Take Shelter
Far away from the cruel world.
2011 | 120m | English
Popularity: 4 (history)
| Director: | Jeff Nichols |
|---|---|
| Writer: | Jeff Nichols |
| Staring: |
| Plagued by a series of apocalyptic visions, a young husband and father questions whether to shelter his family from a coming storm, or from himself. | |
| Release Date: | Sep 30, 2011 |
|---|---|
| Director: | Jeff Nichols |
| Writer: | Jeff Nichols |
| Genres: | Drama, Horror, Thriller |
| Keywords | schizophrenia, beach, small town, obsession, deaf, ohio, nightmare, shelter, end of the world, premonition, sanity, apocalypse, storm, mental illness, construction worker, bank loan, storm shelter, apocalyptic vision, ambiguous |
| Production Companies | Hydraulx, REI Capital, Grove Hill Productions, Strange Matter Films |
| Box Office |
Revenue: $3,741,098
Budget: $5,000,000 |
| Updates |
Updated: Feb 04, 2026 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Michael Shannon | Curtis LaForche |
| Jessica Chastain | Samantha LaForche |
| Shea Whigham | Dewart |
| Tova Stewart | Hannah LaForche |
| Katy Mixon | Nat |
| Robert Longstreet | Jim |
| Ray McKinnon | Kyle |
| Kathy Baker | Sarah |
| LisaGay Hamilton | Kendra |
| Jeffrey Grover | Psychiatrist |
| Natasha Randall | Cammie |
| Ron Kennard | Russell |
| Scott Knisley | Lewis |
| Heather Caldwell | Special Ed Teacher |
| Sheila Hullihen | Woman in Road |
| Maryanne Nagel | Insurance Agent |
| Stuart Greer | Army-Navy Dave |
| Bart Flynn | Dave |
| Molly McGinnis | Janine |
| John Kloock | Man in Road |
| Marianna Alacchi | Bargain Hunter |
| Jacque Jovic | News Anchor |
| Peter Ferry | Melvin |
| Ken Strunk | Doctor Shannan |
| Hailee Dickens | Pharmacist |
| Guy Van Swearingen | Myers |
| Nick Koesters | Rich |
| Jason Botsford | Construction Worker |
| Name | Job |
|---|---|
| Jeff Nichols | Writer, Director |
| David Wingo | Music |
| Brandon Proctor | Sound Re-Recording Mixer |
| Karen Malecki | Costume Design |
| Adam Stone | Director of Photography |
| Jennifer Klide | Art Direction |
| Matt Siner | Visual Effects Editor |
| Timothy R. Hoffman | Special Effects Coordinator |
| Joshua Chase | Sound Designer |
| Scott Gardner | Still Photographer |
| Lyman Hardy | Sound Designer, Foley |
| Tamer Eldib | Modeling |
| Kevin Martt | Key Grip |
| Nicholas Elwell | Visual Effects Coordinator |
| Eric A. Kohler | Visual Effects Coordinator |
| Bill Rudolph | Sound Effects Editor |
| Julia Lallas | Key Hair Stylist, Key Makeup Artist |
| Matt 'Chief' Hightower | Animation |
| Leonard Suwalski | Boom Operator |
| Russell Lloyd II | Animation |
| Adam Briggs | Animation |
| Hector de la Torre | Modeling |
| Parke Gregg | Editor |
| Chad Keith | Production Design |
| Lillian Pyles | Casting |
| Schuylar Dane Croom | Property Master |
| Lainie Anderson | Wardrobe Supervisor |
| Noel Maitland | Additional Still Photographer |
| Jean-Paul Chreky | Script Supervisor |
| Nick Evert | Best Boy Electric |
| Daniel Chavez | Visual Effects Producer |
| Rob Hubbard | Animation |
| Kenneth Neil Moore | Second Unit Director of Photography |
| Will Files | Sound Re-Recording Mixer |
| Michael Roy | Gaffer |
| Krystal Sae Eua | Modeling |
| Daniel Kruse | CG Supervisor |
| Craig McKinstry | Rigging Gaffer |
| Clint Smith | Dialogue Editor |
| Chris Wells | Visual Effects Supervisor |
| Adam Willis | Set Decoration |
| Name | Title |
|---|---|
| Sarah Green | Executive Producer |
| Brian Kavanaugh-Jones | Executive Producer |
| Tyler Davidson | Producer |
| Sophia Lin | Producer |
| Organization | Category | Person | |
|---|---|---|---|
| Spirit Awards | Best Picture | N/A | Nominated |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 23 | 35 | 14 |
| 2024 | 5 | 23 | 32 | 16 |
| 2024 | 6 | 23 | 33 | 12 |
| 2024 | 7 | 23 | 47 | 12 |
| 2024 | 8 | 18 | 33 | 10 |
| 2024 | 9 | 13 | 20 | 9 |
| 2024 | 10 | 15 | 24 | 9 |
| 2024 | 11 | 17 | 40 | 9 |
| 2024 | 12 | 17 | 30 | 10 |
| 2025 | 1 | 17 | 26 | 12 |
| 2025 | 2 | 13 | 21 | 3 |
| 2025 | 3 | 5 | 17 | 1 |
| 2025 | 4 | 5 | 8 | 1 |
| 2025 | 5 | 3 | 8 | 2 |
| 2025 | 6 | 3 | 5 | 2 |
| 2025 | 7 | 1 | 2 | 1 |
| 2025 | 8 | 2 | 4 | 1 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 3 | 4 | 2 |
| 2025 | 11 | 7 | 13 | 1 |
| 2025 | 12 | 4 | 7 | 2 |
| 2026 | 1 | 4 | 9 | 2 |
| 2026 | 2 | 7 | 10 | 4 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 987 | 987 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 871 | 871 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 349 | 671 |
I do love slow-paced thriller films and this is exactly that. Having said that, there is something that makes me uneasy about the ending. It is up to so many interpretations that the writer / director of the film didn’t know himself how to end otherwise a close-to-brilliant story with a decent actin ... g. Would I watch it again? Possibly. Would I make my friends watch it? I guess so.
_Take Shelter’s_ a slow burn, but it gets under your skin. Shannon’s great—properly intense—and there’s loads to chew on about fear, family, and mental health. Bit heavy-handed at times, and it drags in spots ...
The family “LaForche” live in a remote Ohio backwater where mother “Samantha” (Jessica Chastain) looks after their deaf daughter “Hannah” (Tova Stewart) whilst dad “Curtis” (Michael Shannon) works for a local drilling outfit. Recently, though, things have become a bit strained as he has been having ... fairly graphic and disturbing nightmares. These foretell of the mother of all storms sweeping all before it before something ever more ghastly occurs. As these dreams intensify, he begins to struggle determining what is real and what isn’t. Are these hallucinations or is he perhaps seeing an unwelcome future? Initially, both he and “Samantha” think this could be stress-related and so he seeks medical advice that merely results in him becoming medicated. When that doesn’t help and when he starts to take elaborate precautions to protect his family from this impending disaster, we too start to struggle to establish what is going on in his conflicted and frustrated mind. Shannon is on good form here offering an evocative portrayal of a man suffering from mental illness. His erratic behaviour stuns his family and his neighbours, and the reaction from their tightly-knit Christian community is one more of sympathetic self-preservation than anything more useful as the family begin to buckle. Chastain also delivers strongly here as her character has great difficulty is adapting to the irrationalities of her husband’s behaviour whilst dealing with the challenges brought by their equally bemused child. It’s quite a salutary lesson in the toxiticy of anxiety and it’s effects on not just the person who is sick, but on those intimates who must deal with the behavioural inconsistencies emanating from one they love who cannot control their actions. There is also a palpable sense of desperation on display here, and that’s at times really quite intense whilst all the time we are never quite sure just what might be happening with those storm clouds overhead. That ambiguity also works quite well presenting us with a thoughtful and provocative drama that’s a tough watch at times, but worth it.