Popularity: 5 (history)
Director: | Andrew Douglas |
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Writer: | Sandor Stern, Jay Anson, Scott Kosar |
Staring: |
George Lutz, his wife Kathy, and their three children have just moved into a beautiful, and improbably cheap, Dutch colonial mansion nestled in the sleepy coastal town of Amityville, Long Island. However, their dream home is concealing a horrific past and soon each member of the Lutz family is plagued with increasingly strange and violent visions and impulses. | |
Release Date: | Apr 14, 2005 |
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Director: | Andrew Douglas |
Writer: | Sandor Stern, Jay Anson, Scott Kosar |
Genres: | Horror |
Keywords | holy water, haunted house, based on true story, long island, new york, family dinner, paranormal, murder, family, death, wood chopping, backwards, tortured to death, moving in, family in danger, horror remake |
Production Companies | Metro-Goldwyn-Mayer, Radar Pictures, Platinum Dunes, Dimension Films |
Box Office |
Revenue: $107,516,369
Budget: $19,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Ryan Reynolds | George Lutz |
Melissa George | Kathy Lutz |
Jesse James | Billy Lutz |
Jimmy Bennett | Michael Lutz |
Chloë Grace Moretz | Chelsea Lutz |
Rachel Nichols | Lisa |
Philip Baker Hall | Father Callaway |
Isabel Conner | Jodie Defeo |
Brendan Donaldson | Ronald Defeo |
Annabel Armour | Realtor |
Rich Komenich | Chief of Police |
David Gee | ER Doctor |
Danny McCarthy | Officer Greguski |
Nancy Lollar | Librarian |
José Taitano | Stitch |
Lenore Thomas | Nurse Fuller |
Marie Joelyn | Store Patron |
Dorian Kingi | Scary Leashed Indian |
Alan Koeppen | Paramedic |
Ryan Kross | Restaurant patron |
Sam Raysby | New York State Trooper |
Jenny Strubin | Grocery Cashier |
Name | Job |
---|---|
Matt Miller | Casting Associate |
Shauna Duggins | Stunts |
Linda Perlin | Stunts |
Sandor Stern | Screenplay |
Andrew Douglas | Director |
Peter Lyons Collister | Director of Photography |
Steve Jablonsky | Original Music Composer |
Hector C. Gika | Dialogue Editor |
Harry Cohen | Sound Effects Editor |
Kurt Bryant | Stunt Coordinator |
Leigh Folsom Boyd | First Assistant Editor |
Jim Dooley | Additional Music |
Stacey Carino | Stunts |
Roger Barton | Editor |
Christian Wagner | Editor |
Jennifer Williams | Production Design |
Marco Rubeo | Art Direction |
Daniel B. Clancy | Set Decoration |
David C. Robinson | Costume Design |
Lisa Fields | Casting |
Ellen Ryba | Assistant Costume Designer |
Dominic Mango | Key Hair Stylist |
Suzi Ostos | Key Makeup Artist |
Helen Marchfield | Makeup Artist |
Miriam Hoffman-Durand | Seamstress |
Tim Pedegana | Post Production Supervisor |
David Crockett | Unit Production Manager |
Craig A. Pinckes | First Assistant Director |
Dru Anne Carlson | Script Supervisor |
Ashley Eden Kessler | Art Department Coordinator |
Nathan Mack | Carpenter |
Tyler Osman | Construction Coordinator |
Joeseph H. Gilmartin | Construction Foreman |
Jeff Dieter | Greensman |
Frank D. Dambra | Lead Painter |
Scott Troha | Leadman |
Mitch Devane | Painter |
Steve Koch | Production Illustrator |
Timothy W. Tiedje | Property Master |
Kevin Cross | Set Designer |
Jon Nicholson | Set Dressing Artist |
Freddie Mikels | Standby Painter |
Chris Hogan | ADR Supervisor |
Paul Flinchbaugh | Assistant Sound Editor |
Blair Scheller | Boom Operator |
Trevor Ward | Dolby Consultant |
Jim Stuebe | Production Sound Mixer |
Kelly Oxford | Supervising Sound Editor |
John D. Milinac | Special Effects Coordinator |
Kathleen Lynch | Visual Effects Coordinator |
Kosta Saric | Visual Effects Editor |
Kimberly Adams | Visual Effects Producer |
Chris Mulsoff | Best Boy Electric |
Joe Carpita | Camera Intern |
Peter Mercurio | Camera Operator |
Dawn Copeland | Electrician |
Robert C. Carlson | First Assistant Camera |
Mark Castelaz | Gaffer |
Christopher M. Collar Jr. | Grip |
Cortland Boyd | Key Grip |
Faires A. Sekiya | Steadicam Operator |
Peter Iovino | Still Photographer |
David Schmalz | Video Assist Operator |
Gina Panno | Costume Supervisor |
Patrick Caulfield | Set Costumer |
Chris Regan | Color Timer |
Brady Breen | Location Manager |
Carrie Goodman | Location Scout |
Tom Trafalski | Music Editor |
Joseph Paoletti | Transportation Captain |
Armand Paoletti | Transportation Co-Captain |
James Hogan | Transportation Coordinator |
Bob Myers | Cableman |
P.J. Haines | Chef |
Andy Barrios | Compositor |
Barbara Doherty | Craft Service |
Scott Litsinger | Finance |
Dan Urbain | Loader |
Kamar Bitar | Makeup Effects |
Jeff Valeri | Production Coordinator |
John J. Slove Jr. | Propmaker |
Maurice Brunson | Security |
Senica Billingsley | Set Production Assistant |
Robert Amico | Stand In |
Laura Torrance | Studio Teacher |
John M. Pisani | Unit Publicist |
Shannon Fortune | Art Department Assistant |
Thomas Coe | Second Assistant Director |
Jeremy Oswald | Second Second Assistant Director |
Mark Palansky | Second Unit Director |
Michael D. Gianneschi | Assistant Property Master |
Pam Gauss | Graphic Designer |
Robert Deschaine | ADR Mixer |
Tami Treadwell | ADR Recordist |
Diane Marshall | Foley Artist |
Michael J. Broomberg | Foley Mixer |
Robert Bruce Myers | Utility Sound |
Jay Appleberry | Special Effects Technician |
Nathan McGuinness | Senior Visual Effects Supervisor |
Jaime Dawkins | Additional Grip |
Ken Little Jr. | Assistant Camera |
Steven Matthys | Best Boy Grip |
Fernando M. Briones | Dolly Grip |
Gregg Gannett | Second Assistant Camera |
Mark E. Matthys | Second Company Grip |
Danny Roth | Additional Casting |
Meagan Lewis | Casting Assistant |
Jonathan Kinnas | Wardrobe Assistant |
Mark Todd Osborne | Additional Colorist |
Fulvio Valsangiacomo | Assistant Editor |
Stefan Sonnenfeld | Colorist |
Gerald Ragland | Digital Intermediate Assistant |
David Feldman | Digital Intermediate Producer |
Mo Henry | Negative Cutter |
Rosa Yang Kato | Assistant Location Manager |
Bruce Fowler | Conductor |
Desiree Varni | Accountant |
Clayton Hauck | Additional Production Assistant |
Matt McKinney | Art Department Production Assistant |
Sandy Sfeir | Assistant Accountant |
Jeremy Beiermann | Assistant Production Coordinator |
Shane D. Kelly | Chief Lighting Technician |
Jen Hutchinson | Controller |
Elise Dagley | Extras Casting Assistant |
Jacquelyn Conard | Extras Casting Coordinator |
Dennis J. Leahy | Generator Operator |
Steve Alessi | Key Rigging Grip |
Timothy Clark | Matte Painter |
Helen Stergiou | Payroll Accountant |
Olivier Agostini | Production Assistant |
Jonathan Gesinski | Storyboard Artist |
Jay Anson | Novel |
Scott Kosar | Screenplay |
Patrick Cunningham | Key Production Assistant |
Sean Andrew Faden | Visual Effects Supervisor |
Patrick Tubach | Compositing Supervisor |
Kenny Bates | Stunt Coordinator |
Richard Epper | Stunts |
Tom Lowell | Stunts |
Brian Christensen | Stunts |
Laura Dash | Stunts |
Carl Paoli | Stunt Double |
Tobiasz Daszkiewicz | Stunts |
Rick LeFevour | Stunt Coordinator |
Mark Harper | Stunt Coordinator |
Jodi Starnes | Stunts |
Larry Nicholas | Stunts |
James Mammoser | Stunts |
Name | Title |
---|---|
Ted Field | Executive Producer |
Andrew Form | Producer |
Randall Emmett | Co-Executive Producer |
George Furla | Co-Executive Producer |
Michael Bay | Producer |
David Crockett | Executive Producer |
Brad Fuller | Producer |
Matthew Cohan | Associate Producer |
Stefan Sonnenfeld | Associate Producer |
Paul Mason | Co-Executive Producer |
Steve Whitney | Co-Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 34 | 50 | 25 |
2024 | 5 | 36 | 56 | 25 |
2024 | 6 | 32 | 46 | 20 |
2024 | 7 | 48 | 105 | 20 |
2024 | 8 | 34 | 61 | 26 |
2024 | 9 | 29 | 43 | 23 |
2024 | 10 | 41 | 64 | 22 |
2024 | 11 | 31 | 49 | 23 |
2024 | 12 | 27 | 38 | 22 |
2025 | 1 | 27 | 39 | 19 |
2025 | 2 | 24 | 41 | 6 |
2025 | 3 | 9 | 26 | 2 |
2025 | 4 | 4 | 6 | 2 |
2025 | 5 | 3 | 4 | 2 |
2025 | 6 | 3 | 4 | 2 |
2025 | 7 | 2 | 4 | 2 |
2025 | 8 | 4 | 5 | 2 |
2025 | 9 | 6 | 7 | 5 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 776 | 885 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 734 | 759 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 903 | 945 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 679 | 805 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 748 | 748 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 354 | 479 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 619 | 785 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 269 | 674 |
Year | Month | High | Avg |
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2024 | 8 | 411 | 660 |
_**Effective haunted house movie with Ryan Reynolds and Melissa George**_ A young couple with three children buys an old, large house on Long Island in 1975. The house has a diabolic history, but they purchase it anyway because it's such a great deal. Will they make it out alive? I didn’t hav ... e high hopes for "The Amityville Horror" (2005) because I'm not a fan of haunted house movies and thus had not yet seen the original version. But I decided to give it a try due to Melissa George. The movie maintains a serious tone throughout and did not disappoint; it successfully piqued my interest in the whole Amityville Horror legend, which you can read about on the internet. Some may accuse the film of ripping off aspects of "The Shining" (1980), but keep in mind that the original movie was released a year before "The Shining" while the books they were based on were both published in 1977. The difference is that “The Amityville Horror” was inspired by supposedly true events whereas Stephen King’s novel was purely fictional. Of course this remake inspired me to see the classic version from 1979 with James Brolin and Margot Kidder. What I like about that one is that it takes its time to develop the characters in what is essentially a realistic drama topped off with creepy paranormal happenings. It addresses dark, ugly stuff but it actually has a warm heart (recall what George does in the final scene). This brisk 2005 remake is like the Reader’s Digest version, unsurprisingly upping the ante with the (clichéd) horror elements; it thankfully offers interesting details on the backstory of the house. I think they’re both worth checking out. If you prefer longer with more depth you’ll favor the original version whereas if you want something faster and more modern you’ll appreciate this one. Melissa George is a gorgeous woman and I enjoy watching her. Also on hand on the feminine front is Rachel Nichols, who played Tamara in the 2011 redo of "Conan the Barbarian." Rachel plays a hippie chick babysitter and she's perfect for the role. The babysitter is haughty and scoffs at the diabolic history of the house but let's just say she leaves as a true believer. This was a great sequence that perked my interest at a time it needed it (as I was starting to get bored by that point). In any event, I had to reassess my appraisal of Ms. Nichols after seeing her in this film as she won my appreciation. Meanwhile Chloë Grace Moretz plays the little girl; she was only 7 when the film was shot. Ryan Reynolds as the husband is fine, but he seems TOO in-shape for the role. However, I'm sure the ladies appreciate it. The film runs 1 hour, 29 minutes, and was shot at Silver Lake and Salem, Wisconsin, with other parts filmed in the Chicago area of Illinois. GRADE: B