Popularity: 6 (history)
Director: | David Ayer |
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Writer: | David Ayer |
Staring: |
Two young officers are marked for death after confiscating a small cache of money and firearms from the members of a notorious cartel during a routine traffic stop. | |
Release Date: | Sep 20, 2012 |
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Director: | David Ayer |
Writer: | David Ayer |
Genres: | Drama, Crime, Thriller |
Keywords | friendship, street gang, ambush, human trafficking, arrest, shootout, los angeles, california, brutality, gang member, rookie cop, u.s. marine, pregnant wife, found footage, bullet proof vest, medal of valor, police sergeant, felon, golden gun, video camera, appreciative |
Production Companies | EFO Films, Exclusive Media, Hedge Fund Film Partners, Crave Films, Knightsbridge Entertainment, Le Grisbi Productions, 5150 Action |
Box Office |
Revenue: $55,078,146
Budget: $7,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Job |
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David Ayer | Screenplay, Director |
Matthew W. Mungle | Makeup Effects |
Lindsay Graham Ahanonu | Casting |
Devorah Herbert | Production Design |
Kevin Constant | Art Direction |
Betty Berberian | Set Decoration |
Arturo Rojas | Hairstylist |
Waldo Sanchez | Hairstylist |
Tina Roesler Kerwin | Makeup Department Head |
Heather Mages | Makeup Artist |
Clinton Wayne | Makeup Effects, Prosthetic Designer |
Alex Hunter | Art Department Coordinator |
Tommy Tomlinson | Property Master |
Douglas Womack | Construction Coordinator |
Andy Potvin | Dolby Consultant |
James Moriana | Foley |
Jeffrey Wilhoit | Foley |
Roland N. Thai | Sound Designer |
Michael D. Wilhoit | Supervising Sound Editor |
Christian P. Minkler | Sound Re-Recording Mixer |
Kevin Hannigan | Special Effects Coordinator |
Phillip Hoffman | Visual Effects Producer |
Adam Avitabile | Visual Effects Supervisor |
Jake Avignone | Camera Operator |
Micky Froehlich | Camera Operator |
Scott Garfield | Still Photographer |
Louie Ceredez | Rigging Gaffer |
Robert Iannaccone | Costume Supervisor |
Matt Chase | Set Costumer |
Amy Pawlowski | Digital Intermediate |
Robert E. Phillips | Digital Intermediate |
Rosalie A. Staley | Digital Intermediate |
Halima K. Gilliam | First Assistant Editor |
Clint Bennett | Music Editor |
Chris Newlin | Music Editor |
Steve Duncan | Music Editor |
Earl West | Location Manager |
Amy Cohn | Unit Publicist |
David Quierolo | Studio Teachers |
Alex L. Worman | Publicist |
Michael Vines | Property Master |
Flakiss | Additional Music |
Kimberly Ellis | Dialogue Editor |
Freddy Bouciegues | Stunts |
Roman Vasyanov | Director of Photography |
Dody Dorn | Editor |
Mary Vernieu | Casting |
Mary Claire Hannan | Costume Design |
Gary A. Hecker | Foley |
Joe Barnett | Sound Re-Recording Mixer |
Mike Gunther | Stunt Coordinator |
JoAnn Fregalette Jansen | Choreographer |
Gabe Hilfer | Music Supervisor |
Season Kent | Music Supervisor |
David Sardy | Original Music Composer |
Kid Rock | Musician |
Jaime FitzSimons | Technical Advisor |
Veronica Lorenz | Makeup Artist |
Teresa Espinosa | Choreographer |
Eddie Perez | Stunts |
Michelle Jubilee Gonzalez | Stunts |
Name | Title |
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Matt Jackson | Producer |
Tobin Armbrust | Executive Producer |
Remington Chase | Executive Producer |
Guy East | Executive Producer |
Adam Kassan | Executive Producer |
Stephen Martirosyan | Executive Producer |
Chrisann Verges | Executive Producer |
John Lesher | Producer |
David Ayer | Producer |
Randall Emmett | Executive Producer |
Jake Gyllenhaal | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 25 | 39 | 15 |
2024 | 5 | 33 | 41 | 27 |
2024 | 6 | 30 | 54 | 18 |
2024 | 7 | 31 | 59 | 18 |
2024 | 8 | 26 | 39 | 17 |
2024 | 9 | 19 | 30 | 10 |
2024 | 10 | 29 | 51 | 14 |
2024 | 11 | 24 | 52 | 17 |
2024 | 12 | 23 | 30 | 16 |
2025 | 1 | 31 | 65 | 16 |
2025 | 2 | 22 | 35 | 5 |
2025 | 3 | 8 | 24 | 2 |
2025 | 4 | 5 | 12 | 3 |
2025 | 5 | 5 | 12 | 4 |
2025 | 6 | 5 | 8 | 4 |
2025 | 7 | 5 | 11 | 4 |
2025 | 8 | 4 | 5 | 3 |
2025 | 9 | 6 | 7 | 5 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 574 | 778 |
Year | Month | High | Avg |
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2025 | 8 | 582 | 749 |
Year | Month | High | Avg |
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2025 | 5 | 402 | 697 |
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2025 | 4 | 343 | 674 |
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2025 | 3 | 854 | 912 |
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2025 | 2 | 904 | 924 |
Year | Month | High | Avg |
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2025 | 1 | 734 | 835 |
Year | Month | High | Avg |
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2024 | 11 | 890 | 890 |
Year | Month | High | Avg |
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2024 | 8 | 586 | 743 |
Officers Taylor (Jake Gyllenhaal) and Zavala (Michael Peña) are LA beat cops, partnered up a long time. We watch them in action via a number of set pieces, and see that they're cynical enough to interpret the rules as necessary but still by a long, long stretch good and decent cops that will risk th ... eir lives in carrying out their duties at a moment's notice. Zavala is already blissfully happily married with a baby on the way, Taylor has just met a sweet Irish gal and over the course of the film we see their relationship blossom and grow. These two men are like the closest of brothers. It's all good to see. One day, their dedication to the job causes them to stumble in over their pay grade into a much larger drug cartel and human trafficking operation than regular beat cops would usually encounter. Homeland Security agents appear, having apparently already been monitoring the situation, and warn our boys that they've bloodied the wrong noses, and they'd better lay low. I HATE a dumb actioner, and this ain't that. Well, it DOES contain all of the standard tropes and cliches (buddy cops, stumbling in over their heads into some drug cartel hoo-haa; the bad guys all being relentlessly bad 24/7, permanently scowling, growling and barking at one another, etc.), but done ever-so-well; reminiscent to me of how [REC] didn't contain anything new or fresh whatsoever, but did all of what it did very well indeed and it came across as fresh as a result. It's shot mostly cinéma vérité-style, utilising a plotline in which officer Taylor is shooting a documentary piece for a student course he's taking. However, it switches between between first and third-person narrative a la Modern Family, but when it switches to third-person it retains a very documentary-like feel, so it all feels quite seamless. It wilts a little just past the halfway mark but picks up enormously for the final third. Also, when it's violent (which isn't often), it's unexpectedly VERY violent. I'd give it an 8/10 and recommend that it's worth at least a look. And I'm not a fan of L.A. guns/bloods/crips/gangs/urban/drugs/cops films.
A good duo at the forefront of this thing, but I don't especially care for the half-assed documentary schematic or, you know... cops. _Final rating:★★★ - I liked it. Would personally recommend you give it a _ ...