Code 8 Part II
Power corrupts.
2024 | 101m | English
Popularity: 3 (history)
| Director: | Jeff Chan |
|---|---|
| Writer: | Jesse LaVercombe, Chris Paré, Jeff Chan, Sherren Lee |
| Staring: |
| In a world where superpowered people are heavily policed by robots, an ex-con teams up with a drug lord he despises to protect a teen from a corrupt cop. | |
| Release Date: | Feb 27, 2024 |
|---|---|
| Director: | Jeff Chan |
| Writer: | Jesse LaVercombe, Chris Paré, Jeff Chan, Sherren Lee |
| Genres: | Action, Science Fiction, Crime |
| Keywords | superhero |
| Production Companies | XYZ Films, Collective Pictures |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Robbie Amell | Connor |
| Stephen Amell | Garrett |
| Alex Mallari Jr. | Sergeant 'King' Kingston |
| Sirena Gulamgaus | Pavani |
| Aaron Abrams | Detective Davis |
| Moe Jeudy-Lamour | Officer Cirelli |
| Akiel Julien | Shane |
| Natalie Liconti | Maev |
| Nneka Elliott | Nadine |
| Sammy Azero | Tarak |
| Jean Yoon | Mina |
| Altair Vincent | Officer Stillman |
| Sarena Parmar | Stephanie Kingston |
| Jessica Allen | Tamera |
| Jane Moffat | June |
| Sunnie McFadden | Camille |
| Noorin Gulamgaus | Marcus |
| Mikayla SwamiNathan | Pavani (Younger) |
| Hazel Gorin | Woman With Walker |
| Darrin Maharaj | News Anchor |
| Kari Matchett | Connor's Mom |
| Yasmin Kamci | Pavani's Mom |
| Yatharth Bhatt | Tarak (Younger) |
| Starr Domingue | Neighbour Woman |
| J.D. Nicholsen | Police Union President |
| Albert Lapi | Guarding Officer |
| Name | Job |
|---|---|
| Jesse LaVercombe | Writer |
| Chris Paré | Writer |
| Julia Galle | Producer's Assistant |
| Brian Huynh | Visual Effects Supervisor, Visual Effects Producer |
| Sophia Jooyeon Lee | Head of Production, On Set Computer Graphics |
| Denise Maitan | Visual Effects |
| Brett McLaughlin | Visual Effects |
| Justin Perreault | CG Supervisor |
| Chris Rogoski | Visual Effects |
| Aryan Sehgal | Visual Effects |
| Lukasz Stolarski | Compositor |
| Thomas Therrien | Compositor |
| Samkutty George | Animation |
| Shauna Jamison | Line Producer, Production Manager |
| Marie Davignon | Director of Photography |
| Matt Lyon | Editor |
| Stephanie Gorin | Casting |
| Kai Boydell | Production Design |
| Andrea Kristof | Art Direction |
| Patricia Cuccia | Set Decoration |
| Marcia Scott | Costume Design |
| Kevin Banks | Music Editor |
| Marco DiFelice | Music Supervisor |
| Erica Croft | Hair Department Head |
| Antoinette Julien | Key Hair Stylist |
| Lukas Press | Hair Assistant |
| Liz Rowe | Makeup Department Head |
| Alexis Tataryn | Assistant Makeup Artist |
| Mark Wotton | Makeup Artist, Prosthetics |
| Avrel Fisher | First Assistant Director |
| Bob Glover | Second Assistant Director |
| Brittani Hagelstein | Third Assistant Director |
| Kevin Hennelly | Second Assistant Director |
| David MacDonald | Third Assistant Director |
| Claire Dobson | Dialogue Editor |
| Joseph Fraioli | Sound Designer |
| Trevor Goulet | Sound Mixer |
| Dustin Harris | Dialogue Editor |
| Paul Lynch | ADR Recordist |
| Jason McFarling | Utility Sound |
| Dashen Naidoo | Sound Effects Editor |
| Oscar Fenton | Sound Re-Recording Assistant |
| Kyle Testa | Foley |
| Tyler Whitham | Sound Supervisor |
| Alan Zielonko | Boom Operator |
| Robert Buehler | Special Effects Technician |
| Conor Craig | Special Effects Supervisor |
| Michael Innanen | Special Effects Supervisor, Special Effects Coordinator |
| John Sandever | Special Effects Assistant |
| Nicole Schiafone | On Set Key Props |
| Marlon Victor Bondoc | Compositor |
| Russell Challenger | Compositor |
| Julien Chiari | Visual Effects |
| Evan Churchill | Visual Effects Editor |
| Melissa Costa | Visual Effects Coordinator |
| Michael Davison | Visual Effects Coordinator |
| Reza Hadiani | Animation |
| Brendan Wilcocks | Casting |
| Ryan Taubert | Original Music Composer |
| Jessica Goebell | Online Editor |
| David Huband | Post Production Supervisor |
| Nick Montgomery | First Assistant Editor, Additional Editing |
| Kali Raigh | Dailies Operator |
| Oren Edenson | Dailies Manager |
| Andrew Gainor | Location Scout |
| Dan Feddern | Location Scout |
| Dan Delaplante | Location Production Assistant |
| Liam Kiernan | Assistant Location Manager |
| Ivan Maleikov | Electrician |
| Arlene Halpenny-Heeley | Driver |
| Jeff Chan | Writer, Director |
| Sherren Lee | Writer |
| Krystin Hunter | Dialogue Editor |
| Matthew Chan | Sound Re-Recording Mixer |
| Andrew Degryse | Visual Effects |
| Richard Brown | Extras Casting |
| Kevin Camilleri | Colorist |
| Michael Heathcote | "A" Camera Operator, Steadicam Operator |
| Name | Title |
|---|---|
| Aaron Barnett | Executive Producer |
| Joanna Coathup | Co-Executive Producer |
| Michael Davison | Associate Producer |
| Brian Huynh | Executive Producer |
| Matthew Kariatsumari | Producer |
| Chris Paré | Producer |
| Amanda Pileggi | Co-Producer |
| Tom Selenow | Co-Producer |
| Mark Smith | Executive Producer |
| Stephen Amell | Producer |
| Jeff Chan | Producer |
| Michael Heathcote | Co-Producer |
| Steven Hoban | Producer |
| Brendan McNeill | Co-Executive Producer |
| Robbie Amell | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 289 | 434 | 222 |
| 2024 | 5 | 199 | 312 | 140 |
| 2024 | 6 | 146 | 194 | 108 |
| 2024 | 7 | 137 | 175 | 106 |
| 2024 | 8 | 98 | 128 | 75 |
| 2024 | 9 | 71 | 99 | 56 |
| 2024 | 10 | 70 | 100 | 53 |
| 2024 | 11 | 68 | 121 | 45 |
| 2024 | 12 | 54 | 72 | 38 |
| 2025 | 1 | 51 | 83 | 36 |
| 2025 | 2 | 34 | 49 | 7 |
| 2025 | 3 | 12 | 43 | 3 |
| 2025 | 4 | 6 | 8 | 4 |
| 2025 | 5 | 5 | 7 | 3 |
| 2025 | 6 | 4 | 6 | 3 |
| 2025 | 7 | 3 | 5 | 3 |
| 2025 | 8 | 3 | 4 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 772 | 867 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 932 | 932 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 854 | 854 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 568 | 733 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 474 | 755 |
The first Code 8 movie, was never going to be an award winner but at least it had an element of danger, pacing and excitement. Regrettably, its sequel, seems to be more a vehicle for woke tropes than an actual sci fi film. It appears to be mostly about people from diverse backgrounds being eith ... er abused by "the system" or co-opted into it, as state sponsored abusers. The results feels like what it is. A moral statement viewed from a particular point of view, rather than an exciting, sci fi film, which is what, in this reviewers opinion, it should have been. Its slow paced, not terribly exciting and really goes nowhere interesting but then, how could it? In summary, I, for one, am sick and tired of having simple escapist entertainment hi-jacked to peddle a specific world view. That is what activism and social commentary are for. Of course, the irony too, is the harder this kind of thing is foisted on people, in my experience, the more they tend to reject it.
This was a lot of Code 8 to watch in a short period of time. I definitely skipped through large portions of this film. It seemed like the first film. I maybe should not have watched the first film. Aibo was a dumb idea. Super cute and sweet ending. Fun sequences. A little long. ...