Popularity: 0.1 (history)
Director: | Anderson Cowan |
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Writer: | Anderson Cowan |
Staring: |
A grad student kidnaps two homophobic high-school bullies to use as her subjects in an experiment performed at the bottom of an empty swimming pool. | |
Release Date: | Mar 09, 2019 |
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Director: | Anderson Cowan |
Writer: | Anderson Cowan |
Genres: | Comedy, Drama |
Keywords | homophobia, abandoned house |
Production Companies | Cold Cockle Productions |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Aug 03, 2024 (Update) Entered: Apr 27, 2024 |
Name | Character |
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Nicole Dambro | Meg |
Peter Mayer-Klepchick | Brad |
Cameron Duckett | Dylan |
Jesse Pudles | Orin |
Brian Ioakimedes | Talkie |
Max Reed III | Frank |
Travis Stanberry | Hank |
Terrance Wentz | Durant |
Marqus Bobesich | Tex |
Edward Jackson | Omar |
Travis Lee Eller | Professor Cooper |
Mike Carano | Bartender |
Scott Murphy | Homeless Man |
Robin S. Roth | Dylan's Grandma |
Adam Manley | High School Bully 1 |
Kaleb Rich-Harris | Dirk |
Andrew Garrett | Grad Student |
Lawrence Scott Murphy | Homeless Man (as Scott Murphy) |
Name | Job |
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Anderson Cowan | Writer, Director |
Scott R. Dixon | Additional Editor |
Michael Thomas James | Editor |
Chad Ice | Editor |
Rick Urban | Music |
Milan Janicin | Director of Photography |
Sage Griffin | Production Designer |
Haily Coleman Poggi | Art Direction |
Abby Mudd | Costume Designer |
Amy Blalock | Key Makeup Artist |
Betina Newkirk | Makeup Artist |
Adam Boyer | Second Assistant Director |
Kathryn Goddard | First Assistant Director |
Cory Coken | Sound Mixer, Dialogue Editor, Sound Supervisor |
Bryen Hensley | Foley Recordist |
Brianne Mahoney | Foley Artist |
Eric Malczewski | Boom Operator |
A.J. Olstad | Sound Editor, Foley Artist |
Kyle Pham | Sound Mixer |
Victoria Salazar | Sound Editor, Foley Artist |
Stosh Tuszynski | Dialogue Editor |
Jamie Vanadia | Mixing Engineer |
Katie G. Waters | Sound Post Production Coordinator, Foley Artist |
Tulio Duenas | First Assistant "A" Camera |
Gavin Grossi | Second Assistant Camera |
Chris Rauch | Key Grip |
Victor Siegel | Best Boy Grip |
August Leagre | Additional Editor |
Name | Title |
---|---|
Anderson Cowan | Producer |
Brian Border | Executive Producer |
Milan Janicin | Producer |
Max Landwirth | Producer |
Organization | Category | Person |
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Popularity History
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2024 | 4 | 4 | 8 | 1 |
2024 | 5 | 6 | 9 | 2 |
2024 | 6 | 4 | 14 | 2 |
2024 | 7 | 5 | 10 | 2 |
2024 | 8 | 4 | 12 | 1 |
2024 | 9 | 2 | 3 | 1 |
2024 | 10 | 2 | 4 | 1 |
2024 | 11 | 1 | 3 | 1 |
2024 | 12 | 1 | 2 | 1 |
2025 | 1 | 2 | 4 | 1 |
2025 | 2 | 1 | 1 | 1 |
2025 | 3 | 1 | 5 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 3 | 1 |
2025 | 6 | 1 | 3 | 1 |
2025 | 7 | 1 | 2 | 0 |
2025 | 8 | 0 | 0 | 0 |
Trending Position
Acting is generally bad, and quickly devolves from taut revenge thriller to screwball comedy, but I was actually kind of interested in the characters that showed up after the first scene. Intriguing more in concept than execution, but even so. _Final rating:★★½ - Had a lot that appealed to me, di ... dn’t quite work as a whole._
"Meg" (Nicole Dambro) is being courted by a couple of lads in a bar. She decides to take them back to her place, so into the back of her van they get. Next thing, they awake to find themselves tied up on the floor of a swimming pool with a small tube connecting them at the groin. Why? Well it seems ... that "Brad" (Peter Mayer-Klepchick) and his dimwit buddy "Dylan" (Cameron Duckett) have been engaging in some fairly horrible homophobic bullying at school. "Meg" has decided to exact some revenge for her persecuted brother "Orin" (Jesse Pudles). Now these guys claim that sexuality is voluntary, a choice: so she advises them that their only way to freedom is to prove their case and have their two erections meet in the tube that is connecting them. Now for the first twenty minutes or so, this is actually quite a fun and innovative story. It would have made for a perfect sort film. Sadly not, though. The initial impact of the plot is increasingly wasted as the brother shows up, then some passing opportunist thieves then, well the whole thing just runs out of steam; suffers from a surfeit of verbiage and a distinct lack of purpose. It's almost as if director Anderson Cowan didn't quite have the courage of his convictions to stick with the initial potent and entertaining theme through to some sort of conclusion. As it is, that theme is compromised all too quickly leaving us with a muddled and rather annoying cast that it was impossible to engage with. Pity - it could have been an interesting exposé on sexuality peppered with some mischief. Sadly, it doesn't choose that path...