Popularity: 1 (history)
| Director: | Carl Schultz |
|---|---|
| Writer: | Clifford Green, Ellen Green |
| Staring: |
| Abby is a pregnant woman with a curious new boarder in the apartment over her garage. Turns out he's heaven-sent and is speeding along the Apocalypse by bloodying rivers, egging on plagues and following scripture word for word. | |
| Release Date: | Apr 01, 1988 |
|---|---|
| Director: | Carl Schultz |
| Writer: | Clifford Green, Ellen Green |
| Genres: | Drama, Horror, Thriller |
| Keywords | christianity, prophecy, mystic, sacrifice, apocalypse, catholicism, biblical plagues, gnosticism |
| Production Companies | TriStar Pictures, Interscope Communications, ML Delphi Premier Productions |
| Box Office |
Revenue: $18,875,011
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Demi Moore | Abby Quinn |
| Michael Biehn | Russell Quinn |
| Jürgen Prochnow | David Bannon |
| Peter Friedman | Father Lucci |
| Manny Jacobs | Avi |
| Lee Garlington | Dr. Margaret Inness |
| Akosua Busia | Penny Washburn |
| Arnold Johnson | Janitor |
| John Walcutt | Novitiate |
| Michael Laskin | Israeli Colonel |
| Hugo Stanger | Old Priest |
| Patricia Allison | Administrator |
| Ian Buchanan | Mr. Huberty |
| Harry Basil | Kids Korner Salesman |
| Darwyn Carson | Reporter |
| Glynn Edwards | Newscaster |
| John Heard | Reverend |
| Leonardo Cimino | Head Cardinal |
| John Taylor | Jimmy Szaragosa |
| Name | Job |
|---|---|
| Carl Schultz | Director |
| Jack Nitzsche | Original Music Composer |
| Caroline Biggerstaff | Editor |
| Juan Ruiz Anchía | Director of Photography |
| Francesca Bartoccini | Art Direction |
| Michael Mills | Makeup Department Head |
| Cricket Rowland | Set Decoration |
| Laura Dash | Stunts |
| Clifford Green | Screenplay |
| Gail Rowell-Ryan | Hairstylist |
| Robert Ryan | Key Makeup Artist |
| Pennie DuPont | Casting |
| Ellen Green | Writer |
| Durinda Wood | Costume Design |
| Stephen Marsh | Production Design |
| James M. Halty | Stunts |
| Ronnie Rondell Jr. | Stunts |
| Dan Perri | Title Designer |
| Debbie Evans | Stunts |
| Gilbert B. Combs | Stunts |
| Bob Orrison | Stunts |
| Fred Lerner | Stunts |
| Gary McLarty | Stunts |
| Jimmy Ortega | Stunts |
| Charlie Brewer | Stunts |
| Gregory J. Barnett | Stunts |
| Gary Hymes | Stunt Coordinator |
| Michael Runyard | Stunts |
| Name | Title |
|---|---|
| Kathleen Hallberg | Co-Producer |
| Robert W. Cort | Producer |
| Paul R. Gurian | Executive Producer |
| Ted Field | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 23 | 33 | 17 |
| 2024 | 5 | 25 | 36 | 16 |
| 2024 | 6 | 24 | 47 | 12 |
| 2024 | 7 | 24 | 40 | 13 |
| 2024 | 8 | 21 | 33 | 12 |
| 2024 | 9 | 16 | 22 | 11 |
| 2024 | 10 | 18 | 28 | 12 |
| 2024 | 11 | 15 | 35 | 9 |
| 2024 | 12 | 13 | 19 | 8 |
| 2025 | 1 | 14 | 24 | 8 |
| 2025 | 2 | 10 | 15 | 3 |
| 2025 | 3 | 5 | 14 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 2 | 3 | 1 |
| 2025 | 7 | 1 | 1 | 1 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 3 | 7 | 3 |
| 2025 | 11 | 2 | 3 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 499 | 582 |
"Abby" (Demi Moore) is married to lawyer "Russell" (Michael Biehn) and they are soon to have a child. As childbirth looms, though, she starts having some horrible nightmares. Full of loneliness and despair, she decides the best solution is to rent a garage room at their home to the enigmatic "Bannon ... " (Jürgen Prochnow) and that seems to open the doors for an apocalyptic scenario that is irrevocably tied up with her childbearing skills (and possibly a case her husband is prosecuting about a boy who committed parricide). As the story unfolds and her dreams become more lucid, she begins to realise that she is caught up in a re-enactment of the book of "Revelation" and the number seven is beginning to resonate ominously. It's actually not a bad fantasy concept, but it's pretty poorly cast with Moore well off form; the wooden as a spoon Prochnow spends much of it standing around looking like an extra from an horror movie and Biehn, well he only ever really was good for eye-candy - so... The narrative takes far too long to get interesting and the conclusion is all rather rushed and underwhelming. Carl Schultz might have fared better had he settled for a less box-office leading lady and built a more evenly balanced cast that could allow this ultimate story of the fate of mankind to develop with less ham. Watchable, I suppose, but forgettable.