Popularity: 1 (history)
Director: | Robert Mandel |
---|---|
Writer: | Gregory Fleeman, Robert T. Megginson |
Staring: |
A movies special effects man is hired by a government agency to help stage the assassination of a well known gangster. When the agency double cross him, he uses his special effects to trap the gangster and the corrupt agents. | |
Release Date: | Feb 07, 1986 |
---|---|
Director: | Robert Mandel |
Writer: | Gregory Fleeman, Robert T. Megginson |
Genres: | Action, Thriller |
Keywords | assassin, corruption, detective, mission of murder, stuntman, deception, gunfight, federal agent, manhunt, new york city, showdown, police, fbi, witness protection, mafia boss, special effects, disguise, makeup artist, justice department |
Production Companies | Orion Pictures |
Box Office |
Revenue: $20,603,715
Budget: $10,000,000 |
Updates |
Updated: Jul 29, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Bryan Brown | Roland 'Rollie' Tyler |
Brian Dennehy | Lt. Leo McCarthy |
Diane Venora | Ellen |
Cliff DeYoung | Lipton |
Mason Adams | Col. Mason |
Jerry Orbach | Nicholas DeFranco |
Joe Grifasi | Mickey |
Martha Gehman | Andy |
Trey Wilson | Lt. Murdoch |
Roscoe Orman | Captain Wallenger |
Tom Noonan | Varrick |
Paul D'Amato | Gallagher |
Jossie DeGuzman | Marisa Velez |
Jean De Baer | Whitemore |
M'el Dowd | Joyce Lehman |
John Doumanian | The director |
Ray Iannicelli | Charlie |
Tim Gallin | Adams |
Angela Bassett | TV reporter |
Jim Lovelett | McCoy |
Name | Job |
---|---|
Robert Mandel | Director |
Miroslav Ondříček | Director of Photography |
Terry Rawlings | Editor |
Hilda Stark | Art Direction |
Chuck Picerni Jr. | Stunts |
Henry Kingi | Stunts |
Buddy Joe Hooker | Stunts |
Bill Conti | Original Music Composer |
Julie Weiss | Costume Design |
Charlie Picerni | Stunts |
Gary McLarty | Stunts |
Brian Smrz | Stunts |
Alixe Gordin | Casting |
Steven J. Jordan | Set Decoration |
Speed Hopkins | Art Direction |
Tommy J. Huff | Stunts |
Gregory Fleeman | Writer |
Robert T. Megginson | Writer |
Mel Bourne | Production Design |
Allen Weisinger | Makeup Artist |
Joseph Coscia | Hairstylist |
Glenn Freemantle | Assistant Sound Editor |
Les Lazarowitz | Sound |
Sandy Richman | Stunts |
Peter Bucossi | Stunts |
Name | Title |
---|---|
Dodi Fayed | Producer |
Jack Wiener | Producer |
Michael Peyser | Executive Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 21 | 32 | 12 |
2024 | 5 | 22 | 43 | 13 |
2024 | 6 | 30 | 48 | 18 |
2024 | 7 | 31 | 55 | 17 |
2024 | 8 | 25 | 45 | 10 |
2024 | 9 | 11 | 15 | 7 |
2024 | 10 | 13 | 32 | 7 |
2024 | 11 | 13 | 28 | 7 |
2024 | 12 | 12 | 20 | 6 |
2025 | 1 | 14 | 24 | 8 |
2025 | 2 | 10 | 18 | 3 |
2025 | 3 | 5 | 17 | 1 |
2025 | 4 | 3 | 7 | 1 |
2025 | 5 | 2 | 7 | 1 |
2025 | 6 | 2 | 4 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 1 | 2 | 1 |
2025 | 9 | 1 | 1 | 1 |
Trending Position
Seen this one a few times over the years, not great and Bryan Brown is a bit limited with the dramatic stuff but still an all around entertaining suspense-thriller. **3.5/5** ...
Have you ever seen the classic that is "I Dismember Momma"? It's a belter - all down to the amazing creative skills of visual effects man "Rollie" (Bryan Brown). At least, the US Government think so and so they engage him to help out faking some evidence of murder for a man they are subsequently goi ... ng to put into witness protection. Meantime, New York's finest "McCarthy" (Brian Dennehy) is investigating that very crime, but he can't quite get to grips with why his federal colleagues are being less than helpful. As the story develops, it becomes quite clear that none of this is on the level and there is blackmail, extortion and real-life murder on the cards and pretty swiftly our faker is having to use all his skills and wits to keep himself alive as he hasn't a clue whom to trust. The audience knows a little more about who is pulling the strings than he does, but that doesn't really matter as the whole thing sort of splutters from the far-fetched to the downright silly, especially towards the end when his handler "Col. Mason" (Mason Adams) shows his true colours. Brown fitted the bill in "Breaker Morant" (1980) but otherwise I never quite knew why, aside from his looks, Brown made it on the big screen at all. He has a glint in his eye, but his acting is about as papier-mâché as many of his props and he delivers the pedestrian dialogue just as statically. It's a fantasy adventure in all but name - just add a few bullets, a fake moustache or two and lots of rain. Maybe next time don't opt for witness protection, just go sit in the Colosseum - it'd be safer, and certainly more fun to watch.