My Octopus Teacher
2020 | 85m | English
Popularity: 1 (history)
| Director: | James Reed, Philippa Ehrlich |
|---|---|
| Writer: | James Reed, Philippa Ehrlich |
| Staring: |
| After years of swimming every day in the freezing ocean at the tip of Africa, Craig Foster meets an unlikely teacher: a young octopus who displays remarkable curiosity. Visiting her den and tracking her movements for months on end he eventually wins the animal’s trust and they develop a never-before-seen bond between human and wild animal. | |
| Release Date: | Sep 04, 2020 |
|---|---|
| Director: | James Reed, Philippa Ehrlich |
| Writer: | James Reed, Philippa Ehrlich |
| Genres: | Documentary |
| Keywords | diving, atlantic ocean, intelligence, human animal relationship, octopus, south africa, underwater, shark, western cape, nature documentary, marine life, animal behaviour, animal intelligence, pretentious, based on a true story |
| Production Companies | Off the Fence, The Sea Change Project |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 03, 2026 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Craig Foster | Self |
| Tom Foster | Self |
| Name | Job |
|---|---|
| Roger Horrocks | Director of Photography |
| Kyle Stroebel | Colorist |
| Karen Meehan | Head of Production |
| Dave Aenmey | Additional Photography |
| Louw Verwoerd | Sound Recordist |
| Swati Thiyagarajan | Production Manager |
| Craig Foster | Underwater Camera |
| James Reed | Writer, Director |
| Tom Foster | Sound Recordist, Aerial Camera |
| Stuart Hoole | Production Manager |
| Kevin Smuts | Original Music Composer |
| Dan Schwalm | Editor |
| Philippa Ehrlich | Editor, Writer, Additional Photography, Director |
| Barry Donnelly | Sound Designer |
| Jinx Godfrey | Editorial Consultant |
| Hilton Auffray | Sound Recordist |
| Faine Loubser | Production Assistant |
| Lamees Martin | Online Editor |
| Charlotte Kingdom | Production Secretary |
| Charl Mostert | Foley Artist |
| Name | Title |
|---|---|
| Ellen Windemuth | Executive Producer |
| Ross Frylinck | Associate Producer |
| Craig Foster | Producer |
| Swati Thiyagarajan | Associate Producer |
| Andrew Zikking | Co-Executive Producer |
| Sam Barton-Humphreys | Associate Producer |
| Allison Bean | Co-Executive Producer |
| Carina Frankal | Associate Producer |
| Ludo Dufour | Associate Producer |
| Organization | Category | Person | |
|---|---|---|---|
| SAG Awards | Best Documentary Feature | N/A | Won |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 17 | 22 | 12 |
| 2024 | 5 | 20 | 27 | 13 |
| 2024 | 6 | 21 | 33 | 13 |
| 2024 | 7 | 21 | 34 | 12 |
| 2024 | 8 | 17 | 24 | 13 |
| 2024 | 9 | 15 | 33 | 10 |
| 2024 | 10 | 13 | 25 | 8 |
| 2024 | 11 | 14 | 22 | 9 |
| 2024 | 12 | 17 | 29 | 9 |
| 2025 | 1 | 17 | 23 | 11 |
| 2025 | 2 | 13 | 22 | 3 |
| 2025 | 3 | 5 | 17 | 1 |
| 2025 | 4 | 2 | 4 | 1 |
| 2025 | 5 | 2 | 4 | 1 |
| 2025 | 6 | 2 | 3 | 1 |
| 2025 | 7 | 1 | 2 | 1 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 2 | 2 | 1 |
| 2025 | 10 | 3 | 4 | 2 |
| 2025 | 11 | 2 | 3 | 1 |
| 2025 | 12 | 1 | 2 | 1 |
| 2026 | 1 | 1 | 2 | 1 |
| 2026 | 2 | 1 | 1 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 933 | 933 |
Not just a documentary (9 January 2021) Why I watched it? Because I love octopuses and the sea. Why I gave it a 10? Because it was something more than just a documentary. It was a personal experience. It got evident from the start. Great captures and the personal storytelling of Foster along w ... ith accurate and calming music did it: I immediately relaxed and put myself in his shoes. The rest was history. Amazing information conveyed along with great scenes and meanings. I liked the format. Most documentaries focusing on animals calm me, but this format was just something else. It was closer to the experience of reading a book for me, and that's something I have never felt before for a movie/series.
a profoundly moving, visually stunning documentary that elevates a simple premise into a transformative emotional experience. It follows South African filmmaker Craig Foster as he returns daily to a cold-water kelp forest near Cape Town, slowly forming an intimate, almost meditative bond with a wild ... octopus he encounters there. The film’s greatest strength is how it intertwines awe-inspiring natural observation with a deeply personal story of burnout and healing. Foster’s encounters with the octopus become a quiet school of life: through watching her ingenuity, vulnerability and resilience, he rediscovers curiosity, patience and a sense of belonging in the natural world. The creature herself is filmed with astonishing sensitivity, revealing camouflage, hunting strategies and play that feel more like finely choreographed character work than conventional wildlife footage. Cinematically, the documentary is exceptional. The underwater photography turns the kelp forest into a dreamlike cathedral of light and motion, while the editing builds a gentle, narrative rhythm that makes one small cove feel as epic as any global travelogue. What lingers most, though, is the emotional clarity: by the time the octopus’s life cycle nears its end, the viewer feels the weight of that loss as keenly as Foster does, and the film’s quiet plea for empathy and ocean conservation lands with rare sincerity.