VFW
It's Gonna Get Bloody!
2019 | 92m | English
Popularity: 3 (history)
| Director: | Joe Begos |
|---|---|
| Writer: | Max Brallier, Matthew McArdle |
| Staring: |
| A typical night for veterans at a VFW turns into an all-out battle for survival when a desperate teen runs into the bar with a bag of stolen drugs. When a gang of violent punks come looking for her, the vets use every weapon at their disposal to protect the girl and themselves from an unrelenting attack. | |
| Release Date: | Sep 21, 2019 |
|---|---|
| Director: | Joe Begos |
| Writer: | Max Brallier, Matthew McArdle |
| Genres: | Action, Horror |
| Keywords | war veteran, drug dealer, gore, gang, drugs, standoff, one night, crushed head, ax |
| Production Companies | Voltage Pictures, Channel 83 Films, Zero Trans Fat Productions, Fangoria Films, Cinestate, Good Wizard |
| Box Office |
Revenue: $23,101
Budget: $1,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Stephen Lang | Fred |
| Martin Kove | Lou Clayton |
| William Sadler | Walter Reed |
| David Patrick Kelly | Doug McCarthy |
| Dora Madison | Gutter |
| Sierra McCormick | Lizard |
| George Wendt | Thomas Zabriski |
| Fred Williamson | Abe Hawkins |
| Tom Williamson | Shawn Mason |
| Travis Hammer | Boz |
| Graham Skipper | Roadie |
| Josh Ethier | Tank |
| Linnea Wilson | Lucy |
| Chloe Carabasi | Hyper (uncredited) |
| Riley Cusick | Hyper (uncredited) |
| JP DeStefano | Hyper (uncredited) |
| Hank Slaughter | Hyper (uncredited) |
| Violeta Ortega | Hyper (uncredited) |
| Jessie Hobson | Hyper (uncredited) |
| Name | Job |
|---|---|
| Joe Begos | Director, Camera Operator |
| Adam Donaghey | Unit Production Manager, Line Producer |
| Josh Ethier | Colorist, Sound Designer, Editor |
| David Guglielmo | Casting |
| Brandon Christensen | Thanks, Visual Effects |
| Brittany White | Special Effects Makeup Artist |
| Matt Mercer | Assistant Editor |
| Pete O. Partida | Stunts |
| Joshua Moody | Stunts |
| Jim Henry | Stunt Double |
| Max Brallier | Writer |
| Matthew McArdle | Writer |
| Mike Testin | Cinematography |
| Jessica Schmidt | Costume Design |
| Steve Moore | Original Music Composer |
| Elliott Gilbert | Art Direction |
| Freddie Poole | Stunt Coordinator |
| Bob Trevino | Special Effects Supervisor |
| Shawn Duffy | Sound Editor |
| Brian Hackett | Sound Mixer, Production Sound Mixer |
| Igor Yashin | Sound Editor |
| Karina Rezhevska | Foley Mixer |
| Meg Beatty | First Assistant Director |
| Sophie Watson | Second Assistant Director |
| Craig J McIntyre | Special Effects Makeup Artist |
| Josh Russell | Special Effects Makeup Artist |
| Sierra Russell | Special Effects Makeup Artist |
| Allen Crowley | Production Assistant |
| John Watson | Set Medic |
| McHenry Taylor | Production Assistant |
| Jesse Swenson | Producer's Assistant |
| Crue Smith | Production Assistant |
| Alejandro Ríos | Production Assistant |
| Olumide Olusola | Production Intern |
| Christos Michaels | Legal Services |
| Aaron N. Martin | Production Assistant |
| Corwin Loach | Production Intern |
| Rose Laget | Legal Services |
| Mark Hancock | Production Intern |
| Jonathan Gorner | Executive Assistant |
| Jimmy Lee Combs | Production Assistant |
| Caitlyn Birdsong | Production Coordinator |
| Daisy Aceves | Production Intern |
| Tim White | Driver |
| Tony Casillas | Driver |
| Mandi Collier | Music Supervisor |
| Tim Bickford | Music Supervisor |
| Tracy Popken | Tailor |
| Summer Moore | Costumer |
| Katherine Hill | Assistant Costume Designer |
| Thomas Whiteside | Best Boy Grip |
| Jamarrio Washington | Second Assistant Camera |
| Eliana Pires | Still Photographer |
| Ryan Perdew | Gaffer |
| Christopher Andrew Huffstetler | Grip |
| Chachie Hood | Key Grip |
| Brian E. Dutton | First Assistant Camera |
| Máximo Contreras | Best Boy Electric |
| Kamryn Poole | Stunt Double |
| Rich Vieira | Stunts |
| Dawson Towery | Stunts |
| Hayden Porras | Stunts |
| Jeff Milburn | Stunt Driver |
| Graham Hart | Stunts |
| JP DeStefano | Stunts |
| Brandon Christensen | Visual Effects |
| Chris A. Wilks | Special Effects Technician |
| Nataliia Syeryakova | Foley Artist |
| Daniel Pappas | Boom Operator |
| Hector Guerra | Boom Operator |
| Nathan Price | Set Dresser |
| Anson Norwood | Property Master |
| David Moline | Construction Coordinator |
| Lee M. Dudley | Carpenter |
| Ashley Detmering | Graphic Designer |
| Nathan Dalton | Props |
| Djemal Burris | Assistant Property Master |
| Matthew Spellings | Second Second Assistant Director |
| Ashley Rihel | Key Hair Stylist, Key Makeup Artist |
| Shelly Denning | Assistant Makeup Artist |
| Sarah Brill | Assistant Makeup Artist |
| Name | Title |
|---|---|
| Stephen Lang | Executive Producer |
| David Gilbery | Executive Producer |
| Rachel C. Wilson | Associate Producer |
| Matthew McArdle | Executive Producer |
| Xander McCabe | Associate Producer |
| Max Brallier | Executive Producer |
| Noah Lang | Executive Producer |
| Dallas Sonnier | Producer |
| Josh Ethier | Producer |
| Amanda Presmyk | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 14 | 21 | 8 |
| 2024 | 5 | 18 | 31 | 11 |
| 2024 | 6 | 14 | 32 | 7 |
| 2024 | 7 | 14 | 29 | 8 |
| 2024 | 8 | 12 | 22 | 6 |
| 2024 | 9 | 7 | 11 | 6 |
| 2024 | 10 | 10 | 19 | 5 |
| 2024 | 11 | 9 | 17 | 5 |
| 2024 | 12 | 9 | 18 | 5 |
| 2025 | 1 | 12 | 25 | 5 |
| 2025 | 2 | 7 | 16 | 3 |
| 2025 | 3 | 5 | 11 | 1 |
| 2025 | 4 | 1 | 3 | 1 |
| 2025 | 5 | 1 | 3 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 1 | 3 | 0 |
| 2025 | 9 | 5 | 6 | 4 |
| 2025 | 10 | 4 | 6 | 3 |
| 2025 | 11 | 4 | 5 | 3 |
Trending Position
jw
N/A
"I want Assault on Precinct 13, but with zombies" Carpenter doesn't do it himself anymore, so you build your own splatter with pseudo-zombies. Of course, don't expect a complex plot or clever dialogues. And yes, there is a lot of blood and violence. And music that tries to emulate Carpenter. ... But: Too dark, picture quality not good, pacing uneven. Conclusion: Not really entertaining, not even on the level I expected. But hey, your expectations may be different.
Jun 30, 2022