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The Night Runner Poster

The Night Runner

Are mental patients turned loose too soon?
1957 | 79m | English

(291 votes)

TMDb IMDb

Popularity: 2 (history)

Details

A mental patient with a violent past is released from the institution, against the advice of his doctors, and sent back to his old neighborhood. Was he released too soon?
Release Date: Apr 02, 1957
Director: Abner Biberman
Writer: Gene Levitt, Owen Cameron
Genres: Drama, Thriller
Keywords murder, mental patient, mental illness
Production Companies Universal International Pictures
Box Office Revenue: $0
Budget: $0
Updates Updated: Aug 03, 2024 (Update)
Entered: Apr 28, 2024
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Full Credits

Name Character
Ray Danton Roy Turner
Colleen Miller Susan Mayes
Merry Anders Amy Hansen
Willis Bouchey Loren Mayes
Harry Jackson Hank Hansen
Robert Anderson Ed Wallace
Jean Inness Miss Dodd
Eddy Waller Vernon
John Stephenson Dr. Crawford
Alexander Campbell Dr. Royce
Natalie Masters Miss Lowell
Richard H. Cutting Male interviewer (as Richard Cutting)
Steve Pendleton Captain Reynolds
Jack Lomas Real Estate man
George Barrows Bus Driver (uncredited)
Irwin Jay Berniker Boy (uncredited)
Marshall Bradford Mailman (uncredited)
Diana Darrin Waitress (uncredited)
Bill Erwin McDermott--Fingerprint Man (uncredited)
Sam Flint Stanley--Elderly Man (uncredited)
Ethyl May Halls Elderly Woman (uncredited)
Jane Howard Typist (uncredited)
Lola Kendrick Secretary (uncredited)
John Pickard Dr. Harold Fisher (uncredited)
Alex Sharp Deputy (uncredited)
Dale Van Sickel Bus Driver (uncredited)
Paul Weber Dr. Emmett Rayburn (uncredited)
Name Job
Bud Westmore Makeup Artist
Abner Biberman Director
Frank Skinner Music
Henry Mancini Original Music Composer
Gene Levitt Screenplay
George Robinson Director of Photography
Albrecht Joseph Editor
Joseph Gershenson Music Supervisor
Alexander Golitzen Art Direction
Robert F. Boyle Art Direction
Russell A. Gausman Set Decoration
Ray Jeffers Set Decoration
Leslie I. Carey Sound
Corson Jowett Sound
Rosemary Odell Costume Design
George Lollier Assistant Director
Clifford Stine Visual Effects
Owen Cameron Novel
Heinz Roemheld Music
Herman Stein Music
Irving Berns Makeup Artist
Sue Kirkpatrick Hairstylist
Joan St. Oegger Hairstylist
Gene Anderson Unit Production Manager
James Welch Assistant Director
Compton Barrett Props
James A. Bean Sound Editor
Jim O'Brien Sound Editor
Sherman Clark Still Photographer
Russ Franks Grip
Al Hall | Grip
William Harmon Gaffer
Robert Pierce Assistant Camera
Eddie Pyle Camera Operator
Martha Bunch Wardrobe Assistant
Eddie Broussard Assistant Editor
Hans J. Salter Original Music Composer
Betty A. Griffin Script Supervisor
Name Title
Albert J. Cohen Producer
Organization Category Person
Popularity Metrics

Popularity History


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2024 10 5 16 1
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2024 12 2 3 1
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2025 7 0 0 0
2025 8 0 1 0
2025 9 2 3 2

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Reviews

Geronimo1967
6.0

I can't say I am too familiar with Ray Danton, but his dashing good looks and considered performance go some way to keeping this sad and complicated melodrama out of the doldrums. We know from the start that he has been released from a psychiatric hospital (initially against the advice of his doctor ... who was rather brow-beaten into changing his mind by his board colleagues). It is fairly clear that this man, "Roy", is prone to less lucid moments and his past does limit his opportunities in his new, bustling, environment. "Roy" takes a bus up the coast and along the way alights at a garage where he quite quickly befriends "Hank" (Harry Jackson) and "Amy" (Merry Anders) and decides to take a chalet at a local motel. This is where he encounters "Susan" (Colleen Miller) who's the daughter of the owner "Loren" (Willis Bouchey). There are definite sparks between the young couple, and soon they are all but courting with their friends from the garage. A letter arrives and is read by the father that could change all this - it details the nature of the illness and causes him to lose his temper with his visitor and a rather calculated red mist descends... This is quite a savage indictment of the treatment of mentally ill people who are released, ill-equipped and with no ongoing treatment plan, into a society that is equally ill-equipped to deal with people requiring understanding, tolerance and compassion. At times "Roy" is like a young child exposed to an adult environment where emotions are running high (even when they are not) and Danton plays that character quite effectively. Miller provides for quite a decent foil too and the writing and direction leave much of the man's increasingly overwhelming predicament to our imagination. It is terribly over-scored, far too much heavy and loud music to create a tension that is doing fine by itself, and the pace isn't always the best but otherwise this is a surprisingly thought-provoking low-budget drama that is certainly worth a watch.

Nov 13, 2023