Popularity: 11 (history)
Director: | Hayao Miyazaki |
---|---|
Writer: | Hayao Miyazaki |
Staring: |
While the Second World War rages, the teenage Mahito, haunted by his mother's tragic death, is relocated from Tokyo to the serene rural home of his new stepmother Natsuko, a woman who bears a striking resemblance to the boy's mother. As he tries to adjust, this strange new world grows even stranger following the appearance of a persistent gray heron, who perplexes and bedevils Mahito, dubbing him the "long-awaited one." | |
Release Date: | Jul 14, 2023 |
---|---|
Director: | Hayao Miyazaki |
Writer: | Hayao Miyazaki |
Genres: | Animation, Family, Fantasy, Adventure, Drama |
Keywords | loss of loved one, world war ii, education, coming of age, spirituality, poverty, teenage boy, troubled childhood, semi autobiographical, moving to a city, anime, hand drawn animation, magic world, animation, courage, suspenseful |
Production Companies | Studio Ghibli |
Box Office |
Revenue: $294,200,000
Budget: $50,000,000 |
Updates |
Updated: May 17, 2025 (Update) Entered: Aug 14, 2024 |
Name | Character |
---|---|
Soma Santoki | Mahito Maki (voice) |
Masaki Suda | Gray Heron (voice) |
Ko Shibasaki | Kiriko (voice) |
Aimyon | Lady Himi (voice) |
Yoshino Kimura | Natsuko (voice) |
Takuya Kimura | Shoichi Maki (voice) |
Keiko Takeshita | Izumi (voice) |
Jun Fubuki | Utako (voice) |
Sawako Agawa | Eriko (voice) |
Karen Takizawa | Warawara (voice) |
Shinobu Ôtake | Aiko (voice) |
Jun Kunimura | The Parakeet King (voice) |
Kaoru Kobayashi | Noble Pelican (voice) |
Shōhei Hino | Granduncle (voice) |
Name | Job |
---|---|
Kiyotaka Oshiyama | Key Animation |
Masashi Ando | Key Animation |
Katsuya Kondo | Key Animation |
Yoshimi Itazu | Key Animation |
Takeshi Seyama | Editor |
Noboru Yoshida | Background Designer, Art Direction |
Kazuo Oga | Background Designer |
Shinya Ohira | Key Animation |
Kitaro Kosaka | Key Animation |
Hayao Miyazaki | Writer, Storyboard Artist, Director |
Joe Hisaishi | Conductor, Original Music Composer |
Toshiyuki Inoue | Key Animation |
Yoji Takeshige | Art Direction |
Takeshi Honda | Animation Director, Character Designer |
Atsushi Okui | Director of Photography |
Kenshi Yonezu | Theme Song Performance |
Akihiko Yamashita | Key Animation |
Hiromasa Yonebayashi | Key Animation |
Shinji Otsuka | Key Animation |
Ei Inoue | Key Animation |
Michiyo Suzuki | Key Animation |
Yoshimichi Kameda | Key Animation |
Megumi Kagawa | Key Animation |
Hideki Hamasu | Key Animation |
Ai Takashi | Key Animation |
Atsuko Otani | Key Animation |
Atsuko Tanaka | Key Animation |
Eiji Yamamori | Key Animation |
Hiroomi Yamakawa | Key Animation |
Susumu Mitsunaka | Key Animation |
Takayuki Hamada | Key Animation |
Takeshi Inamura | Key Animation |
Yuuga Tokuno | Key Animation |
Yumi Handa | Key Animation |
Koji Kasamatsu | Sound Director, Sound Mixer |
Mika Yamaguchi | Foley Artist |
Akane Shiraishi | Editor |
Rie Matsubara | Editor |
Junji Yabuta | Compositing Artist |
Fumiko Numahata | Color Designer |
Kanako Takayanagi | Color Designer |
Yoichi Nishikawa | Background Designer |
Yumi Ishii | Background Designer |
Minori Takayama | Background Designer |
Yui Onodera | Background Designer |
Kosuke Hayashi | Background Designer |
Ai Omori | Background Designer |
Ayahi Shimomura | Background Designer |
Saki Kurobe | Background Designer |
Nanako Yagi | Background Designer |
Shintarou Nakazawa | Second Unit First Assistant Director |
Chihiro Okada | Second Unit First Assistant Director |
Atsuko Fukushima | Key Animation |
Kazuyoshi Katayama | Assistant Director |
Eriko Kimura | ADR Supervisor |
Shuuji Suzuki | ADR Mixer |
Yasutomo Yamada | ADR Mixer |
Tsutomu Kawahigashi | Dolby Consultant |
Takuya Ohno | Casting |
Yuji Tange | Casting |
Tamaki Kojo | Post Production Supervisor |
Hideki Fukaya | Line Producer |
Yumiko Mihara | Production Assistant |
Ayako Yasuda | Production Assistant |
Name | Title |
---|---|
Kiyofumi Nakajima | Executive Producer |
Goro Miyazaki | Executive Producer |
Yoshiaki Nishimura | Co-Producer |
Toshio Suzuki | Producer |
Koji Hoshino | Executive Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 232 | 305 | 192 |
2024 | 5 | 213 | 277 | 136 |
2024 | 6 | 190 | 418 | 119 |
2024 | 7 | 287 | 442 | 189 |
2024 | 8 | 171 | 218 | 132 |
2024 | 9 | 114 | 168 | 95 |
2024 | 10 | 152 | 198 | 89 |
2024 | 11 | 117 | 157 | 91 |
2024 | 12 | 101 | 130 | 80 |
2025 | 1 | 95 | 117 | 76 |
2025 | 2 | 71 | 94 | 20 |
2025 | 3 | 29 | 116 | 3 |
2025 | 4 | 19 | 24 | 13 |
2025 | 5 | 14 | 24 | 10 |
2025 | 6 | 12 | 17 | 9 |
2025 | 7 | 10 | 11 | 8 |
2025 | 8 | 11 | 12 | 10 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 301 | 618 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 131 | 601 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 109 | 559 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 41 | 499 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 79 | 412 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 20 | 375 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 163 | 469 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 107 | 399 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 93 | 265 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 48 | 278 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 26 | 117 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 42 | 116 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 47 | 69 |
MORE SPOILER-FREE MINI-REVIEWS @ https://www.msbreviews.com/movie-reviews/mini-reviews-2023-edition THE BOY AND THE HERON is a visually captivating film that struggles to balance all of its storylines and themes. Technically, no faults. The visuals are nothing short of breathtaking, with each sho ... t meticulously detailed and rich in storytelling. The animation is a true work of art, drawing viewers into a world of wonder and magic. The sound design and score complement the visuals beautifully, enhancing the overall viewing experience. And finally, the film retains the typical Ghibli humor that fans have come to love, sprinkling lighthearted moments throughout the narrative. However, Hayao Miyazaki succumbs to his ambition. The filmmaker tries to incorporate too many ideas, resulting in a somewhat confusing, messy narrative, particularly in the transitions between different characters, locations, and story arcs. THE BOY AND THE HERON stumbles in its attempt to juggle multiple ideas, but overall, it still manages to deliver a delightful, enchanting experience for fans of the studio's work. Rating: B-
Maybe it's sacrilegious to say, but I didn't love this latest from the marvellously imaginative mind of Hayao Miyazaki. It follows the adventures of "Mahito" who arrives at the home of his factory-owning father amidst WWII. We appreciate quickly that his mother has died and that he is to have a new, ... expectant, mother in "Natsuko". When she mysteriously disappears and "Mahito" finds his presence "requested" by an enigmatic and beautiful grey heron, he strays into an old abandoned tower on his family estate and is soon embroiled in a world inhabited by people who are alive and, well, not! It seems the heron is not quite what it seemed, either, as he must explore rooms within rooms and endless doors that open into new scenarios. Pursued by giant pelicans, how can "Mahito" find his stepmother and return safely to their home? Luckily, along the way, he encounters the benevolently spiritual "Kiriko" as he finds himself the subject of some clever manipulation between the outwardly benign "Grand Uncle" who draws the power of life from a giant sacred stone he wishes to leave in the custody of our young explorer and the ambitious "Pelican King". You simply cannot fail to admire the vivid imagination of Miyazaki - the ideas and apparent randomness of the threads that gradually come together is hard enough to follow sometimes even when you have seen the denouement, and that's what makes these intricately drawn and characterised stories usually more intriguing and enjoying. Somehow, though, this was just a little too unstructured and meandering for my little brain. I've seen it twice now and maybe I just didn't engage with "Mahito" in the way I did with "Howl", "Totoro" or 'Chihiro" or, indeed, with the story. It's still a glorious watch on a big screen and is certainly well worth watching. Just not sure it is in his top five, though!
Good little adventure for this young man who... has a bit of a strange situation with his dad. What a crazy bugger his dad is and what kind of family dynamic is going on? Is the younger sister pregnant with the dad's kid? Maybe it's cultural and I'm not sure why the old man changes intention so quic ... kly or what the bird motivations are. Perhaps will read a book about it one day. It's fun. There's cool animation. I like to watch these in Japanese with subs but I went back to listen to the English track for certain scenes. Dafoe kills it as the dying stork.