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In the Cut Poster

In the Cut

Everything you know about desire is dead wrong.
2003 | 119m | English

(27663 votes)

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Popularity: 4 (history)

Details

A New York City writing professor, Frannie Avery, has an affair with a police detective who is investigating the murder of a beautiful young woman in her neighborhood.
Release Date: Oct 22, 2003
Director: Jane Campion
Writer: Susanna Moore, Jane Campion, Stavros Kazantzidis
Genres: Drama, Mystery, Romance, Thriller
Keywords eroticism, woman director, erotic thriller
Production Companies Pathe, Laurie Parker Productions
Box Office Revenue: $23,726,793
Budget: $12,000,000
Updates Updated: Feb 04, 2026
Entered: Apr 13, 2024
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Full Credits

Name Character
Meg Ryan Frannie Avery
Mark Ruffalo Giovanni A. Malloy
Jennifer Jason Leigh Pauline
Nick Damici Detective Rodriguez
Sharrieff Pugh Cornelius Webb
Heather Litteer Angela Sands
Michael Nuccio Frannie's Young Father
Allison Nega Young Father's Fiancee
Dominick Aries Attentive Husband
Susan Gardner Perfect Wife
Daniel T. Booth Luther Wilker Red Turtle Bartender
Yaani King Mondschein Frannie's Student
Frank Harts Frannie's Student
Sebastian Sozzi Frannie's Student
Zach Wegner Frannie's Student
Patrice O'Neal Hector
Arthur J. Nascarella Captain Crosley
Funda Duval Baby Doll Bartender
Theo Kogan Baby Doll Bartender
Sandy Vital Baby Doll Dancer
Sharon Riggins Baby Doll Dancer
Karen Riggins Baby Doll Dancer
Nancy La Scala Baby Doll Dancer
Ami Goodheart Baby Doll Dancer
Panicker Upendran Taxi Driver
Kendra A. Zimmerman Cafe Waitress
Michelle Hurst Teacher at Frannie's School
Sunrise Coigney Frannie's Young Mother
Hal Sherman Forensic Detective
Dana Lubotsky Laundry Room Murder Witness
Jacinto Taras Riddick Detective in Precinct
James Firo Detective Halloran
Cordell Clyde Informer
Tim House Baby Doll Bar Customer
Julius LeFlore Cursing Motorist
Vinny Vella Concerned Bystander
Kevin Bacon John Graham (uncredited)
Skippy D Business Owner (uncredited)
Michelle DiBenedetti Street Walker (uncredited)
Sein Gay Patron (uncredited)
Michael Ienna Larry (uncredited)
Lou Martini Jr. Sleazy Bar Patron (uncredited)
Susan Trishel Monsøn Subway Rider (uncredited)
Nicole Spruill Girl at Bar (uncredited)
Name Job
Susanna Moore Screenplay, Novel
Hilmar Örn Hilmarsson Original Music Composer
Billy Hopkins Casting
David Brisbin Production Design
Andrew Baseman Set Decoration
Noriko Watanabe Makeup Designer
Mitsuno Yokoo Seamstress
James J. Archer Set Dresser
Steven Gamiello Set Dresser
Bruce Swanson Set Dresser
Peter Miller Sound Designer
Andrew Plain Sound Supervisor
Alexandre de Franceschi Editor
Kerry Barden Casting
David Stein Art Direction
Beatrix Aruna Pasztor Costume Design
Neal Martz Makeup Artist
Addy McClelland Art Department Coordinator
Mary Cybulski Script Supervisor
Joan Finlay Set Dresser
Jim Lillis Set Dresser
Dino Herrmann Sound Recordist
Martin Oswin Sound Re-Recording Mixer
Andy Brown Visual Effects Supervisor
Jane Campion Screenplay, Director
Stavros Kazantzidis Screenplay
Dion Beebe Director of Photography
Suzanne Smith Crowley Casting
Markus Mentzer Camera Intern
Julius LeFlore Stunt Coordinator
Jeff Galpin Stunt Driver
Ray Abbott Stunt Driver
Jodi Michelle Pynn Stunt Double
Jimmy P. Wong Stunt Driver
Lori Guidroz Hair Department Head
Tina McKissick Stunts
Name Title
Laurie Parker Producer
Effie Brown Executive Producer
François Ivernel Executive Producer
Nicole Kidman Producer
Organization Category Person
Venice Film Festival Best Actress Meg Ryan Nominated
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 20 37 11
2024 5 21 37 13
2024 6 26 45 14
2024 7 20 36 10
2024 8 15 24 10
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2025 3 5 15 1
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2026 2 4 4 4

Trending Position


Year Month High Avg
2024 11 634 676

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Reviews

Geronimo1967
6.0

When a young woman is murdered in New York, one of the investigating police officers encounters local teacher “Frannie” (Meg Ryan) in whose garden the body was found and whilst investigating the crime, “Molloy” (Mark Ruffalo) and she start to have an affair. It’s a sexually-charged arrangement but t ... he more she sees him, the more she begins to suspect that his belief in there being a serial killer is correct, but might it actually be “Molloy” who is up to no good? It’s creepily shot and paced, but I’m afraid that a couple of nude scenes and some explicitly dirty chatter don’t really do anywhere near enough to make this film stand out. The plot is derivative; the denouement rushed and aside from Ryan more erotically reprising her famous diner scene from “When Harry…” (1989) there really isn’t a thing memorable about this film at all. Perhaps the more graphic A-lister sex scenes caused more of a stir in the USA, but for those of us brought up on European detective yarns, some brutal serial killing intermingled with some shagging isn’t anything new, innovative or especially compelling to watch. It does look good, but it’s not a very memorable or scary exercise otherwise.

Sep 06, 2025