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Operator 13 Poster

Operator 13

A TRICK OF FATE MADE THEM BOTH ENEMY AND LOVER.
1934 | 82m | English

(1562 votes)

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Popularity: 0.5 (history)

Details

American Civil War, 1862. After the disaster of the Second Battle of Bull Run, Major Allen, chief of the Secret Service of the Union, asks actress Gail Loveless to become one of his operators and infiltrate enemy territory.
Release Date: Jun 08, 1934
Director: Richard Boleslawski
Writer: Herman J. Mankiewicz, Harvey F. Thew, Zelda Sears, Eve Greene
Genres: Romance, War, Drama
Keywords female spy, pre-code, based on short story, american civil war, confederate spy, 19th century
Production Companies Metro-Goldwyn-Mayer
Box Office Revenue: $0
Budget: $0
Updates Updated: Jan 28, 2026
Entered: Apr 25, 2024
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Full Credits

Name Character
Marion Davies Gail Loveless
Gary Cooper Captain Jack Gailliard
Jean Parker Eleanor
Katharine Alexander Pauline
Ted Healy Doctor Hitchcock
Russell Hardie Littledale
Henry Wadsworth John Pelham
Douglass Dumbrille General Stuart
Willard Robertson Captain Channing
Fuzzy Knight Sweeney
Sidney Toler Major Allen
Robert McWade Colonel Sharpe
Marjorie Gateson Mrs. Shackleford
Wade Boteler Gaston
Walter Long Operator 55
Donald Mills Medicine Show Singer
Harry Mills Medicine Show Singer
Herbert Mills Medicine Show Singer
John Mills Medicine Show Singer
Sam McDaniel Rufus (uncredited)
Francis McDonald Denton (uncredited)
Reginald Barlow Colonel Storm (uncredited)
Hattie McDaniel Annie (uncredited)
Clarence Wilson Josiah Claybourne (uncredited)
Franklin Parker John Hay (uncredited)
John Larkin Fisherman (uncredited)
E. Alyn Warren General Ulysses S. Grant (uncredited)
Etta Moten Slave At Medicine Show (uncredited)
Sterling Holloway Wounded Union Soldier (uncredited)
Curly Howard Confederate Soldier (uncredited)
Madame Sul-Te-Wan Slave at Medicine Show ( Uncredited)
Martin Turner Hickman
Name Job
Cedric Gibbons Art Direction
Douglas Shearer Sound Director
A. Arnold Gillespie Art Direction
Edwin B. Willis Art Direction
Adrian Costume Designer
Herman J. Mankiewicz Writer
Frank Sullivan Editor
George J. Folsey Director of Photography
William Axt Original Music Composer
Walter Donaldson Songs
Gus Kahn Songs
Robert W. Chambers Short Story
Harvey F. Thew Screenplay
Zelda Sears Screenplay
Eve Greene Screenplay
Richard Boleslawski Director
Name Title
Lucien Hubbard Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 5 13 1
2024 5 6 15 2
2024 6 5 13 1
2024 7 7 13 3
2024 8 7 12 4
2024 9 3 7 2
2024 10 7 12 3
2024 11 3 9 1
2024 12 2 5 1
2025 1 5 13 1
2025 2 3 5 1
2025 3 4 8 1
2025 4 1 1 1
2025 5 1 1 1
2025 6 1 1 1
2025 7 0 1 0
2025 8 1 2 0
2025 9 3 4 2
2025 10 4 4 3
2025 11 3 5 2
2025 12 2 5 0
2026 1 0 0 0
2026 2 0 0 0

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Reviews

Geronimo1967
6.0

Well if you thought that “Batman” had a poor disguise, just wait to you see Marion Davies in this quite entertainingly predictable American Civil War adventure. “Gail” has been recruited by the original Mr. Pinkerton to act as a spy for the Yankees down amongst the Johnny Rebs and so blackens up, sp ... orts a washer-woman’s garb and adopts an accent that is supposed to help her pass as a serving wench. Luckily for her, those she is spying upon are not the sharpest bayonets on the gun, and pretty swiftly she has ingratiated herself with their deadly foes but along the way taken a bit of a shine to “Capt. Jack” (Gary Cooper). When she returns for a second bite at this intelligence gathering cherry, only this time looking more like something from a Parisian ballroom, she realises that her enemies are not quite so thick as she’d thought. Can she escape in time? Can she ever be with her true love? Unless you don’t actually know who won this particular conflict then there’s precisely no jeopardy at all here, but along the way there are some daft escapades, a few musical numbers and just enough romance to give Cooper a chance to show he’s not quite as wooden as the picket fences they are shooting from. Davies is game, especially at the start but like most of the rest of the cast here, is rather swimming against a tide of low-budget blandness and some 1930s racist stereotypes. These don’t sit so well nowadays, but watching near century old films with modern day attitudes can often be unrewarding, so it’s best to remember that if you’re going to give this mediocre ninety minutes a go.

Jul 04, 2025