Popularity: 4 (history)
Director: | Robert Rodriguez |
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Writer: | Robert Rodriguez, Max Borenstein |
Staring: |
A detective becomes entangled in a mystery involving his missing daughter and a secret government program while investigating a string of reality-bending crimes. | |
Release Date: | May 11, 2023 |
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Director: | Robert Rodriguez |
Writer: | Robert Rodriguez, Max Borenstein |
Genres: | Science Fiction, Mystery, Thriller |
Keywords | hypnotism, missing daughter |
Production Companies | Ingenious Media, Solstice Studios, Studio 8, Double R Productions |
Box Office |
Revenue: $16,014,123
Budget: $70,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Ben Affleck | Danny Rourke |
Alice Braga | Diana Cruz |
William Fichtner | Dellrayne |
J. D. Pardo | Nicks |
Dayo Okeniyi | River |
Jeff Fahey | Carl |
Jackie Earle Haley | Jeremiah |
Zane Holtz | Trout |
Ruben Javier Caballero | Watkins |
Kelly Frye | Viv |
Sandy Avila | Thelma |
Ryan Ryusaki | Bong |
Hala Finley | Minnie (10 yo) |
Ionie Olivia Nieves | Minnie (7 yo) |
Corina Calderon | Maria |
Nikki Dixon | Therapist |
Bonnie Discepolo | Business Woman #1 |
Kelly Phelan | Business Woman #2 |
Evan Vines | Lyle Terry |
Patrick A. Grover | TV Reporter #1 |
Jordan Hunter Jones | Armored Guard #1 |
Justin Hall | Armored Guard #2 |
Lawrence Varnado | Bank Manager |
Natalie D. Garcia | Bank Teller |
Carrick O'Quinn | Bank Guard |
Derek Russo | Tiny |
Steve Brudniak | Texas Ranger |
Camila Téllez | Waitress |
Dana Wing Lau | TV Reporter #2 |
Jose Barajas | Border Guard |
Sonia Izzolena | Potted Plant Lady |
Bobby Hernandez | Mexican Police Officer #1 |
Gabriel 'G-Rod' Rodriguez | Mexican Police Officer #2 |
Georgia Foy | TV Reporter #3 |
Name | Job |
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Pablo Berron | Director of Photography |
Caylah Eddleblute | Production Design |
Steve Joyner | Production Design |
Paul Alix | Art Direction |
David Hack | Set Decoration |
Cynthia Anne Slagter | Set Decoration |
Nina Proctor | Costume Design |
Elinia Eads | Makeup Artist |
Jenny Lin | Makeup Department Head |
Trish Seeney | Makeup Artist |
Travis Benavides | Set Designer |
Lance Bradley | Set Dresser |
Megan Gibson | Set Designer |
Levi Kilgore Jr. | Set Dresser |
Ethan Emmett Matheson | Set Dresser |
Nevada Newman | Set Dresser |
Robin Simmerly | Set Decoration Buyer |
Alexandria Candelas | Set Costumer |
Angelo Palazzo | Sound Designer |
Richard Hamilton | Utility Sound |
Joel Sevilla | Visual Effects Supervisor |
Rebecca West | Visual Effects Producer |
Garrett Fallin | Visual Effects Producer |
Michelle Wade Byrd | Casting |
Jeremy Phoenix | First Assistant Director |
Jeremy Reisig | Second Assistant Director |
Rockey Dickey Jr. | Stunt Coordinator |
Bri Marie Korin | Stunts |
Skyler Millicano | Stunt Double |
Josh Vinyard | Stunts |
Tiana Webberley | Stunt Double |
Reynaldo Diaz | Grip |
Chachie Hood | Grip |
Todd Smiley | Gaffer |
Benjamin Verhulst | Steadicam Operator |
Thomas Whiteside | Grip |
Ryan Murphy | Stand In |
Obi Ariguzo | Visual Effects Coordinator |
Jay Mahavier | First Assistant Editor |
Raven Rodriguez | Assistant Editor |
Derek Franzese | Second Second Assistant Director |
A. Brooks Medoff | Additional Second Assistant Director |
Ryan Green | Still Photographer |
Ethan Andrus | Sound Mixer |
Lesa Foust | Boom Operator |
Dave Anglin | "A" Camera Operator |
Shaun Mayor | First Assistant "A" Camera |
Arthur Zajac | Second Assistant "A" Camera |
Ethan McDonald | First Assistant "B" Camera |
Evan Ho | Second Assistant "B" Camera |
Raul Mello | Rigging Gaffer |
Robyn Greer | Best Boy Electric |
Joe Vasquez | Key Grip |
Steve Urban | Dolly Grip |
Aaron Atom Vyvial | Dolly Grip |
Jason Hammond | Property Master |
Alan Allinger | Construction Coordinator |
Granger Coats | Greensman |
Bob Trevino | Special Effects Supervisor |
Kathy Kiatta | Costume Supervisor |
Yvonne Wilburn | Key Costumer |
Hannah Handshy | Key Makeup Artist |
Sylvia Ramos | Assistant Makeup Artist |
Beth Lloyd | Key Hair Stylist |
Nicholas Ortiz | Stand In |
Bret Stewart | Transportation Coordinator |
Clint Beckwith | VFX Editor |
Edward Churchward | Post Production Supervisor |
Tim Rakoczy | Music Editor, Supervising Sound Editor |
David V. Butler | Supervising ADR Editor, Supervising Dialogue Editor |
Korey Pereira | Dialogue Editor |
Clark Crawford | Sound Designer |
Catherine Harper | Foley Artist |
Rick Owens | Foley Artist |
John Sanacore | Foley Mixer |
Robert Rodriguez | Director of Photography, Director, Screenplay, Story, Editor |
Max Borenstein | Screenplay |
Rebel Rodriguez | Original Music Composer |
Christopher M. Campos | Stunts |
Zack Duhame | Stunts |
Jeremy Fitzgerald | Stunt Double |
Mandy Kowalski | Stunt Double |
John Debney | Additional Music |
Monika Petrillo | Script Supervisor |
Mary Vernieu | Casting |
Ryan Ryusaki | Stunt Coordinator |
Name | Title |
---|---|
Guy Danella | Producer |
John Graham | Producer |
Ryan Basford | Co-Executive Producer |
Crystal Bourbeau | Executive Producer |
Vincent Bruzzese | Executive Producer |
Christelle Conan | Executive Producer |
Court Coursey | Co-Executive Producer |
Walter Josten | Executive Producer |
Christopher Milburn | Executive Producer |
Ben Ormand | Executive Producer |
James Portolese | Executive Producer |
Joshua Throne | Executive Producer |
Peter Touche | Executive Producer |
Jordan Wagner | Executive Producer |
Gareth West | Executive Producer |
Maitreya Yasuda | Executive Producer |
Lisa Ellzey | Producer |
Justin Moritt | Co-Producer |
Robert Rodriguez | Producer |
Mark Gill | Producer |
Mark Williams | Executive Producer |
Audrey Tommassini | Associate Producer |
Jeff Robinov | Producer |
Caylee Cowan | Co-Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 75 | 98 | 55 |
2024 | 5 | 68 | 110 | 48 |
2024 | 6 | 58 | 89 | 41 |
2024 | 7 | 48 | 74 | 36 |
2024 | 8 | 46 | 71 | 33 |
2024 | 9 | 40 | 52 | 27 |
2024 | 10 | 45 | 114 | 29 |
2024 | 11 | 37 | 58 | 28 |
2024 | 12 | 34 | 47 | 25 |
2025 | 1 | 44 | 74 | 31 |
2025 | 2 | 32 | 45 | 5 |
2025 | 3 | 10 | 42 | 3 |
2025 | 4 | 6 | 9 | 4 |
2025 | 5 | 5 | 9 | 4 |
2025 | 6 | 4 | 6 | 4 |
2025 | 7 | 5 | 6 | 3 |
2025 | 8 | 5 | 7 | 4 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 742 | 870 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 995 | 995 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 989 | 989 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 471 | 715 |
Year | Month | High | Avg |
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2025 | 2 | 355 | 785 |
Year | Month | High | Avg |
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2025 | 1 | 760 | 874 |
Year | Month | High | Avg |
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2024 | 12 | 867 | 901 |
Year | Month | High | Avg |
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2024 | 10 | 445 | 497 |
Year | Month | High | Avg |
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2024 | 9 | 978 | 988 |
Year | Month | High | Avg |
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2024 | 8 | 836 | 898 |
This movie is an attempt to create the new "Inception", and whether if you liked that movie or not is good indicative of if you will like this one. The plot follows a detective who had his child kidnapped four years ago. He starts to work in a multi-bank roberry case and soon it gets clear the thie ... f has hypnotic powers. Additionally, his missing daughter seems to have some relation to the case. Although the detective has some natural resistance to mind manipulation, the reality is wrapped between so many layers of illusions that it is hard to know what and who is real. The writers do a good job in building the plot in a way it's very hard to predict the plot twists. The acting is good. I just felt the movie went too deep on the plot twists to a point that most that is shown throughout the movie has no importance. Good movie although, but I would be surprised if it becomes a movie that will forever be remembered.
MORE SPOILER-FREE MINI REVIEWS @ https://www.msbreviews.com/movie-reviews/mini-reviews-2023-edition "Hypnotic carries the narrative potential to become a mind-bending film packed with jaw-dropping twists and incredibly captivating storytelling. Unfortunately, despite some interesting moments and ... an excellent cast, Robert Rodriguez and Max Borenstein deliver a messily edited, extremely confusing mishmash of ideas not as clever as the filmmakers try to make them out to be. I don't remember the last movie that had such a brutal amount of lazy exposition to explain every plot point or character development moment. A complete disappointment." Rating: C
Hypnotic failed to "mesmerise" this viewer. A disjointed story, weak characterisations and mediocre action, are my not so enduring impressions, of this film. In short, this is forgettable cinematic fare, that's predominantly driven by exposition and little else. Using a big name actor, like ... Ben Affleck, for me at least, wont fix this films shortcomings. Not sure too, why characters in the latter part of the film are dressed like car rental agents (oh well...)? In summary, superficially watchable but instantly forgettable, action fare.
You know, for the first half hour of this, I thought it was just a remake of "The Mummy" (1999). "Danny" (Ben Affleck) and "Diana" (Alice Braga) are racing around trying to find his daughter who appears to have been kidnapped by "Dellrayne" (William Fichtner). The latter man is able to use his "Imho ... tep" mind-controlling powers to bend people to his will, and so can turn his friends and the mob into a baying crowd. Well what gradually unravels before us now is a rather lacklustre drama that explains that there are people amongst us known as "hypnotics". These beings, of varying strength, can manipulate those around them (with or without light-sabres) and it appears that his daughter could end up being their equivalent of a superhuman. Poor "Danny" has no idea whom he can trust or just quite what is going on, he just knows that he must ensure his child doesn't fall into their hands. This leads us, rather willingly for me by now, into the third phase of the story that really does kill any semblance of originality with our intrepid hero just one step ahead of a pursuing army of heavily armed holiday camp employees. The visual effects are adequate, but the rest of this is just derivate and the story tries to be too complicated for it's own good. It will do fine on the telly at Christmas but that's about it, I'm afraid.