Popularity: 5 (history)
Director: | Tom Harper |
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Writer: | Greg Rucka, Allison Schroeder |
Staring: |
An intelligence operative for a shadowy global peacekeeping agency races to stop a hacker from stealing its most valuable — and dangerous — weapon. | |
Release Date: | Aug 09, 2023 |
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Director: | Tom Harper |
Writer: | Greg Rucka, Allison Schroeder |
Genres: | Action, Thriller |
Keywords | mission, saving the world, undercover agent, undercover, espionage, spy, secret agent, mi6, british spy, female spy |
Production Companies | Mockingbird Pictures, Skydance Media, Pilot Wave Motion Pictures |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Gal Gadot | Rachel Stone |
Jamie Dornan | Parker |
Alia Bhatt | Keya Dhawan |
Sophie Okonedo | Nomad |
Matthias Schweighöfer | Jack of Hearts |
Paul Ready | Bailey |
Jing Lusi | Yang |
Enzo Cilenti | Mulvaney |
Joe Reisig | Lars Monroe |
Luca Fiamenghi | Casanova |
Thomas Arnold | Control |
Ruth Keeling | Sandra |
Archie Madekwe | Ivo |
Arya Dolatrai | Young Keya Dhawan |
Neran Persaud | Niam Kharche |
Jon Kortajarena | The Blond |
Giulia Innocenti | Doctor |
Roy Sampson | Usher |
BD Wong | King of Clubs |
Glenn Close | King of Diamonds |
Mark Ivanir | King of Spades |
Jónas Alfreð Birkisson | Leifur |
Name | Job |
---|---|
Greg Rucka | Story, Screenplay |
Steven Price | Original Music Composer |
Charles Wood | Production Design |
João Teixeira | Production Assistant |
Aidan Brindle | Stunts, Stunt Driver |
Mark Eckersley | Editor |
Melina Burns | Script Supervisor |
Thomas Brown | Supervising Art Director |
Julie Dartnell | Makeup Designer, Hair Designer, Prosthetic Designer |
Paul Corbould | Special Effects Supervisor |
Lee Walpole | Supervising Sound Editor, Sound Re-Recording Mixer |
Simone Grattarola | Digital Intermediate Colorist |
Alex Smith | Art Direction |
Tara Ilsley | Art Direction |
Oliver Carroll | Art Direction |
Tom Williams | Production Sound Mixer |
Agatha Hughes-Davies | Post Production Coordinator |
Bradley Farmer | Music Editor |
Kirsten Lane | Music Supervisor |
Mariana Marsh | Production Supervisor |
Robert Viglasky | Still Photographer |
Saoirse Christopherson | Sound Designer |
Craig Butters | Sound Effects Editor |
Tom Stewart | Sound Effects Editor |
Jeff Richardson | ADR Supervisor |
Ben Griffin | Foley Editor |
Catherine Thomas | Foley Artist |
Stuart Hilliker | Sound Re-Recording Mixer |
Benjamin Darier | ADR Recordist |
Katie Linard | Color Assistant |
Max Ferguson-Hook | Color Assistant |
Adam Behan | Stunts |
Ingibjörg Helga Arnþórsdóttir Imma | Stunts |
J.T. Holmes | Stunt Coordinator |
Ivy Björg | Stunts |
Jón Viðar Arnþórsson | Stunts |
Ermar Alexander | Stunts |
Frederik Nemo Andersen | Stunt Driver |
Christiaan Bettridge | Stunt Double |
Aly DeMayo | Stunt Double |
Chloé Henry | Stunts |
Oliver Gough | Stunt Double |
Travis Fienhage | Stunt Driver |
James Harris | Stunt Double |
Daniel Ilabaca | Utility Stunts |
Lyndon S. Hellewell | Stunt Driver |
Martin Ivanov | Stunt Driver |
Valdimar Jóhannsson | Stunt Coordinator |
Lee Millham | Stunt Driver |
Matt Sherren | Stunt Driver |
Craig O'Brien | Utility Stunts |
Laura Vortler | Stunt Double |
Chris Waite | Stunt Driver |
Shiraz Yasin | Stunts |
Elmo Walker | Stunts |
Dan Channing-Williams | First Assistant Director |
Julie Harkin | Casting |
Tom Harper | Director |
Allison Schroeder | Screenplay |
Leifur B. Dagfinnsson | Line Producer |
Jo McLaren | Stunt Coordinator |
Andy Kennedy | Sound Designer |
Hannah Betts | Stunt Double |
Nellie Burroughes | Stunt Double |
Peter Epstein | Stunts |
Julia Schunevitsch | Stunt Double |
Casey Adams | Stunts |
Adam Kiani | Stunts |
Gunnar Bersi Björnsson | Stunts |
David Chan | Stunt Coordinator |
Clayton Grover | Stunt Double |
Christina Low | Stunt Double |
George Steel | Director of Photography |
Robert Alonzo | Second Unit Director |
Mathew Krentz | Visual Effects Supervisor |
Name | Title |
---|---|
Jaron Versano | Producer |
Bonnie Curtis | Producer |
Julie Lynn | Producer |
Ahmed Abounouom | Executive Producer |
Jack Peters | Associate Producer |
Katy Strutynski | Associate Producer |
Gal Gadot | Producer |
Dana Goldberg | Producer |
David Ellison | Producer |
Tom Harper | Executive Producer |
Greg Rucka | Executive Producer |
Ido Rosenblum | Associate Producer |
Gal Zaid | Associate Producer |
Don Granger | Producer |
Patricia Whitcher | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 79 | 114 | 59 |
2024 | 5 | 79 | 111 | 57 |
2024 | 6 | 78 | 108 | 57 |
2024 | 7 | 79 | 113 | 55 |
2024 | 8 | 58 | 93 | 36 |
2024 | 9 | 45 | 62 | 37 |
2024 | 10 | 61 | 104 | 35 |
2024 | 11 | 47 | 78 | 34 |
2024 | 12 | 42 | 51 | 36 |
2025 | 1 | 44 | 58 | 33 |
2025 | 2 | 28 | 42 | 6 |
2025 | 3 | 11 | 33 | 2 |
2025 | 4 | 7 | 11 | 4 |
2025 | 5 | 6 | 11 | 4 |
2025 | 6 | 5 | 9 | 4 |
2025 | 7 | 4 | 5 | 4 |
2025 | 8 | 4 | 5 | 3 |
2025 | 9 | 5 | 6 | 4 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 841 | 919 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 578 | 838 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 769 | 911 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 858 | 919 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 536 | 648 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 414 | 703 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 708 | 860 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 971 | 971 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 959 | 960 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 974 | 974 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 845 | 917 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 815 | 815 |
FULL SPOILER-FREE REVIEW @ https://insessionfilm.com/movie-review-heart-of-stone/ "Heart of Stone is a film of distinct halves. The first hour contains an intriguing narrative filled with surprising twists, fast pacing, and exciting stunts shot in real locations. Unfortunately, the movie becom ... es overly dependent on increasingly generic, formulaic storytelling, action, and character-building methods, ending up completely devoid of emotion or impactful resolutions. It will satisfy viewers without high expectations for random home viewing, but it won't last long in their memory." Rating: C+
Heart of Stone, in spite of its big budget polish offers nothing new. This is very much your standard, derivative, run of the mill, action fare with a Mission Impossible vibe and a female lead. Its not bad, as such, its more that its all been done before and done with a little more imaginatio ... n. As for the plug for British intelligence, as we are seeing from the Ukraine conflict and others around the world, they are no more the cuddly cat loving "good guys" than their US counterparts. In summary, watchable, lots of money equals polish, in terms of action scenes and special effects but that's all that is special about this film.