Neither the Sea Nor the Sand
If the Spirit will not leave the body, can LOVE conquer DEATH?
1972 | 92m | English
Popularity: 0.4 (history)
| Director: | Fred Burnley |
|---|---|
| Writer: | Gordon Honeycombe |
| Staring: |
| After a failed marriage, Anna retreats to the haunting, eerie climes of the Isle of Jersey, where she finds fulfillment in an affair with lighthouse keeper Hugh. However, when tragedy strikes, the inconsolable Anna longs for the arms of her lover... who unexpectedly returns from the dead, with a few macabre changes awaiting them both. | |
| Release Date: | Nov 01, 1972 |
|---|---|
| Director: | Fred Burnley |
| Writer: | Gordon Honeycombe |
| Genres: | |
| Keywords | |
| Production Companies | Tigon British Film Productions, LMG Film Productions Limited |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Jan 19, 2026 Entered: May 04, 2024 |
| Name | Character |
|---|---|
| Susan Hampshire | Anna Robinson |
| Frank Finlay | George Dabernon |
| Michael Petrovitch | Hugh Dabernon |
| Michael Craze | Collie Delamare |
| Jack Lambert | Dr. Irving |
| Betty Duncan | Mrs. MacKay |
| David Garth | Mr. MacKay |
| Anthony Booth | Delamare |
| Marcia Fox | Girl in Love Scene (uncredited) |
| Name | Job |
|---|---|
| Rosemary Davies | Dialogue |
| Gordon Honeycombe | Novel, Screenplay |
| Fred Burnley | Director |
| David Muir | Director of Photography |
| Norman Wanstall | Editor |
| Michael Bastow | Art Direction |
| Nachum Heiman | Music, Conductor |
| Pat McDermott | Hairdresser |
| John O'Gorman | Makeup Artist |
| John Peverall | Production Manager |
| Derek Whitehurst | Assistant Director |
| Lindsey C. Vickers | Second Assistant Director |
| Ron Barron | Sound Recordist |
| Mike Le Mare | Sound Editor |
| Roberta Gibbs | Stunts |
| Rita Wakely | Wardrobe Master |
| Richard Trevor | Assistant Editor |
| Jilda Smith | Location Manager |
| Lawrence Ashmore | Orchestrator |
| Penny Daniels | Continuity |
| Name | Title |
|---|---|
| Peter Fetterman | Producer |
| Tony Tenser | Executive Producer |
| Peter J. Thompson | Executive Producer |
| Jack Smith | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 2 | 4 | 1 |
| 2024 | 5 | 2 | 5 | 1 |
| 2024 | 6 | 3 | 7 | 1 |
| 2024 | 7 | 2 | 4 | 1 |
| 2024 | 8 | 2 | 4 | 1 |
| 2024 | 9 | 1 | 3 | 1 |
| 2024 | 10 | 3 | 6 | 1 |
| 2024 | 11 | 2 | 5 | 1 |
| 2024 | 12 | 2 | 5 | 1 |
| 2025 | 1 | 2 | 4 | 1 |
| 2025 | 2 | 1 | 1 | 1 |
| 2025 | 3 | 1 | 2 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 2 | 3 | 0 |
| 2025 | 10 | 3 | 4 | 2 |
| 2025 | 11 | 1 | 2 | 1 |
| 2025 | 12 | 1 | 4 | 0 |
| 2026 | 1 | 0 | 0 | 0 |
| 2026 | 2 | 0 | 0 | 0 |
Trending Position
The opening scenes of this film - Susan Hampshire walking out to a Jersey lighthouse where she encounters "Hugh" (Michael Petrovich) rather sum up the mundanity of this fairly dull romantic drama. It looks good, they look good - but somewhere along the line, the story just runs out of steam as it st ... ruggles to stay out of a soup of melodrama. Of course the two become lovers, and of course she has baggage - a marriage that no longer works, but when tragedy ensues they must face reality with a fresh, and frequently, troubling perspective. Perhaps the book was more evocative, indulged the imagination more? This adaptation really doesn't. There is little on-screen chemistry between our two principals, and the obstacles to their happiness all-to-often come across as contrived and over-played with demons galore. Frank Finlay - never exactly versatile - probably has the best character as his rather puritanical brother "George" but the whole really doesn't equal what ought to have been the sum of the parts. It's slow, stodgy and rather weakly scored with a predictable and stilted dialogue that made me cringe on occasion. Some lovely location photography, and plenty of seagulls - but otherwise this is pretty lacking on just about every other front.