42 | 60 | 31 |
2024 | 10 | 37 | 64 | 29 |
2024 | 11 | 39 | 52 | 31 |
2024 | 12 | 41 | 58 | 28 |
2025 | 1 | 40 | 58 | 28 |
2025 | 2 | 28 | 36 | 5 |
2025 | 3 | 9 | 41 | 3 |
2025 | 4 | 6 | 8 | 5 |
2025 | 5 | 5 | 6 | 5 |
2025 | 6 | 5 | 6 | 3 |
2025 | 7 | 5 | 6 | 4 |
2025 | 8 | 5 | 5 | 4 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 315 | 783 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 319 | 703 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 343 | 724 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 151 | 628 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 152 | 696 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 247 | 564 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 583 | 810 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 499 | 788 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 588 | 846 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 939 | 939 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 765 | 853 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 291 | 650 |
Rocky Balboa, much like the titular character, throws tired punches within the constraints of its clichéd boxing ring. Thirty years since Rocky, the underdog from Philadelphia, graciously climbed into the ring and gave Apollo Creed a run for his money. Then a sequel was commissioned. And another one ... . And another. Until the negligently produced ‘Rocky V’ was released with its disappointing conclusion, leaving fans underwhelmed. Stallone too, discontent with the final product. Thus, the sixth title in the series was conceived, with Stallone starring, writing and directing the feature. Throughout the sequels, many tropes were repeatedly utilised to capitalise on the resounding success of the original instalment, after all it received the Best Picture award of ‘76. The training montage to “Gonna Fly Now”, the awkward conversational exchanges between Rocky and a potential love interest, the old optimistic monologue and Stallone attempting to demonstrate he isn’t just a masterpiece wax work by shedding one tear. All culminating into an emotional boxing match where it doesn’t matter who wins, “it’s about how many hits you can take, and still keep moving forward”. The narrative difference in all these thirty years? Rocky is older now. Fine, that was somewhat harsh. Stallone implements some note-worthy additions to the linear storytelling. The brooding aura of melancholy that envelops Rocky and Philadelphia, struggling to move on from the passing of his wife Adrian. This sorrowful force restraining Balboa to a mere relic within the sport that he fought so viciously in. Guests visiting his restaurant (aptly names “Adrian’s”) to intently listen to his tales, as if a museum piece for all to reminisce. Struggling to retain his symbolic status within boxing. The problem is, Stallone never progresses the plot. In fact, he maintained the narrative to be a simple yet dull nostalgia trip that relied heavily on sentimentality. A wearisome derivative of the original that, unfortunately, felt fatigued in terms of homaging certain plot points. The entire first act was Balboa moping around, despite Adrian passing years ago, embodying remorse. Stallone, as Rocky, nailed the consistency of his character. From the awkward dialogue to his emphatic mannerisms, he constantly reminded us that he is the only actor available to play this legendary cinematic character. Whilst Stallone’s performance was commendable, others not so much. There’s an underlying issue with insufficient chemistry between the actors. Stallone and Hughes, reprising the character of Marie, were decent if undercooked. Stallone and Ventimiglia on the other hand, who portrays his son, had nothing. All dialogue exchanges between them felt forced and lacked emotionality, particularly when Ventimiglia was “supporting” his father outside the ring. Young was passable as Paulie, although acting talent has diminished considerably over the years with his constant shouting. The third act boxing match was filmed concisely, with Stallone taking a distant approach in order to exploit the energy within the room. The corny punching sound effects were removed, with Stallone and Tarver actually throwing real punches. It certainly exhumed realism, if a tad pedestrian. However, Stallone then opted to embed unusual visualised effects within the fight to indicate Rocky’s thought process as he remembers past fights in search for vigour. Far too cheesy and cumbersome, breaking up the flow of the match with unnecessary slow motion. Rocky’s opponent Mason Dixon was severely underdeveloped, lacking strength within his motives as he yearns to be taken seriously as a heavyweight champion. Rocky Balboa will entertain fans of the franchise. It encompasses several vital narrative elements that many have learned to adore. However, for the casual audience who are neither here nor there regarding the series, it’s a drained formulaic story that depends too heavily on paying homage to its predecessors. Ultimately exhausting itself before the penultimate fight commences.
You know this was the story that SHOULD have been told in Rocky V, or at least this is the kind of story that should have been told. Unfortunately it is a story told sans Talia Shire, who along with Burt Young and Carl Weathers are Rocky staples... of course Creed was dead in the timeline, so his ... absence is excusable... but we all kind of wanted to see Adrian, and wanted another story that developed her especially since they kind of stopped developing her as of Rocky III and relegated her to the sidelines. But, you got to see a typical Rocky story. You got to see Rocky dig in and be inspiring again... and that is why we all love Rocky stories isn't it? Rovky V lacked the inspiration, Rocky Balboa came back with full force and it has continued though Creed, and, hopefully, when I get around to watching it, it will be there in Creed II as well. The magic is that it comes back to the Rocky I and II dynamic, where it's not just about boxing, it's about Rocky and his story. And that is what we all missed in III and IV, and was attempted but failed miserably in V. It felt like an early Rocky film, it felt like both an end and a rebirth of the franchise, and it was a very satisfying film to watch... especially given didn't really pull the punch we were all dreading and hit us full force.
**_Rocky as a has-been and, maybe, still-is_** It has been over 20 years since Rocky’s been in the ring. He runs his Italian restaurant in Philadelphia named after his wife while trying to get closer to his distant son, a corporate lawyer, and reacquainting with Marie (the troublesome girl he esc ... orted home in the first movie). When the surprising opportunity arises to return to the limelight, the fading boxer must discover if he still has his fighting spirit despite his age. "Rocky Balboa” (2006) was the sixth Rocky film, appearing sixteen years after the previous installment. Also known as “Rocky VI,” this is a fine way to end the proper series, although Sylvester Stallone says a seventh film, an epilogue, is being considered (and I hope materializes). To be expected, this one sticks to the tried-and-true Rocky formula, effectively showing where the key characters are at three decades after the original flick, plus introducing a few new faces, including an old canine named Punchy. Sure, it’s predictable, but it’s entertaining as it continues Rocky’s story in his mid-50s. Of course, the successful spin-off series, Creed, brought Rocky back in 2015 and 2018 with a third installment to be released this year. The film runs 1 hour, 42 minutes, and, was shot in Philadelphia, Los Angeles and Las Vegas. GRADE: B
Much like the previous two entries, Rocky Balboa has a lot going for it, but is held back in many key areas. The entire process that fuels Rocky to fight again is great. It is incredibly heartbreaking to see Rocky so down in his life, coping with the loss of his wife and his estranged relationshi ... p with his son. He is broken and needs an outlet for his pent-up anger and to gain a connection with his past life. This part worked excellently, but the online simulated fight gimmick that sparked the bout was ridiculous. The main villain was very underbaked and generic, causing the final fight to have very limited stakes. The final fight was pretty average as well. I felt as if they tried to replicate an actual boxing match in terms of presentation instead of delivering a true cinematic experience. This led to it being pretty difficult to watch with the bland presentation and terrible editing. I think the addition of Marie was pointless. It was nice to give Rocky a character from his past to fill the void left by Adrian, but the script was written in such a way that it felt more like a pseudo-love story. This was really awkward because Rocky’s true love was Adrian, and his connection to Marie was filmed in a romantic light, which took me out of the film entirely. Not to mention the fact that it was a child that he used to look out for in the first film, which felt kind of predatory. In my opinion, Marie's screen time should have been replaced by his son, giving them more time together to develop and mend their relationship. It would have worked much better. Overall, I think this film has one of the stronger plots since Rocky II, but I can’t help but feel it was wasted. The pacing was extremely slow, and some decisions that were made really limited my enjoyment of the film. I still think it is a decent entry, but one of my least favorites of the franchise. Score: 56% | Verdict: Decent