Popularity: 2 (history)
| Director: | Nagisa Ōshima |
|---|---|
| Writer: | Nagisa Ōshima, Laurens van der Post, Paul Mayersberg |
| Staring: |
| Island of Java, 1942, during World War II. British Major Jack Celliers arrives at a Japanese prison camp, run by the strict Captain Yonoi. Colonel John Lawrence, who has a profound knowledge of Japanese culture, and Sergeant Hara, brutal and simpleton, will witness the struggle of wills between two men from very different backgrounds who are tragically destined to clash. | |
| Release Date: | May 28, 1983 |
|---|---|
| Director: | Nagisa Ōshima |
| Writer: | Nagisa Ōshima, Laurens van der Post, Paul Mayersberg |
| Genres: | Drama, History, War |
| Keywords | based on novel or book, war crimes, world war ii, prisoner of war, pacific war, court martial, prison camp, meditative, 1940s, java, indonesia, depressing, complicated, distressing, frustrated |
| Production Companies | National Film Trustee Company, Asahi Broadcasting Corporation, Recorded Picture Company, Broadbank Investments, Oshima Productions, Antares-Nova |
| Box Office |
Revenue: $2,306,560
Budget: $0 |
| Updates |
Updated: Dec 25, 2025 Entered: Dec 25, 2025 |
| Name | Character |
|---|---|
| David Bowie | Celliers |
| Tom Conti | Lawrence |
| Ryuichi Sakamoto | Yonoi |
| Takeshi Kitano | Hara |
| Jack Thompson | Hicksley |
| Johnny Ohkura | Kanemoto |
| Alistair Browning | De Jong |
| James Malcolm | Celliers' Brother |
| Chris Broun | Celliers (12 Years) |
| Yuya Uchida | Commandant of Military Prison |
| Ryūnosuke Kaneda | President of the Court |
| Takashi Naito | Lieutenant Iwata |
| Tamio Ishikura | Prosecutor |
| Rokkō Toura | Interpreter |
| Kan Mikami | Lieutenant Itō |
| Yūji Honma | PFC Yajima |
| Daisuke Iijima | Corporal Ueki |
| Hideo Murota | New Commandant of Camp |
| Barry Dorking | Chief Doctor |
| Geoff Clendon | Australian Doctor |
| Grant Bridger | P.O.W. Officer |
| Richard Adams | P.O.W. #1 |
| Geoff Allen | P.O.W. #2 |
| Michael Baxter-Lax | P.O.W. #3 |
| Mark Berg | P.O.W. #4 |
| Marcus Campbell | P.O.W. #5 |
| Colin Francis | P.O.W. #6 |
| Richard Hensby | P.O.W. #7 |
| Richard Hoare | P.O.W. #8 |
| Martin Ibbertson | P.O.W. #9 |
| Rob Jayne | P.O.W. #10 |
| Richard Mills | P.O.W. #11 |
| Mark Penrose | P.O.W. #12 |
| Arthur Ranford | P.O.W. #13 |
| Steve Smith | P.O.W. #14 |
| Stephen Taylor | P.O.W. #15 |
| Richard Zimmerman | P.O.W. #16 |
| Ian Miller | English Guard |
| Don Stevens | Pastor |
| Yōichi Iijima | Japanese Soldier #1 |
| Satoshi Itō | Japanese Soldier #2 |
| Masaki Kusakabe | Japanese Soldier #3 |
| Kunihide Kuruma | Japanese Soldier #4 |
| Hiroshi Mikami | Japanese Soldier #5 |
| Akihiro Masuda | Japanese Soldier #6 |
| Tokuhisa Masuda | Japanese Soldier #7 |
| Takeshi Nagasawa | Japanese Soldier #8 |
| Takashi Odashima | Japanese Soldier #9 |
| Masanori Okada | Japanese Soldier #10 |
| Shoetsu Sato | Japanese Soldier #11 |
| Rintaro Shibata | Japanese Soldier #12 |
| Masamichi Shibasaki | Japanese Soldier #13 |
| Kaname Shimura | Japanese Soldier #14 |
| Kenzo Shirahama | Japanese Soldier #15 |
| Hisao Takeda | Japanese Soldier #16 |
| Hidenobu Togo | Japanese Soldier #17 |
| Atsuo Yamashita | Japanese Soldier #18 |
| Heiwa Yoshihara | Japanese Soldier #19 |
| Takeshi Yū | Japanese Soldier #20 |
| Name | Job |
|---|---|
| Nagisa Ōshima | Director, Screenplay |
| Tomoyo Oshima | Editor |
| Tōichirō Narushima | Director of Photography |
| Raijin Nakahata | Continuity |
| Warren Mearns | Gaffer |
| Shōichi Yasuda | Property Master |
| Christine West | Wardrobe Supervisor |
| Glenis Daly | Hairdresser |
| Mike Westgate | Sound Recordist |
| Ken George | Still Photographer |
| Takashi Ueno | Still Photographer, Casting |
| Laurens van der Post | Novel |
| Ryuichi Sakamoto | Original Music Composer |
| Jonty Barraud | Second Assistant Director |
| Masaru Arakawa | Set Dresser |
| Paul Mayersberg | Screenplay |
| Lee Tamahori | First Assistant Director |
| Brian Harris | Key Grip |
| Andrew Sanders | Art Direction |
| Antony Clavet | Makeup Supervisor |
| Robern Pickering | Key Makeup Artist |
| Eugene Arts | Boom Operator |
| Akira Honma | Sound Effects |
| Diana Rowan | Casting |
| Shigemasa Toda | Production Design |
| Hiroaki Sugimura | Camera Operator |
| Name | Title |
|---|---|
| Terry Glinwood | Executive Producer |
| Geoffrey Nethercott | Executive Producer |
| Joyce Herlihy | Associate Producer |
| Masato Hara | Executive Producer |
| Eiko Oshima | Executive Producer |
| Jeremy Thomas | Producer |
| Larry Parr | Associate Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 21 | 35 | 13 |
| 2024 | 5 | 23 | 31 | 13 |
| 2024 | 6 | 20 | 36 | 12 |
| 2024 | 7 | 26 | 49 | 14 |
| 2024 | 8 | 20 | 39 | 13 |
| 2024 | 9 | 17 | 29 | 8 |
| 2024 | 10 | 19 | 36 | 9 |
| 2024 | 11 | 22 | 43 | 11 |
| 2024 | 12 | 20 | 31 | 13 |
| 2025 | 1 | 17 | 21 | 12 |
| 2025 | 2 | 12 | 19 | 3 |
| 2025 | 3 | 7 | 20 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 2 | 2 | 1 |
| 2025 | 6 | 3 | 4 | 1 |
| 2025 | 7 | 2 | 3 | 1 |
| 2025 | 8 | 2 | 2 | 1 |
| 2025 | 9 | 3 | 5 | 1 |
| 2025 | 10 | 2 | 3 | 1 |
| 2025 | 11 | 2 | 3 | 1 |
| 2025 | 12 | 2 | 4 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 12 | 716 | 716 |
This offers a really poignant look at what we might describe as mutual insanity. "Maj. Celliers" (David Bowie) is convicted by the occupying Japanese on the island of Java on citing rebellion. With hindsight, perhaps he would rather not have been, but he is spared the firing squad and sent to the PO ... W camp of "Col Yonoi" (Ryuichi Sakamoto) who leaves much of the day to day brutality to his henchman "Sgt. Hara" (Takeshi Kitano). Also interned is "Col. Lawrence" (a strong performance from Tom Conti) who knows a thing or two about the culture of their "hosts" and tries, as best he can, to mediate and mitigate their worst excesses. What now ensues depicts the brutality - physical and psychological employed by the sadistic "Hara" whilst interspersed with some retrospectives giving us some of the back-story of "Celliers" and his life of privilege back home. The production is rich and alluring to watch; Bowie and Sakamoto both look beautiful here - and perhaps that adds to the potency of the cruelty of the latter more. The gist of the story calls into question an whole range of emotions from the more visceral to the more profound and though it is probably a bit too long, the powerfully emotive performances are captivating. Bowie maybe wasn't the best actor ever, but here he excels and with Sakamoto provides something really quite thought provoking.