Menu
End of Watch Poster

End of Watch

Every moment of your life they stand watch
2012 | 109m | English

(285334 votes)

TMDb IMDb

Popularity: 6 (history)

Director: David Ayer
Writer: David Ayer
Staring:
Details

Two young officers are marked for death after confiscating a small cache of money and firearms from the members of a notorious cartel during a routine traffic stop.
Release Date: Sep 20, 2012
Director: David Ayer
Writer: David Ayer
Genres: Drama, Crime, Thriller
Keywords friendship, street gang, ambush, human trafficking, arrest, shootout, los angeles, california, brutality, gang member, rookie cop, u.s. marine, pregnant wife, found footage, bullet proof vest, medal of valor, police sergeant, felon, golden gun, video camera, appreciative
Production Companies EFO Films, Exclusive Media, Hedge Fund Film Partners, Crave Films, Knightsbridge Entertainment, Le Grisbi Productions, 5150 Action
Box Office Revenue: $55,078,146
Budget: $7,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Jake Gyllenhaal Brian Taylor
Michael Peña Mike Zavala
Natalie Martinez Gabby Zavala
Anna Kendrick Janet Taylor
David Harbour Van Hauser
Frank Grillo Sarge
America Ferrera Officer Orozco
Cody H. Carolin Officer Davis
Shondrella Avery Bonita
Hugh Daly Homicide Detective 2
Gene Hong Officer Cho
Cle Sloan Mr. Tre
Jaime FitzSimons Captain Reese
Everton Lawrence Man Friend
Zone Too Tall
Alvin Norman Peanut
Richard Cabral Demon
Diamonique Wicked
Maurice Compte Big Evil
Flakiss La La
Manny Jimenez Jr. Casper
Nikki Nicholle Barreras Cindy
Kristy Wu Sook
Candace Smith Sharice
Corina Calderon Jazmine
David Fernandez Jr. Spooky
McKinley Freeman Williams
Kevin Vance Ice Agent
David Castañeda Mexican Cowboy
John A. Russo LAPD Honor Guard
Michael Monks Homicide Detective 1
Serene Branson Self
Ramon Camacho Tall Cowboy
Eric Garcetti Self
Nelly Castillo Young Mother
Judy Echavez Elmeida
Ruben Roberto Gomez Drunken Party Guest
Robert Gatewood Illegal Imigrant
Diana Noris Maria
Ron Roggé Pastor Simons
Name Job
David Ayer Screenplay, Director
Matthew W. Mungle Makeup Effects
Lindsay Graham Ahanonu Casting
Devorah Herbert Production Design
Kevin Constant Art Direction
Betty Berberian Set Decoration
Arturo Rojas Hairstylist
Waldo Sanchez Hairstylist
Tina Roesler Kerwin Makeup Department Head
Heather Mages Makeup Artist
Clinton Wayne Makeup Effects, Prosthetic Designer
Alex Hunter Art Department Coordinator
Tommy Tomlinson Property Master
Douglas Womack Construction Coordinator
Andy Potvin Dolby Consultant
James Moriana Foley
Jeffrey Wilhoit Foley
Roland N. Thai Sound Designer
Michael D. Wilhoit Supervising Sound Editor
Christian P. Minkler Sound Re-Recording Mixer
Kevin Hannigan Special Effects Coordinator
Phillip Hoffman Visual Effects Producer
Adam Avitabile Visual Effects Supervisor
Jake Avignone Camera Operator
Micky Froehlich Camera Operator
Scott Garfield Still Photographer
Louie Ceredez Rigging Gaffer
Robert Iannaccone Costume Supervisor
Matt Chase Set Costumer
Amy Pawlowski Digital Intermediate
Robert E. Phillips Digital Intermediate
Rosalie A. Staley Digital Intermediate
Halima K. Gilliam First Assistant Editor
Clint Bennett Music Editor
Chris Newlin Music Editor
Steve Duncan Music Editor
Earl West Location Manager
Amy Cohn Unit Publicist
David Quierolo Studio Teachers
Alex L. Worman Publicist
Michael Vines Property Master
Flakiss Additional Music
Kimberly Ellis Dialogue Editor
Freddy Bouciegues Stunts
Roman Vasyanov Director of Photography
Dody Dorn Editor
Mary Vernieu Casting
Mary Claire Hannan Costume Design
Gary A. Hecker Foley
Joe Barnett Sound Re-Recording Mixer
Mike Gunther Stunt Coordinator
JoAnn Fregalette Jansen Choreographer
Gabe Hilfer Music Supervisor
Season Kent Music Supervisor
David Sardy Original Music Composer
Kid Rock Musician
Jaime FitzSimons Technical Advisor
Veronica Lorenz Makeup Artist
Teresa Espinosa Choreographer
Eddie Perez Stunts
Michelle Jubilee Gonzalez Stunts
Name Title
Matt Jackson Producer
Tobin Armbrust Executive Producer
Remington Chase Executive Producer
Guy East Executive Producer
Adam Kassan Executive Producer
Stephen Martirosyan Executive Producer
Chrisann Verges Executive Producer
John Lesher Producer
David Ayer Producer
Randall Emmett Executive Producer
Jake Gyllenhaal Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 25 39 15
2024 5 33 41 27
2024 6 30 54 18
2024 7 31 59 18
2024 8 26 39 17
2024 9 19 30 10
2024 10 29 51 14
2024 11 24 52 17
2024 12 23 30 16
2025 1 31 65 16
2025 2 22 35 5
2025 3 8 24 2
2025 4 5 12 3
2025 5 5 12 4
2025 6 5 8 4
2025 7 5 11 4
2025 8 4 5 3
2025 9 6 7 5

Trending Position


Year Month High Avg
2025 9 574 778
Year Month High Avg
2025 8 582 749
Year Month High Avg
2025 5 402 697
Year Month High Avg
2025 4 343 674
Year Month High Avg
2025 3 854 912
Year Month High Avg
2025 2 904 924
Year Month High Avg
2025 1 734 835
Year Month High Avg
2024 11 890 890
Year Month High Avg
2024 8 586 743

Return to Top

Reviews

LastCaress1972
N/A

Officers Taylor (Jake Gyllenhaal) and Zavala (Michael Peña) are LA beat cops, partnered up a long time. We watch them in action via a number of set pieces, and see that they're cynical enough to interpret the rules as necessary but still by a long, long stretch good and decent cops that will risk th ... eir lives in carrying out their duties at a moment's notice. Zavala is already blissfully happily married with a baby on the way, Taylor has just met a sweet Irish gal and over the course of the film we see their relationship blossom and grow. These two men are like the closest of brothers. It's all good to see. One day, their dedication to the job causes them to stumble in over their pay grade into a much larger drug cartel and human trafficking operation than regular beat cops would usually encounter. Homeland Security agents appear, having apparently already been monitoring the situation, and warn our boys that they've bloodied the wrong noses, and they'd better lay low. I HATE a dumb actioner, and this ain't that. Well, it DOES contain all of the standard tropes and cliches (buddy cops, stumbling in over their heads into some drug cartel hoo-haa; the bad guys all being relentlessly bad 24/7, permanently scowling, growling and barking at one another, etc.), but done ever-so-well; reminiscent to me of how [REC] didn't contain anything new or fresh whatsoever, but did all of what it did very well indeed and it came across as fresh as a result. It's shot mostly cinéma vérité-style, utilising a plotline in which officer Taylor is shooting a documentary piece for a student course he's taking. However, it switches between between first and third-person narrative a la Modern Family, but when it switches to third-person it retains a very documentary-like feel, so it all feels quite seamless. It wilts a little just past the halfway mark but picks up enormously for the final third. Also, when it's violent (which isn't often), it's unexpectedly VERY violent. I'd give it an 8/10 and recommend that it's worth at least a look. And I'm not a fan of L.A. guns/bloods/crips/gangs/urban/drugs/cops films.

Jun 23, 2021
Ruuz
6.0

A good duo at the forefront of this thing, but I don't especially care for the half-assed documentary schematic or, you know... cops. _Final rating:★★★ - I liked it. Would personally recommend you give it a _ ...

Jun 23, 2021