Popularity: 5 (history)
Director: | Roger Donaldson |
---|---|
Writer: | Dennis Feldman |
Staring: |
In 1993, the Search for Extra Terrestrial Intelligence Project receives a transmission detailing an alien DNA structure, along with instructions on how to splice it with human DNA. The result is Sil, a sensual but deadly creature who can change from a beautiful woman to an armour-plated killing machine in the blink of an eye. | |
Release Date: | Jul 07, 1995 |
---|---|
Director: | Roger Donaldson |
Writer: | Dennis Feldman |
Genres: | Action, Science Fiction, Horror |
Keywords | telepathy, dna, paranoia, transformation, genetics, instinct, femme fatale, alien, on the run, decapitation, sexual attraction, los angeles, california, creature, scientist, sexual desire, cocoon, genetic engineering, interspecies romance, alien dna, amused |
Production Companies | Metro-Goldwyn-Mayer, Frank Mancuso Jr. Productions |
Box Office |
Revenue: $113,400,000
Budget: $35,000,000 |
Updates |
Updated: Jul 30, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Natasha Henstridge | Sil |
Ben Kingsley | Xavier Fitch |
Michael Madsen | Preston Lennox |
Marg Helgenberger | Dr. Laura Baker |
Alfred Molina | Dr. Stephen Arden |
Forest Whitaker | Dan Smithson, Empath |
Michelle Williams | Young Sil |
Jordan Lund | Aide |
Herta Ware | Mrs. Morris |
William Utay | Colleague |
Don Fischer | Aide |
Scott McKenna | Train Hobo |
Virginia Morris | Mother |
Jayne Luke | Snack Shop Clerk |
David K. Schroeder | German Tourist |
David Jensen | Conductor |
Esther Scott | Female Conductor |
Shirley Prestia | Victoria Roth, Ph.D. |
David Selburg | Government Man |
Melissa Bickerton | Fitch's Secretary |
Lucy Rodriguez | Wedding Dress Saleswoman |
Scott Sproule | Team Driver |
Stogie Kenyatta | Cop |
Gary Bullock | Motel Clerk |
Susan Hauser | Lab Worker |
William Bumiller | Club Bouncer |
Caroline Barclay | Drunken Girl |
Matthew Ashford | Guy in Club |
Anthony Guidera | Robbie, Guy Picking Up Sil |
Sara Lise | Screaming Woman |
Whip Hubley | John Carey |
Patricia Belcher | Hospital Admittance Clerk |
Richard Fancy | Hospital Doctor |
Leslie Ishii | Hospital Nurse |
Marliese Schneider | Abducted Woman |
Robert Mendelson | Homeless Man |
Pamela Cook | Commercial Model |
Lisa Liberati | Bathroom Bimbo |
Ed Stone | Waiter |
Dendrie Taylor | Marie |
Kurtis Burow | Baby Boy |
Dana Hee | Creature Performer |
Frank Welker | Alien Sil (voice) |
Justin Armao | Bystander (uncredited) |
Jellybean Benítez | Club DJ (uncredited) |
Greg Bronson | Special Forces (uncredited) |
Jimmy Chunga | Commando (uncredited) |
James Ent | Lt. Steele (uncredited) |
Roman Güttinger | Doctor (uncredited) |
Christopher Ivins | Soldier (uncredited) |
Zak Knutson | Club Doorman (uncredited) |
Coati Mundi | Conga Player (uncredited) |
Jason Newell | Special Forces (uncredited) |
Name | Job |
---|---|
Richard Edlund | Visual Effects Supervisor |
Conrad Buff IV | Editor |
Amanda Mackey | Casting |
Cathy Sandrich Gelfond | Casting |
Joe I. Tompkins | Costume Design |
Kenny Myers | Makeup Department Head |
John Muto | Production Design |
Dan Webster | Art Direction |
Jackie Carr | Set Decoration |
Margo Baxley | Costume Supervisor |
Nina Paskowitz | Hair Department Head |
David Streit | Unit Production Manager |
Mark Jan Wlodarkiewicz | Sound Effects Editor |
Jeff Jarvis | Special Effects Coordinator |
Patrick Phillips | Visual Effects |
John Cade | Stunts |
Mike Weathers | Lighting Technician |
Elizabeth Lang | Casting Associate |
Dennis McNeill | Color Timer |
Clarinda Wong | Assistant Editor |
Pete Anthony | Orchestrator |
Jellybean Benítez | Music Supervisor |
Lanier Edwards | Stunts |
Bob Edwards | Sound Re-Recording Mixer |
John Tyrrell | Painter |
Ruth Caspary | Art Department Assistant |
Keith P. Cunningham | Art Department Coordinator |
Lauren E. Polizzi | Assistant Art Director |
Chris Snyder | Construction Coordinator |
Gary Gagliardo | Construction Foreman |
Hugo Herrera | Greensman |
Tim Donelan | Leadman |
Lee A. Steadman | Location Scout |
Tomas Mulrooney | Sculptor |
Mick Cukurs | Set Designer |
Francis N. 'Lucky' Costello | Standby Painter |
Randy Feemster | Additional Camera |
John Philpotts | Additional Photography |
Jeff Homolya | Camera Department Manager |
Terry Bowen | Camera Operator |
Steve Adcock | First Assistant Camera |
Cary Griffith | Key Grip |
Stephen St. John | Steadicam Operator |
D.J. Plumb | Key Hair Stylist |
Geri B. Oppenheim | Key Makeup Artist |
Robert Bleckman | Set Dressing Artist |
Janine Cavoto | Set Dressing Supervisor |
Johnny Knight | Carpenter |
Holly Schiffer | Choreographer |
Jon Gardner | Craft Service |
Alan Barnett | Digital Effects Supervisor |
John Bullard | Propmaker |
Robert J. Visciglia Sr. | Property Master |
Jeffrey D. Stevens | Set Medic |
John Charles | Software Engineer |
Cheryl Gilbert | Stand In |
Moon Han | Systems Administrators & Support |
Wayne Roberts | Transportation Captain |
Eddie Lee Voelker | Transportation Coordinator |
David Linck | Unit Publicist |
Stan Harrison | Video Assist Operator |
Theo Waddell | Visual Effects Editor |
Mark Egerton | First Assistant Director |
Faye Brenner | Script Supervisor |
Dianna Stirpe | Dialogue Editor |
Doug Byers | Electrician |
Joe Fordham | Production Coordinator |
Nicholas R. Allen | Boom Operator |
David Franklin Bergad | Assistant Sound Editor |
George A. Martin | Music Editor |
Jay Boekelheide | Supervising Sound Editor |
Jon Null | First Assistant Editor |
Olivier Sarda | Digital Compositors |
Karin Joy | Visual Effects Coordinator |
Ricardo F. Delgado | Storyboard |
Ruth Ann Crudup-Brown | Studio Teachers |
Paul J. Memmi | Translator |
Jackie Caydam | Administration |
Gregory W. Smith | First Assistant Camera |
Tracey Levy | Assistant Makeup Artist |
Adrienne Childers | Costumer |
Robert Leveen | Second Assistant Director |
Suzie Pelissier | Second Second Assistant Director |
Ethan Van Hecke | Assistant Property Master |
Guy Hietala | Set Painter |
Grant Shaffer | Storyboard Artist |
Thomas J. O'Connell | ADR Mixer |
Rick Canelli | ADR Recordist |
Jennifer Myers | Foley Artist |
Richard Duarte | Foley Mixer |
Jim Pasque | Foley Recordist |
Mark 'Boylee' Boyle | Camera Loader |
Gregg Guellow | Second Company Grip |
John Mann | Animation Director |
Joel Negron | Assistant Editor |
Gary Burritt | Negative Cutter |
Jim Eustermann | Project Manager |
Curtis Collins | Assistant Location Manager |
Sonia Apodaca | Location Coordinator |
Thomas Milano | Supervising Music Editor |
Sara Feldman | Art Department Production Assistant |
Katy Tatian-Genovese | Assistant Accountant |
Peter Davidian | Assistant Chief Lighting Technician |
Pamela Alessandrelli | Assistant Production Coordinator |
Bobby Burton | Chief Lighting Technician |
Ginger Reynolds | Executive Assistant |
Christian Clarke | Key Set Production Assistant |
Evan Jacobs | Pyrotechnician |
Michael Chang | Matte Painter |
Mark Habegger | Production Assistant |
Lloyd Phillips | Production Consultant |
Sean Phillips | Technical Advisor |
Xye | Visual Effects |
Dan Wallin | Scoring Mixer |
Gina Angela Ritchie | Stunts |
Robert Fernandez | Scoring Mixer |
Andrzej Bartkowiak | Director of Photography |
Roger Donaldson | Director |
Charles Croughwell | Stunts |
Christopher Young | Orchestrator, Original Music Composer |
Max Kleven | Stunt Coordinator |
Andy Gill | Stunts |
Pat Romano | Stunts |
Nancy Young | Stunts |
Cliff Fleming | Aerial Coordinator |
Dylan Goss | First Assistant Camera |
Dan Perri | Title Designer |
Richard A. Kelley | Assistant Camera |
Ray Lykins | Stunt Double |
Tom Boyd | Musician |
Denise Lynne Roberts | Stunts |
Lisa McCullough | Stunts |
Joni Avery | Stunts |
Debbie Evans | Stunts |
Donna Evans | Stunts |
H. R. Giger | Conceptual Design |
Melinda Sue Gordon | Still Photographer |
Richard Davis Jr. | Location Manager |
Todd Mitchell Griffith | Dolly Grip |
Dennis Feldman | Writer |
Peter Deming | Additional Photography |
John-Clay Scott | Stunts |
Lee Orloff | Sound Recordist |
Krishna Rao | Camera Operator |
Glenn Randall Jr. | Stunt Coordinator |
Nancy Karlin | Script Supervisor |
Billy Bryan | Special Effects |
Name | Title |
---|---|
Frank Mancuso Jr. | Producer |
David Streit | Executive Producer |
Dennis Feldman | Producer |
Mark Egerton | Associate Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 95 | 239 | 54 |
2024 | 5 | 287 | 366 | 233 |
2024 | 6 | 176 | 301 | 69 |
2024 | 7 | 60 | 99 | 32 |
2024 | 8 | 42 | 59 | 28 |
2024 | 9 | 38 | 64 | 21 |
2024 | 10 | 36 | 77 | 21 |
2024 | 11 | 37 | 66 | 26 |
2024 | 12 | 29 | 36 | 19 |
2025 | 1 | 33 | 63 | 22 |
2025 | 2 | 25 | 34 | 5 |
2025 | 3 | 10 | 27 | 2 |
2025 | 4 | 6 | 11 | 4 |
2025 | 5 | 6 | 13 | 4 |
2025 | 6 | 5 | 6 | 4 |
2025 | 7 | 5 | 6 | 4 |
2025 | 8 | 4 | 5 | 4 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 420 | 725 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 512 | 789 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 529 | 799 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 165 | 666 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 332 | 682 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 662 | 802 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 808 | 908 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 427 | 750 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 934 | 969 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 720 | 839 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 426 | 743 |
Good watch, would watch again, and can recommend. This was a hit movie at the time, and other than the Xenos design, I'd say it is still a pretty good movie. The "anti-Jaws" approach of showing the monster off is really cool as the premise is largely how detailed and dangerous the xenos is, but ... the approach removes a lot of the suspense in the hunting and subterfuge, almost humanizing her as "hunted by the evil government entity". While it would be a much different, and arguably better, movie to do something more like "The Thing", that she only has one human mask sorts of outs her, making it more like a spy movie, and I think they did really well with that in mind. It just lacks the level of nuance and hidden information that spy and thriller movies tend to have. It's much closer to "Aliens" than "Alien".
_**Wiping out the "galactic weed**_" Released in 1995, "Species" chronicles events after SETI (Search for Extra Terrestrial Intelligence) receives a transmission from outer space detailing alien DNA structure, along with instructions on how to splice it with human DNA. This gives birth to Sil, a ... girl (Michele Williams) who escapes and rapidly grows into a statuesque blonde (Natasha Henstridge). Government agent Xavier Fitch (Ben Kingsley) assembles a team to locate and destroy Sil before she finds a mate and breeds. The team includes a tough mercenary (Michael Madsen), an anthropologist (Alfred Molina), a molecular biologist (Marg Helgenberger) and an empath (Forest Whitaker). I developed a bad attitude toward "Species" for years due to Roger Ebert's scathing review, but changed my mind upon giving it an openminded viewing. This is a top-of-the-line sci-fi/adventure/horror flick. People look down on it because of the nudity and mild sex scenes, which prompts them to disdain it as exploitive and trashy. While Natasha Henstridge is a good-lookin' woman, she doesn't do anything for me (she's not my type) so I was able to totally overlook this element and focus on the film's other attributes. For one, the score by Christopher Young is excellent. Secondly, the A-list cast is a highlight and their characters are increasingly fleshed-out in the story. Lastly, while people understandably write-off the movie as a Grade B plot with Grade A production, there's more here than meets the eye. For instance, Sil is the innocent pawn of the extraterrestrials who sent the DNA. Another example is the excellent character of Dan (Whitaker) whom whiners complain about as "always pointing out the obvious" when the movie shows over and over that he DOES know things the others don't and they ignore him to their own peril. Dan is necessary so that the team knows what direction the creature takes on repeated occasions; without Dan we'd see them pursue one boring dead-end after another. While snobby film critics love to hate "Species" it's a thoroughly entertaining sci-fi adventure with an interesting moral and a great cast of characters. If you like films like "Alien," "Aliens," "Terminator," "Terminator 2" and "Predator" you'll probably appreciate it. It may not be as good as "Aliens," "Terminator" and "Terminator 2," but it's on par with "Alien" (and marginally better IMHO) and superior to "Predator." Then again, it depends on what you want in a sci-fi blockbuster. As far as I'm concerned, "Species" delivers the goods. The film runs 108 minutes and was shot in the areas of Los Angeles and Brigham City, Utah. GRADE: A- ***SPOILER ALERT*** (Don't read further unless you've seen the movie) The theory is postulated by the mercenary and biologist that the alien DNA was sent as a biological weapon, a "weed killer" from outer space to wipe out the galactic weed of earth or, more accurately, the human race that inhabits it. It's a fascinating concept and the film compellingly realizes it.
Clearly, these scientists had not heeded Jeff Goldblum in "Jurassic Park" (1993) when he warned about stopping to think that just because we can do something, it doesn't mean that we should. If they had, then perhaps we could have avoided the mayhem and brutality caused when they create "Sil" (Natas ... ha Henstridge). She is the product of alien and human DNA and can morph between a beautiful woman and a savage killer in the blink of an eye. Of course she escapes from the high security facility that couldn't keep a cow out, and is soon on the search for a man. Not any particular man, just one who can help her make a baby - and believe me, that's not a good plan! The scientists - led by "Lennox" (a rather charmless Michael Madson) and "Baker" (Marg Helgenberger) are on her trail but can they stop her before she finds a willing partner? To be fair, the visual effects - very "Terminator" (1984) style - are actually quite effective but the acting, especially from the always hammy Ben Kingsley, and the scripting are very bottom drawer. There's some imagination with the look of the film, but the delivery is pedestrian across the board before an ending that has an inevitability to it that I found a bit predictable. Not terrible, but a real missed opportunity that had it been cast better and just spent a little more time on the a more substantial story, could have created a better sense of menace and even a little (dark) humour.