Popularity: 3 (history)
Director: | Neil Jordan |
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Writer: | Neil Jordan, William Monahan, John Banville |
Staring: |
Private detective Philip Marlowe becomes embroiled in an investigation involving a wealthy Californian family after a beautiful blonde hires him to track down her former lover. | |
Release Date: | Feb 15, 2023 |
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Director: | Neil Jordan |
Writer: | Neil Jordan, William Monahan, John Banville |
Genres: | Crime |
Keywords | los angeles, california, private detective, missing person, 1930s, old hollywood |
Production Companies | Davis Films, Fís Éireann/Screen Ireland, Parallel Films, Jeff Rice Films, Nickel City Pictures, Elipsis Capital, Aperture Media Partners, Parallel Film Productions, H2L Media Group, StoryBoard Media, The Foley Lab |
Box Office |
Revenue: $6,262,663
Budget: $20,000,000 |
Updates |
Updated: Jun 10, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Liam Neeson | Philip Marlowe |
Diane Kruger | Clare Cavendish |
Jessica Lange | Dorothy Quincannon |
Danny Huston | Floyd Hanson |
Alan Cumming | Lou Hendricks |
Ian Hart | Joe Green |
Adewale Akinnuoye-Agbaje | Cedric |
Daniela Melchior | Lynn Peterson |
Patrick Muldoon | Richard Cavendish |
Colm Meaney | Bernie Ohls |
François Arnaud | Nico Peterson |
Seána Kerslake | Amanda Toxteth |
Stella Stocker | Hilda |
Darrell D'Silva | Old Man |
Mitchell Mullen | O'Reilly, the Ambassador |
Roberto Peralta | Gomez |
J.M. Maciá | Lopez |
Michael Garvey | Pat the Bartender |
Minnie Marx | Madame Cabana |
David Lifschitz | Chas |
Antonios Antoniadis | Frederick |
Luke Manning | Garden of Allah Waiter |
Mark Schardan | Director |
Billy Jeffries | Cameraman |
Gary Anthony Stennette | Car Park Painter |
Julius Cotter | Medical Examiner |
Michael Strelow | Otis |
Tony Corvillo | Gardener |
Kim DeLonghi | Broad with the Cigarette |
Stephen Wilks | Security Guard |
Alan Moloney | Office Boss |
Brenda Rawn | Office Secretary |
Keith Gallagher | Office Clerk |
Lauren O'Leary | Clare's Asaistant |
Darrell D'Silva |
Name | Job |
---|---|
Neil Jordan | Director, Screenplay |
Raymond Chandler | Characters |
William Monahan | Screenplay |
Dan Hubbard | Casting |
Marc Domènech Sanmiquel | Compositing Lead |
David Holmes | Original Music Composer |
John Banville | Novel |
Betsy Heimann | Costume Design |
Mick Mahon | Editor |
Steve Fanagan | Sound Designer |
Lorraine Glynn | Hair Designer |
Niamh O'Loan | Makeup Designer |
Pamela Smyth | Makeup & Hair |
John Beard | Production Design |
Xavi Giménez | Director of Photography |
Cristina Pulber | Production Coordinator |
Irene O'Brien | Art Direction |
Name | Title |
---|---|
Billy Hines | Producer |
Alan Moloney | Producer |
Patrick Muldoon | Executive Producer |
Elisabeth Costa de Beauregard | Executive Producer |
Mark Fasano | Producer |
Celine Haddad | Executive Producer |
Patrick Hibler | Producer |
Christopher Hines | Executive Producer |
Redmond Morris | Co-Producer |
Ankur Rungta | Executive Producer |
Vishal Rungta | Executive Producer |
Steven Sims | Executive Producer |
Harris Tulchin | Executive Producer |
Tobias Weymar | Executive Producer |
Philip Kim | Producer |
Gary Levinsohn | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 33 | 47 | 25 |
2024 | 5 | 31 | 50 | 21 |
2024 | 6 | 24 | 39 | 16 |
2024 | 7 | 26 | 40 | 15 |
2024 | 8 | 20 | 34 | 13 |
2024 | 9 | 17 | 27 | 12 |
2024 | 10 | 19 | 33 | 11 |
2024 | 11 | 16 | 33 | 10 |
2024 | 12 | 15 | 24 | 9 |
2025 | 1 | 18 | 41 | 11 |
2025 | 2 | 11 | 15 | 3 |
2025 | 3 | 6 | 19 | 1 |
2025 | 4 | 3 | 7 | 2 |
2025 | 5 | 3 | 6 | 1 |
2025 | 6 | 3 | 4 | 2 |
2025 | 7 | 2 | 4 | 2 |
2025 | 8 | 2 | 3 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 372 | 737 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 69 | 465 |
I have watched a few movies based on Raymond Chandler’s Philip Marlowe, and I can’t say that any of them dazzled me, even though they were usually played by actors I liked. This version struck me the same way. I really like Liam Neeson and feel that he has elevated a few B quality movies I have seen ... him in. But either he couldn’t or wasn’t allowed to work similar magic here. The characters don’t mumble exactly, but the overall effect to me is that they might as well have been. The dialogue isn’t exactly electric and they seem to deliver them rather matter of factly. When Marlow beats up a few guys and says, “I am getting too old for this,” it comes out sounding like the tired cliche it is rather than a heartfelt observation by a jaded private eye. So I can’t help but label this as a missed opportunity; I mean, it’s Liam Neeson for goodness sake. Write the man some better lines and action sequences.
Regardless of what a lot of people claim, this is a quite good old-fashioned murder mystery and private investigator story. It is quite well done in the style one would expect when implementing a story where the main character is the famous Philip Marlowe. This kind of story should not be filled ... with insane action, psychopathic outbursts or any other of the other stuff that Hollywood (as well as probably the younger audience) seems to think that every movie needs. Is it slow as many people say. Sure if you compare with John Wick it is slow. For a Philip Marlowe movie it is just right. When watching this movie I was really quite happy that this was not another movie (and character) that Hollywood felt they had to “modernize” like the remake abominations where Hercule Poirot runs on top of train cars and chases murderers waving guns. It is a good mystery story. It is a good implementation. Liam Neeson, whom I generally like as an actor, is quite a good fit for the role of Philip Marlowe. Overall I quite enjoyed this movie. The fact that the so called “critics” at Woke (Rotten) Tomatoes gave this movie 25% Rotten of course destroyed any credibility these woke hacks might have had left. If I move does not project the right agenda it is rotten by their standards, or rather lack thereof.