Popularity: 11 (history)
Director: | Brian De Palma |
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Writer: | David Koepp, Robert Towne, Steven Zaillian |
Staring: |
When Ethan Hunt, the leader of a crack espionage team whose perilous operation has gone awry with no explanation, discovers that a mole has penetrated the CIA, he's surprised to learn that he's the prime suspect. To clear his name, Hunt now must ferret out the real double agent and, in the process, even the score. | |
Release Date: | May 22, 1996 |
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Director: | Brian De Palma |
Writer: | David Koepp, Robert Towne, Steven Zaillian |
Genres: | Adventure, Action, Thriller |
Keywords | mask, mission, london, england, central intelligence agency (cia), computer, paris, france, undercover, espionage, secret mission, arms deal, spy, secret identity, headquarter, embassy, secret base, fake identity, prague, czech republic, secret agent, tgv, infiltration, terrorism, agent, fictional government agency, government agency, based on tv series, secret government agency |
Production Companies | Paramount Pictures, Cruise/Wagner Productions |
Box Office |
Revenue: $457,696,391
Budget: $80,000,000 |
Updates |
Updated: Aug 17, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Tom Cruise | Ethan Hunt |
Jon Voight | Jim Phelps |
Emmanuelle Béart | Claire |
Henry Czerny | Kittridge |
Jean Reno | Krieger |
Ving Rhames | Luther |
Kristin Scott Thomas | Sarah Davies |
Vanessa Redgrave | Max |
Ingeborga Dapkūnaitė | Hannah |
Valentina Yakunina | Drunken Female IMF Agent |
Marek Vašut | Drunken Male IMF Agent |
Nathan Osgood | Kittridge Technician |
John McLaughlin | TV Interviewer |
Rolf Saxon | CIA Analyst William Donloe |
Karel Dobrý | Matthias |
Andreas Wisniewski | Max's Companion |
David Shaeffer | Diplomat Rand Housman |
Rudolf Pechan | Mayor Brandl |
Gaston Šubert | Jaroslav Reid |
Ricco Ross | Denied Area Security Guard |
Mark Houghton | Denied Area Security Guard |
Bob Friend | Sky News Man |
Annabel Mullion | Flight Attendant |
Garrick Hagon | CNN Reporter |
Jiřina Třebická | Cleaning Woman |
Andrzej Borkowski | Kiev Room Agent |
Maya Dokic | Kiev Room Agent |
Sam Douglas | Kiev Room Agent |
Olegar Fedoro | Kiev Room Agent |
Carmela Marner | Kiev Room Agent |
Mimi Potworowska | Kiev Room Agent |
David Schneider | Train Engineer |
Helen Lindsay | Female Executive in Train |
Pat Starr | CIA Agent |
Richard D. Sharp | CIA Lobby Guard |
Randall Paul | CIA Escort Guard |
Sue Doucette | CIA Agent |
Graydon Gould | Public Official |
Tony Vogel | MI5 Agent |
Michael Rogers | Large man |
Laura Brook | Margaret Hunt |
Morgan Deare | Donald Hunt |
David Phelan | Steward on Train |
Melissa Knatchbull | Air Stewardess |
Dale Dye | Frank Barnes |
Marcel Iureș | Golitsyn |
Ion Caramitru | Zozimov |
Emilio Estevez | Jack Harmon (uncredited) |
Keith Campbell | Fireman (uncredited) |
Michael Cella | Student (uncredited) |
Harry Fielder | Car Driver (uncredited) |
Toby Hinson | Man on Plane (uncredited) |
John Knoll | Passenger on Train in Tunnel (uncredited) |
Paul Markham | Train Guard (uncredited) |
Name | Job |
---|---|
Norman Reynolds | Production Design |
Ellen Segal | Music Editor |
Jiří Farkaš | Makeup Artist |
Ian Wingrove | Special Effects |
Penny Rose | Costume Design |
Fred Hole | Supervising Art Director |
Eve Ramboz | Visual Effects |
Mali Finn | Casting |
Patsy Pollock | Casting |
Olivier Servanin | Location Scout |
Mathew C. Judd | 3D Modeller |
Tony Chance | Production Illustrator |
Sarka Zvolenska | Set Costumer |
Tony Allard | Propmaker |
Eric Allard | Special Effects Supervisor |
Michael Kelem | Aerial Camera |
Larry McConkey | Steadicam Operator |
Václav Kocman | Driver |
Moto Hata | Sculptor |
Dawn Swiderski | Set Designer |
Richard Blanshard | Still Photographer |
Hana Kučerová | Costume Supervisor |
Lee Millham | Utility Stunts |
Michael Gleason | Visual Effects Editor |
Dennis McNeill | Color Timer |
Clive Copland | Boom Operator |
Alexandra Altrocchi | Visual Effects Coordinator |
Margaret Prentice | Prosthetic Makeup Artist |
Kathy Orloff | Unit Publicist |
Diana Dill | Script Supervisor |
Timothy Everest | Costume Design |
Douglas D. Kelley | Special Effects Coordinator |
Chris Soldo | First Assistant Director |
Christine Bodelot | Production Manager |
Rawdon Hayne | First Assistant Camera |
Zdeněk Flídr | Transportation Captain |
David Crozier | Sound Mixer |
Tony Cridlin | Grip |
Ron Shane | Best Boy Electric |
David Coley | Carpenter |
Laurie Shane | Gaffer |
Sandrine Ageorges | Location Manager |
David Lee | Assistant Art Director |
Kevin Fraser | Key Grip |
Jon Baker | Armorer |
Philip Rogers | Sound Recordist |
Steve Harding | Unit Production Manager |
Patsy de Lord | Production Coordinator |
Jessica Bellfort | Assistant Sound Editor |
Tom Bellfort | Supervising Sound Editor |
Gordon Hayman | Camera Operator |
Lynn Rodgers | Hairstylist |
Graham Bartram | Software Engineer |
Roni McKinley | Visual Effects Producer |
Kate Garbett | Art Department Coordinator |
Jonathan McKinstry | Art Direction |
Kirsten Hecktermann | Assistant Costume Designer |
Ruth Hasty | Post Production Supervisor |
David Kerney | Production Accountant |
Andy Cole | Electrician |
Gary Fry | Stunts |
Peter Howitt | Set Decoration |
Ed Hawkins | Digital Compositor |
Theresa Repola Mohammed | Negative Cutter |
Kate Hazell | Third Assistant Director |
Artie Kane | Conductor |
Tony Eckert | Foley Mixer |
Verity Jackson | Wardrobe Assistant |
Martin Sebik | Key Production Assistant |
Jim Feldman | Concept Artist |
Tom Martin | Supervising Carpenter |
David j Watson | Special Effects Assistant |
Robert Hill | Visual Effects Camera |
Peter Batten | Clapper Loader |
Dan Glass | Visual Effects Designer |
Sharon Lark | Digital Effects Producer |
Karl Nettmann | Pyrotechnician |
Nicolas Foulatier | Assistant Location Manager |
Hugh Gourlay | Location Assistant |
John Eccleston | Assistant Accountant |
Pavlina Prikrylova | Production Secretary |
Sue Doucette | Technical Advisor |
Simon Cozens | Assistant Editor |
Phil Stoole | Production Assistant |
Stefano Priori | Accountant |
Trevor Butterfield | Special Effects Technician |
Michael Healey | Colorist |
Jemma Scott-Knox-Gore | Contact Lens Technician |
Tom Barwick | Foley Artist |
Ken Crouch | Wardrobe Supervisor |
Sandra Dillon | Assistant Camera |
Robin Demetriou | Catering |
Colin Thurston | Dressing Prop |
Stephen Sobisky | Project Manager |
Mickey McDermott | Executive Assistant |
Marianne Jenkins | Assistant Production Coordinator |
Sean Garman | Set Runner |
Oldřich Mach | Assistant Director |
Russ Woolnough | Visual Effects Editor |
Sarah Franzl | Stunt Double, Stunts |
Ray De-Haan | Stunts |
Dinny Powell | Stunts |
Chrissy Monk | Stunts |
Mick Hodge | Stunts |
Gary Fry | Stunts |
Lee Sheward | Stunts |
Gerard Naprous | Stunts |
Vincent Keane | Stunts |
Jamie Edgell | Stunts |
Paul Jennings | Stunts |
Tom Lucy | Stunts |
Graeme Crowther | Stunts |
Dean Forster | Stunts |
Kenneth Chamitoff | Extras Casting |
Eric Schwab | Second Unit Director |
Ernest Day | Second Unit Director of Photography |
David Koepp | Screenplay, Story |
Robert Towne | Screenplay |
Stephen H. Burum | Director of Photography |
Paul Hirsch | Editor |
Greg Powell | Stunt Coordinator |
Danny Elfman | Original Music Composer |
Tim Monich | Dialect Coach |
Kim Libreri | Digital Effects Supervisor |
Rob Bottin | Makeup Effects |
Michael Silvers | ADR Editor, Dialogue Editor |
Nick Moore | First Assistant Director |
Emily Schweber | Casting Associate |
Steve Bartek | Orchestrator |
Christopher Boyes | Sound Designer |
Chris Scarabosio | Sound Effects Editor |
Stéphane Bidault | Digital Compositors |
John Knoll | Visual Effects Supervisor |
George Hull | Visual Effects Art Director |
Michal Přikryl | Unit Manager |
Gary Rydstrom | Sound Re-Recording Mixer |
Michael Stevenson | Second Assistant Director |
Paul Bernard | Second Second Assistant Director |
Kyle Cooper | Title Designer |
Steve Slanec | Assistant Dialogue Editor |
John Casali | Utility Sound |
Kim Marks | VFX Director of Photography |
Keith Campbell | Stunt Double, Stunts |
Constantine Gregory | Dialogue Coach |
Larry Mullen Jr. | Theme Song Performance |
Adam Clayton | Theme Song Performance |
Gary Powell | Stunts |
Tracey Eddon | Stunts |
Lalo Schifrin | Main Title Theme Composer |
Bruce Geller | Original Series Creator |
Steven Zaillian | Story |
Natalie Leggett | Musician |
Angela Leaper | Visual Effects Coordinator |
Glenn Garrett | Musician |
Liane Mautner | Musician |
Julian Wall | Second Second Assistant Director |
Martin Rosenberg | VFX Director of Photography |
Brian De Palma | Director |
Matthew Wood | Foley Editor |
Name | Title |
---|---|
Paul Hitchcock | Executive Producer |
Paula Wagner | Producer |
J.C. Calciano | Associate Producer |
Tom Cruise | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 72 | 118 | 52 |
2024 | 5 | 126 | 151 | 109 |
2024 | 6 | 110 | 166 | 77 |
2024 | 7 | 70 | 116 | 47 |
2024 | 8 | 57 | 82 | 37 |
2024 | 9 | 41 | 66 | 31 |
2024 | 10 | 44 | 68 | 33 |
2024 | 11 | 57 | 92 | 35 |
2024 | 12 | 57 | 95 | 41 |
2025 | 1 | 58 | 91 | 44 |
2025 | 2 | 48 | 76 | 10 |
2025 | 3 | 14 | 58 | 3 |
2025 | 4 | 15 | 25 | 9 |
2025 | 5 | 35 | 56 | 21 |
2025 | 6 | 30 | 46 | 20 |
2025 | 7 | 18 | 21 | 15 |
2025 | 8 | 18 | 28 | 12 |
2025 | 9 | 14 | 25 | 10 |
Trending Position
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2025 | 9 | 56 | 167 |
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2025 | 8 | 15 | 198 |
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2025 | 7 | 79 | 309 |
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2025 | 6 | 23 | 330 |
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2025 | 5 | 11 | 242 |
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2025 | 4 | 53 | 426 |
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2025 | 3 | 43 | 359 |
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2025 | 2 | 460 | 741 |
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2025 | 1 | 289 | 572 |
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2024 | 12 | 603 | 726 |
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2024 | 11 | 346 | 687 |
Year | Month | High | Avg |
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2024 | 8 | 849 | 933 |
While the sequences that _Mission: Impossible_ is most famous for (the ceiling-descent and train-top) are truly thrilling, absolutely everything in between these scenes is obvious and uninspired. Rarely can a movie have you so completely engaged one minute, and then immediately back to checking the ... time the next. An important film, pop-culturally speaking, but not a very good one. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
When I first saw this movie I did not like it at all. My main gripe with the movie was (and is) that it did not feel like a Mission Impossible movie. Spoilers ahead! In the original series the team always succeeded, at least in the episodes I watched. However, the movie starts off with a big fail ... ure. Then to make matters worse we learn that Mr. Phelps, one of the original lead characters, is actually a traitor. I was so disappointed! Now when I watched it for the second time with my son I actually liked it a lot more. I still think it is sad that the script writers felt they had to introduce all these chock elements but trying to look past those this is a pretty good movie. I still do not think it is truly a Mission Impossible movie in the good old style of the series though. It is a very good action/thriller movie though. Tom Cruise is really not bad in the role of Ethan Hunt and so are the rest of the actors. He is performing quite a few spectacular stunts and there are a decent amount of high tech stuff in the movie. Sure, some of the stunts and action scenes are perhaps a bit convoluted but it provides for some good cinemagic and it is fiction after all. If this movie would not have been labelled Mission Impossible I would probably have given it another star but I cannot bring myself to completely overlook how far from the original inspiration it has strayed.
_**Well done spy/caper thriller with Tom Cruise and an eye-rolling Scooby-Doo element**_ The Impossible Missions Force has a mission at a Prague gala concerning a CIA non-official cover list, but it doesn’t go as planned. Ethan Hunt (Tom Cruise) and Clair Phelps (Emmanuelle Béart) then team-up wi ... th two disavowed agents (Ving Rhames and Jean Reno) to steal the real NOC list at CIA headquarters in Langley, Virginia, before going to London for further thrills involving the TGV train to Paris. Jon Voight and Henry Czerny are on hand as leaders of IMF while Vanessa Redgrave plays an arms dealer and Kristin Scott Thomas an IMF agent. “Mission: Impossible” (1996) was loosely inspired by the TV series of the late 60s/early 70s and started the successful movie franchise starring Cruise. Expect convoluted dialogues, espionage gadgets, high society galas, foggy cobblestone streets, sudden deaths, globetrotting, double agents, capers and mind-blowing action. One thing that turned me off was the several occasions where a person’s fake face is torn off à la Scooby-Doo. Once would’ve been enough, but three times? What were the writers thinking? Other than that cavil, this is a quality spy/caper flick; it’s just too tortuous for my tastes with not enough human interest. The film runs 1 hour, 50 minutes, and was shot in Prague; London, Pinewood Studios & various other areas in England; and McLean, Virginia, & Washington DC. GRADE: B-
**Mission: Impossible thrives on a more localized story, trading massive stunts and action set pieces for a greater focus on spycraft, theft, and espionage.** Mission: Impossible operates on a much smaller scale than its successors and benefits from a more contained story. The action and suspense ... are more personal, and the danger more intimate than in later installments. The first entry in the Mission: Impossible film franchise blends spy thriller, murder mystery, and heist movie into one heart-pounding and compelling film. Paranoia runs rampant as agent Ethan Hunt is betrayed time and time again while trying to uncover who murdered his fellow agents and prevent the murder of many more. Mission: Impossible is iconic with its classic hanging inches above the floor moment and established a billion-dollar franchise. While some of the effects are dated and some of the acting a little cliche, Mission: Impossible remains a hallmark spy movie that is a must-see for any action or film fan.
Man, when this came out I was thinking that we are going to have another James Bond franchise only with an American and I was super stoked about it. Unfortunately I got my wish. This is really the only one worth watching and M:I2 just destroyed the series that didn't have the sense to die. But ... ....what you have here is 3 Days of the Condor, directed by De Palma, with lots of action. No, I'm not joking, it's really 3 Days of the Condor with less plot and tension and more action and shooting. And Cruise instead of Redford, which actually is a pretty even swap from one generation to another...only Redford is still the better actor and Cruise only really acts when he wants to. So, yeah, if you saw 3 Days of the Condor you know what is going on. Just make it international, push up the RPMs, add a soundtrack by 1/2 of U2 and you have Mission:Impossible. But, despite that, it's really fun and enjoyable.
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I'm not the biggest fan of the diminutive Mr Cruise - but I have to hand it to him here. Brian de Palma has created an end-to-end action adventure and he is superb in it. He brings oodles of charisma to the screen as he ("Ethan Hunt") has to recover from a disastrous mission and build a team to disc ... over not only who betrayed them, but to obtain a top secret list of American overseas operatives (i.e. spies) before it falls into enemy hands spelling doom for all concerned. What ensues is a fast-paced, well constructed movie that moves along cohesively with plenty going on - loads of tension, suspicion, nobody knowing whom to trust coupled with plenty of exciting stunts and a classy performance from Vanessa Redgrave bringing some gravitas to the proceedings as the stylish, but ruthless, "Max". Sure, it relies on tech and CGI a lot of the time, but the ensemble - Ving Rhames, Emmanuelle Béart and Jon Voight all deliver well into a plot that keeps us guessing until well into the denouement. Even Henry Czerny - not noted for the flexibility of his performances - turns in a decent effort and the ending might make you think twice before using the Chunnel! If you're looking for a good, high-octane piece of cinema; then this is certainly up there - on a big screen, if you can.
Having seen this multiple times, the twists are known. But the movie surprisingly holds up minus a few technology things. Cruise is still a baby in this movie and not the Ethan Hunt we get to know. The turns and twists in the movie are good but often underdeveloped or unexplained. They need ... to spend about 90 more seconds to explain a few things. Wish some of the characters were either more developed or out of the film. Some unnecessary items make the film drag a bit. Overall, enjoyed the movie and what ends up being an introduction to an ongoing franchise that wows at every stop.