Popularity: 4 (history)
Director: | Kurt Wimmer |
---|---|
Writer: | Kurt Wimmer |
Staring: |
In a dystopian future, a totalitarian regime maintains peace by subduing the populace with a drug, and displays of emotion are punishable by death. A man in charge of enforcing the law rises to overthrow the system. | |
Release Date: | Dec 06, 2002 |
---|---|
Director: | Kurt Wimmer |
Writer: | Kurt Wimmer |
Genres: | Action, Science Fiction, Thriller |
Keywords | martial arts, resistance, fascism, anti hero, totalitarian regime, destroy, phasing, dystopia, book burning, outlaw, urban setting, government agent |
Production Companies | Dimension Films, Blue Tulip Productions |
Box Office |
Revenue: $5,400,000
Budget: $20,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Christian Bale | John Preston |
Taye Diggs | Brandt |
Angus Macfadyen | Dupont |
Matthew Harbour | Robbie Preston |
Sean Bean | Errol Partridge |
Emily Watson | Mary O'Brien |
Sean Pertwee | Father |
Emily Siewert | Lisa Preston |
Maria Pia Calzone | Preston's Wife |
Dominic Purcell | Seamus |
William Fichtner | Jürgen |
David Hemmings | Proctor |
David Barrash | Evidentiary Storage Officer |
Christian Kahrmann | Officer in Charge |
John Keogh | Chemist |
Dirk Martens | Gate Guard |
Florian Fitz | Guard |
Francesco Cabras | Rebel Leader |
Brian Conley | Reading Room Proprietor |
Anatole Taubman | Crematory Technician |
Kurt Wimmer | Rebel Victim |
Name | Job |
---|---|
Kurt Wimmer | Director, Screenplay |
Joseph A. Porro | Costume Design |
Dion Beebe | Director of Photography |
Tess Malone | Script Supervisor |
Alessandro Borgese | Stunts |
Klaus Badelt | Music |
Stefano Maria Mioni | Stunt Coordinator |
Paolo Antonini | Stunts |
Bruno Verdirosi | Stunts |
Mike Smith | Stunt Coordinator, Stunt Double |
Rob 'Sluggo' Boyce | Stunts |
Tom Rolf | Editor |
Gary A. Hecker | Foley |
Tim McGovern | Visual Effects Supervisor |
Emiliano Novelli | Stunts |
Keith Splinter Davis | Stunts |
Geoff Zanelli | Additional Music |
Juel Bestrop | Casting |
William Yeh | Editor |
Jeanne McCarthy | Casting |
Wolf Kroeger | Production Design |
Hasso von Hugo | Makeup Artist, Hairstylist |
Carolin Spill | Makeup Artist |
Dean Beville | ADR & Dubbing |
Dana Gustafson | Sound Effects Editor |
Jon Mete | Sound Effects Editor |
Jeffrey Perkins | Sound Re-Recording Mixer |
Joe Gareri | Visual Effects Producer |
Rodney Montague | Visual Effects Producer |
David Sosalla | Visual Effects Supervisor |
Gianmaria Majorana | Camera Operator |
Sebastian Meuschel | "B" Camera Operator, Steadicam Operator |
Reinhard Stöckl | Rigging Gaffer |
Lucinda Syson | Casting |
Nina Hess | Set Costumer |
Stephanie Lowry | Music Editor |
Stephan Schröter | Picture Car Coordinator |
Pamela Alch | Script Supervisor |
Chris Britton | Loader |
Michael J. Benavente | Supervising Dialogue Editor |
Harry B. Miller III | Dialogue Editor |
Kevin Hyman | Executive In Charge Of Production |
Stephan O. Gessler | Draughtsman |
Iris Müller | Extras Casting |
Howard Baral | Post Production Accountant |
Jan Brun | Grip |
Ryan Juggler | Assistant Sound Editor |
Shawn Kennelly | Foley Recordist |
Joe Rangel | Music Coordinator |
Ralf Tillmann | Stunts |
Byron Brisco | Stunts |
Rocco Russo | Stunts |
Valeska Schitthelm | Makeup Artist |
Luca Lachin | First Assistant Director |
Carlo Gervasi | Set Decoration |
Bryce Brecheisen | Visual Effects Coordinator |
Jennifer Law-Stump | Digital Compositor |
Justin Warburton-Brown | Art Direction |
Björn Rehbein | Hairstylist |
Tanja Drewitz | Makeup Artist |
Roxy Konrad | Art Department Coordinator |
Matthew Dettmann | Foley |
Byron Miller | Sound Designer |
William Jacobs | Sound Effects Editor |
Greg ten Bosch | Sound Effects Editor |
Kim Lavery | Visual Effects Producer |
Maureen O'Connor | Visual Effects Producer |
Daniele Massaccesi | Camera Operator |
Ronald Schwarz | Gaffer |
Richard Blanshard | Still Photographer |
Jean Rosone | Costume Supervisor |
Douglas Kunin | First Assistant Editor |
Richie Nieto | Music Editor |
Mark Stehli | Location Manager |
Marco Giacalone | Location Manager |
Erik Olson | Supervising Art Director |
Mark Taylor | Third Assistant Director |
Fred Judkins | Dialogue Editor |
Dieter Stempnierwsky | Production Supervisor |
Ute Bergk | Assistant Set Decoration |
Imke Sommerkamp | Production Coordinator |
Dieter Bähr | Key Grip |
Christian Scheibe | Grip |
Lane Burch | Foley Recordist |
Michael Degtjarewsky | Digital Compositor |
Michael Hatzer | Color Timer |
Mike Luft | Stunts |
Charlie Ajar Jr. | Sound Recordist |
Inti Carboni | Second Assistant Director |
Andrew M. Robinson | Second Assistant Director |
Markus Maria Thormann | Set Dresser |
Ken Dackermann | Digital Compositor |
Anne Kuljian | Set Decoration |
Mauro Tamagnini | Hairstylist |
Luigi Rocchetti | Makeup Artist |
Paul J. Hayes | Construction Coordinator |
Donald Flick | Sound Effects Editor |
Martin Lopez | Sound Effects Editor |
Samuel Lehmer | Sound Re-Recording Mixer |
Peter Brown | Supervising Sound Editor |
Erin May | Visual Effects Producer |
Peter Taylor | Camera Operator |
Peter Kosel | Gaffer |
Annette Borgmann | Casting |
Barbara Jäger | Costume Supervisor |
Vicki Hiatt | Music Editor |
Daniel Mattig | Transportation Coordinator |
Howard Samuelsohn | Dialect Coach |
Stella D'Onofrio | Script Supervisor |
Stefano Marino | Gaffer |
Nic Milner | "A" Camera Operator |
Cameron Steenhagen | Dialogue Editor |
Brian W. Cook | First Assistant Director |
Frank Kruse | Sound Mixer |
Joseph Conenna | Leadman |
Anna Schmigalla | Payroll Accountant |
Glenn König | Best Boy Grip |
Jamie Hardt | First Assistant Sound Editor |
Brian Ruberg | Foley Recordist |
Kenny Lam | Digital Compositor |
Tomas Jester | Stunts |
Udo Lüttich | Stunts |
Sally Eccleston | First Assistant "A" Camera |
Harvey Harrison | Second Unit Director |
Tonja Schürmann | Second Second Assistant Director |
Romulo Adriano Jr. | Visual Effects Coordinator |
Heather Hoyland | Digital Compositor |
Edward Steidele | Foley |
Stephen Hunter Flick | Supervising Sound Editor |
Jim Vickers | Stunt Coordinator, Fight Choreographer |
Ramin Djawadi | Additional Music |
Name | Title |
---|---|
Jan de Bont | Producer |
Bob Weinstein | Executive Producer |
Lucas Foster | Producer |
Harvey Weinstein | Executive Producer |
Sue Baden-Powell | Co-Producer |
Ninon Tantet | Associate Producer |
Andrew Rona | Executive Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 47 | 82 | 30 |
2024 | 5 | 97 | 119 | 82 |
2024 | 6 | 60 | 102 | 31 |
2024 | 7 | 34 | 50 | 18 |
2024 | 8 | 26 | 43 | 16 |
2024 | 9 | 18 | 31 | 13 |
2024 | 10 | 24 | 40 | 12 |
2024 | 11 | 27 | 53 | 17 |
2024 | 12 | 22 | 34 | 17 |
2025 | 1 | 27 | 51 | 19 |
2025 | 2 | 21 | 33 | 4 |
2025 | 3 | 10 | 38 | 2 |
2025 | 4 | 5 | 8 | 3 |
2025 | 5 | 5 | 8 | 3 |
2025 | 6 | 3 | 6 | 3 |
2025 | 7 | 4 | 5 | 3 |
2025 | 8 | 4 | 5 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 526 | 845 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 689 | 761 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 654 | 853 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 643 | 643 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 625 | 864 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 250 | 828 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 821 | 910 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 684 | 855 |
Set in an Orwellian Dystopian future after a nasty world war 3 in the early part of the 21st century. The population are forced to take drugs that suppress their emotions. You see emotions causes conflict and war. However some people exhibit emotions by not taking the medicine. They want to liste ... n to music, experience their senses by seeing artwork, read books or having pets. These people are exterminated by clerics, an elite hit squad. Christian Bale is the best of the clerics but once he stops taking his medicine, he feels for the first time and gets into contact with a resistance group to overthrow the leader. Filmed in Berlin, Equilibrium comes across like an updated version of Fahrenheit 451 but feels too much like a knockoff of The Matrix with a rather a sterile narrative at the beginning which made it rather uninvolving. Bale's behaviour is so odd once he stops taking the drugs, he should just had been caught and shot.
So there's a pretty decent chance that _Equilibrium_ doesn't have an original bone in its entire makeup, but I still just **love **it. _Final rating:★★★★ - Very strong appeal. A personal favourite._ ...
Mankind united with infinitely greater purpose in pursuit of war than he ever did in pursuit of peace. Equilibrium is written and directed by Kurt Wimmer and stars Christian Bale, Taye Diggs, Emily Watson and Angus Macfadyen. Bale plays John Preston, an enforcement Cleric in Libria, a dystopian f ... uture where forms of emotional expression are deemed illegal. All citizens of Libria are required to inject drugs (known as Prozium) to suppress emotions. However, Preston misses one of his doses and starts to become emotionally conflicted about the world he now lives in. Welcome to a dystopian world where art is banned, music destroyed and basic emotions illegal. A world where Christian Bale looks cool in long black coats and "Gun-Kata" martial artistry is the order of the day. It's impossible to write a review for Equilibrium without mentioning the film it so dearly wants to be, "The Matrix". That it's not nearly as good as that film in terms of story and action is no reason to do it down. What is not in doubt is that the story here is indeed weak, very much so - in fact it appears that Wimmer has merely cribbed elements from notable moments of sci-fi morality works before it - and then cloaked it in a whirling big bang montage of attention grabbing set pieces. But honestly, those set pieces are alone worth spending time with this movie for. It's standard sci-fi shenanigans for the most part. We have the ruling body of the country, all very fascist and with a badge that looks unsurprisingly Swastika like. A cop character finding a conscience and turning into a rebel on the loose. The underground resistance. And of course the twist ending as the reveal, and plot strands, come together for one final (brilliant) bout of carnage. So yes, it's rammed full of clichés. But it is exciting energised fun. Stylish fun, in fact. Even if at the core it's awash with unimaginative writing. Brain checked at the door for this one then, enjoy. 8/10