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Elysium

He can save us all.
2013 | 109m | English

(484244 votes)

TMDb IMDb

Popularity: 5 (history)

Director: Neill Blomkamp
Writer: Neill Blomkamp
Staring:
Details

In the year 2159, two classes of people exist: the very wealthy who live on a pristine man-made space station called Elysium, and the rest, who live on an overpopulated, ruined Earth. Secretary Rhodes, a hard line government official, will stop at nothing to enforce anti-immigration laws and preserve the luxurious lifestyle of the citizens of Elysium. That doesn’t stop the people of Earth from trying to get in, by any means they can. When unlucky Max is backed into a corner, he agrees to take on a daunting mission that, if successful, will not only save his life, but could bring equality to these polarized worlds.
Release Date: Aug 07, 2013
Director: Neill Blomkamp
Writer: Neill Blomkamp
Genres: Action, Science Fiction, Drama, Thriller
Keywords capitalism, future, dystopia, space station, class conflict, late stage capitalism, health inequality, social inequality, wealth inequality
Production Companies TriStar Pictures, MRC, QED International, Alphacore, Genre Films
Box Office Revenue: $286,140,700
Budget: $115,000,000
Updates Updated: Aug 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Matt Damon Max
Jodie Foster Delacourt
Sharlto Copley Kruger
Diego Luna Julio
Wagner Moura Spider
Alice Braga Frey
William Fichtner John Carlyle
Jose Pablo Cantillo Sandro
Faran Tahir President Patel
Maxwell Perry Cotton Young Max
Brandon Auret Drake
Josh Blacker Crowe
Emma Tremblay Matilda
Adrian Holmes Manuel
Jared Keeso Rico
Michael Shanks CCB Agent
Carly Pope CCB Agent
Ona Grauer CCB Agent
Terry Chen Technician
Chris Shields Dr. Faizel
Christina Cox CCB Agent
Derek Gilroy Pablo
Yolanda Abbud L. Nun
Claire Smithies Crew member
Tiffani Timms Crew Member
Stephen Chang Asian Boss
Fraser Aitcheson Spider's Ship Rider
Angelina Pratap Illegal Daughter
Valentina Girón Young Frey
Tracy Waterhouse Nurse
Name Job
Giorgio Armani Costume Design
Jennifer Mylrea Stunts
Marshall Virtue Stunts
Chris Webb Stunts
Angela Uyeda Stunts
Rhys Williams Stunts
Robert Hayley Stunts
Lars Grant Stunts
Nilo Ghajar Stunts
Victor Favrin Stunts
Bruce Crawford Stunts
Nickolas Baric Stunts
Laura Lee Connery Stunt Double, Stunts
Leanne Buchanan Stunts
George Hull Conceptual Design
Ryan Amon Original Music Composer
Julian Clarke Editor
Philip Ivey Production Design
Peter Lando Set Decoration
Teresa Chávez Hairstylist
Kandace Loewen Hairstylist
Sanna Seppanen Hairstylist
Jessica Rain Hairstylist
Connie Parker Makeup Department Head
Gitte Axen Makeup Artist
Michelle Lemieux Makeup Artist
Carlos Sánchez Makeup Artist
Nicholas Podbrey Makeup Effects
Alida Castelan Art Department Coordinator
Ross Dempster Art Direction
Hania Robledo Art Direction
Catherine Ircha Assistant Art Director
Luis Antonio Ordoñez Assistant Art Director
Glenn Woodruff Construction Coordinator
Alberto Villaseñor Construction Coordinator
Glenn Foerster Greensman
Pedro Trejo Leadman
Miguel Gelinas Leadman
Nancy Anna Brown Set Designer
Mira Caveno Set Designer
David Clarke Set Designer
Hennie Britton ADR & Dubbing
Matt Kunau Dolby Consultant
Sandra Fox Foley
Andy Malcolm Foley
Dave Whitehead Sound Designer
Michelle Child Sound Effects Editor
Matthew Wilson Sound Effects Editor
Vince Renaud Sound Re-Recording Mixer
Stewart Bradley Special Effects Coordinator
Michael Blackbourn CG Supervisor
Pete Dionne CG Supervisor
Dan Mayer CG Supervisor
Delio Tramontozzi Animation Supervisor
Kent Matheson Visual Effects Art Director
Chris Anderson Visual Effects Producer
Lori Arnold Visual Effects Producer
Miles Barry Visual Effects Editor
Austin Basile Visual Effects Editor
Sumriti Bhogal Visual Effects Producer
Camille Cellucci Visual Effects Producer
Adam Estey Visual Effects Editor
Winston Helgason Visual Effects Producer
David Legault Visual Effects Editor
Greg Maloney Visual Effects Producer
Liz Roberts Visual Effects Producer
Shawn Walsh Visual Effects Producer
Sam Willing Visual Effects Editor
Mark Breakspear Visual Effects Supervisor
Jonathan Harb Visual Effects Supervisor
Peter Muyzers Visual Effects Supervisor
Erik Nordby Visual Effects Supervisor
Stephen Pepper Visual Effects Supervisor
Gerardo Moreno Stunt Coordinator
Will Arnot Camera Operator
Robert Barcelona Camera Operator
Stephen Buckingham Camera Operator
Dean Heselden Camera Operator
Norbert Kaluza Camera Operator
Stephen Maier Camera Operator
Quincy Paglaro Camera Operator
Jaime Reynoso Camera Operator
Stephanie Blomkamp Still Photographer
Kimberly French Still Photographer
Benito Aguilar Gaffer
Chris Rumak Gaffer
Sean Oxenbury Rigging Gaffer
Rod M. Janusch Gaffer
Victor Acosta Rigging Gaffer
Candice Elzinga Casting
Alejandro Reza Casting
Bárbara González Monsreal Costume Supervisor
Anne Burke Set Costumer
Pamela Cameron Set Costumer
Ismael Jardon Set Costumer
William Bartlett Digital Intermediate
Chris Davies Digital Intermediate
Sam Trounce Digital Intermediate
Gary Lam First Assistant Editor
Dave Lawrence Music Editor
Scott Irvine Transportation Coordinator
Nicole Soriano Transportation Coordinator
Carol Green-Lundy Script Supervisor
Gabriela Herrera Script Supervisor
Portia Tickell Script Supervisor
Juan Pablo Noval Location Manager
Abraham Fraser Location Manager
Milenco Galipienzo Location Manager
Brigitte Prochaska Unit Publicist
Don MacAulay Supervising Art Director
Mark N. Tompkins Scenic Artist
Philippe Rebours Visual Effects Supervisor
Ronan Binding Painter
Dean Barker Property Master
Patricia Cuevas Property Master
Raymond Chan Stunts
Gerardo Moreno Stunt Coordinator
Heath Stevenson Stunts
Raymond Sammel Stunts
Alex Rockhill Stunts
Alistair King Stunts
Andre Jette Stunts
Caroline Field Stunts
Jay Jauncey Stunts
Jeffrey C. Robinson Stunts
Neill Blomkamp Writer, Director
Trent Opaloch Director of Photography
Francine Maisler Casting
Goro Koyama Foley
Chris Scarabosio Sound Re-Recording Mixer
Simon Raby Second Unit Cinematographer
Dylan Goss Helicopter Camera
Craig Berkey Sound Re-Recording Mixer
Mike Mitchell Stunt Coordinator
Mannie Ferreira Additional Photography
James Bamford Stunts
Lee Smith Editor
Kevin Haaland Stunts
Nadia Ayala Tabachnik Second Assistant Director
Natasha Denis Stunts
Doug Abrahams Dialect Coach
Shawn Beaton Stunt Double
Rob Hayter Stunt Double
Jeff Sanca Stunts
Hugo Steele Stunts
Sylvesta Stuart Stunt Double
Lani Gelera Stunt Double
Lauro David Chartrand-DelValle Stunts
April Ferry Costume Design
Cameron Waldbauer Special Effects Coordinator
Pat Sweeney Camera Operator
Sandra Balej Compositing Artist
Name Title
Sue Baden-Powell Executive Producer
Bill Block Producer
Simon Kinberg Producer
Neill Blomkamp Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 62 102 37
2024 5 82 131 66
2024 6 56 89 35
2024 7 47 70 29
2024 8 37 55 23
2024 9 34 52 21
2024 10 36 64 19
2024 11 35 62 26
2024 12 34 51 25
2025 1 43 82 28
2025 2 33 51 6
2025 3 14 40 3
2025 4 8 12 5
2025 5 8 11 5
2025 6 6 9 5
2025 7 6 9 5
2025 8 6 7 5

Trending Position


Year Month High Avg
2025 8 369 552
Year Month High Avg
2025 7 275 670
Year Month High Avg
2025 6 241 734
Year Month High Avg
2025 5 510 795
Year Month High Avg
2025 4 249 730
Year Month High Avg
2025 3 311 715
Year Month High Avg
2025 2 345 777
Year Month High Avg
2025 1 340 764
Year Month High Avg
2024 12 491 803
Year Month High Avg
2024 11 629 885
Year Month High Avg
2024 10 787 902
Year Month High Avg
2024 9 758 895
Year Month High Avg
2024 8 687 883

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Reviews

CGGB
N/A

Parece que fuera el sino de la tierra y de los hombres, situacion que es posible observar a traves de la historia universal. Pero no seria posible hacer una película que muestre lo contrario? sería una lección o un modelo para todos en un mundo tan convulsionado? ...

Jun 23, 2021
tanty
7.0

If you want an action movie, this one really rocks. There are some unneeded clichés but, all in all, is quite an enjoying journey. In addition, Matt Damon, Jodie Foster and, remarkably, Sharlto Copley perform at great level. ...

Jun 23, 2021
DoryDarko
10.0

Wow... Where do I begin? I just got back from the cinema and I can still feel the adrenaline rushing through me. I was already a huge fan of director Neill Blomkamp's previous effort, District 9, so my expectations were running pretty high. And for once, I was not disappointed. No, I got even more t ... han I could have hoped for. Elysium is a terrific film. Plain and simple. The story is fairly simple, which I consider a good thing because the plot was easy to follow and so it wasn't overly complex and trying to be too intelligent and contrived. It is the year 2154, and planet Earth is one hot mess. The rich reside on a space station called Elysium while the poor remain on Earth, basically grabbing at every straw just to get by. The story we follow is that of Max, who, after a terrible accident at work, is in dire need of medical help, which is only available at Elysium. In order to get there, he must go to extreme measures. I won't tell you anything else, because that would just spoil the fun. Max is played by Matt Damon, and he is very good in this role. He truly carries the film, start to finish. It always pleases me to see an actor who is just as good at tackling the character elements as well as the action parts of his role. When you think about it, that doesn't actually happen that often. Matt Damon can do both perfectly, and he is convincing in every aspect. Jodie Foster plays the role of senator Delacourt, a rich bitch who thinks she can get away with anything just because she calls the shots on Elysium. Well, somebody's about to prove her wrong... I absolutely love Jodie Foster, so it's hard not to gush, but she is a delight to watch. Her character is cold, calculating and without a sliver of conscience. And Jodie is so convincing you just want to slap her. It was great, and the fact that her accent is a little weird and distracting at times, is easily forgiven. William Fichtner also appears in a relatively small, but crucial role. The biggest surprise for me, however, was Sharlto Copley. Remember him from District 9? He played Wikus, a dorky and kind of sissy character... Well, not in this one. His character Kruger, is the meanest, most vile bastard you can imagine. A card-carrying sadistic psycho. It really was a great opportunity for Copley to prove his versatility as an actor, and he used it to the fullest. Also, somehow his South-African twang made his character even more menacing, so I'm really glad he didn't drop it in favour of a – perhaps more crowd-pleasing – American accent. My biggest compliment goes to the special effects department. As was the case with District 9, the SFX are so convincing, it's actually hard to realise that you're watching something that was probably 96% computer animated. Unlike D9, the visuals were even better here, if you can believe that. Usually, when a director's first film is a success and they up his budget for the next one, they go completely overboard and essentially ruin the aesthetics that made the first film so successful *cough*Matrix*cough*. In this case, all and everything was a major improvement. The action scenes are incredibly solid, the spacecrafts were eye-poppingly gorgeous (without being all flashy and futuristic – adding to the reality factor) and Elysium was a true sight to behold. 109 minutes of pure eye candy. There were only two things that slightly bothered me. One, the somewhat stereotypical characterization of the Rich vs. The Poor. Simply put, rich = evil and poor = good, no exceptions. Especially with the rich Elysium folk I found it a little bothersome that there wasn't a single person who seemed to have a heart, they were almost mechanical and so the polarisation was pretty black-and-white. Two, the lack of emotional involvement. I didn't really feel much for any of the characters, except Max. There is a plot line with a woman he has feelings for, whose daughter is very ill, and that's a sad thing but the film failed at really convincing me why I'm supposed to care. Could be personal, but that's the way I experienced it. However, these two minor plot points are not sufficient enough to deter me from giving this film any less than 10 stars. What I think is most thrilling about Elysium is the fact that it actually paints a frighteningly plausible picture of what our future might just look like. It is, in any case, much more realistic than pretty much every other post-apocalyptic film I've ever seen. Don't write this concept off too easily, this might very well be the world we live in one day. In the end, Elysium is a terrifically made film. It's gritty, it's gnarly and highly realistic. And, to the zero-attention-span MTV kids out there, it's also an incredibly entertaining, action-packed thrill ride. Tiny side note: the violence is quite graphic at times, so some amount of parental guidance is definitely advised. That leaves me with nothing else to say but: go watch this film. You won't regret it. _(August 2013)_

Jun 23, 2021
JPV852
8.0

A little heavy-handed at times with the social commentary though that's Neil Blomkamp's thing with all his movies at this point, however still was entertained throughout, the effects were mostly good (a few shots were a bit iffy) and Matt Damon is good in the lead. Didn't exactly land the emotional ... impact they were going for in the end but still was enjoyed this quite a bit and think it's actually better than District 9 (which I feel is overrated outside of the visual effects) and far and away better than Chappie. **3.75/5**

Jun 23, 2021
Geronimo1967
6.0

At least Neill Blomkamp looks like he was able to recycle some of his “District 9” sets for this sci-Fi adventure, but unfortunately that wasn’t all that we will have seen before. The planet Earth is now home to the plebs of society whilst the elite live on an orbiting space station complete with li ... fe-giving tech, lakes, rivers, hills, trees and flowers. Those up there are determined to keep the earthlings off their lawns, and so have elaborate defence arrangements in place - commanded by the ruthless and perfectly coiffured “Delacourt” (Jodie Foster) who has an army of ships, droids and mercenaries to fight her battles for her. Down amidst the wreckage lives “Max” (Matt Damon) and when he gets himself exposed to some creeping radiation it seems his only route to survival is to join in on a cunning plan to attack “Elysium”. Not, you understand, front-on, no - but by capturing one of it’s senior defence contractors who just happens to have downloaded some crucial information into his brain that could do a bit of a “Death Star” on their exclusive galactic idyll above. Damon doesn’t really make a very convincing action hero, but Foster does fare rather better as the scheming plotter whilst Sharlto Copley hams up nicely with a rabid performance straight out of a “Mad Max” film. There are loads of pyrotechnics and plenty of action with men, crashes and robots alike as the story ascends to the heavens. It’s predicable, yes, but it is also every bit as good and exciting an adventure as anything Marvel routinely churn out year in year out. It’s the ultimate them and us battle of mankind and our ability to mastermind iniquity and it plays out well enough.

Jun 21, 2025