Hope Gap
2019 | 100m | English
Popularity: 1 (history)
| Director: | William Nicholson |
|---|---|
| Writer: | William Nicholson |
| Staring: |
| Grace lives an idyllic life in a British seaside town, but her world soon comes crashing down when her husband of 29 years tells her he's leaving her for another woman. Through stages of shock, disbelief and anger -- and with support from her son -- Grace ultimately regains her footing while learning it's never too late to be happy. | |
| Release Date: | Oct 03, 2019 |
|---|---|
| Director: | William Nicholson |
| Writer: | William Nicholson |
| Genres: | Drama |
| Keywords | poetry, married couple, only child, change, routine, train, anger, childhood home, high school teacher, denial, wedding anniversary, unhappiness, united kingdom, elderly couple, seaside town, long term relationship, mismatched couple, arguing couple, bickering couple, frustration, adult son |
| Production Companies | Roadside Attractions, Screen Yorkshire, Screen Media Films, Origin Pictures, Lipsync Productions, Immersiverse, Sampsonic Media, Creative Media Investments |
| Box Office |
Revenue: $1,136,167
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Annette Bening | Grace |
| Bill Nighy | Edward |
| Josh O'Connor | Jamie |
| Aiysha Hart | Jess |
| Ryan McKen | Dev |
| Joe Citro | Young Jamie |
| Sally Rogers | Angela |
| Nicholas Burns | Gary |
| Steven Pacey | Peter Widdecombe |
| Derren Litten | Friendline Man |
| Rose Keegan | Receptionist |
| Finn Bennett | Robbie |
| Nicholas Blane | Priest |
| Jason Lines | Shop Keeper (uncredited) |
| Joel MacCormack | Computer Shop Salesman (uncredited) |
| Ninette Finch | Headscarf Lady (uncredited) |
| Tim Wildman | Funeral Guest (uncredited) |
| Neilesh Ambu | Funeral Guest (uncredited) |
| Jonathan Cheetham | Friendline Counselor |
| Name | Job |
|---|---|
| Alex Heffes | Original Music Composer |
| William Nicholson | Director, Screenplay |
| Gary Davy | Casting Director |
| Nardia Hall | Location Manager |
| Shuna Frood | Post Production Supervisor |
| James Hayday | Sound Re-Recording Mixer, Supervising Sound Editor |
| Stephanie Kerry | Stunt Double |
| Lucy Eaton-Whitfield | Production Coordinator |
| Rory Hathaway | Production Assistant |
| Amber Tordoff-Gibson | Third Assistant Director |
| Ben Arslanian | Production Accountant |
| Peter Burgis | Foley Artist |
| Ben Tat | Supervising Dialogue Editor |
| Paul Kennington | Stunt Coordinator |
| Kirsten Stoddart | Unit Production Manager |
| Jo Wilding | Producer's Assistant |
| Theo Macdonald | Production Assistant |
| Annabelle Hood | Floor Runner |
| Martin Ainscough | Payroll Accountant |
| Eleanore Carr | Unit Manager |
| Jonny Stillwell | Clapper Loader |
| Will Lyte | Steadicam Operator |
| Stuart Gibson | Key Grip |
| Matt Hillier | Focus Puller |
| Jenny Brum | Actor's Assistant |
| Andrew Henstock | Assistant Location Manager |
| Marcel Myrtil | Camera Trainee |
| Maggie Rodford | Music Supervisor |
| Warren Ormondroyd | Standby Property Master |
| David Hayden | Dressing Prop |
| Finnian Tweed | Casting Assistant |
| Robert Viglasky | Still Photographer |
| Maria Nicholson | Epk Camera Operator |
| Paul Walton | Transportation Captain |
| Stewart Fleming | Driver |
| Jessie Kirby | Set Medic |
| Polly Wilby | Post Production Accountant |
| Jemma Riley-Tolch | Foley Mixer |
| Lily Knott | Visual Effects Coordinator |
| Andy Quinn | Compositor |
| John Ashton Thomas | Orchestrator |
| Tom Poster | Musician |
| Lee James | First Assistant Sound Editor |
| Andi Chu | Digital Intermediate |
| Anna Valdez Hanks | Director of Photography |
| Ben Clements | Art Direction |
| Martin Beresford | Production Sound Mixer, Sound Mixer |
| Robert Farr | Sound Re-Recording Mixer |
| Suzanne Cave | Costume Designer |
| Rebecca Heathcote | Foley Artist |
| Thomas Bassett | First Assistant Director |
| Sharon Ranger | Script Supervisor |
| Tom Russell | Colorist |
| Simon Rogers | Production Design |
| David Morison | Set Decoration |
| Natalie Fox | Makeup Artist |
| Karl Hall | Line Producer |
| Liz Bradbear | Makeup Artist |
| Adam Oakley | Foley Editor |
| Carolina Schmidtholstein | Gaffer |
| Robert Farr | Sound Re-Recording Mixer |
| Pia Di Ciaula | Music Editor, Editor |
| Catherine Goldschmidt | Second Unit Director of Photography |
| Mitchell Payne | Clapper Loader |
| Chris Marshall | Second Assistant Director |
| Max Hatfield | Floor Runner |
| Edward Newman | Assistant Accountant |
| Kirsten de Maid | Focus Puller |
| Doug Walshe | "B" Camera Operator, Steadicam Operator |
| Steven Rundle | Digital Imaging Technician |
| Kurt Fox | Assistant Grip |
| Alex Taylor | Focus Puller |
| Peter Wignall | Steadicam Operator |
| Agnes Aus | Camera Trainee |
| Jack Kelly | Assistant Grip |
| Tom Williams | "B" Camera Operator |
| Lina Rasmussen | Clapper Loader |
| Alan Millar | Best Boy Electric |
| Henriette Kristine Jacobsen | Electrician |
| Terry Maskell | Rigging Gaffer |
| Mike Richardson | Focus Puller |
| David Mitchell | Electrician |
| Stephen McLean | Generator Operator |
| Jen Ainsley | Standby Art Director |
| Neil Stemp | Music Editor |
| Adam Fortune | Standby Carpenter |
| Simon Lee | Standby Property Master |
| Gemma Bates | Costume Standby |
| Sonia Allam | Casting Associate |
| Eugene O'Connor | Unit Publicist |
| Ludovic Robert | Still Photographer |
| Jenni Suitiala | Electrician |
| Steve Peters | Drone Pilot |
| Paul Berry | Standby Rigger |
| Dave Green | Construction Manager |
| Duane Marshall | Property Master |
| Jen Davies | Costume Supervisor |
| Laura Lawrence | Makeup Supervisor |
| Jonathan Rutter | Unit Publicist |
| Gareth Gatrell | Still Photographer |
| Dan Faber | Epk Camera Operator |
| Richard Spencer | Driver |
| Russell Holmes | Driver |
| Charlotte Gage | Assistant Editor |
| Ben North | Online Editor |
| Luke Butler | VFX Supervisor |
| Rosa Nolan-Warren | Graphic Designer |
| Scott McIntyre | Special Effects Supervisor |
| Penny Dyer | Dialect Coach |
| Ryan O'Neill | Driver |
| John Fillingham | Set Medic |
| Tarn Harper | Post Production Accountant |
| William Chetwynd | Online Editor |
| Carrie Rishel | Visual Effects Producer |
| Reno Cicero | Compositor |
| Pedram Razi | Compositor |
| James Walker | Legal Services |
| Tom Burke | Title Designer |
| Phil Cape | First Assistant Sound Editor |
| Jacqui Marchant-Adams | Visual Effects Coordinator |
| Garth Reilly | Compositor |
| Manuel Mendes | VFX Editor |
| Reno Antoniades | Legal Services |
| Valeria Rufa | Digital Compositor |
| Robert Treen | Compositor |
| Roni Rodrigues | Digital Compositor |
| Phil Arntz | Aerial Camera |
| Darryl Peat | Second Assistant Sound |
| Melanie Lenihan | Makeup & Hair, Makeup Designer |
| Paul Bailey | Stunt Double |
| Simon Blendis | Conductor |
| Peter Cobbin | Scoring Mixer |
| Kirsty Whalley | Scoring Mixer |
| Name | Title |
|---|---|
| Arno Hazebroek | Executive Producer |
| Gavin Poolman | Executive Producer |
| Sarada McDermott | Producer |
| Norman Merry | Executive Producer |
| Hugo Heppell | Executive Producer |
| Nicolas D. Sampson | Executive Producer |
| Peter Hampden | Executive Producer |
| Joanie Blaikie | Co-Producer |
| Christos Michaels | Executive Producer |
| Alex Tate | Executive Producer |
| David M. Thompson | Producer |
| Peter Gould | Executive Producer |
| Alex Gordon | Associate Producer |
| Matthew Barnes | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 19 | 32 | 10 |
| 2024 | 5 | 22 | 54 | 12 |
| 2024 | 6 | 16 | 27 | 11 |
| 2024 | 7 | 21 | 53 | 10 |
| 2024 | 8 | 14 | 37 | 7 |
| 2024 | 9 | 9 | 14 | 7 |
| 2024 | 10 | 11 | 23 | 7 |
| 2024 | 11 | 10 | 14 | 6 |
| 2024 | 12 | 10 | 13 | 7 |
| 2025 | 1 | 11 | 17 | 6 |
| 2025 | 2 | 8 | 14 | 3 |
| 2025 | 3 | 6 | 13 | 1 |
| 2025 | 4 | 2 | 6 | 1 |
| 2025 | 5 | 2 | 6 | 1 |
| 2025 | 6 | 1 | 3 | 1 |
| 2025 | 7 | 1 | 1 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
Trending Position
maketheSWITCH
6.0
Come the conclusion of 'Hope Gap', audiences certainly feel that there is hope, but the gaps along the way are too frequent to feel any genuine satisfaction. I sincerely hope that Nicholson achieved what he set out to do, but as for taking audiences along for his therapy ride, it's not needed. Go fo ... r the acting masterclass, stay for the unbelievable amounts of tea and the gorgeous seaside, but don't expect to leave with much more. - Joel Kalkopf Read Joel's full article... https://www.maketheswitch.com.au/article/review-hope-gap-enough-hope-but-too-many-gaps
Jun 23, 2021