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The Big Pond Poster

The Big Pond

1930 | 72m | English

(370 votes)

TMDb IMDb

Popularity: 0.8 (history)

Details

A singing Frenchman meets an American heiress and gets a job at her father's chewing-gum factory.
Release Date: May 03, 1930
Director: Hobart Henley
Writer: Garrett Fort, Robert Presnell Sr.
Genres: Comedy, Romance
Keywords daughter, tour guide, pre-code
Production Companies Paramount Pictures
Box Office Revenue: $0
Budget: $0
Updates Updated: Jan 29, 2026
Entered: May 02, 2024
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Full Credits

Name Character
Maurice Chevalier Pierre Mirande
Claudette Colbert Barbara Billings
George Barbier Mr. Billings
Marion Ballou Mrs. Billings
Andrée Corday Toinette
Frank Lyon Ronnie
Nat Pendleton Pat O'Day
Elaine Koch Jennie
Name Job
Hobart Henley Director
Garrett Fort Story
Robert Presnell Sr. Story
A.E. Thomas Theatre Play
George Middleton Theatre Play
Emma Hill Editor
Caroline Putnam Costume Design
Ernest Zatorsky Sound
Pierre Norman Original Music Composer
Preston Sturges Dialogue
George J. Folsey Director of Photography
Johnny Green Music Arranger
Name Title
Monta Bell Producer
Organization Category Person
Popularity Metrics

Popularity History


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2024 7 3 12 1
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2026 1 0 1 0
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Reviews

Geronimo1967
6.0

Once it gets going, this is quite a fun vehicle for Maurice Chevalier as he falls in love with a chewing gum heiress. “Pierre” accompanies “Barbara” (Claudette Colbert) to her American home where her father (George Barbier) has his name on just about everything. He is quite a shrewd old gent, so rat ... her than row with his loved-up daughter he offers her beau a job. Now we are not talking about an highly paid office job with an expense account, no. We are talking about a factory floor opportunity where his foreman has been charged with making his life as awkward as possible. Meantime, “Ronnie” (Frank Lyon) has always had designs on “Barbara” and so misses no opportunity to malign his European competitor. When one of dad’s grand designs to get “Pierre” fired ends up delivering unexpectedly profitable results, the relationship dynamics change all around, but as “Pierre” nears his goals of self-sufficiency might “Barbara” begin to lose interest in what he has had to become to achieve those? I could have done with more of Colbert. She features all too sparingly after the opening scenes in Venice, and it’s that light-heartedness that works best for this simple comedy. That said, Barbier puts some enjoyable effort in and the plot has something of the Roald Dahl to it, too. It’s a gentle comedy, predicable but amiable and it kills an hour effortlessly.

Jan 09, 2026