Popularity: 6 (history)
| Director: | Hirokazu Kore-eda |
|---|---|
| Writer: | Hirokazu Kore-eda |
| Staring: |
| In the outskirts of Tokyo, a poor but close-knit group living on the fringes of society survives through shoplifting and odd jobs. When Osamu and his son take in a neglected young girl, their already fragile existence begins to unravel. As the family grows attached to her, buried secrets surface, forcing them to confront the true meaning of love, belonging, and what makes a family. | |
| Release Date: | Jun 02, 2018 |
|---|---|
| Director: | Hirokazu Kore-eda |
| Writer: | Hirokazu Kore-eda |
| Genres: | Drama, Crime, Thriller |
| Keywords | japan, family relationships, family drama, tokyo, japan, poverty, orphan, crime family, shoplifting, social realism, insecure, shoplifter, thoughtful, philosophical, petty crimes, complex, asian origins |
| Production Companies | Fuji Television Network, AOI Pro., BUN-BUKU, GAGA Corporation |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Nov 05, 2025 Entered: Nov 05, 2025 |
| Name | Character |
|---|---|
| Lily Franky | Osamu Shibata |
| Sakura Ando | Nobuyo Shibata |
| Mayu Matsuoka | Aki Shibata |
| Kairi Jo | Shota Shibata |
| Miyu Sasaki | Yuri |
| Kirin Kiki | Hatsue Shibata |
| Sosuke Ikematsu | 4 Ban-san |
| Naoto Ogata | Yuzuru Shibata |
| Yōko Moriguchi | Yoko Shibata |
| Yuki Yamada | Yasu Hojo |
| Moemi Katayama | Nozomi Hojo |
| Kengo Kora | Takumi Maezono |
| Chizuru Ikewaki | Kie Miyabe |
| Akira Emoto | Yoritsugu Kawado |
| Aju Makita | Sayaka Shibata |
| Hajime Inoue | Yoneyama |
| Haruna Hori | Harumi |
| Nana Mizoguchi | Ayu |
| Madoka Tomosaki | Okubo |
| Name | Job |
|---|---|
| Hirokazu Kore-eda | Director, Screenplay, Editor |
| Kazuhiko Tomita | Sound |
| Akihiko Okase | Sound Effects |
| Akiko Matsuba | Set Decoration |
| Mutsuki Sakai | Makeup & Hair |
| Shôichi Morimoto | Assistant Director |
| Keiko Mitsumatsu | Production Design |
| Isamu Fujii | Gaffer |
| Toshie Tabata | Casting |
| Haruomi Hosono | Original Music Composer |
| Ryūto Kondō | Director of Photography |
| Yu Kumagai | Line Producer |
| Kenichi Furuya | Police Consultant |
| Kazuko Kurosawa | Costume Design |
| Ichiro Goto | Production Manager |
| Name | Title |
|---|---|
| Hirokazu Kore-eda | Producer |
| Hijiri Taguchi | Producer |
| Megumi Osawa | Associate Producer |
| Kaoru Matsuzaki | Producer |
| Satomi Odake | Associate Producer |
| Akihiko Yose | Producer |
| Takashi Ishihara | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 22 | 28 | 17 |
| 2024 | 5 | 26 | 36 | 20 |
| 2024 | 6 | 25 | 41 | 17 |
| 2024 | 7 | 34 | 63 | 17 |
| 2024 | 8 | 23 | 35 | 18 |
| 2024 | 9 | 18 | 36 | 13 |
| 2024 | 10 | 22 | 43 | 12 |
| 2024 | 11 | 16 | 27 | 12 |
| 2024 | 12 | 20 | 27 | 13 |
| 2025 | 1 | 19 | 26 | 16 |
| 2025 | 2 | 14 | 20 | 4 |
| 2025 | 3 | 7 | 21 | 1 |
| 2025 | 4 | 3 | 6 | 1 |
| 2025 | 5 | 4 | 7 | 3 |
| 2025 | 6 | 4 | 7 | 3 |
| 2025 | 7 | 3 | 5 | 2 |
| 2025 | 8 | 2 | 3 | 1 |
| 2025 | 9 | 4 | 5 | 3 |
| 2025 | 10 | 5 | 7 | 4 |
| 2025 | 11 | 6 | 6 | 6 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 11 | 523 | 523 |
A genuinely super film about a family of small time chancers who survive on their wits on the verge of poverty. There is something almost Fagin-esque about their behaviour, but in best Robin Hood tradition we always feel that their small-scale criminal activities are carried out as a result of neces ... sity than from any need or wish to do anyone else any harm. They take in a little girl off the street which stretches their already meagre resources but without rancour or complaint and we skip through a series of events, some beautifully poignant some rather more serious. The contrast between the three generations of the "Shibata" family living in a space no bigger than an average garage compared with some of the wealth and Japanese opulence surrounding them is expertly delivered by a strong cast - especially the youngsters - under the careful direction of Hirozaku Koreeda - and makes for a thought-provoking two hours of cinema.