Project Nim
The world will be a different place once you've seen it through his eyes.
2011 | 93m | English
Popularity: 0.8 (history)
| Director: | James Marsh |
|---|---|
| Writer: | Elizabeth Hess |
| Staring: |
| From the team behind Man on Wire comes the story of Nim, the chimpanzee who in the 1970s became the focus of a landmark experiment which aimed to show that an ape could learn to communicate with language if raised and nurtured like a human child. Following Nim's extraordinary journey through human society, and the enduring impact he makes on the people he meets along the way, the film is an unflinching and unsentimental biography of an animal we tried to make human. What we learn about his true nature - and indeed our own - is comic, revealing and profoundly unsettling. | |
| Release Date: | Jul 08, 2011 |
|---|---|
| Director: | James Marsh |
| Writer: | Elizabeth Hess |
| Genres: | Documentary |
| Keywords | 1970s, love of animals, wild animal, chimpanzee, linguistics, animal behaviour |
| Production Companies | Icon Productions, BBC Film, Passion Pictures, Red Box Films |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 05, 2026 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Bob Angelini | Lab Tech |
| Bern Cohen | Dr. William Lemmon |
| Reagan Leonard | Stephanie LaFarge |
| Nim Chimpsky | Self (archive footage) |
| Stephanie LaFarge | Self |
| Herbert Terrace | Self |
| Wer LaFarge | Self (archive footage) |
| Jenny Lee | Self |
| Laura-Ann Petitto | Self |
| Bill Tynan | Self |
| Joyce Butler | Self |
| Renne Falitz | Self |
| Bob Ingersoll | Self |
| Alyce Moore | Self |
| James Mahoney | Self (as Dr. James Mahoney) |
| Henry Herrmann | Self |
| Cleveland Amory | Self (archive footage) |
| Marion Probst | Self |
| Chris Byrne | Self |
| Anna May Marsh | Signing Girl: re-enactment unit |
| Sarah Sakaan | Renee Falitz: re-enactment unit |
| Dennis Lauricella | Beefy Guy: re-enactment unit |
| Robert Nesi | Beefy Guy: re-enactment unit (as Robert J. Nesi) |
| Scarlett Bermingham | Laura-Ann Petitto: re-enactment unit |
| Mike Devoe | Mike Devoe |
| Michael S. LePera | Wer LaFarge: re-enactment unit (as Michael LePera) |
| Peter Elliott | Nim Cimpsky - Reenactment Unit (uncredited) |
| Name | Job |
|---|---|
| James Marsh | Director |
| Michael Simmonds | Director of Photography |
| Jinx Godfrey | Editor |
| Markus Kirschner | Production Design |
| Elizabeth Hess | Novel, Consulting Producer |
| Dickon Hinchliffe | Music Arranger, Original Music Composer |
| Johnny Davenport | Production Assistant |
| Will Yates | Researcher |
| Kinda Akash | Graphic Designer, Title Designer |
| Dan Carling | Digital Imaging Technician |
| Steven Robinson | Sound Recordist |
| Peter Miller | Sound Recordist |
| Mark Koenig | Gaffer |
| Michael Mortel | Electrician |
| Chris Varga | Electrician |
| Olivier Bernier | Grip |
| Chan Jeon | Grip |
| Peter Elliot | Choreographer |
| Nick Williams | Visual Effects |
| Tina Foster | Costumer |
| Pauline Fowler | Visual Effects |
| Kathryn Nixon | Costume Designer |
| Rosemary Lombard | Line Producer |
| Adine Duron | Casting Director |
| Jamund Washington | First Assistant Director |
| Scott Bowers | Second Assistant Camera |
| Jodie Alexandra Taylor | Script Supervisor |
| Alvah Holmes | First Assistant Camera |
| Gordon Arkenberg | First Assistant Camera |
| Robert Yutaka Omura | Second Assistant Camera |
| Patrick Cecilian | Digital Imaging Technician |
| Darin Quan | Archival Footage Research |
| Tamara E. Cepeda | Wardrobe Assistant |
| Kim Madalinski | Wardrobe Assistant |
| Vera Stormsted | Makeup & Hair |
| Nicholas D'Agostino | Best Boy Electric |
| Walter Strafford | Electrician |
| Aric Jacobson | Dolly Grip, Key Grip |
| Ryan Minelli | Best Boy Grip |
| John Spicer | Best Boy Grip |
| Joe Chiofalo | Swing, Driver |
| Gonzalo Cordoba | Art Direction |
| Jack Falanga | Set Decoration |
| Sarah Moessner | Art Department Production Assistant |
| Thomas Carrera | Art Department Production Assistant |
| Mark Gebel | Leadman |
| Jefferey Dundas | Carpenter |
| Adam Merritt | Carpenter |
| Kurt Enger | Location Scout |
| Kurt Enger | Location Scout |
| David Dilley | Still Photographer |
| Geoffrey Quan | Production Coordinator |
| Sara Neuffer | Key Production Assistant |
| Bassem Jabawi | Production Assistant |
| Sarah Karas | Production Assistant |
| Tom Kelly | Production Assistant |
| Tobey List | Production Assistant |
| Omari Miller | Production Assistant |
| Becky Phillips | Production Assistant |
| Sofia Santana | Production Assistant |
| Andrew Hauser | Production Intern |
| Jean-Marceau Sécheret | Production Intern |
| Veronica Nickel | Craft Service |
| Moyra Chestnutt | Archival Footage Research |
| Anne Monnehay | Assistant Editor |
| Mark Keady | Assistant Editor |
| Shrihari Sathe | Assistant Editor |
| Kate George | Post Production Supervisor |
| Gareth Spensley | Senior Colorist |
| Matt James | Digital Film Recording |
| Justin Eely | Editorial Staff |
| George Foulgham | Mixing Engineer, Sound Supervisor |
| Nick Ashe | Sound Design Assistant |
| Lisa McStay | Music Editor |
| Claire Ellis | Dialogue Editor |
| Nicholas Ashe | Foley Editor |
| Johanna Kovitz | Transcriptions |
| Jonathan Blair | Legal Services |
| Jan Tomalin | Legal Services |
| Victoria S. Cook | Legal Services |
| Russel Smith | Legal Services |
| Sayuj Banerjee | Legal Services |
| Jane Hawley | Production Executive |
| Zoe Brown | Legal Services, Business Affairs Coordinator |
| Chris Collins | Production Executive |
| Fiona Morham | Head of Production |
| Geraldine Atlee | Business Affairs Coordinator |
| Vince Holden | Finance |
| Chloe Sizer | Development Manager |
| Anthony Buckner | Finance |
| Philip Bagenal | Mixing Engineer, Musician |
| Steve Sidwell | Conductor |
| Liy Gallacher | Music Supervisor |
| Richard Sidwell | Music Coordinator |
| Al Macaulay | Musician |
| Daniel Lam | Second Assistant Camera |
| Name | Title |
|---|---|
| Simon Chinn | Producer |
| John Battsek | Executive Producer |
| Andrew Ruhemann | Executive Producer |
| Jamie Laurenson | Executive Producer |
| Nick Fraser | Executive Producer |
| Hugo Grumbar | Executive Producer |
| George Chignell | Co-Producer |
| Maureen A. Ryan | Co-Producer |
| Prudence Arndt | Producer |
| Nancy Abraham | Producer |
| Sheila Nevins | Executive Producer |
| Organization | Category | Person | |
|---|---|---|---|
| Golden Globes | Best Documentary Feature | N/A | Nominated |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 8 | 15 | 5 |
| 2024 | 5 | 11 | 15 | 6 |
| 2024 | 6 | 10 | 19 | 6 |
| 2024 | 7 | 11 | 18 | 8 |
| 2024 | 8 | 8 | 11 | 4 |
| 2024 | 9 | 7 | 11 | 4 |
| 2024 | 10 | 7 | 12 | 4 |
| 2024 | 11 | 8 | 22 | 4 |
| 2024 | 12 | 8 | 22 | 5 |
| 2025 | 1 | 6 | 9 | 4 |
| 2025 | 2 | 5 | 10 | 3 |
| 2025 | 3 | 4 | 7 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 1 | 2 | 0 |
| 2025 | 11 | 7 | 20 | 0 |
| 2025 | 12 | 2 | 7 | 0 |
| 2026 | 1 | 0 | 1 | 0 |
| 2026 | 2 | 0 | 0 | 0 |
Trending Position
Now I know that hindsight is a marvellous thing, but quite how anyone could ever have thought that playing God with another animate creature like this would ever be justifiable is beyond me. The scientists here may have been well meaning enough, but I don’t see how the writing on the wall could ever ... have been different for the chimp whom they called “Nim Chimpsky”. Wrested from his mother at birth, he is “adopted” like some sort of surrogate child by a group who are trying to prove that with a good deal of nurturing, they can teach him how to speak. They offer “Nim” all the trappings of family and become all that he knows and trusts and he reciprocates with behaviours that are loving, attention and mischievous. Then, of course, the science starts to intervene with what limited elements of the natural about this programme and soon he is incarcerated, experimented upon and downright betrayed by those who purported to “love” him. Funding issues and the more aggressive aspirations of science soon negate any potential humanity that might have applied here and predictably court battles loom as “Nim” becomes a sentient football - neglected and alone. It’s harrowing to watch this, if only because the whole scientific concept is arrogant and just plain wrong. With abundant film evidence of this project available to support this eye-opening documentary it potently illustrates, frequently augmented by the contributions of these scientists themselves, more and more the short-sightedness of a project that was only ever going to last as long as the dollars kept coming in. Arguments can be made about the broader term benefits (or not) of vivisection and animal experimentation when they are being used as guinea pigs by life saving pharma, perhaps, but this deliberate attempt to play with, even manipulate, the psychological and emotional behaviour of this young ape as if he were a teddy bear is nauseating to watch. Thought provoking and distasteful as this is, it’s a well structured film that actually takes quite an editorially neutral perspective with it’s presentation. Unlike those rearing “Nim”, we are not fed indoctrination by the film makers, just shown evidence and left to form our own judgements.