Beyond the Black Rainbow
Beyond Science. Beyond Sanity. Beyond Control.
2010 | 110m | English
Popularity: 0.9 (history)
| Director: | Panos Cosmatos |
|---|---|
| Writer: | Panos Cosmatos |
| Staring: |
| Deep within the mysterious Arboria Institute, a disturbed and beautiful girl is held captive by a doctor in search of inner peace. Her mind controlled by a sinister technology. Silently, she waits for her next session with deranged therapist Dr. Barry Nyle. If she hopes to escape, she must journey through the darkest reaches of The Institute, but Nyle wonʼt easily part with his most gifted and dangerous creation. | |
| Release Date: | Dec 03, 2010 |
|---|---|
| Director: | Panos Cosmatos |
| Writer: | Panos Cosmatos |
| Genres: | Horror, Mystery, Science Fiction |
| Keywords | homicide, commune, exploitation, sadism, delusion, surrealism, mad doctor, brutality, captive, transcendence, drugged, aftercreditsstinger, canuxploitation, fiend, retro horror, psychotronic film, art film, avant garde |
| Production Companies | Chromewood Productions |
| Box Office |
Revenue: $0
Budget: $1,100,000 |
| Updates |
Updated: Feb 03, 2026 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Michael J Rogers | Barry Nyle |
| Eva Bourne | Elena |
| Scott Hylands | Mercurio Arboria |
| Marilyn Norry | Rosemary Nyle |
| Rondel Reynoldson | Margo |
| Ryley Zinger | Sentionaut |
| Gerry South | Skinny Hesher |
| Chris Gauthier | Fat Hesher |
| Geoffrey Conder | Mutant |
| Ronald Reagan | Self (archive footage) |
| Name | Job |
|---|---|
| Nicholas T. Shepard | Editor |
| Bob Bottieri | Production Design |
| Kathi Moore | Costume Design |
| Ken Frost | Construction Coordinator |
| Eric J. Paul | Music Editor, Sound Designer |
| Peter Carty | First Assistant Camera |
| Craig Trudeau | Second Unit Cinematographer |
| Mike Branham | Key Grip |
| Richard Patterson | Visual Effects |
| Maureen Murphy | Foley |
| Brody Ratsoy | ADR Editor, Foley Editor |
| Stefan Udell | Sound Recordist |
| Matt Kunau | Dolby Consultant |
| Kyla Rose Tremblay | Key Makeup Artist |
| James Cowan | Digital Intermediate, Visual Effects |
| Michael Shapcotte | Digital Intermediate |
| Norm Li | Director of Photography |
| Melissa Perry | Casting |
| La Vonne Girard | Set Decoration |
| Jeff Halladay | Conceptual Design |
| Alex Craig | Script Supervisor |
| Micah Llewellyn-Dance | Dolly Grip |
| Dan Siney | Still Photographer |
| Shawn Mcdonald | Special Effects Supervisor |
| Gordon Sproule | Foley |
| Brad Hillman | Sound Re-Recording Mixer |
| Amelia Smart | Key Hair Stylist |
| Willard Cochrane | Makeup Effects |
| Adam Rogers | Digital Intermediate |
| Karen Teoh | Digital Intermediate |
| Panos Cosmatos | Writer, Director |
| Scooter Corkle | Gaffer |
| Jeremy Schmidt | Original Music Composer |
| Name | Title |
|---|---|
| Oliver Linsley | Producer |
| Christya Nordstokke | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 11 | 15 | 8 |
| 2024 | 5 | 13 | 19 | 8 |
| 2024 | 6 | 11 | 17 | 7 |
| 2024 | 7 | 13 | 23 | 7 |
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| 2024 | 9 | 10 | 19 | 5 |
| 2024 | 10 | 11 | 21 | 6 |
| 2024 | 11 | 10 | 26 | 5 |
| 2024 | 12 | 10 | 15 | 7 |
| 2025 | 1 | 12 | 24 | 7 |
| 2025 | 2 | 9 | 14 | 3 |
| 2025 | 3 | 4 | 13 | 1 |
| 2025 | 4 | 2 | 4 | 1 |
| 2025 | 5 | 1 | 4 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 3 | 6 | 1 |
| 2025 | 10 | 1 | 2 | 0 |
| 2025 | 11 | 0 | 1 | 0 |
| 2025 | 12 | 0 | 1 | 0 |
| 2026 | 1 | 0 | 1 | 0 |
| 2026 | 2 | 0 | 1 | 0 |
Trending Position
_Beyond the Black Rainbow_ postures as a reverent tribute to 1970s cult sci-fi, but quickly reveals itself as an exercise in imitation rather than inspiration. Instead of channelling the essence of _THX 1138_, _Dark Star_, _Silent Running_, or _Solaris_, it appears to lift entire stylistic elements ... wholesale, without understanding what made those films resonate. Though drenched in an icy 1980s aesthetic—with CRT fuzz, sterile corridors, and a heavy synth score—the film offers little more than visual mimicry. An early sequence cuts from Ronald Reagan archival footage to a suit carrier marked “Noriega,” a clumsy nod to the CIA-backed Panamanian dictator famously driven out by the sonic assault of Van Halen. Had this film’s soundtrack been used instead, he’d have surrendered within a day—not out of defeat, but sheer boredom. Every scene fades to black before the next begins, as if grasping for meaning that never materialises. Characters barely exist, speaking in cryptic, stilted lines that suggest depth but carry none. The dialogue is not just bad—it’s empty. There is no plot to follow, no emotional core, and no real point beyond the surface-level visuals. What’s left is an art installation masquerading as cinema: flat, meaningless, pretentious.
63/100 I'd give you an idea of what this movie is about but I wouldn't know what to say as I have no idea. Ponderously slow with hardly any exposition, you'd think I would have really disliked it ...but I didn't. Surrealistically stark and sterile, yet strangely beautiful and colorful, it was lik ... e walking through a dream straight out of THX 1138. Even though I was finding it very difficult to make sense of any of it, I was thoroughly hypnotized right up to the very end. What a long, strange trip this was. -- DrNostromo.com