Popularity: 0.3 (history)
Director: | Carlos López Estrada |
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Writer: | Paolina Acuña-González, Austin Antoine, Marquesha Babers, Bryce Banks, Bene't Benton |
Staring: |
Over the course of a hot summer day in Los Angeles, the lives of 25 young Angelinos intersect. A skating guitarist, a tagger, two wannabe rappers, an exasperated fast-food worker, a limo driver—they all weave in and out of each other's stories. Through poetry they express life, love, heartache, family, home, and fear. One of them just wants to find someplace that still serves good cheeseburgers. | |
Release Date: | Jul 09, 2021 |
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Director: | Carlos López Estrada |
Writer: | Paolina Acuña-González, Austin Antoine, Marquesha Babers, Bryce Banks, Bene't Benton |
Genres: | Comedy, Drama, Music |
Keywords | poetry, los angeles, california, spoken word, ensemble cast |
Production Companies | Good Deed Entertainment, Little Ugly |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Aug 03, 2024 (Update) Entered: Apr 24, 2024 |
Name | Character |
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Austin Antoine | Rah |
Marquesha Babers | Marquesha |
Bryce Banks | Anewbyss |
Bene't Benton | Bene't |
Amaya Blankenship | Amaya |
Caedmon Branch | Sam |
Mila Cuda | Mila |
Gabriela de Luna | Alejandra (Paulina's mother) |
Joel Dupont | |
Walter Finnie Jr. | Walter |
Alyssa Kim | Diane |
Gordon Ip | Gordon |
Maia Mayor | Sophia |
Anna Osuna | Anna |
Sun Park | Hayun |
Sophia Thomas | Sam's Mom |
Tyris Winter | Tyris |
Gihee Hong |
Name | Job |
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Carlos López Estrada | Director |
Nito Larioza | Stunt Coordinator |
Lauren Mikus | Music Supervisor |
Casey Adams | Stunt Coordinator |
Sean Wang | Assistant Director |
Elise Hannaford | Set Decoration |
Kat Barnette | Line Producer |
John W. Snyder | Music |
John Schmidt | Director of Photography |
Jonathan Melin | Editor |
Karmen Leech | Casting |
John Williams | Casting |
Tyler Jensen | Production Design |
Nelson DeCastro | Art Direction |
Brianna Murphy | Costume Design |
Kai Stamps | Makeup Department Head |
Adam Wyatt Tate | Production Manager |
Sarah Balboa | Second Assistant Director |
Marc Kelly | First Assistant Director |
Joseph Salcedo | Property Master |
Andy Hay | Supervising Sound Editor |
Jeff Dotson | Color Grading, VFX Artist |
Vitaly Verlov | VFX Artist |
Danny Sosa | Key Grip |
Brandy Tannahill | Grip |
Nicholas Hasson | Colorist |
David Hunter | Location Manager |
Matthew Llewellyn | Music Editor |
Olivia Crist | Production Supervisor |
Paolina Acuña-González | Screenplay |
Austin Antoine | Screenplay |
Marquesha Babers | Screenplay |
Bryce Banks | Screenplay |
Bene't Benton | Screenplay |
Taylor Brusky | Additional Editor |
Name | Title |
---|---|
Carlos López Estrada | Producer |
Patrick Murray | Executive Producer |
Kelly Marie Tran | Executive Producer |
Kimberly Stuckwisch | Producer |
Jeffrey Soros | Producer |
Alisa Tager | Producer |
Simon Horsman | Producer |
Andrew Blau | Executive Producer |
Neil Garvey | Executive Producer |
Vero Kompalic | Associate Producer |
Diane Luby Lane | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 5 | 11 | 2 |
2024 | 5 | 6 | 18 | 2 |
2024 | 6 | 4 | 11 | 2 |
2024 | 7 | 6 | 12 | 2 |
2024 | 8 | 4 | 10 | 2 |
2024 | 9 | 3 | 6 | 1 |
2024 | 10 | 2 | 5 | 1 |
2024 | 11 | 2 | 8 | 1 |
2024 | 12 | 2 | 4 | 1 |
2025 | 1 | 2 | 6 | 1 |
2025 | 2 | 1 | 2 | 1 |
2025 | 3 | 1 | 2 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 7 | 0 | 0 | 0 |
2025 | 8 | 0 | 0 | 0 |
Trending Position
In 2018, the film world was introduced to exciting new director Carlos López Estrada and his best-of-the-year movie, “Blindspotting.” Expectations for filmmakers as talented as Estrada can feel insurmountable, but “Summertime,” his sophomore feature film, is a wildly successful storytelling experime ... nt of performance art and spoken word poetry. On the surface it sounds like an arduous undertaking, but somehow it turns out to be the epitome of indie cinema: an ego-less artistic collaboration with zero phoniness. Over the course of a summer day in Los Angeles, the lives of 25 teenagers intersect. There isn’t much plot to speak of, as a loose narrative weaves all of the stories together. The story is told through spoken-word poetry, all written and performed by the amateur cast (including Tyris Winter, Marquesha Babers, Mila Cuda, Austin Antoine, Gordon Ip, Maia Mayor, and Walter Finnie Jr.). These aren’t actors but artists, and the film a vehicle to share their authentic voices. The cast is appealing with big personalities and even bigger lyrical talents, and their poems are deeply rooted in place and experience. These diverse young artists are all from and live in Los Angeles, and they offer an unfiltered, unpolished, and raw perspective that comes from the soul. It’s deeply meaningful how they interconnect art with their city, and their vibrant voices are ones that the world needs to hear. Surprisingly, the movie flows seamlessly and doesn’t feel gimmicky (despite a choppy start and a brief lag in the middle). This experiment could’ve (and likely should’ve) gone the wrong way fast, but somehow all the pieces come together and the cast and crew manages to pull it off. It’s a winning combination of a visionary director paired with young artists speaking their truth, and the film’s flaws make it all the more powerful. The film unmasks the impassioned cries of hope and frustration from a young generation through their urban poetry, and it’s as inspiring as it is complicated. “Summertime” is what effective art is all about.