Willow
A world where heroes come in all sizes and adventure is the greatest magic of all.
1988 | 126m | English
Popularity: 5 (history)
| Director: | Ron Howard |
|---|---|
| Writer: | George Lucas, Bob Dolman |
| Staring: |
| The evil Queen Bavmorda hunts the newborn princess Elora Danan, a child prophesied to bring about her downfall. When the royal infant is found by Willow, a timid farmer and aspiring sorcerer, he's entrusted with delivering her from evil. | |
| Release Date: | May 20, 1988 |
|---|---|
| Director: | Ron Howard |
| Writer: | George Lucas, Bob Dolman |
| Genres: | Action |
| Keywords | prophecy, falsely accused, hero, traitor, castle, sorcerer's apprentice, black magic, animal attack, sword and sorcery |
| Production Companies | Lucasfilm Ltd., Metro-Goldwyn-Mayer, Imagine Entertainment |
| Box Office |
Revenue: $57,300,000
Budget: $35,000,000 |
| Updates |
Updated: Jan 09, 2026 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Val Kilmer | Madmartigan |
| Joanne Whalley | Sorsha |
| Warwick Davis | Willow |
| Patricia Hayes | Raziel |
| Gavan O'Herlihy | Airk |
| Phil Fondacaro | Vohnkar |
| Pat Roach | General Kael |
| Rick Overton | Franjean |
| Kevin Pollak | Rool |
| Billy Barty | High Aldwin |
| Jean Marsh | Queen Bavmorda |
| David Steinberg | Meegosh |
| Tony Cox | Vohnkar Warrior |
| Robert Gillibrand | Vohnkar Warrior |
| Mark Northover | Burglekutt |
| Maria Holvoe | Cherlindrea |
| Julie Peters | Kiaya |
| Mark Vande Brake | Ranon |
| Dawn Downing | Mims |
| Michael Cotterill | Druid |
| Zulema Dene | Ethna |
| Joanna Dickens | Barmaid |
| Jennifer Guy | The Wench |
| Ron Tarr | Llug |
| Sallyanne Law | Mother |
| Ruth Greenfield | Elora Danan |
| Kate Greenfield | Elora Danan |
| Fred Wood | Druid (uncredited) |
| David Sibley | Galladoorn Warrior (uncredited) |
| Arnold Lee | Man in Tavern (uncredited) |
| Bob Ramsey | Man in Tavern (uncredited) |
| Kenny Baker | Nelwyn Band Member (uncredited) |
| Jack Purvis | Nelwyn Band Member (uncredited) |
| Malcolm Dixon | Nelwyn Band Member (uncredited) |
| Craig Salisbury | Nelwyn Jester (uncredited) |
| Alan Bennett | Nelwyn Villager (uncredited) |
| Andrew Herd | Nelwyn Villager (uncredited) |
| Ashley C. Williams | Nelwyn Villager (uncredited) |
| Cheryl Howard | Nelwyn Villager (uncredited) |
| Gerald Staddon | Nelwyn Villager (uncredited) |
| Hayley Burroughs | Nelwyn Villager (uncredited) |
| John Cumming | Nelwyn Villager (uncredited) |
| John Ghavan | Nelwyn Villager (uncredited) |
| Kim Davis | Nelwyn Villager (uncredited) |
| Margarita Farrell | Nelwyn Villager (uncredited) |
| Michael Henbury Ballan | Nelwyn Villager (uncredited) |
| Nathan Phillips | Nelwyn Villager (uncredited) |
| Nosher Powell | Nelwyn Villager (uncredited) |
| Peter Burroughs | Nelwyn Villager (uncredited) |
| Raymond Griffiths | Nelwyn Villager (uncredited) |
| Rusty Goffe | Nelwyn Villager (uncredited) |
| Sadie Corre | Nelwyn Villager (uncredited) |
| Samantha Davis | Nelwyn Villager (uncredited) |
| Stéphanie Lhorset | Nelwyn Villager (uncredited) |
| Valerie Gale | Nelwyn Villager (uncredited) |
| Willie Coppen | Nelwyn Villager (uncredited) |
| Kenneth Coombs | Nobleman (uncredited) |
| Gerry Crampton | Nockmaar Lieutenant (uncredited) |
| Greg Powell | Nockmaar Lieutenant (uncredited) |
| Edwin Alofs | Villager (uncredited) |
| Paul Markham | Villager (uncredited) |
| Didier Jean | Villager (uncredited) |
| Owain Griffiths | Villager (uncredited) |
| Name | Job |
|---|---|
| Mike Hill | Editor |
| Daniel P. Hanley | Editor |
| Allan Cameron | Production Design |
| Kim Sinclair | Art Direction |
| Tony Reading | Art Direction |
| Jim Pohl | Art Direction |
| Barbara Lane | Costume Design |
| Amanda Knight | Makeup Artist |
| John Allenby | Property Master |
| Sandina Bailo-Lape | Sound Effects Editor |
| Martin Hume | Camera Operator |
| Sally Jones | Script Supervisor |
| Kathy Sykes | Production Coordinator |
| Joan Carpenter | Hairstylist |
| Gerry Crampton | Stunt Coordinator |
| Eddie Knight | Makeup Artist |
| Vicki Deason | Production Manager |
| Karen Spangenberg | Dialogue Editor |
| Mike Potter | Stunts |
| Richard Hiscott | Editor |
| Tim Hutchinson | Art Direction |
| Malcolm Stone | Art Direction |
| Steve R. Moore | Visual Effects Editor |
| Barbara Ritchie | Hair Department Head |
| Mike Fuller | Camera Operator |
| Brian Muir | Sculptor |
| David R. Hardberger | Camera Operator |
| C.J. Appel | Supervising ADR Editor |
| Alan Boyle | Makeup Department Head |
| Eithné Fennel | Hairstylist |
| Tommie Manderson | Makeup Artist |
| Rosemary Burrows | Costume Supervisor |
| Jack Cooper | Stunts |
| Ken Baker | Assistant Director |
| Steven E. Anderson | Makeup Artist |
| Keith Short | Sculptor |
| Shaun O'Dell | Camera Operator |
| Keith Hamshere | Still Photographer |
| Jim Henrikson | Music Editor |
| Teresa Eckton | Sound Effects Editor |
| E. Larry Oatfield | Dialogue Editor |
| Catherine Madigan | Production Coordinator |
| Paul Grant | Stunts |
| Ron Howard | Director |
| James Horner | Original Music Composer |
| Adrian Biddle | Director of Photography |
| Janet Hirshenson | Casting |
| Jane Jenkins | Casting |
| George Lucas | Story |
| Phil Tippett | Visual Effects |
| Nick Dudman | Makeup Designer |
| Ben Burtt | Sound Designer |
| Ned Gorman | Visual Effects Coordinator |
| Janet Healy | Visual Effects Producer |
| Douglas Kirkland | Still Photographer |
| Eleanor Fazan | Choreographer |
| Roy Scammell | Stunts |
| Michael Silvers | Dialogue Editor |
| Eddie Powell | Stunts |
| Derek Ware | Stunts |
| Richard Graydon | Stunts |
| Michael D. Moore | Second Unit Director |
| Greg Powell | Stunt Double, Animal Coordinator |
| Bob Dolman | Screenplay |
| Jean Giraud | Conceptual Design |
| Chris Lyons | Special Effects Makeup Artist |
| Philip Tan | Stunts |
| Terry Smith | Wardrobe Assistant |
| Matthew Sharp | Set Runner |
| Chris Corbould | Special Effects Technician |
| Name | Title |
|---|---|
| Nigel Wooll | Producer |
| Joe Johnston | Producer |
| George Lucas | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 52 | 73 | 27 |
| 2024 | 5 | 69 | 127 | 47 |
| 2024 | 6 | 42 | 64 | 25 |
| 2024 | 7 | 36 | 47 | 22 |
| 2024 | 8 | 29 | 56 | 16 |
| 2024 | 9 | 25 | 33 | 16 |
| 2024 | 10 | 29 | 70 | 18 |
| 2024 | 11 | 31 | 47 | 19 |
| 2024 | 12 | 34 | 65 | 22 |
| 2025 | 1 | 35 | 58 | 23 |
| 2025 | 2 | 23 | 39 | 4 |
| 2025 | 3 | 9 | 31 | 2 |
| 2025 | 4 | 7 | 12 | 3 |
| 2025 | 5 | 6 | 12 | 4 |
| 2025 | 6 | 5 | 9 | 3 |
| 2025 | 7 | 3 | 4 | 2 |
| 2025 | 8 | 3 | 6 | 2 |
| 2025 | 9 | 4 | 8 | 2 |
| 2025 | 10 | 3 | 6 | 2 |
| 2025 | 11 | 4 | 5 | 3 |
| 2025 | 12 | 4 | 5 | 2 |
| 2026 | 1 | 4 | 5 | 3 |
| 2026 | 2 | 4 | 5 | 3 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 1 | 388 | 643 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 12 | 818 | 834 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 11 | 789 | 832 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 956 | 956 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 527 | 803 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 948 | 948 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 624 | 819 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 505 | 759 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 396 | 751 |
Warwick Davis is great in this fantasy as the eponymous fellow charged with keeping a young baby from the evil clutches of the wicked queen "Bavmorda" (Jean Marsh). It has been foretold that this youngster will prove to be the undoing of the reign of terror that has permeated the land, and so this t ... ask is going to be perilous to say the least. Arriving at the crossroads, his townsfolk friends decide to abandon him and his quest but fortunately he has recourse to the trapped "Madmartigan" (Val Kilmer) who has been caged up and left to die. Pursued by the queen's battle-hardened daughter "Sorsha" (Joanne Whalley) and her henchman "Kael" (Pat Roach) what now ensues is a grand spectacle of high adventure that features some inspired special effects, a good solid story and some equally engaging characterisations that deliver a traditional good vs. evil scenario. I always support the baddies in movies, and here was no different - but I was very nearly tempted by the courage and decency of "Willow" to switch sides. Kilmer is on good form, his role allows him to flourish with some witty dialogue and plenty of swash and buckle as the denouement - and a magical one at that - looms large. Ron Howard and George Lucas have let their imagination take control here, and I felt it worked rather well. The photography and action scenes work well, and though maybe the story is a bit of an hybrid of others, it still doesn't stop this being an enjoyable David and Goliath style battle that is peppered with some strong supporting performances, some familiar faces and , I think, gets better with age.
**Warwick Davis' life movie isn't bad, but it's not really good either.** Fantasy cinema has experienced moments of brilliance thanks to the creativity of a good number of directors and screenwriters, and also due to the possibilities brought by technology. However, in the past, things were simpl ... er: directors and technical teams of fantasy films were those people used to improvising a lot and thinking outside the box. That skill is a talent, surely, and sometimes it's preferable to do something more traditional than to use CGI resources so absurdly fake that they don't even deserve to be there. This film, despite being far from being good or deserving a praise, is not a waste of time and there are several details where we can observe redeeming qualities. The film's value begins with the more or less direct involvement of several prominent people in the film industry at the time: a film written by George Lucas and directed by Ron Howard cannot properly be considered a B-movie. Howard directs impeccably, but the truth is that Lucas could have made an additional effort in the script: the story that guides the film is funny, it has good moments, but it is also full of clichés and strange little peculiarities that do not fail to lift us up doubts every moment. Despite the projection given to Val Kilmer and Joanne Whalley in advertising (it is an understandable maneuver since they are well-known actors), the real protagonist is the dwarf Warwick Davis. Yes, it's not a pristine performance worthy of an award, but he couldn't be much better: the actor was still young and inexperienced, but he managed to show talent and resoluteness, making the most of this beautiful opportunity that appeared in his life. Val Kilmer, although more famous, doesn't need to do much and has few real challenges, while the beautiful Whalley and Jean Marsh are authentic attention grabbers and do an equally satisfying job. Technically, it is a film whose value lies in the very well-designed sets and costumes, and also in the soundtrack, skilfully composed but a little forgettable. It has several special effects, most of them quite dated, but functional. The problem is that, for a film of the fantasy genre, it ends up having a little less "magic" than would be desirable. And despite the story being a little convoluted, the film picks up a high enough pace that this ends up not being a problem.
After watching the film "Willow" for the first time, it was perceived as a corny yet lovable movie with entertaining moments, albeit with cheesy and lacking depth. While the film has its charm, it may not be one that warrants repeat viewings, as it falls short in terms of overall enjoyment. The stor ... ytelling and character development were deemed subpar, failing to create an enchanting or immersive experience as initially anticipated. Despite "Willow" becoming a cult classic, it ultimately fell into the category of films that are predominantly corny and cheesy. The television series that attempted to capitalize on the movie's cult status failed to live up to expectations, leading to its cancellation after one season. The series struggled to capture the essence of the original film, resulting in a lackluster and unengaging viewing experience. In conclusion, both the movie and the television series based on "Willow" failed to leave a lasting impact and were ultimately deemed uninspiring and difficult to follow. While the film may have its moments, it may not be enough to warrant a recommendation for viewers looking for a captivating and enjoyable cinematic or television experience.