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Project Nim Poster

Project Nim

The world will be a different place once you've seen it through his eyes.
2011 | 93m | English

(8732 votes)

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Popularity: 0.8 (history)

Director: James Marsh
Writer: Elizabeth Hess
Staring:
Details

From the team behind Man on Wire comes the story of Nim, the chimpanzee who in the 1970s became the focus of a landmark experiment which aimed to show that an ape could learn to communicate with language if raised and nurtured like a human child. Following Nim's extraordinary journey through human society, and the enduring impact he makes on the people he meets along the way, the film is an unflinching and unsentimental biography of an animal we tried to make human. What we learn about his true nature - and indeed our own - is comic, revealing and profoundly unsettling.
Release Date: Jul 08, 2011
Director: James Marsh
Writer: Elizabeth Hess
Genres: Documentary
Keywords 1970s, love of animals, wild animal, chimpanzee, linguistics, animal behaviour
Production Companies Icon Productions, BBC Film, Passion Pictures, Red Box Films
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 05, 2026
Entered: Apr 13, 2024
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Full Credits

Name Character
Bob Angelini Lab Tech
Bern Cohen Dr. William Lemmon
Reagan Leonard Stephanie LaFarge
Nim Chimpsky Self (archive footage)
Stephanie LaFarge Self
Herbert Terrace Self
Wer LaFarge Self (archive footage)
Jenny Lee Self
Laura-Ann Petitto Self
Bill Tynan Self
Joyce Butler Self
Renne Falitz Self
Bob Ingersoll Self
Alyce Moore Self
James Mahoney Self (as Dr. James Mahoney)
Henry Herrmann Self
Cleveland Amory Self (archive footage)
Marion Probst Self
Chris Byrne Self
Anna May Marsh Signing Girl: re-enactment unit
Sarah Sakaan Renee Falitz: re-enactment unit
Dennis Lauricella Beefy Guy: re-enactment unit
Robert Nesi Beefy Guy: re-enactment unit (as Robert J. Nesi)
Scarlett Bermingham Laura-Ann Petitto: re-enactment unit
Mike Devoe Mike Devoe
Michael S. LePera Wer LaFarge: re-enactment unit (as Michael LePera)
Peter Elliott Nim Cimpsky - Reenactment Unit (uncredited)
Name Job
James Marsh Director
Michael Simmonds Director of Photography
Jinx Godfrey Editor
Markus Kirschner Production Design
Elizabeth Hess Novel, Consulting Producer
Dickon Hinchliffe Music Arranger, Original Music Composer
Johnny Davenport Production Assistant
Will Yates Researcher
Kinda Akash Graphic Designer, Title Designer
Dan Carling Digital Imaging Technician
Steven Robinson Sound Recordist
Peter Miller Sound Recordist
Mark Koenig Gaffer
Michael Mortel Electrician
Chris Varga Electrician
Olivier Bernier Grip
Chan Jeon Grip
Peter Elliot Choreographer
Nick Williams Visual Effects
Tina Foster Costumer
Pauline Fowler Visual Effects
Kathryn Nixon Costume Designer
Rosemary Lombard Line Producer
Adine Duron Casting Director
Jamund Washington First Assistant Director
Scott Bowers Second Assistant Camera
Jodie Alexandra Taylor Script Supervisor
Alvah Holmes First Assistant Camera
Gordon Arkenberg First Assistant Camera
Robert Yutaka Omura Second Assistant Camera
Patrick Cecilian Digital Imaging Technician
Darin Quan Archival Footage Research
Tamara E. Cepeda Wardrobe Assistant
Kim Madalinski Wardrobe Assistant
Vera Stormsted Makeup & Hair
Nicholas D'Agostino Best Boy Electric
Walter Strafford Electrician
Aric Jacobson Dolly Grip, Key Grip
Ryan Minelli Best Boy Grip
John Spicer Best Boy Grip
Joe Chiofalo Swing, Driver
Gonzalo Cordoba Art Direction
Jack Falanga Set Decoration
Sarah Moessner Art Department Production Assistant
Thomas Carrera Art Department Production Assistant
Mark Gebel Leadman
Jefferey Dundas Carpenter
Adam Merritt Carpenter
Kurt Enger Location Scout
Kurt Enger Location Scout
David Dilley Still Photographer
Geoffrey Quan Production Coordinator
Sara Neuffer Key Production Assistant
Bassem Jabawi Production Assistant
Sarah Karas Production Assistant
Tom Kelly Production Assistant
Tobey List Production Assistant
Omari Miller Production Assistant
Becky Phillips Production Assistant
Sofia Santana Production Assistant
Andrew Hauser Production Intern
Jean-Marceau Sécheret Production Intern
Veronica Nickel Craft Service
Moyra Chestnutt Archival Footage Research
Anne Monnehay Assistant Editor
Mark Keady Assistant Editor
Shrihari Sathe Assistant Editor
Kate George Post Production Supervisor
Gareth Spensley Senior Colorist
Matt James Digital Film Recording
Justin Eely Editorial Staff
George Foulgham Mixing Engineer, Sound Supervisor
Nick Ashe Sound Design Assistant
Lisa McStay Music Editor
Claire Ellis Dialogue Editor
Nicholas Ashe Foley Editor
Johanna Kovitz Transcriptions
Jonathan Blair Legal Services
Jan Tomalin Legal Services
Victoria S. Cook Legal Services
Russel Smith Legal Services
Sayuj Banerjee Legal Services
Jane Hawley Production Executive
Zoe Brown Legal Services, Business Affairs Coordinator
Chris Collins Production Executive
Fiona Morham Head of Production
Geraldine Atlee Business Affairs Coordinator
Vince Holden Finance
Chloe Sizer Development Manager
Anthony Buckner Finance
Philip Bagenal Mixing Engineer, Musician
Steve Sidwell Conductor
Liy Gallacher Music Supervisor
Richard Sidwell Music Coordinator
Al Macaulay Musician
Daniel Lam Second Assistant Camera
Name Title
Simon Chinn Producer
John Battsek Executive Producer
Andrew Ruhemann Executive Producer
Jamie Laurenson Executive Producer
Nick Fraser Executive Producer
Hugo Grumbar Executive Producer
George Chignell Co-Producer
Maureen A. Ryan Co-Producer
Prudence Arndt Producer
Nancy Abraham Producer
Sheila Nevins Executive Producer
Organization Category Person
Golden Globes Best Documentary Feature N/A Nominated
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Reviews

Geronimo1967
7.0

Now I know that hindsight is a marvellous thing, but quite how anyone could ever have thought that playing God with another animate creature like this would ever be justifiable is beyond me. The scientists here may have been well meaning enough, but I don’t see how the writing on the wall could ever ... have been different for the chimp whom they called “Nim Chimpsky”. Wrested from his mother at birth, he is “adopted” like some sort of surrogate child by a group who are trying to prove that with a good deal of nurturing, they can teach him how to speak. They offer “Nim” all the trappings of family and become all that he knows and trusts and he reciprocates with behaviours that are loving, attention and mischievous. Then, of course, the science starts to intervene with what limited elements of the natural about this programme and soon he is incarcerated, experimented upon and downright betrayed by those who purported to “love” him. Funding issues and the more aggressive aspirations of science soon negate any potential humanity that might have applied here and predictably court battles loom as “Nim” becomes a sentient football - neglected and alone. It’s harrowing to watch this, if only because the whole scientific concept is arrogant and just plain wrong. With abundant film evidence of this project available to support this eye-opening documentary it potently illustrates, frequently augmented by the contributions of these scientists themselves, more and more the short-sightedness of a project that was only ever going to last as long as the dollars kept coming in. Arguments can be made about the broader term benefits (or not) of vivisection and animal experimentation when they are being used as guinea pigs by life saving pharma, perhaps, but this deliberate attempt to play with, even manipulate, the psychological and emotional behaviour of this young ape as if he were a teddy bear is nauseating to watch. Thought provoking and distasteful as this is, it’s a well structured film that actually takes quite an editorially neutral perspective with it’s presentation. Unlike those rearing “Nim”, we are not fed indoctrination by the film makers, just shown evidence and left to form our own judgements.

Jun 05, 2025