Popularity: 13 (history)
| Director: | Dwight H. Little |
|---|---|
| Writer: | John Claflin, Michael Miner, Hans Bauer, Jim Cash, Daniel Zelman, Edward Neumeier, Jack Epps Jr. |
| Staring: |
| A scientific expedition sets out for Borneo to seek a flower called the Blood Orchid, which could grant extended life. Meanwhile, they run afoul of snakes and each other. | |
| Release Date: | Aug 25, 2004 |
|---|---|
| Director: | Dwight H. Little |
| Writer: | John Claflin, Michael Miner, Hans Bauer, Jim Cash, Daniel Zelman, Edward Neumeier, Jack Epps Jr. |
| Genres: | Adventure, Action, Horror |
| Keywords | predator, snake, expedition, traitor, research, orchid, borneo, survival, jungle, anaconda, stormy night, kalimantan, animal horror |
| Production Companies | Columbia Pictures, Screen Gems, Middle Fork Productions |
| Box Office |
Revenue: $70,992,898
Budget: $20,000,000 |
| Updates |
Updated: Aug 24, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Johnny Messner | Bill Johnson |
| KaDee Strickland | Sam Rogers |
| Matthew Marsden | Dr. Jack Byron |
| Nicholas Gonzalez | Dr. Ben Douglas |
| Eugene Byrd | Cole Burris |
| Karl Yune | Tran |
| Salli Richardson-Whitfield | Gail Stern |
| Morris Chestnut | Gordon Mitchell |
| Andy Anderson | John Livingston |
| Nicholas Hope | Christian Van Dyke |
| Peter Curtin | Lawyer |
| Denis Arndt | CEO |
| Khoa Do | Lead Lopak Hunter |
| Aireti | Lopak Hunter |
| Andre Tandjung | Bartender |
| Name | Job |
|---|---|
| John Claflin | Screenplay |
| Michael Miner | Screenplay |
| Nerida Tyson-Chew | Original Music Composer, Conductor |
| Marcus D'Arcy | Editor |
| Mark Warner | Editor |
| Hans Bauer | Story |
| Jim Cash | Story |
| Justine Arteta | Casting |
| Bryce Perrin | Production Design |
| Brian Edmonds | Supervising Art Director |
| Jill Eden | Set Decoration |
| Terry Ryan | Costume Design |
| Dilys Tan | Art Department Coordinator |
| Peter 'Babylon' Owens | Art Direction |
| Miriam Johnson | Assistant Art Director |
| Warren Beaton | Production Illustrator |
| Jenny Hitchcock | Set Designer |
| Frank Hruby | Camera Operator |
| Jem Rayner | First Assistant Camera |
| Ian Bird | Grip |
| John Trapman | Helicopter Camera |
| Jasin Boland | Still Photographer |
| Simon Christidis | Underwater Camera |
| Kate Birch | Hairstylist |
| Zeljka Stanin | Key Hair Stylist |
| Megan Dwyer | Hairdresser, Makeup Artist |
| Nik Dorning | Prosthetic Supervisor |
| Nicki Gardiner | Set Dressing Artist |
| Angus Cameron | Digital Effects Supervisor |
| Spencer Faulkner | Swing, Driver |
| Sean Genders | Makeup Effects |
| Gordon MacPhail | Post Production Supervisor |
| Richie Dehne | Property Master |
| John Charles | Software Engineer |
| Marianne Evans | Special Effects Coordinator |
| Glenn Ruehland | Stunt Coordinator |
| Sylvan Dieckmann | Technical Supervisor |
| Liz DiFiore | Unit Production Manager |
| Luis Olivares | Video Assist Operator |
| Paul Booth | Visual Effects Editor |
| Jamie Crooks | Assistant Director |
| Nada Mikaš | Dialogue Editor |
| Alicia Gleeson | First Assistant Editor |
| Gillian Huxley | Best Boy Electric |
| Karl Engeler | Gaffer |
| Leo Richmond | Lighting Technician |
| Henare Mato | Rigging Gaffer |
| Jason Bogard | Production Accountant |
| Arwen Munro | Production Coordinator |
| Ray Hennessy | Production Manager |
| Mark J. Wasiutak | Boom Operator |
| William Ward | First Assistant Sound Editor |
| Linda Murdoch | Music Editor |
| Pilar McCurry | Music Supervisor |
| Kirke Godfrey | Sound Designer |
| Gary Wilkins | Sound Mixer |
| Andrew Plain | Supervising Sound Editor |
| Marten Blumen | Digital Compositors |
| Tad Pride | Special Effects Supervisor |
| Andrew Butler | Visual Effects |
| Dale Duguid | Visual Effects Supervisor |
| Antonio Mestres | Additional Editing |
| Brendon 'Moose' Boyd | Unit Manager |
| Diana Freeman | Costume Coordinator |
| Sandi Cichello | Costumer |
| Fiona Nicolls | Key Costumer |
| Jason Faulkner | Second Assistant Director |
| Bish Bishop | Third Assistant Director |
| Julia Holden | Storyboard Artist |
| Damian Candusso | ADR Editor |
| Howard London | ADR Mixer |
| Paul Korber | Assistant Dialogue Editor |
| Blair Slater | Foley Mixer |
| Kent Miklenda | Special Effects Manager |
| James Howe | Special Effects Technician |
| Renee Bowen | Stunt Double |
| Marc Windon | Assistant Camera |
| Martin Fargher | Dolly Grip |
| Ben King | Second Assistant Camera |
| Matthew Ozerski | Assistant Editor |
| Tristan La Fontaine | Colorist |
| Ernst W. Laurel | First Assistant Accountant |
| Jessica Walsh | Production Assistant |
| Richard Harrah | Production Executive |
| Judy Dale | Production Secretary |
| Leo Henry | Pyrotechnician |
| Kristin Kruger | Second Assistant Accountant |
| Andy Robinson | Scenic Artist |
| Ashley Fairfield | Stunt Double |
| Sheree Swords | Stunt Double |
| Dwight H. Little | Director |
| Daniel Zelman | Screenplay |
| Edward Neumeier | Screenplay |
| Stephen F. Windon | Director of Photography |
| Jack Epps Jr. | Story |
| Augie Davis | Stunts |
| Mark Wareham | Second Unit Director |
| Duncan Jones | Location Assistant |
| Kevin Donovan | Rigging Grip |
| Bill Boston | Orchestrator |
| Pippa Anderson | Visual Effects Producer |
| Name | Title |
|---|---|
| Verna Harrah | Producer |
| Jacobus Rose | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 43 | 56 | 29 |
| 2024 | 5 | 47 | 68 | 33 |
| 2024 | 6 | 49 | 90 | 32 |
| 2024 | 7 | 46 | 67 | 34 |
| 2024 | 8 | 64 | 82 | 32 |
| 2024 | 9 | 54 | 70 | 36 |
| 2024 | 10 | 43 | 74 | 28 |
| 2024 | 11 | 47 | 89 | 35 |
| 2024 | 12 | 38 | 51 | 27 |
| 2025 | 1 | 37 | 54 | 29 |
| 2025 | 2 | 35 | 52 | 8 |
| 2025 | 3 | 18 | 52 | 3 |
| 2025 | 4 | 5 | 6 | 4 |
| 2025 | 5 | 6 | 7 | 5 |
| 2025 | 6 | 5 | 7 | 3 |
| 2025 | 7 | 4 | 5 | 3 |
| 2025 | 8 | 4 | 6 | 3 |
| 2025 | 9 | 8 | 10 | 6 |
| 2025 | 10 | 6 | 9 | 3 |
| 2025 | 11 | 5 | 13 | 3 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 826 | 889 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 413 | 751 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 413 | 728 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 810 | 879 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 444 | 472 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 425 | 647 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 510 | 767 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 867 | 932 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 479 | 745 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 987 | 987 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 928 | 958 |