Popularity: 2 (history)
Director: | Gavin Rothery |
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Writer: | Gavin Rothery |
Staring: |
2038: George Almore is working on a true human-equivalent AI, and his latest prototype is almost ready. This sensitive phase is also the riskiest as he has a goal that must be hidden at all costs—being reunited with his dead wife. | |
Release Date: | Aug 13, 2020 |
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Director: | Gavin Rothery |
Writer: | Gavin Rothery |
Genres: | Fantasy, Science Fiction, Drama, Thriller |
Keywords | artificial intelligence (a.i.), android, jealousy, isolation, memory, car accident, robot, death, mortality, human android relationship, 2030s |
Production Companies | Quickfire Films, Head Gear Films, Lipsync Productions, Independent, XYZ Films, Metrol Technology, Hero Squared, Untapped |
Box Office |
Revenue: $243,279
Budget: $0 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Theo James | George Almore |
Stacy Martin | Jules Almore / J3 / J2 (voice) |
Rhona Mitra | Simone |
Peter Ferdinando | Tagg |
Lia Williams | House (voice) |
Toby Jones | Vincent Sinclair |
Richard Glover | Melvin |
Hans Peterson | Elson |
Hadisha Sovetova | Waitress |
Imre Csók | Android |
Norbert Botszki | Android |
Eliza Winter Rothery | Baby Almore |
Timea Kinga Maday | J2 Robot Performer |
Chris Schubert | J1 Robot Performer |
Ami Masamitsu | Japanese Voices Performer (voice) |
Annamária Ha-Mi Berta | Extra |
Jeremy Wheeler | Extra |
Pamela Johnston | Extra |
Karen Gagnon | Extra |
Zsuzsanna Nagy | Extra |
Ajsa Molnár | Extra |
Tamás Sárközi | Extra |
Name | Job |
---|---|
Lizzie Newsham | Digital Intermediate |
Luke Ross | Digital Intermediate |
Julia Luca Erdos | Assistant Art Director |
Juci Szurdi | Art Direction |
Robin Lawrence | Production Design |
Tim Ledbury | Visual Effects Supervisor |
Brian Gilligan | Sound Designer, Sound Re-Recording Mixer |
Tóth András | Costume Design |
Viktor Nagy | Key Hair Stylist |
Zoltán Tóth | Hairstylist |
Donát Kopek | First Assistant Director |
Ádám Nemesdédi | Digital Imaging Technician |
Alex Tóth | Electrician |
John Weeks | Additional Editor |
Dávid Nagy | Best Boy Electrician |
Dávid Rözge | Camera Trainee |
Zoltán Diósi | Electrician |
Daniel Vekony | Electrician |
Dávid Kecskeméti | Key Grip |
András Wlcsek | Still Photographer |
Scott Goulding | Colorist |
Maria Brandt | Digital Intermediate |
Zoltán Simon | Production Manager |
András Pataki | Leadman |
Péter Balázsi | Swing |
Gyula Tóth | Swing |
Yanti Windrich | Sound Effects Editor, ADR Mixer |
Zoe Freed | Foley Artist |
Jemma Riley-Tolch | Foley Supervisor |
James Hayday | Sound Effects Editor |
Ben Tat | Supervising ADR Editor, Supervising Dialogue Editor |
Robert Horváth | Special Effects Supervisor |
Naomi Butler | Compositor |
Adam Oakley | Foley Mixer |
Daniel Bodsworth | Sound Effects Editor |
Paolo D'Arco | Compositor |
Matt Carter | Compositor |
Jo De Mey | Compositor |
John Moffett | Compositor |
Mausum Rathod | Compositor |
Vincent Tinguely | Compositor |
Kapil Prajapati | Digital Compositor |
Matt Foster | Compositing Lead |
Dheeraj Chaudhary | Compositing Lead |
Victor Georgiev | Matte Painter |
Luke Hamilton | Systems Administrators & Support |
Manuel Mendes | VFX Editor |
Wayde Duncan-Smith | Visual Effects Technical Director |
Norman Czunyi | Health and Safety |
Sofija Sztepanov | Production Coordinator |
Claire Pegorier | Visual Effects Technical Director |
Lajos Nagy | Production Accountant |
Adam Bourne | Foley Editor |
Adam Biskupski | Editor |
Virág Varga | Line Producer |
Godena-Juhász Attila | Costume Design |
Adam Buckner | Visual Effects Producer |
Nóra Gottscháll | Assistant Makeup Artist |
Ágnes Hardi | Prosthetics Sculptor |
Máté Kecskeméti | Best Boy Grip |
László Tamás | Camera Trainee |
Levente Györgypál | Electrician |
Péter Faludi | First Assistant "A" Camera |
Dávid Vidács | Second Assistant "A" Camera |
Anna Lovas | Script Supervisor |
David Fowler | Visual Effects Producer |
Agoston Zsombor | Makeup Designer |
Zoltán 'Gekko' Kristoffy | Gaffer |
György Tücsök | Still Photographer |
James Clarke | Digital Intermediate |
Matt Stevenson | Digital Intermediate |
Réka Lovas | Assistant Set Decoration |
Calum Alexander Watt | Concept Artist |
Dániel Balázsi | Propmaker |
Miklós Danis | Swing |
János Galgóczy | Swing |
Derek Trigg | Foley Editor |
Nick Leavy | Concept Artist |
Ferenc Kulcsar | Construction Manager |
Richard Tomán | Swing |
Tushar Manek | ADR Mixer |
Rebecca Heathcote | Foley Artist |
Gyula Krasnyánszky | Pyrotechnic Supervisor |
Ghate Sushant | 3D Supervisor |
Nikolay Kolev | Compositor |
Andrey Polezhayev | Compositor |
Valeria Rufa | Compositor |
Juan Alonso | Digital Compositor |
Sven Taits | Sound Re-Recording Mixer |
Robert Treen | 2D Supervisor |
Williams Jones | Compositor |
George Petkov | Compositor |
Garth Reilly | Compositor |
Kasia Ancuta | Compositor |
Daniel Stenhouse | Generalist |
Jim Steel | Compositing Lead |
Tamás Polgár | Property Master |
Graham Cristie | Modeling |
Katie Goodwin | VFX Editor |
Lauren Swyny | Visual Effects Production Assistant |
Erzsebét Jónás | Accountant |
András Farkas | Production Assistant |
Jeff North | Modeling |
Barry Zubel | Systems Administrators & Support |
Cezar Tatarau | VFX Editor |
Brooke Lyndon-Stanford | Visual Effects Supervisor |
Gavin Rothery | Concept Artist, Writer, Production Design, Director |
Laurie Rose | "A" Camera Operator, Director of Photography |
Gemma Sykes | Casting |
Steven Price | Original Music Composer |
Balázs Varga | Production Sound Mixer |
Peter Burgis | Foley Artist |
Name | Title |
---|---|
James Atherton | Executive Producer |
Norman Merry | Executive Producer |
Sarah Lebutsch | Executive Producer |
Peter Jarowey | Executive Producer |
Richard Goldberg | Executive Producer |
Jonathan Halperyn | Co-Producer |
Jan Pace | Executive Producer |
Philip Herd | Producer |
Daniel Kresmery | Co-Producer |
Cora Palfrey | Producer |
Peter Hampden | Executive Producer |
Nate Bolotin | Executive Producer |
Trevor Beattie | Executive Producer |
Phil Hunt | Executive Producer |
Theo James | Producer |
Luc Roeg | Executive Producer |
Compton Ross | Executive Producer |
Gavin Rothery | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 30 | 48 | 16 |
2024 | 5 | 35 | 71 | 23 |
2024 | 6 | 20 | 29 | 14 |
2024 | 7 | 22 | 39 | 13 |
2024 | 8 | 24 | 48 | 14 |
2024 | 9 | 16 | 33 | 11 |
2024 | 10 | 22 | 44 | 9 |
2024 | 11 | 14 | 24 | 10 |
2024 | 12 | 15 | 35 | 11 |
2025 | 1 | 19 | 39 | 11 |
2025 | 2 | 11 | 20 | 3 |
2025 | 3 | 6 | 26 | 1 |
2025 | 4 | 2 | 5 | 1 |
2025 | 5 | 3 | 5 | 2 |
2025 | 6 | 2 | 3 | 1 |
2025 | 7 | 2 | 3 | 1 |
2025 | 8 | 2 | 2 | 1 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 810 | 894 |
Initially I thought it was a movie about A.I. since it's a catchy word in tech these days. The movie moves in a slow pace and sometimes I felt a little bored, but the ending was nice. Soundtrack was great. The robots could use a little more CGI since you could clearly see it was a person be ... hind them. I would rate the movie 7/10. It was entertaining.
Wow! It’s rare for a film to render me completely speechless, but this one did just that. “Archive” is a visually stunning and emotionally moving film. The set design is immersive and transports the viewer into the world of the story. Theo James delivers his best performance yet. The film does an ... excellent job of telling its story through visuals rather than relying on heavy dialogue, which adds to its impact. The little interactions with the robots were exceptional; I’ve never seen anything close to it on the main screen. The robot’s ability to convey such depth of emotion despite its lack of human facial characteristics is remarkable. Very few films do it so convincingly, so props to the director and the VFX crew. My major criticism is the film’s runtime. At times, the story feels drawn out, and a tighter, shorter runtime would have improved the overall pacing. Unfortunately, most people have missed the deeper layers in this film, as at least the ratings portray. Nevertheless, “Archive” is a must-see for fans of science fiction. ___ Rating: 7.0/10 (Good)