Popularity: 5 (history)
Director: | Neill Blomkamp |
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Writer: | Neill Blomkamp |
Staring: |
In the year 2159, two classes of people exist: the very wealthy who live on a pristine man-made space station called Elysium, and the rest, who live on an overpopulated, ruined Earth. Secretary Rhodes, a hard line government official, will stop at nothing to enforce anti-immigration laws and preserve the luxurious lifestyle of the citizens of Elysium. That doesn’t stop the people of Earth from trying to get in, by any means they can. When unlucky Max is backed into a corner, he agrees to take on a daunting mission that, if successful, will not only save his life, but could bring equality to these polarized worlds. | |
Release Date: | Aug 07, 2013 |
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Director: | Neill Blomkamp |
Writer: | Neill Blomkamp |
Genres: | Action, Science Fiction, Drama, Thriller |
Keywords | capitalism, future, dystopia, space station, class conflict, late stage capitalism, health inequality, social inequality, wealth inequality |
Production Companies | TriStar Pictures, MRC, QED International, Alphacore, Genre Films |
Box Office |
Revenue: $286,140,700
Budget: $115,000,000 |
Updates |
Updated: Aug 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Matt Damon | Max |
Jodie Foster | Delacourt |
Sharlto Copley | Kruger |
Diego Luna | Julio |
Wagner Moura | Spider |
Alice Braga | Frey |
William Fichtner | John Carlyle |
Jose Pablo Cantillo | Sandro |
Faran Tahir | President Patel |
Maxwell Perry Cotton | Young Max |
Brandon Auret | Drake |
Josh Blacker | Crowe |
Emma Tremblay | Matilda |
Adrian Holmes | Manuel |
Jared Keeso | Rico |
Michael Shanks | CCB Agent |
Carly Pope | CCB Agent |
Ona Grauer | CCB Agent |
Terry Chen | Technician |
Chris Shields | Dr. Faizel |
Christina Cox | CCB Agent |
Derek Gilroy | Pablo |
Yolanda Abbud L. | Nun |
Claire Smithies | Crew member |
Tiffani Timms | Crew Member |
Stephen Chang | Asian Boss |
Fraser Aitcheson | Spider's Ship Rider |
Angelina Pratap | Illegal Daughter |
Valentina Girón | Young Frey |
Tracy Waterhouse | Nurse |
Name | Job |
---|---|
Giorgio Armani | Costume Design |
Jennifer Mylrea | Stunts |
Marshall Virtue | Stunts |
Chris Webb | Stunts |
Angela Uyeda | Stunts |
Rhys Williams | Stunts |
Robert Hayley | Stunts |
Lars Grant | Stunts |
Nilo Ghajar | Stunts |
Victor Favrin | Stunts |
Bruce Crawford | Stunts |
Nickolas Baric | Stunts |
Laura Lee Connery | Stunt Double, Stunts |
Leanne Buchanan | Stunts |
George Hull | Conceptual Design |
Ryan Amon | Original Music Composer |
Julian Clarke | Editor |
Philip Ivey | Production Design |
Peter Lando | Set Decoration |
Teresa Chávez | Hairstylist |
Kandace Loewen | Hairstylist |
Sanna Seppanen | Hairstylist |
Jessica Rain | Hairstylist |
Connie Parker | Makeup Department Head |
Gitte Axen | Makeup Artist |
Michelle Lemieux | Makeup Artist |
Carlos Sánchez | Makeup Artist |
Nicholas Podbrey | Makeup Effects |
Alida Castelan | Art Department Coordinator |
Ross Dempster | Art Direction |
Hania Robledo | Art Direction |
Catherine Ircha | Assistant Art Director |
Luis Antonio Ordoñez | Assistant Art Director |
Glenn Woodruff | Construction Coordinator |
Alberto Villaseñor | Construction Coordinator |
Glenn Foerster | Greensman |
Pedro Trejo | Leadman |
Miguel Gelinas | Leadman |
Nancy Anna Brown | Set Designer |
Mira Caveno | Set Designer |
David Clarke | Set Designer |
Hennie Britton | ADR & Dubbing |
Matt Kunau | Dolby Consultant |
Sandra Fox | Foley |
Andy Malcolm | Foley |
Dave Whitehead | Sound Designer |
Michelle Child | Sound Effects Editor |
Matthew Wilson | Sound Effects Editor |
Vince Renaud | Sound Re-Recording Mixer |
Stewart Bradley | Special Effects Coordinator |
Michael Blackbourn | CG Supervisor |
Pete Dionne | CG Supervisor |
Dan Mayer | CG Supervisor |
Delio Tramontozzi | Animation Supervisor |
Kent Matheson | Visual Effects Art Director |
Chris Anderson | Visual Effects Producer |
Lori Arnold | Visual Effects Producer |
Miles Barry | Visual Effects Editor |
Austin Basile | Visual Effects Editor |
Sumriti Bhogal | Visual Effects Producer |
Camille Cellucci | Visual Effects Producer |
Adam Estey | Visual Effects Editor |
Winston Helgason | Visual Effects Producer |
David Legault | Visual Effects Editor |
Greg Maloney | Visual Effects Producer |
Liz Roberts | Visual Effects Producer |
Shawn Walsh | Visual Effects Producer |
Sam Willing | Visual Effects Editor |
Mark Breakspear | Visual Effects Supervisor |
Jonathan Harb | Visual Effects Supervisor |
Peter Muyzers | Visual Effects Supervisor |
Erik Nordby | Visual Effects Supervisor |
Stephen Pepper | Visual Effects Supervisor |
Gerardo Moreno | Stunt Coordinator |
Will Arnot | Camera Operator |
Robert Barcelona | Camera Operator |
Stephen Buckingham | Camera Operator |
Dean Heselden | Camera Operator |
Norbert Kaluza | Camera Operator |
Stephen Maier | Camera Operator |
Quincy Paglaro | Camera Operator |
Jaime Reynoso | Camera Operator |
Stephanie Blomkamp | Still Photographer |
Kimberly French | Still Photographer |
Benito Aguilar | Gaffer |
Chris Rumak | Gaffer |
Sean Oxenbury | Rigging Gaffer |
Rod M. Janusch | Gaffer |
Victor Acosta | Rigging Gaffer |
Candice Elzinga | Casting |
Alejandro Reza | Casting |
Bárbara González Monsreal | Costume Supervisor |
Anne Burke | Set Costumer |
Pamela Cameron | Set Costumer |
Ismael Jardon | Set Costumer |
William Bartlett | Digital Intermediate |
Chris Davies | Digital Intermediate |
Sam Trounce | Digital Intermediate |
Gary Lam | First Assistant Editor |
Dave Lawrence | Music Editor |
Scott Irvine | Transportation Coordinator |
Nicole Soriano | Transportation Coordinator |
Carol Green-Lundy | Script Supervisor |
Gabriela Herrera | Script Supervisor |
Portia Tickell | Script Supervisor |
Juan Pablo Noval | Location Manager |
Abraham Fraser | Location Manager |
Milenco Galipienzo | Location Manager |
Brigitte Prochaska | Unit Publicist |
Don MacAulay | Supervising Art Director |
Mark N. Tompkins | Scenic Artist |
Philippe Rebours | Visual Effects Supervisor |
Ronan Binding | Painter |
Dean Barker | Property Master |
Patricia Cuevas | Property Master |
Raymond Chan | Stunts |
Gerardo Moreno | Stunt Coordinator |
Heath Stevenson | Stunts |
Raymond Sammel | Stunts |
Alex Rockhill | Stunts |
Alistair King | Stunts |
Andre Jette | Stunts |
Caroline Field | Stunts |
Jay Jauncey | Stunts |
Jeffrey C. Robinson | Stunts |
Neill Blomkamp | Writer, Director |
Trent Opaloch | Director of Photography |
Francine Maisler | Casting |
Goro Koyama | Foley |
Chris Scarabosio | Sound Re-Recording Mixer |
Simon Raby | Second Unit Cinematographer |
Dylan Goss | Helicopter Camera |
Craig Berkey | Sound Re-Recording Mixer |
Mike Mitchell | Stunt Coordinator |
Mannie Ferreira | Additional Photography |
James Bamford | Stunts |
Lee Smith | Editor |
Kevin Haaland | Stunts |
Nadia Ayala Tabachnik | Second Assistant Director |
Natasha Denis | Stunts |
Doug Abrahams | Dialect Coach |
Shawn Beaton | Stunt Double |
Rob Hayter | Stunt Double |
Jeff Sanca | Stunts |
Hugo Steele | Stunts |
Sylvesta Stuart | Stunt Double |
Lani Gelera | Stunt Double |
Lauro David Chartrand-DelValle | Stunts |
April Ferry | Costume Design |
Cameron Waldbauer | Special Effects Coordinator |
Pat Sweeney | Camera Operator |
Sandra Balej | Compositing Artist |
Name | Title |
---|---|
Sue Baden-Powell | Executive Producer |
Bill Block | Producer |
Simon Kinberg | Producer |
Neill Blomkamp | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 62 | 102 | 37 |
2024 | 5 | 82 | 131 | 66 |
2024 | 6 | 56 | 89 | 35 |
2024 | 7 | 47 | 70 | 29 |
2024 | 8 | 37 | 55 | 23 |
2024 | 9 | 34 | 52 | 21 |
2024 | 10 | 36 | 64 | 19 |
2024 | 11 | 35 | 62 | 26 |
2024 | 12 | 34 | 51 | 25 |
2025 | 1 | 43 | 82 | 28 |
2025 | 2 | 33 | 51 | 6 |
2025 | 3 | 14 | 40 | 3 |
2025 | 4 | 8 | 12 | 5 |
2025 | 5 | 8 | 11 | 5 |
2025 | 6 | 6 | 9 | 5 |
2025 | 7 | 6 | 9 | 5 |
2025 | 8 | 6 | 7 | 5 |
Trending Position
Year | Month | High | Avg |
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2025 | 8 | 369 | 552 |
Year | Month | High | Avg |
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2025 | 7 | 275 | 670 |
Year | Month | High | Avg |
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2025 | 6 | 241 | 734 |
Year | Month | High | Avg |
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2025 | 5 | 510 | 795 |
Year | Month | High | Avg |
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2025 | 4 | 249 | 730 |
Year | Month | High | Avg |
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2025 | 3 | 311 | 715 |
Year | Month | High | Avg |
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2025 | 2 | 345 | 777 |
Year | Month | High | Avg |
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2025 | 1 | 340 | 764 |
Year | Month | High | Avg |
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2024 | 12 | 491 | 803 |
Year | Month | High | Avg |
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2024 | 11 | 629 | 885 |
Year | Month | High | Avg |
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2024 | 10 | 787 | 902 |
Year | Month | High | Avg |
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2024 | 9 | 758 | 895 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 687 | 883 |
Parece que fuera el sino de la tierra y de los hombres, situacion que es posible observar a traves de la historia universal. Pero no seria posible hacer una película que muestre lo contrario? sería una lección o un modelo para todos en un mundo tan convulsionado? ...
If you want an action movie, this one really rocks. There are some unneeded clichés but, all in all, is quite an enjoying journey. In addition, Matt Damon, Jodie Foster and, remarkably, Sharlto Copley perform at great level. ...
Wow... Where do I begin? I just got back from the cinema and I can still feel the adrenaline rushing through me. I was already a huge fan of director Neill Blomkamp's previous effort, District 9, so my expectations were running pretty high. And for once, I was not disappointed. No, I got even more t ... han I could have hoped for. Elysium is a terrific film. Plain and simple. The story is fairly simple, which I consider a good thing because the plot was easy to follow and so it wasn't overly complex and trying to be too intelligent and contrived. It is the year 2154, and planet Earth is one hot mess. The rich reside on a space station called Elysium while the poor remain on Earth, basically grabbing at every straw just to get by. The story we follow is that of Max, who, after a terrible accident at work, is in dire need of medical help, which is only available at Elysium. In order to get there, he must go to extreme measures. I won't tell you anything else, because that would just spoil the fun. Max is played by Matt Damon, and he is very good in this role. He truly carries the film, start to finish. It always pleases me to see an actor who is just as good at tackling the character elements as well as the action parts of his role. When you think about it, that doesn't actually happen that often. Matt Damon can do both perfectly, and he is convincing in every aspect. Jodie Foster plays the role of senator Delacourt, a rich bitch who thinks she can get away with anything just because she calls the shots on Elysium. Well, somebody's about to prove her wrong... I absolutely love Jodie Foster, so it's hard not to gush, but she is a delight to watch. Her character is cold, calculating and without a sliver of conscience. And Jodie is so convincing you just want to slap her. It was great, and the fact that her accent is a little weird and distracting at times, is easily forgiven. William Fichtner also appears in a relatively small, but crucial role. The biggest surprise for me, however, was Sharlto Copley. Remember him from District 9? He played Wikus, a dorky and kind of sissy character... Well, not in this one. His character Kruger, is the meanest, most vile bastard you can imagine. A card-carrying sadistic psycho. It really was a great opportunity for Copley to prove his versatility as an actor, and he used it to the fullest. Also, somehow his South-African twang made his character even more menacing, so I'm really glad he didn't drop it in favour of a – perhaps more crowd-pleasing – American accent. My biggest compliment goes to the special effects department. As was the case with District 9, the SFX are so convincing, it's actually hard to realise that you're watching something that was probably 96% computer animated. Unlike D9, the visuals were even better here, if you can believe that. Usually, when a director's first film is a success and they up his budget for the next one, they go completely overboard and essentially ruin the aesthetics that made the first film so successful *cough*Matrix*cough*. In this case, all and everything was a major improvement. The action scenes are incredibly solid, the spacecrafts were eye-poppingly gorgeous (without being all flashy and futuristic – adding to the reality factor) and Elysium was a true sight to behold. 109 minutes of pure eye candy. There were only two things that slightly bothered me. One, the somewhat stereotypical characterization of the Rich vs. The Poor. Simply put, rich = evil and poor = good, no exceptions. Especially with the rich Elysium folk I found it a little bothersome that there wasn't a single person who seemed to have a heart, they were almost mechanical and so the polarisation was pretty black-and-white. Two, the lack of emotional involvement. I didn't really feel much for any of the characters, except Max. There is a plot line with a woman he has feelings for, whose daughter is very ill, and that's a sad thing but the film failed at really convincing me why I'm supposed to care. Could be personal, but that's the way I experienced it. However, these two minor plot points are not sufficient enough to deter me from giving this film any less than 10 stars. What I think is most thrilling about Elysium is the fact that it actually paints a frighteningly plausible picture of what our future might just look like. It is, in any case, much more realistic than pretty much every other post-apocalyptic film I've ever seen. Don't write this concept off too easily, this might very well be the world we live in one day. In the end, Elysium is a terrifically made film. It's gritty, it's gnarly and highly realistic. And, to the zero-attention-span MTV kids out there, it's also an incredibly entertaining, action-packed thrill ride. Tiny side note: the violence is quite graphic at times, so some amount of parental guidance is definitely advised. That leaves me with nothing else to say but: go watch this film. You won't regret it. _(August 2013)_
A little heavy-handed at times with the social commentary though that's Neil Blomkamp's thing with all his movies at this point, however still was entertained throughout, the effects were mostly good (a few shots were a bit iffy) and Matt Damon is good in the lead. Didn't exactly land the emotional ... impact they were going for in the end but still was enjoyed this quite a bit and think it's actually better than District 9 (which I feel is overrated outside of the visual effects) and far and away better than Chappie. **3.75/5**
At least Neill Blomkamp looks like he was able to recycle some of his “District 9” sets for this sci-Fi adventure, but unfortunately that wasn’t all that we will have seen before. The planet Earth is now home to the plebs of society whilst the elite live on an orbiting space station complete with li ... fe-giving tech, lakes, rivers, hills, trees and flowers. Those up there are determined to keep the earthlings off their lawns, and so have elaborate defence arrangements in place - commanded by the ruthless and perfectly coiffured “Delacourt” (Jodie Foster) who has an army of ships, droids and mercenaries to fight her battles for her. Down amidst the wreckage lives “Max” (Matt Damon) and when he gets himself exposed to some creeping radiation it seems his only route to survival is to join in on a cunning plan to attack “Elysium”. Not, you understand, front-on, no - but by capturing one of it’s senior defence contractors who just happens to have downloaded some crucial information into his brain that could do a bit of a “Death Star” on their exclusive galactic idyll above. Damon doesn’t really make a very convincing action hero, but Foster does fare rather better as the scheming plotter whilst Sharlto Copley hams up nicely with a rabid performance straight out of a “Mad Max” film. There are loads of pyrotechnics and plenty of action with men, crashes and robots alike as the story ascends to the heavens. It’s predicable, yes, but it is also every bit as good and exciting an adventure as anything Marvel routinely churn out year in year out. It’s the ultimate them and us battle of mankind and our ability to mastermind iniquity and it plays out well enough.