The Great Man
Everybody loved the Great Man except those who hated his guts!
1956 | 92m | English
Popularity: 0.9 (history)
| Director: | José Ferrer |
|---|---|
| Writer: | José Ferrer, Al Morgan |
| Staring: |
| Joe Harris, preparing a eulogy for popular radio commentator Herb Fuller, finds that nobody has a good word to say about him. | |
| Release Date: | Dec 01, 1956 |
|---|---|
| Director: | José Ferrer |
| Writer: | José Ferrer, Al Morgan |
| Genres: | Drama |
| Keywords | based on novel or book, behind the scenes, reporter, whitewashing |
| Production Companies | Universal International Pictures |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2026 Entered: Apr 29, 2024 |
| Name | Character |
|---|---|
| José Ferrer | Joe Harris |
| Dean Jagger | Philip Carleton |
| Keenan Wynn | Sid Moore |
| Julie London | Carol Larson |
| Joanne Gilbert | Ginny |
| Ed Wynn | Paul Beaseley |
| Jim Backus | Nick Cellantano |
| Russ Morgan | Eddie Brand |
| Edward Platt | Dr. O'Conner (as Edward C. Platt) |
| Robert Foulk | Mike Jackson |
| Lyle Talbot | Harry Connors |
| Vinton Hayworth | Charley Carruthers |
| Henny Backus | Mrs. Rieber |
| Vikki Dougan | Receptionist |
| Robert Schwartz | Mailboy |
| Janie Alexander | Mary Browne |
| Name | Job |
|---|---|
| José Ferrer | Director, Screenplay |
| Al Morgan | Novel, Screenplay |
| Harold Lipstein | Director of Photography |
| Richard H. Riedel | Art Direction |
| Eric Orbom | Art Direction |
| Leslie I. Carey | Sound |
| Russell A. Gausman | Set Decoration |
| Ruby R. Levitt | Set Decoration |
| Frank H. Wilkinson | Sound |
| Sherman Todd | Editor |
| Albrecht Joseph | Editor |
| Bill Thomas | Costume Design |
| Joan St. Oegger | Hairstylist |
| Phil Bowles | Assistant Director |
| Leon Charles | Dialogue |
| Herman Stein | Music |
| Joseph Gershenson | Music Supervisor |
| Bud Westmore | Makeup Artist |
| Name | Title |
|---|---|
| Aaron Rosenberg | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 2 | 5 | 1 |
| 2024 | 5 | 3 | 6 | 1 |
| 2024 | 6 | 2 | 8 | 1 |
| 2024 | 7 | 4 | 8 | 1 |
| 2024 | 8 | 4 | 9 | 2 |
| 2024 | 9 | 3 | 7 | 1 |
| 2024 | 10 | 5 | 15 | 1 |
| 2024 | 11 | 2 | 6 | 1 |
| 2024 | 12 | 2 | 6 | 1 |
| 2025 | 1 | 2 | 3 | 1 |
| 2025 | 2 | 1 | 2 | 1 |
| 2025 | 3 | 1 | 2 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 2 | 2 | 1 |
| 2025 | 10 | 3 | 3 | 2 |
| 2025 | 11 | 1 | 2 | 0 |
| 2025 | 12 | 1 | 3 | 0 |
| 2026 | 1 | 1 | 7 | 0 |
| 2026 | 2 | 0 | 0 | 0 |
Trending Position
When national treasure "Fuller" dies, it falls to his erstwhile radio colleague "Joe"(José Ferrer) to put together the traditionally adulatory obituary programme, and so he routinely sets about gathering information and comments from the man's contemporaries. Quite quickly, though, he begins to disc ... over that maybe this man wasn't as pure as the driven snow after all. Indeed, though people don't wish to speak ill of the dead to a microphone, there are soon no shortage of detractors assessing his character and posing quite a quandary for "Joe". Meantime, there's some internal politicking going at the station as his boss (Dean Jagger) sort of promises him the man's shoes if he delivers a positive, glowing, hour of tribute so "Joe" has to choose. Does he go with the flow or does he expose the man? Ferrer delivers competently enough here and the story is one that resonates quite potently across a society that never really feels comfortable being unkind to the dead - however fake their façade they'd presented. It all comes to an head using a conversation between "Joe" and "Beaseley" (Ed Wynn) who delivers us the best, most insightful, ten minutes of the film and poses some interesting questions about where we might draw our own lines. When it comes to the broadcast, what will "Joe" do?