Bridget Jones: The Edge of Reason
Big Liar. Big Lawyer. Big Dilemma.
2004 | 108m | English
Popularity: 3 (history)
| Director: | Beeban Kidron |
|---|---|
| Writer: | Helen Fielding, Andrew Davies, Richard Curtis, Adam Brooks |
| Staring: |
| Bridget Jones is still dating her new love, barrister Mark Darcy, for a perfect six weeks. However, while on assignment in Thailand with her disreputable ex, Daniel Cleaver, claiming to be reformed, Bridget questions if she has everything she's ever dreamed of having. | |
| Release Date: | Nov 10, 2004 |
|---|---|
| Director: | Beeban Kidron |
| Writer: | Helen Fielding, Andrew Davies, Richard Curtis, Adam Brooks |
| Genres: | Comedy, Romance |
| Keywords | london, england, jealousy, homesickness, ex-boyfriend, drug smuggling, bangkok, thailand, thailand, vacation, dating, falling in love, tv reporter, break-up, false accusations, boyfriend girlfriend relationship, woman director, tv host, innocent in jail, skiing, travel show, new relationship, barrister, excited, new assignment |
| Production Companies | Miramax, StudioCanal, Working Title Films |
| Box Office |
Revenue: $265,126,918
Budget: $40,000,000 |
| Updates |
Updated: Feb 03, 2026 Entered: Apr 13, 2024 |
| Name | Job |
|---|---|
| Michelle Guish | Casting |
| Sean Evans | First Assistant Camera |
| Beatrice Arweiler | Production Manager |
| Hugo Adams | Foley Artist |
| Brigitte Dolibasic | Assistant Production Coordinator |
| Tony Richards | Pilot |
| Karen Fryer | Continuity |
| Amy Hall | Camera Trainee |
| Pattamawan Chaiwattananan | Floor Runner |
| Michael Price | Music Editor |
| Greg Hayden | Editor |
| Klaus Jüptner | Line Producer |
| Bernard Bellew | Line Producer |
| Cesare Landricina | Line Producer |
| Stuart Roslyn | Original Music Composer |
| John Flemming | Grip |
| Claire Finlay-Thompson | Assistant Costume Designer |
| Anna Lynch-Robinson | Set Decoration |
| Carmel Jackson | Hairstylist, Makeup Artist |
| Barbara Berkery | Dialect Coach |
| Ian Whiteford | Greensman |
| Jeanette Haley | Post Production Supervisor |
| Sommay Saengsinchai | Best Boy Electric |
| Paul Jennings | Stunt Coordinator |
| Mattew Desborough | Dolby Consultant |
| Tania Clarke | First Assistant Editor |
| Theera Boonsri | Video Assist Operator |
| Howard Weaver | Scenic Artist |
| Tom Roberts | Standby Painter |
| Graham Johnston | Hair Designer |
| Supawat Jeanpetch | Construction Foreman |
| Marc Wolff | Helicopter Camera |
| Sudkamol Tangtham | Art Department Coordinator |
| Laurie Sparham | Still Photographer |
| Sarah Whittle | Art Department Assistant |
| Jody Johnson | Visual Effects Supervisor |
| Ben Barker | Sound Effects Editor |
| Wendy Ellerker | Production Accountant |
| Andrew Wilkinson | First Assistant Sound Editor |
| James Linton | Stand In |
| Claudia Dehmel | Visual Effects Coordinator |
| Kirk Bennett | Orchestrator |
| Pat Miller | Rigging Gaffer |
| Nick Angel | Music Supervisor |
| Maresa Breuer | Production Coordinator |
| Lee Herrick | ADR Editor, Dialogue Editor |
| Barry Gibbs | Property Master |
| Michael Legum | Sound Recordist |
| Diane Greaves | Foley Artist |
| Fritz Gruner | Accountant |
| Thanaporn Ariyaputi | Hair Assistant |
| Tim Dean | Libra Head Technician |
| Nicole Devcic | Production Runner |
| Lesley Keane | Travel Coordinator |
| Mark Dowling | Painter |
| David Warren | Supervising Art Director |
| Pol Muangnum | Leadman |
| Gemma Jackson | Production Design |
| Alf Tramontin | Steadicam Operator |
| Peter N. Brown | Carpenter |
| Annie Crawford | Costume Supervisor |
| Ray Bateman | Electrician |
| Paul Brosnan | Driver |
| Andy Hague | Visual Effects Editor |
| Michelle Wright | Executive In Charge Of Production |
| Rohan Harris | Propmaker |
| Stuart Brisdon | Special Effects Supervisor |
| Stacy Mann | Unit Publicist |
| Ciaran Crowley | Digital Compositors |
| Kevin Day | Gaffer |
| Gaby Kester | Casting Associate |
| Hal Couzens | Visual Effects Producer |
| Filippo Fassetta | First Assistant Director |
| Kevin Tayler | Foley Mixer |
| Alex Boswell | Dressing Prop |
| Ted Swanscott | ADR Mixer |
| Jamie Roden | ADR Mixer |
| Jack Stew | Foley Artist |
| Amy Coop | Additional Third Assistant Director |
| Ian Ford | Assistant Unit Manager |
| James Foster | Draughtsman |
| Kirsten Lane | Music Consultant |
| Paul Hatchman | Additional Grip |
| Susan Drennan | Third Assistant Director |
| Neil Miller | Matte Painter |
| Laurent Guinci | Wardrobe Master |
| Alexandra Hill | Music Coordinator |
| Tony Chance | Storyboard Artist |
| Jan Hogevold | Production Executive |
| Candy Marlowe | Crowd Assistant Director |
| Lara Davis | Production Assistant |
| Peter Haran | Special Effects Technician |
| Dan Hillsdon | Assistant Accountant |
| Steve Burgess | Focus Puller |
| Carol Kupisz | Graphic Designer |
| Claire McGrane | Digital Intermediate Producer |
| Sandra Reis | Rotoscoping Artist |
| Marc Atherfold | Second Assistant Camera |
| Zoe Robertson | Construction Buyer |
| Peter Brown | Supervising Carpenter |
| Lucie Graves | Post Production Coordinator |
| Joe Wright | Clapper Loader |
| Nick Foley | ADR Recordist |
| Abigail Barbier | ADR Voice Casting |
| Anthony Jacobs | Location Assistant |
| Ronnie Savory | Generator Operator |
| Marc Brugger | Assistant Location Manager |
| Nicola Brodie | CG Artist |
| Jarenrith Srisuwan | Extras Casting Assistant |
| 'Yuk' Sanam Srikum | Best Boy Grip |
| Yvonne Duckett | Costume Assistant |
| Jason Wheeler | Negative Cutter |
| Chuck Douglas | Extras Casting |
| Beeban Kidron | Director |
| Helen Fielding | Screenplay, Novel |
| Andrew Davies | Screenplay |
| Richard Curtis | Screenplay |
| Adam Brooks | Screenplay |
| Harry Gregson-Williams | Original Music Composer |
| Adrian Biddle | Director of Photography |
| Paul Inglis | Art Direction |
| Stephen Barton | Additional Music |
| Crispin Buxton | Location Manager |
| Santa Pestonji | Production Supervisor |
| Simon Hayes | Sound Mixer |
| Glenn Freemantle | Supervising Sound Editor |
| Matt Curtis | Title Designer |
| Katy Wood | Assistant Dialogue Editor |
| Adam Inglis | Colorist |
| Jany Temime | Costume Designer |
| Angela Wharton | Script Coordinator |
| Phillip Leonhardt | Digital Compositor |
| Karen Cohen | Hairstylist, Makeup Artist |
| Name | Title |
|---|---|
| Jonathan Cavendish | Producer |
| Tim Bevan | Producer |
| Liza Chasin | Executive Producer |
| Eric Fellner | Producer |
| Debra Hayward | Executive Producer |
| Angela Morrison | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 28 | 38 | 19 |
| 2024 | 5 | 28 | 44 | 19 |
| 2024 | 6 | 26 | 44 | 15 |
| 2024 | 7 | 29 | 51 | 18 |
| 2024 | 8 | 23 | 50 | 14 |
| 2024 | 9 | 15 | 27 | 10 |
| 2024 | 10 | 21 | 43 | 11 |
| 2024 | 11 | 23 | 37 | 13 |
| 2024 | 12 | 20 | 27 | 16 |
| 2025 | 1 | 22 | 36 | 16 |
| 2025 | 2 | 37 | 79 | 6 |
| 2025 | 3 | 13 | 37 | 3 |
| 2025 | 4 | 5 | 10 | 3 |
| 2025 | 5 | 4 | 11 | 2 |
| 2025 | 6 | 4 | 6 | 3 |
| 2025 | 7 | 3 | 5 | 2 |
| 2025 | 8 | 3 | 4 | 2 |
| 2025 | 9 | 4 | 5 | 3 |
| 2025 | 10 | 4 | 6 | 3 |
| 2025 | 11 | 4 | 6 | 2 |
| 2025 | 12 | 3 | 5 | 2 |
| 2026 | 1 | 2 | 3 | 1 |
| 2026 | 2 | 2 | 3 | 1 |
Trending Position
| Year | Month | High | Avg |
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| 2025 | 10 | 640 | 701 |
| Year | Month | High | Avg |
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| 2025 | 7 | 869 | 903 |
| Year | Month | High | Avg |
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| 2025 | 6 | 590 | 590 |
| Year | Month | High | Avg |
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| 2025 | 4 | 241 | 711 |
| Year | Month | High | Avg |
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| 2025 | 3 | 127 | 614 |
| Year | Month | High | Avg |
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| 2025 | 2 | 46 | 399 |
| Year | Month | High | Avg |
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| 2025 | 1 | 298 | 719 |
| Year | Month | High | Avg |
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| 2024 | 12 | 465 | 774 |
| Year | Month | High | Avg |
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| 2024 | 11 | 612 | 867 |
"_You think you've found the right man, but there's so much wrong with him, and then he finds there's so much wrong with you, and then it all just falls apart._" It feels like an extension of the first movie more than a prequel. I mean that as in it is very similar, contuing from where we left of ... f and is still pretty funny. Lesson for me here is that overthinking is a bitch.
Picking up from the first outing for the ditzy "Bridget" (Renée Zellweger), she is now six weeks into her doting relationship with human rights lawyer "Mark" (Colin Firth). Thanks also to a bit of skydiving and some pigs, she is finding her broadcasting career blossoming too and with boss "Richard" ... (Neil Pearson) keen to build her part up, she is annoyingly partnered with smarmy old beau "Daniel" (Hugh Grant) and despatched to do a travelogue on Thailand. He's a charmer is that one, but she knows he cannot be trusted. That's successfully proven when she gets herself caught up in a drug smuggling caper and confined to a 40-to-a-cell women's prison with only one fairly hapless Foreign Office gent telling her how sticky her wicket is! Can she be rescued? Can she get back to her beloved? Of course there's not a jot of jeopardy to any of this, and in the intervening three years since the first film this character has lost much of her charm and punch. In many ways this just mirrors that story only it's not so innovative any more. There's still plenty to poke fun at amidst her sexist and accident-prone environment and Zellweger really does have the character down to an hapless T now, but I just felt I knew what was coming long before it did and the writing this time around defers all to often to the soundtrack. It's amiable enough, but a little tired and predictable.
<em>'Bridget Jones: The Edge of Reason'</em> is a totally pointless sequel. There isn't really anything substantial that happens in this, it basically goes in one big circle before finishing how it started; aside from one minute-long detail. Admittedly, it does manage to avoid being bad. Renée Ze ... llweger remains a plus, as do Colin Firth and Hugh Grant. With that said, this film adds nothing new to their characters, they are just replicas of themselves from the 2001 original. The film (as before) does have a charm to it, which saves it from a lower rating... too generous?