Popularity: 4 (history)
Director: | Chris Williams |
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Writer: | Nell Benjamin, Chris Williams |
Staring: |
When a young girl stows away on the ship of a legendary sea monster hunter, they launch an epic journey into uncharted waters — and make history to boot. | |
Release Date: | Jun 24, 2022 |
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Director: | Chris Williams |
Writer: | Nell Benjamin, Chris Williams |
Genres: | Animation, Family, Fantasy, Adventure, Action |
Keywords | ship, orphan, sea monster, 17th century, lighthearted, awestruck, cheerful |
Production Companies | Netflix |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Karl Urban | Jacob Holland (voice) |
Zaris-Angel Hator | Maisie Brumble (voice) |
Jared Harris | Captain Crow (voice) |
Marianne Jean-Baptiste | Sarah Sharpe (voice) |
Benjamin Plessala | Child 1 (voice) |
Somali Rose | Child 2 (voice) |
Kaya McLean | Child 3 (voice) |
Davis Pak | Child 4 / Village Boy (voice) |
Helen Sadler | Ms. Merino / Matron / Cart Driver (voice) |
Xana Tang | Lea the Lookout (voice) |
Alex Wyndham | Sailor #1 /Sailor #2 / Villager (voice) |
Brian T. Delaney | Jim Nicklebones (voice) |
Ian Mercer | Old Nick (voice) |
Shannon Chan-Kent | Fen (voice) |
Max Mittelman | Young Sailor (voice) |
Paul Chowdhry | Surgeon (voice) |
Jim Carter | King (voice) |
Doon Mackichan | Queen (voice) |
Dan Stevens | Admiral Hornagold (voice) |
Rajia Baroudi | General (voice) |
Kathy Burke | Gwen Batterbee (voice) |
Emily O'Brien | Villager 1 / Villager 2 (voice) |
David S. Lee | Sergeant (voice) |
Name | Job |
---|---|
Nell Benjamin | Screenplay |
Steven Schweickart | Line Producer |
Owen Sullivan | Head of Story |
Matthias Lechner | Production Design |
Jung Woonyoung | Art Direction |
Shiyoon Kim | Lead Character Designer |
R. Stirling Duguid | Visual Effects Supervisor |
Elizabeth Ussery | Production Manager |
Jessica Choi | Production Manager |
Joshua Beveridge | Head of Animation |
Jason Anthony | ADR & Dubbing |
Toby Byers | ADR & Dubbing |
Adam Rhys Dee | ADR & Dubbing |
Ben Elliot | ADR & Dubbing |
Michael John Galvin | ADR & Dubbing |
Dean Williamson | ADR & Dubbing |
Oliver Brady | ADR & Dubbing |
Darcey Porter Cassidy | ADR & Dubbing |
Matthew Gammie | ADR & Dubbing |
Albert Cox | ADR & Dubbing |
Lillie Flynn | ADR & Dubbing |
Francesca Manzi | ADR & Dubbing |
Nicholas Guy Smith | ADR & Dubbing |
Juan Couto | Animation |
Joe Darko | Lead Animator |
Traci Balthazor | Thanks |
Jessie Carbonaro | Thanks |
Jordan Barg | Animation |
Li Wen Toh | Animation |
Nataliia Alekseieva | Animation |
Sam Stratton | Story Supervisor |
David D. Au | Story Artist |
Sam Hood | Story Artist |
Mia Calderone | Story Artist |
Tamara Lusher | Story Artist |
Jerry Ching | Story Artist |
Shaun O'Neil | Story Artist |
Rodolphe Guenoden | Story Artist |
Jihyun Park | Story Artist |
Aurry Tan | Story Artist |
Eugene Lee | Story Artist |
Will Mata | Story Artist |
Ryan Savas | Story Artist |
Shelby Lynn Peake | Script Coordinator |
Julie Bernier Gosselin | Lead Animator |
Martin Campos Amoros | Lead Animator |
Chad Ellis | Lead Animator |
Juan Alejandro Gomez Acosta | Lead Animator |
Ricardo Jost Resende | Lead Animator |
Leandro Martins | Lead Animator |
Kristin Müller | Lead Animator |
Nicholas Nøstbakken | Lead Animator |
Eddie Prickett | Lead Animator |
Humberto Francisco Rosa | Lead Animator |
Martin Sen | Lead Animator |
Thai Bach | CG Supervisor |
Patrick Cohen | CG Supervisor |
Benjamin Hendricks | CG Supervisor |
Katherine Renee Jones | CG Supervisor |
Larry Weiss | CG Supervisor |
Adam Holmes | Layout Supervisor |
Spencer Lueders | Effects Supervisor |
Tim LeBlanc | Sound Re-Recording Mixer |
Jacky Priddle | Digital Producer |
Mary Hidalgo | Casting |
Michele Clapton | Costume Design |
Tim Archer | Post Production Supervisor |
Joseph Feinsilver | Visual Development |
Richard Lee | Visual Development |
David Goetz | Visual Development |
Estefania Pantoja | Visual Development |
Andrew Hartel | Visual Development |
Mario-John Pata | Visual Development |
Celine DaHyeu Kim | Visual Development |
Rebecca Shieh | Visual Development |
Hethe Srodawa | Visual Development |
Philippe Brochu | Visual Development |
Thomas Dubois | Visual Development |
Alex Konstad | Visual Development |
Guy Davis | Visual Development |
Taylor Krahenbuhl | Visual Development |
Michael Isaak | Visual Development |
Brittany Myers | Visual Development |
Robert Rebholz | Visual Development |
Tristan Poulain | Character Designer |
Molly Langford | Assistant Costume Designer |
Stephanie Keider | Pre-Visualization Supervisor |
Xin Ju | Animation |
Hanung Lee | Animation |
Sophia Seung Hee Lee | Animation |
Dan Mao | Animation |
Kevin J. Maier | Animation |
Jin Kum | Animation |
Ringo Klapschinsky | Animation |
Yuko Ikeda | Animation |
Eric R. Huang | Animation |
Nico Mendes | Animation |
Di Lu | Animation |
Christine Kwok | Animation |
Chus Herrero | Animation |
Naoko Mizutori | Animation |
Em Guiry | Animation |
Ryusuke Furuya | Animation |
Bohdan Frantsishko | Animation |
Katia Cisneros Angulo | Animation |
Anggun Rustinya | Animation |
Chris Williams | Story, Director, Screenplay |
Joyce Arrastia | Editor |
Mark Mancina | Original Music Composer |
Tony Fucile | Lead Character Designer |
Zach Parrish | Animation Director |
Barbara Harris | ADR Voice Casting |
Matthew Wolf | ADR & Dubbing |
Camilla Arfwedson | ADR & Dubbing |
Ron Bottitta | ADR & Dubbing |
Peter Lavin | ADR & Dubbing |
Mera Mayde | ADR & Dubbing |
Cerris Morgan-Moyer | ADR & Dubbing |
Darren Richardson | ADR & Dubbing |
Piers Stubbs | ADR & Dubbing |
Ayesha Antoine | ADR & Dubbing |
Diaana Babnicova | ADR & Dubbing |
Neil Dickson | ADR & Dubbing |
Gerald B. Fillmore | ADR & Dubbing |
Suzie McGrath | ADR & Dubbing |
David S. Lee | ADR & Dubbing |
Paula J. Newman | ADR & Dubbing |
Mark Rhino Smith | ADR & Dubbing |
Harriet Turnbull | ADR & Dubbing |
Elizabeth Arends | ADR & Dubbing |
Jacquie Barnbrook | ADR & Dubbing |
Tom Bromhead | ADR & Dubbing |
Alison Dowling | ADR & Dubbing |
Elizabeth Knowelden | ADR & Dubbing |
Diane Mercer | ADR & Dubbing |
Alex Norton | ADR & Dubbing |
William Vanderpuye | ADR & Dubbing |
James Baxter | Thanks |
Melissa Cobb | Thanks |
Jennifer Yuh Nelson | Story Artist |
Mattson Tomlin | Story Consultant |
Pablo Holcer | CG Supervisor |
Michael Keller | Sound Re-Recording Mixer |
Richard King | Supervising Sound Editor, Sound Designer |
Name | Title |
---|---|
Jed Schlanger | Producer |
Chris Williams | Producer |
Christian Hejnal | Associate Producer |
Organization | Category | Person | |
---|---|---|---|
Venice Film Festival | Best Animated Feature | N/A | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 47 | 62 | 34 |
2024 | 5 | 46 | 63 | 31 |
2024 | 6 | 49 | 80 | 31 |
2024 | 7 | 47 | 63 | 36 |
2024 | 8 | 48 | 70 | 34 |
2024 | 9 | 37 | 46 | 30 |
2024 | 10 | 46 | 80 | 33 |
2024 | 11 | 44 | 78 | 32 |
2024 | 12 | 39 | 74 | 29 |
2025 | 1 | 38 | 51 | 31 |
2025 | 2 | 28 | 41 | 6 |
2025 | 3 | 11 | 41 | 3 |
2025 | 4 | 7 | 12 | 5 |
2025 | 5 | 6 | 12 | 4 |
2025 | 6 | 5 | 8 | 4 |
2025 | 7 | 5 | 7 | 3 |
2025 | 8 | 4 | 4 | 4 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 374 | 551 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 696 | 779 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 686 | 698 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 687 | 687 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 353 | 697 |
MORE REVIEWS @ https://www.msbreviews.com/ "The Sea Beast may follow familiar story beats, but Chris Williams still delivers one of the best animated movies of the year. The genuinely impressive animation stands out from the other technical elements, especially considering that virtually every sc ... ene includes water. Accompanied by an adventurous epic score, characters receive efficient, thought-provoking arcs, conveying essential life lessons about understanding other perspectives and shamelessly accepting changes in our personal opinion, in addition to the evident premise of not judging a book by its cover. Excellent voice work by the entire cast, namely Zaris-Angel Hator. Monster action is immensely entertaining for all types of viewers. Couldn't recommend it more for a family watch." Rating: B+
Wow! This is right up there with the Spider-Verse films as some of the best animation I've ever seen! I didn't want to look away from the screen lest I miss some of the amazing visuals. Absolutely beautiful animation. Water is notoriously one of the most difficult things to animate well, and the a ... nimators of this film make it look easy, like a cakewalk. Right from the get-go I was swept up into the world, and I absolutely loved the pirate-esque adventure the film starts with. Great world-building, and great characters – especially of the three leads. Jared Harris absolutely knocks it out of the park as Captain Crow, Karl Urban is excellent as Jacob, and Zaris-Angel Hator does an incredible job as the young Maisie. I've seen some comparisons being made to other films, and while that's warranted, I look at it as a compliment. _The Sea Beast_ combines some of the best elements of those films and yet still manages to have a fresh and engaging tale. This film is a whole lot of fun, it's visually beautiful, has likeable characters, and it's got humor to boot. – And, it has a great score by Mark Mancina. I definitely recommend this film. Also, I can tell you from experience that this is great chaser to Netflix's _One Piece_ 😊 ⚠️ It's a "blink and you'll miss it" line of dialogue, but a crewmember tells a child that it would be better to fall on the knife the child was just given than to disobey an order from the captain. If it was an adult talking to an adult, it would have been fine. It was just that the adult was telling a child this that it felt odd and like, "Uh, wait a minute." Now, in context, it's a pirate-y threat, which blankets it a little. But it's still problematic and something someone should not be talking to a child about. Find more reviews on my Letterboxd, as well as more movie-related content here: https://solo.to/mustachedmovieman
In the very first scene on the ship when Jacob and others began talking, I was waiting for somebody to say "Stop, Cut!" revealing that it was all just part of a movie set. But unfortunately, it didn't happen, and they continue talking in such a pretentious manner of speech 🥲 The main idea of thi ... s movie is quite common known, and even, to some extent, hackneyed in our time, as it has been used in many other pictures. The animation is of good quality. But comparing to Disney, Pixar, and other studios, it doesn't stand out. Therefore, I wouldn't emphasize anything in this one. My main complaint about this movie goes to screenwriters. So many dialogues, logical conclusions, and the overall flow of the entire movie felt like it was written by AI (like GPT). It was so boring, so predictable, lacked originality, and the characters seemed as shallow as the relationships between them. It was hard to believe that it was written by human writers. Which coincidentally aligned with the strike of screenwriters happening during that time. I wouldn't recommend anyone to watch it, and I am not going to watch it again, otherwise, I will fall asleep. My score is 5 (1-10)