Popularity: 1 (history)
Director: | Albert Hughes, Allen Hughes |
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Writer: | Michael Henry Brown, Albert Hughes, Allen Hughes |
Staring: |
On the streets they call cash dead presidents. And that's just what a Vietnam veteran is after when he returns home from the war only to find himself drawn into a life of crime. With the aid of his fellow vets he plans the ultimate heist -- a daring robbery of an armored car filled with unmarked U.S. currency! | |
Release Date: | Sep 29, 1995 |
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Director: | Albert Hughes, Allen Hughes |
Writer: | Michael Henry Brown, Albert Hughes, Allen Hughes |
Genres: | Action, Crime |
Keywords | post-traumatic stress disorder (ptsd), drug abuse, war veteran, vietnam, heist, money, loss of virginity, redemption, revolutinoary, mercy killing, armored truck, bronx, new york city, medic, 1960s |
Production Companies | Caravan Pictures, Underworld Pictures, Hollywood Pictures |
Box Office |
Revenue: $24,100,000
Budget: $10,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Job |
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Michael Henry Brown | Screenplay |
Danny Elfman | Music, Original Music Composer |
Lisa Rinzler | Director of Photography |
Bryan Scott | ADR Voice Casting |
Kenneth Hardy | Art Direction |
Lance Anderson | Makeup Artist, Special Effects Key Makeup Artist |
Paul A. Simmons Jr. | Costume Design |
Randy Ostrow | Unit Production Manager |
Dan Lebental | Editor |
H.H. Cooper | Second Assistant Director, First Assistant Director |
Elise Bennett | Assistant Art Director |
Dale M. Nielsen | Second Assistant Director |
David Brisbin | Production Design |
Wilfred Caban | Special Effects Manager |
Karin Wiesel | Set Decoration |
Sharyn Cordice | Makeup Artist, Assistant Makeup Artist |
Sharon Graham | Costumer |
Albert Hughes | Writer, Director |
Allen Hughes | Writer, Director |
Risa Bramon Garcia | Casting |
Mary Vernieu | Casting |
Jeff Ward | Stunt Coordinator, Second Unit Director |
Steve Kirshoff | Special Effects Coordinator |
Karim Aïnouz | Assistant Editor |
Henry Kingi Jr. | Stunts |
Roy Farfel | Stunts |
Dwight Williams | Unit Production Manager |
Joseph Ray | First Assistant Director |
Heidi McGowen | Second Second Assistant Director |
Brent Owens | Location Manager |
Anastas N. Michos | Camera Operator |
John Sosenko | Camera Operator |
Alec Boehm | First Assistant Camera |
Christopher T. Paul | Second Assistant Camera |
David Waterston | "B" Camera Operator, Second Unit Director of Photography |
Jonathan Weaver | Camera Loader |
K.C. Bailey | Still Photographer |
Frank Stettner | Sound Mixer |
Keith Gardner | Boom Operator |
Scott P. Murphy | Assistant Art Director |
Michele Monterio | Art Department Coordinator |
Kevin Ladson | Property Master |
Jann McClary | Props |
Paul Weathered | Props |
Claudette Didul | Assistant Set Decoration |
Peter Gelfman | Leadman |
Anne Wenniger | Set Dresser |
David Scott Gagnon | Set Dresser |
William M. Scheck | Set Dresser |
Byron K. Lovelace | Set Dresser |
Jon Farhat | Visual Effects Supervisor |
Donna Berwick | Assistant Costume Designer |
Dana Campbell | Costume Supervisor |
Jennifer Bryan | Costume Supervisor |
Yolanda Carter | Costumer |
Ted Long | Key Hair Stylist |
Annie M. DeMille | Assistant Hairstylist |
Ellie Winslow | Key Makeup Artist |
Barbara Tuss | Script Supervisor |
Bill O'Leary | Gaffer |
William Moore | Best Boy Electric |
Jeremy Knaster | Electrician |
Richie Ford | Rigging Gaffer |
Greg Addison | Electrician |
Dennis Gamiello | Key Grip |
Brian Fitzsimons | Best Boy Grip |
John Lowry | Rigging Grip |
Edward W. Lowry | Dolly Grip |
Richie Montgomery | Grip |
John Farina | Grip |
Kevin P. Williams | Grip |
Phillipa Davis | Production Coordinator |
Katreniah L. Washington | Production Secretary |
Mike Phillips | Production Accountant |
J. Max Ruschak | First Assistant Accountant |
Victoria Brown McCready | Assistant Accountant |
Joe Buda | Payroll Accountant |
Ria Pavia | Casting Associate |
Ángela Núñez | Casting Associate |
Winsome Sinclair | Extras Casting |
Dale Watkins | Assistant Location Manager |
R.W. Dixon | Assistant Location Manager |
Jay Horne | Location Assistant |
Charles E. Yates | Location Assistant |
Maria Christina Williams | Location Coordinator |
Nick Miller | Construction Coordinator |
Brent Haywood | Construction Foreman |
David Vaccari | Casting Associate |
Pamela Chmiel | First Assistant Editor |
Ann Jackman | Assistant Editor |
John LaSalandra | Supervising Music Editor |
E. Gedney Webb | Music Editor |
Steve Bartek | Orchestrator |
Marc Mann | Orchestrator |
Steven D. Williams | Supervising Sound Editor |
Harry Cohen | Sound Designer |
Tim Gedemer | Sound Effects Editor |
Ann Scibelli | Sound Effects Editor |
David Farmer | Sound Effects Editor |
Mike Moser | Sound Effects Editor |
Ricardo Broadus | Sound Effects Editor |
Nora Felder | Music Coordinator |
Jason King | Dialogue Editor |
William Dotson | Dialogue Editor |
Marty Vites | Dialogue Editor |
Bobbi Banks | ADR Supervisor |
Jeff Courtie | ADR Mixer |
Evelyn Hokanson | ADR Recordist |
Cathie Speakman | ADR Editor |
Eric Thompson | Foley Mixer |
Jeff Vaughn | Foley Editor |
Gregg Barbanell | Foley Artist |
Vince Nicastro | Foley Artist |
Barbara Harris | ADR Voice Casting |
Craig Bankey | Unit Publicist |
David Cooney | Storyboard Artist |
Duke Crawford | Storyboard Artist |
Tracey Hinds | Key Production Assistant |
Joe Facey | Craft Service |
James Leavey | Transportation Captain |
Harry J. Leavey | Transportation Co-Captain |
Name | Title |
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Darryl Porter | Executive Producer |
Albert Hughes | Producer |
Allen Hughes | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 22 | 33 | 13 |
2024 | 5 | 24 | 45 | 16 |
2024 | 6 | 23 | 39 | 10 |
2024 | 7 | 21 | 31 | 12 |
2024 | 8 | 20 | 35 | 11 |
2024 | 9 | 18 | 34 | 10 |
2024 | 10 | 16 | 23 | 9 |
2024 | 11 | 18 | 31 | 12 |
2024 | 12 | 17 | 30 | 11 |
2025 | 1 | 19 | 36 | 12 |
2025 | 2 | 11 | 19 | 3 |
2025 | 3 | 5 | 16 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 2 | 2 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 1 | 1 | 1 |
Trending Position
Brothers In Arms. Albert and Allen Hughes direct, produce and co-write (with Michael Henry Brown) this tale about Anthony Curtis (Larenz Tate), a South Bronx boy who goes off to fight in Vietnam, to then return after his tours of duty to find things just aren't the same anymore. The follow up to ... their incendiary debut, Menace II Society, the Hughes brothers deliver another in your face picture that is quite frankly on a perpetual downer. This is no bad thing, though, as long as you are not looking to be cheered up. That's Uncle Sam for you! Mean Green. The pic very much harks back to the glory days of film noir in the 40s and 50s, where some talented film makers began to tell stories of returning war veterans finding what they left behind is now alien to them - with some characters, as is the case here - deeply scarred by their experiences. Add in some gangster elements and the coup de grâce that is the scintillating heist, and clearly the brothers have seen many an old classic film. That the narrative is tried and tested stops the piece hitting greater heights, this in spite of some super acting (especially Tate and the always value for money Keith David) and the hard hitting violence that pierces the senses. Predictable yet potent, and certainly memorable, it's well worth a look for the tough of mind and the classic era film of heart. 7/10
The fairly charismatic Larenz Tate tries quite hard here as "Curtis", a lad with potential who falls in with petty criminal "Kirby" (Keith David) before enlisting in the US Marines to go and fight in Vietnam. After the war, he returns to his girlfriend "Juanita" (Rose Jackson) and his four year old ... daughter - but acclimatising to his new situation proves too difficult leading him to reunite with his wartime colleagues to carry out a daring armoured car heist. The story is pretty formulaic and the actors are rarely challenged by the lacklustre script - that does little to develop any characterisations - and the largely unimaginative direction. There is a missed opportunity to look at the post war trauma and loneliness; the sense of abandonment felt by many soldiers returning home after the intensity of conflict - but nope, nothing really doing here on that front. The photography has it's moments and the ending is lively, but sadly this film is just all a bit too entrenched in stereotype and a well trammelled plot that is far too long and misses way more than it hits.
Bank robbery movie. The planning they do is next to none. Awesome action but also pretty sad. ...