Popularity: 3 (history)
Director: | James Hawes |
---|---|
Writer: | Lucinda Coxon, Nick Drake |
Staring: |
British stockbroker Nicholas Winton visits Czechoslovakia in the 1930s and forms plans to assist in the rescue of Jewish children before the onset of World War II, in an operation that came to be known as the Kindertransport. | |
Release Date: | Dec 21, 2023 |
---|---|
Director: | James Hawes |
Writer: | Lucinda Coxon, Nick Drake |
Genres: | Drama, History |
Keywords | world war ii, deportation, czechoslovakia, biography, refugee train, based on true story, war hero, nazi invasion, jewish family, kindertransport, jewish refugee, 1930s, semi-biographical, pre-war, jewish history, jews, nazi germany, jews in hiding, dramatic, jewish child, jewish community |
Production Companies | BBC Film, See-Saw Films, Lipsync Productions, Cross City Films, MBK Productions |
Box Office |
Revenue: $51,437,352
Budget: $0 |
Updates |
Updated: Jan 28, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Anthony Hopkins | Nicholas Winton |
Johnny Flynn | Young Nicholas Winton |
Lena Olin | Grete Winton |
Romola Garai | Doreen Warriner |
Alex Sharp | Trevor Chadwick |
Jonathan Pryce | Martin Blake |
Helena Bonham Carter | Babi Winton |
Juliana Moska | Hana Hejdukova |
Ziggy Heath | Young Martin Blake |
Marthe Keller | Betty Maxwell |
Tim Steed | Bernard |
Matilda Thorpe | Nina |
Samantha Spiro | Esther Rantzen |
Adrian Rawlins | Geoff |
Tom Glenister | William Hughes |
Michael Gould | Leadbetter |
Samuel Finzi | Rabbi Hertz |
Jiří Šimek | Rudi |
Ffion Jolly | Barbara Winton |
Simon Thorp | Mr. Hart |
Emily Laing | BBC Researcher |
Henrietta Garden | Vera Gissing |
Anna Darvas | Lady Milena Grenfell-Baines |
Jonathan Tafler | Hanus Snabl |
Barbora Vacková | Monika Holub |
Jolana Jirotková | Gap-Toothed Girl |
Michal Škach | Jan Slonek |
Samuel Himal | Karel Slonek |
Matej Karas | Petr Slonek |
Ella Novakova | Lenka |
Martin Bednàr | Vaclav Slonek |
Petr Jeništa | Communist BCRC Volunteer |
Darren Clarke | Home Office Clerk |
Nick Blakeley | Junior Civil Servant |
Kateřina Jebavá | German Mother |
Sean Brodeur | Father |
Frantiska Polakova | Young Vera Diamontova |
Alzbeta Cerna | Eva Diamontova |
Dan Vynohradnyk | Tommy |
Max Vynohradnyk | Honza |
Antonie Formanová | Marta Diamontova |
Beáta Mikušová | Frightened Girl |
Janusz Hummel | Father at Train Window |
Michaela Hráská | Mother at Train Window |
Jiří Valeš | Lone Father |
Kateřina Kocichová | Shocked Mother |
Milan Ligač | Czech Military |
Stuart Ramsay | Gavin Campbell |
Matilda Bedford | Restaurant Hostess |
Charles Armstrong | Wine Waiter |
Angus Kennedy | New Statesman Reporter |
Lukáš Král | Reluctant Father |
Vilma Frantová | Weeping Mother |
Aleš Bílík | Officer on Train |
Jaromíra Mílová | Vera's Foster Mother |
Liam Smith | Railway Official |
Marie-Claire Wood | Betty's Assistant |
Eliška Jechová | Panicked Mother |
Justin Svoboda | Angry Father |
Joe Weintraub | Gestapo Officer |
Barbora Černá | Gap-Toothed Girl's Mother |
Richard Popple | Steve Watson |
Alma Salomon | Vera's Granddaughter |
Barbora Váchová | Monika Holub |
Name | Job |
---|---|
Lucinda Coxon | Screenplay |
Nick Drake | Screenplay |
Christina Moore | Production Design, Production Designer |
Jan Kalous | Art Direction |
Aline Leonello | Supervising Art Director |
Philippa Hart | Set Decoration |
Petra Vencelidesová | Set Decoration |
Klara Zimova | Set Decoration |
Joanna Eatwell | Costume Design |
Kristina Hejduková | Line Producer |
Lucy Amos | Casting |
Arwa Salmanova | Casting |
Jean Carlos de Blas | Makeup Artist |
Linda Eisenhamerová | Hairstylist |
Karen Hartley-Thomas | Makeup Designer |
Fiona Matthews | Makeup Artist |
Aneta Chalas | Production Manager |
Jirka Kasparek | Unit Manager |
Will Cummins | Additional Photography |
Adam Porkert | Production Manager |
Jakub Dvorak | First Assistant Director |
Nick Laurence | First Assistant Director |
Alicia Graf | Second Assistant Director |
Jan Gregor | Second Assistant Director |
Michael Middleton | Second Assistant Director |
Christian Proctor | Third Assistant Director |
Marek Boros | Art Department Coordinator |
Zoe Cavendish | Art Department Assistant |
Martin Dvořák | Property Buyer |
Shane Harford | Property Master |
Beth Kendrick | Graphic Designer |
Gabrielle Leon | Graphic Designer |
Ian McCaffrey | Storyboard Artist |
Yvon Rigg | Art Department Trainee |
Karel Stýblo | Property Master |
Jamie Walton | Set Dresser |
Thibault Arnold | ADR Mixer |
Stuart Bagshaw | Foley Editor |
Sophia Hardman | Foley Mixer |
Rob Hughes | Sound Re-Recording Mixer |
Roisin King | ADR Recordist |
Alan MacFeely | Production Sound Mixer |
Markus Moll | Sound Re-Recording Mixer |
Richard Morgan | Second Assistant Sound |
Jason Swanscott | Foley Artist |
Chris Reynolds | Special Effects Supervisor |
Sarah Dicks | Visual Effects Producer |
Peter Elton | Visual Effects Coordinator |
David Fowler | Visual Effects Supervisor |
Menelaos Pampoukidis | Visual Effects Supervisor |
Robert Jewell | Visual Effects Editor |
Kornelijus Tuzas | Visual Effects Editor |
Marek Brichcin | Stunts |
Harry Bennett-Snewin | Digital Imaging Technician |
Ben Brown | First Assistant Camera |
Khadeeja Chowdhury | Camera Trainee |
Paul Choy | Electrician |
Mark Clayton | Gaffer |
Dearbhaile Collins | Camera Trainee |
Jakub Hejduk | Digital Imaging Technician |
Sacha Kovacevic | Electrician |
Joshua Lewis-Green | Best Boy Electric |
Iain Mackay | "A" Camera Operator, Steadicam Operator |
Filip Marek | Gaffer |
Martin Maryška | First Assistant "B" Camera |
Martin Polách | Camera Operator |
Tomas Potuznik | Electrician |
Karol Pruzinsky | Second Assistant Camera |
Amir F. Qureshi | Video Assist Operator |
Julie Vrabelová | Still Photographer |
Kim Worthington | Key Grip |
Ali Youssef | First Assistant "A" Camera |
Lara Channon | Assistant Editor |
Jamie Welsh | Colorist |
James Hawes | Director |
Volker Bertelmann | Original Music Composer |
Zac Nicholson | Director of Photography |
Lucia Zucchetti | Editor |
Nina Gold | Casting |
Thora Woodward | First Assistant Editor |
Oscar Perillo | Digital Intermediate |
Cristina Arcay | Location Scout |
Mark Gladwin | Location Scout |
Hannah Sapira | Assistant Location Manager |
Jojo Warne | Location Scout |
Hannah Kenneally-Muir | Script Supervisor |
Callum O'Donoghue | Transportation Captain |
Michael Carrithers | Production Assistant |
Laurence Cooper | Production Executive |
Joshua Darby | Production Coordinator |
Ali Moshref | Production Executive |
Lindani Ndabandaba | Production Secretary |
Nikolay Savov | Assistant Production Coordinator |
Julia Szecsenyi | Production Assistant |
Jessica Nosal | Location Manager |
Rashad Hall-Heinz | Sound Mixer |
Name | Title |
---|---|
Joanna Laurie | Producer |
Guy Heeley | Producer |
Simon Gillis | Executive Producer |
Mark Hubbard | Co-Producer |
Maria Logan | Executive Producer |
Norman Merry | Executive Producer |
Iain Canning | Producer |
Anne Sheehan | Executive Producer |
Emile Sherman | Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 110 | 147 | 83 |
2024 | 5 | 89 | 133 | 51 |
2024 | 6 | 63 | 101 | 41 |
2024 | 7 | 59 | 75 | 42 |
2024 | 8 | 51 | 70 | 36 |
2024 | 9 | 37 | 55 | 25 |
2024 | 10 | 50 | 76 | 25 |
2024 | 11 | 36 | 70 | 22 |
2024 | 12 | 33 | 43 | 23 |
2025 | 1 | 49 | 80 | 30 |
2025 | 2 | 34 | 44 | 11 |
2025 | 3 | 8 | 37 | 3 |
2025 | 4 | 6 | 11 | 3 |
2025 | 5 | 6 | 11 | 3 |
2025 | 6 | 4 | 7 | 3 |
2025 | 7 | 3 | 5 | 2 |
2025 | 8 | 3 | 4 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 139 | 578 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 183 | 611 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 17 | 497 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 351 | 664 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 642 | 814 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 392 | 741 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 674 | 821 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 49 | 485 |
FULL SPOILER-FREE REVIEW @ https://fandomwire.com/one-life-bfi-london-film-festival-review-a-must-watch-important-wwii-story/ "One Life is yet another important story from WWII that deserves to be seen on the big screen. Despite not breaking genre barriers, it unfolds its narrative in a captiv ... ating manner, packed with devastating, bittersweet moments, but also filled with wonderful depictions of altruism, humanitarian sacrifice, and hope, culminating in a powerfully cathartic ending that serves as an ideal tribute to Sir Nicholas Winton. The cast carries the weight of the responsibility of the rescue mission with grounded care, relying on the legendary Anthony Hopkins to bear the explosion of the accumulated emotion. Beautifully edited, tear-inducing score... simply a must-watch." Rating: A-
Johnny Flynn performs quite well here as the young stockbroker Nicholas Winton who arrives in Prague just as the Nazis annexe the Sudetenland. He is horrified by the child poverty that he sees and decides, perhaps naively, to work with his British Refugee Council colleagues to try and expedite their ... removal to a safer and altogether earthier environment. Fortunately, his mother Babette (Helena Bonham Carter), herself from immigrant stock, is no slouch when it comes to doorstepping officials in Whitehall and soon has convinced the authorities to agree a fast-track mechanism that will enable him to get the children back to the UK provided they have guaranteed foster homes and the fairly massive sum of £50 as a guarantee. He returns to London and a massive public awareness/fundraising campaign ensues - as do eight trains carrying over six hundred children to safety. We are told this story via a series of flashbacks from the modern day Winton (Sir Anthony Hopkins) who now lives peacefully with his wife Greta (Lena Olin) in Berkshire. He is perusing a scrapbook he has left in a drawer for forty-odd years in which he has photographs and details of many of those passengers on the "Kinder" trains. His friend from back then (Jonathan Pryce) manages to put him in touch with Betty Maxwell - the wife of the wealthy publisher Robert, and next thing he is on British television's most popular "That's Life" programme that regularly reached 18 million people on a Sunday evening. This appearance poignantly introduces him to one survivor, his next sees that snowball into some sixty or so who owed their life and liberty to the efforts of Winton and his colleagues - whom he is always very clear to ensure are never forgotten. I recall watching this programme back in the day and the dramatisation is no less moving than the original broadcast. Sir Anthony offers us a considered performance - demonstrating a shy family man who rejects the trappings of fuss and celebrity because he sees his behaviour as nothing special. Doing the right thing. His efforts are touching and understated and nicely dovetail with the rather pushy and forthright Bonham Carter fighting tooth and nail against red tape in 1939. As an insight to Nazi tyranny it also works subtly. We see very little actual violence, but we see a squalor and hopelessness that robs the soul of hope as depressingly as the situation robs their stomachs of food. The film looks good and is sparingly scripted allowing our own imagination to do much of the thinking here.
A touching picture featuring Anthony Hopkins. <em>'One Life'</em> is <em>'<a href="https://letterboxd.com/film/schindlers-list/" rel="nofollow">Schindler's List</a>'</em>-esque, though perhaps more of a grounded portrayal of such events without the proper Hollywood-ness drama that that aforementi ... oned flick holds; no hate on that sensational Steven Spielberg production by any means, it's a far better film in fact. This 2023 release is very hearty though, one of those movies where it is impossible not to care for the people onscreen. There are plenty of emotional scenes that touch the feels, with one involving Hopkins right at the end particularly hitting. That man is excellent throughout, as expected. Johnny Flynn impresses too, he is just as important here as the Welshman. Helena Bonham Carter is a little underused, especially given she's on the cover, but very good. Neat to see Jonathan Pryce appear, also. I actually remember seeing that real <em>'<a href="https://en.wikipedia.org/wiki/That%27s_Life!" rel="nofollow">That's Life!</a>'</em> clip randomly on YouTube many years back and I didn't realise until just before it's portrayed here that it was reenacting that exact moment. Whether you watch this film or not, <a href="https://www.youtube.com/watch?v=6_nFuJAF5F0" rel="nofollow">that video</a> is truly a must-watch.
For some of us, there’s no stopping when it comes to seeing through on a mission of vital importance. So it was in 1938, when a dedicated English stockbroker selflessly enabled the successful escape of 669 children (mostly Jewish) from Prague not long after the Third Reich “annexed” Czechoslovakia’s ... Sudetenland region, the first step toward Germany’s invasion of the country and the eventual onset of World War II. British-born Nicholas Winton (Anthony Hopkins), the descendant of German Jewish ancestors, and members of the British Committee for Refugees from Czechoslovakia both on the ground and in London worked tirelessly against seemingly impossible odds to facilitate the youngsters’ flight to freedom. In particular, Winton’s younger self (Johnny Flynn) and his determined mother (Helena Bonham Carter) battled a reluctant British bureaucracy, intolerant prejudicial attitudes and border-crossing obstacles to arrange protective train transport across Europe to secure the safety of the young refugees. But, for all of Winton’s successes, he felt remorse that he was unable to do more, especially when he looked back on what he accomplished 40 years after the fact. Thankfully, his efforts didn’t go unnoticed, at last receiving the recognition for what he did, earning him the gratitude of the survivors and the honors of a grateful nation, in essence becoming the UK’s counterpart to Oskar Schindler. Director James Hawes tells a compelling story in his debut feature film, though the execution, regrettably, could use some shoring up, especially in the film’s sluggishly paced, overly talky and occasionally meandering opening half. The picture’s back end, however, considerably makes up for these deficiencies, evoking genuine, well-earned, heartfelt emotions, qualities that could have made for a better release overall if they had been employed more fully earlier on. This is largely made possible by the powerful performances of Hopkins, Flynn, Bonham Carter and a host of supporting players, along with fine period piece production values. “One Life” ultimately delivers a message that we could all stand to hear more often, not only in supporting monumental undertakings like those depicted here, but also in being giving of ourselves in general, no matter how great or small the efforts or ventures might be. The world would certainly be a better place for doing so – and for the work of the Nicholas Wintons that reside within all of us.
#MovieReview #OneLifeMovie Deciding to watch "One Life" with a group of young boys turned out to be a challenge, as they were not keen on sitting through a historical film. Despite the initial hesitation, the movie proved to be a captivating true story that left a lasting impact. The film foll ... ows the remarkable journey of a man from England who lived to the age of 106 and dedicated his life to a refugee rescue mission, saving nearly 700 children. The emotional core of the story comes to life when these children, now adults, reunite with the man who changed their lives on a television show, expressing their heartfelt gratitude. Set against the backdrop of World War II and the atrocities of Hitler, "One Life" offers a poignant and powerful narrative that showcases the resilience and compassion of the human spirit. While it may not be a blockbuster film that demands a trip to the theaters, it is a movie worth watching for its historical significance and moving storytelling. Led by the talented Anthony Hopkins, the cast delivers compelling performances that elevate the film's impact. "One Life" is a reminder of the importance of kindness and courage in the face of adversity, making it a worthy choice for those seeking a meaningful cinematic experience.