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Summer Storm

Don't Go Near This Woman! Nothing So Beautiful Was Ever So Deadly!
1944 | 106m | English

(813 votes)

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Popularity: 0.6 (history)

Details

It's a tale of power and passions when a Russian siren, who wants the finer things in life, sinks her hooks into a judge, a decadent aristocrat and an estate superintendent, with surprising results.
Release Date: Jul 14, 1944
Director: Douglas Sirk
Writer: Douglas Sirk, Anton Chekhov, Robert Thoeren, Rowland Leigh
Genres: Drama
Keywords
Production Companies Nero Films, Angelus Productions
Box Office Revenue: $0
Budget: $0
Updates Updated: Jan 30, 2026
Entered: Apr 20, 2024
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Extras

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Full Credits

Name Character
George Sanders Fedja Michailovitch Petroff
Linda Darnell Olga Kuzminichna Urbenin
Anna Lee Nadina Kalenin
Edward Everett Horton Count "Piggy" Volsky
Hugo Haas Anton Urbenin
Laurie Lane Clara Heller
John Philliber Polycarp
Sig Ruman Kuzma
John Abbott Lunin
Mary Servoss Mrs. Kalenin
André Charlot Mr. Kalenin
Robert Greig Gregory
Nina Koshetz Gypsy Singer
Paul Hurst Orloff
Charles Trowbridge Doctor
Don Brodie Bit Player (uncredited)
Jimmy Conlin Man Mailing Letter (uncredited)
Byron Foulger Clerk in Newspaper Office (uncredited)
John Kelly Bit Player (uncredited)
Kate MacKenna Woman with Umbrella (uncredited)
Mike Mazurki Tall Policeman Bending Over Petroff (uncredited)
Sharon McManus Beggar Child (uncredited)
Fred Nurney Judge in Kharkov (uncredited)
Frank Orth Cafe Maitre d' at End (uncredited)
Sarah Padden Beggar Woman (uncredited)
Constance Purdy Dinner Guest (uncredited)
Elizabeth Russell Dinner Guest Offended by Kuzma (uncredited)
Ann Staunton Dinner Guest (uncredited)
Charles Wagenheim Bit Part (uncredited)
Anita Venge Bit Part (uncredited)
Lon Poff Foreman of the Jury (uncredited)
Frances Morris Dinner Guest (uncredited)
Gabriel Lenoff Father Konstantin - Priest (uncredited)
John Kelly Policeman (uncredited)
Kenneth Jones Bit Player (uncredited)
Joyce Gates Gypsy Girl (uncredited)
Rex Evans Bit Part (uncredited)
Woody Charles Young Lackey (uncredited)
Name Job
Douglas Sirk Director, Adaptation, Writer
Anton Chekhov Novel
Richard de Wesse Sound Recordist
Walter Mayo Production Manager
Archie Stout Director of Photography
Eugen Schüfftan Director of Photography
William McGarry Assistant Director
Richard DeWeese Sound Recordist
Fred Lau Sound
Gregg Tallas Editorial Services
Karl Hajos Music Director, Original Music Composer
Robert Thoeren Additional Dialogue, Writer
Rowland Leigh Screenplay
Rudi Feld Art Direction
Max Pretzfelder Costume Design
Lon Anthony Costume Design
Emile Kuri Set Decoration
Name Title
Rudolf S. Joseph Associate Producer
Seymour Nebenzal Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 7 14 2
2024 5 7 13 4
2024 6 5 13 2
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2026 1 2 7 1
2026 2 1 3 0

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Reviews

Geronimo1967
6.0

George Sanders is the local magistrate "Petroff" in Czarist Russia in 1912. He is contentedly engaged to his rather uninspiring fiancée "Nadena" (Anna Lee) when he encounters the temptress peasant "Olga" (Linda Darnell). She quite literally knocks this otherwise pillar of the community figure off hi ... s feet much to the chagrin of "Nadena" who tells him to get lost. Turns out, "Olga" is a bit of a gold-digger, and when she has an affair with his close friend "Count Volsky" (Edward Everett Horton), "Petroff" is livid - and tragedy ensues. It's based on the Chekhov "Shooting Party" play and is a fair adaptation at that. Sanders and Darnell are well matched by director Douglas Sirk and the machinations of all concerned flow quite well. The production is a bit on the basic side, I'm not sure I recall any outside scenarios, but there is a good supporting cast (Hugo Haas and the usually reliable John Abbott) and the arrival of the Russian Revolution adds an extra twist to what can be, at times, just a little too melodramatic a romance. No, it isn't a great film - but it is quite enjoyable.

Apr 04, 2022
catfactory
9.0

Tragic Romance. Doomed Choices. When Fyodor tries to settle down with Natalia, he gets fatally attracted to Olga and his life falls apart. Linda Darnell (Olga) really is irresistible and I can see why George was led astray. His love for Anna Lee (Natalia) endures however, and the *pining* he must ... have done after the revolution...you can see it in his eyes. I really have to hand it to Edward Everett Horton, though. He delivers such a Fantastic performance as the Count. Sanders gets to show off his Russian (and his singing voice) also. We also get treated to some superb VO work by Sanders that is so romantic (and Romantic) that I challenge anyone not to fall for him. Knowing some of George Sanders' backstory adds another layer to this performance, too: he was born and raised in St Petersburg by British expat parents. They left when he was about 11 because of the revolution. A wistful quality edges into some parts of his line delivery that absolutely tugs at your heart. The Chekov book this is based on is enhanced by the adaptation's movement of the story a few years later and adding the revolution framing. I think it makes for an even more poignant climax when the end finally comes. Sanders has such good chemistry with all his scenemates, in particular Edward Everett Horton and Linda Darnell. His Fyodor and Horton's Count share a real friendship that endures and seems to sustain both men. His immediate and helpless infatuation with Olga is believable and at first she seems the simple farmer's daughter she appears to be. Fyodor lets himself be seduced (even as it looks like he's doing the seducing. Maybe he was at first).

Sep 16, 2025