Rialto
Lost. Found.
2020 | 90m | English
Popularity: 1 (history)
| Director: | Peter Mackie Burns |
|---|---|
| Writer: | Mark O'Halloran |
| Staring: |
| Colm is in his mid-forties, married, with two teenage children. Still grieving the death of his father, a destructive figure in his life, Colm struggles with his relationship to his own son, whilst at work a recent takeover threatens his job. Unable to share his vulnerability with his wife, Colm’s world is falling apart around him. In the midst of this crisis, Colm finds a comfort that no one else can provide but Jay. | |
| Release Date: | May 08, 2020 |
|---|---|
| Director: | Peter Mackie Burns |
| Writer: | Mark O'Halloran |
| Genres: | Drama |
| Keywords | lgbt, gay theme |
| Production Companies | The Bureau, Cowtown Pictures |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 04, 2025 Entered: Apr 25, 2024 |
| Name | Character |
|---|---|
| Tom Vaughan-Lawlor | Colm |
| Tom Glynn-Carney | Jay |
| Monica Dolan | Claire |
| Sophie Jo Wasson | Kerry |
| Michael Smiley | Noel |
| Scott Graham | Shane |
| Kervin Soobrayen | Saeed |
| Eileen Walsh | Paula |
| Deirdre Donnelly | Miriam |
| Deirdre Molloy | Caroline |
| Alexandra Smith | Grietje |
| Jane McGrath | Linda |
| Pom Boyd | B&B Receptionist |
| Pat McGrath | Paul |
| Ger Ryan | Kathleen |
| Paul Kealyn | Barman at Dockers |
| Beibhinn Jones | Jennifer |
| Name | Job |
|---|---|
| Peter Mackie Burns | Director |
| Adam Scarth | Director of Photography |
| Tim Fulford | Editor |
| Alison Byrne | Costume Designer |
| Valentin Hadjadj | Original Music Composer |
| Joakim Sundström | Sound |
| Mark O'Halloran | Screenplay |
| Sarah Finlay | Production Design |
| Name | Title |
|---|---|
| Alan Maher | Producer |
| Tristan Goligher | Producer |
| Valentina Brazzini | Producer |
| John Wallace | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 6 | 13 | 2 |
| 2024 | 5 | 7 | 15 | 4 |
| 2024 | 6 | 5 | 11 | 2 |
| 2024 | 7 | 6 | 14 | 2 |
| 2024 | 8 | 6 | 15 | 2 |
| 2024 | 9 | 3 | 5 | 2 |
| 2024 | 10 | 4 | 9 | 1 |
| 2024 | 11 | 3 | 9 | 1 |
| 2024 | 12 | 3 | 5 | 1 |
| 2025 | 1 | 3 | 7 | 2 |
| 2025 | 2 | 2 | 3 | 1 |
| 2025 | 3 | 2 | 3 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 1 | 1 | 0 |
| 2025 | 10 | 1 | 2 | 1 |
| 2025 | 11 | 2 | 2 | 1 |
Trending Position
Tom Vaughan-Lawlor ("Colm") is a forty something dock manager from the port of Dublin who has a scary encounter with a young man in the toilet of shopping centre and ends up being robbed. Next day the young man "Jay" (Tom Glynn-Carney") turns up in his office to extort even more from him. "Colm" has ... a drink problem, has recently lost his father, is facing redundancy and is trapped in a loveless (certainly sexless) marriage and has a diffident, recalcitrant son. All this contrives to drive him towards an emotionally addictive relationship with his erstwhile mugger. The whole thing is a bit rough around the edges, but the two leads perform strongly and we get a slight inkling as to what drove both men to where they are now. Don't expect a conclusion; there isn't one - and it does wallow a little in confused self-pity as only us Celts can - but it is worth a watch.