Ginger & Rosa
Friendship pulled them together. Love tore them apart.
2012 | 90m | English
Popularity: 1 (history)
| Director: | Sally Potter |
|---|---|
| Writer: | Sally Potter |
| Staring: |
| A look at the lives of two teenage girls - inseparable friends Ginger and Rosa -- growing up in 1960s London as the Cuban Missile Crisis looms, and the pivotal event the comes to redefine their relationship. | |
| Release Date: | Oct 18, 2012 |
|---|---|
| Director: | Sally Potter |
| Writer: | Sally Potter |
| Genres: | Drama |
| Keywords | poem, cold war, female friendship, troubled teen, protest march, political protest, woman director, 1960s, gay relationship, cautionary, teenager, depressing |
| Production Companies | Det Danske Filminstitut, BBC Film, Ingenious Media, Miso Film, BFI, The Match Factory, Media House Capital, Adventure Films |
| Box Office |
Revenue: $1,005,700
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Elle Fanning | Ginger |
| Alice Englert | Rosa |
| Christina Hendricks | Natalie |
| Alessandro Nivola | Roland |
| Timothy Spall | Mark |
| Annette Bening | Bella |
| Jodhi May | Anoushka |
| Oliver Platt | Mark Two |
| Oliver Milburn | Roger |
| Greg Bennett | Demo Policeman |
| Andrew Hawley | Tony |
| Richard Strange | Man at Dinner Party |
| Marcus Shakesheff | Teddy Boy Driver |
| Matt Hookings | Policeman |
| Philip Harvey | Demo Policeman |
| Andy Joy | Crucifer |
| Robin Harvey | CND Protester |
| Stephen Boxer | Police Doctor |
| Aine Garvey | Child Playing |
| Name | Job |
|---|---|
| Liz Griffiths | Set Decoration |
| James O'Donnell | Stunt Coordinator |
| Gary Arthurs | Stunts |
| Zarene Dallas | Stunts |
| Gary Hoptrough | Stunts |
| Derek Lea | Stunts |
| Belinda McGinley | Stunts |
| Ray Nicholas | Stunts |
| Tony van Silva | Stunts |
| Irene Lamb | Casting |
| Andrea Matheson | Art Direction |
| Anne Jensen | Sound Re-Recording Mixer |
| Martin Madsen | Title Designer, Visual Effects Supervisor |
| Hannah Walter | Costume Supervisor |
| Susan Kulkarni | Costumer |
| Dougie Hawkes | Costumer |
| Sarah Franzl | Stunts |
| Arran Topham | Stunts |
| Martin Wilde | Stunts |
| Nicola Dove | Still Photographer |
| Jonathan Acbard | Boom Operator |
| Matthew Hanson | First Assistant Director |
| Andrew Mannion | Second Assistant Director |
| Christian Rigg | Second Assistant Director |
| Darren Price | Third Assistant Director |
| Charmian Gradwell | Dialect Coach |
| Walter Donohue | Story Consultant |
| Sally Potter | Director, Writer |
| Robbie Ryan | Director of Photography |
| Anders Refn | Editor |
| Carlos Conti | Production Design |
| Heidi Levitt | Casting |
| Holly Waddington | Costume Design |
| Eddie Simonsen | Supervising Sound Editor |
| Cristian Knight | Stunts |
| Name | Title |
|---|---|
| Christopher Sheppard | Producer |
| Andrew Litvin | Producer |
| Paula Alvarez Vaccaro | Executive Producer |
| Reno Antoniades | Executive Producer |
| Joe Oppenheimer | Executive Producer |
| Aaron L. Gilbert | Executive Producer |
| Heidi Levitt | Executive Producer |
| Organization | Category | Person | |
|---|---|---|---|
| BAFTA Awards | Best Supporting Actress | Annette Bening | Won |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 16 | 28 | 11 |
| 2024 | 5 | 17 | 29 | 11 |
| 2024 | 6 | 17 | 43 | 9 |
| 2024 | 7 | 16 | 38 | 8 |
| 2024 | 8 | 13 | 22 | 8 |
| 2024 | 9 | 10 | 17 | 6 |
| 2024 | 10 | 11 | 21 | 6 |
| 2024 | 11 | 13 | 36 | 5 |
| 2024 | 12 | 10 | 19 | 5 |
| 2025 | 1 | 10 | 21 | 5 |
| 2025 | 2 | 8 | 13 | 3 |
| 2025 | 3 | 5 | 11 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 2 | 4 | 2 |
| 2025 | 11 | 1 | 2 | 1 |
Trending Position
Very finely acted, but <em>'Ginger & Rosa'</em> ends up being something that wouldn't look out of place on <em>'EastEnders'</em>. I'll start with the positives. The cast are terrific. Elle Fanning (Ginger) and Alice Englert (Rosa) are very good together, both impress. Alessandro Nivola gives a st ... rong performance also. Away from them, I really enjoy how it's all filmed visually. The plot, meanwhile, isn't the greatest. It builds up fairly nicely, though unfortunately concludes in more soap opera fashion; just against a deafening backdrop of politics and war. It isn't anything particularly bad, I did enjoy it, but it definitely cheapens events a tad; especially as it feels like the filmmakers are aiming for something more deeper in meaning. I'd still say this is worth a watch, admittedly that's mainly thanks to Fanning & Co.