Deadly Exchange
2017 | 89m | English
Popularity: 1 (history)
| Director: | Tom Shell |
|---|---|
| Writer: | Lindsay Hartley, Jason-Shane Scott |
| Staring: |
| Samantha and daughter Blake invite Chloe, a foreign exchange student from Britain, into their California home. The two girls become close friends but Samantha's uneasiness begins with the suspicious death of Blake's boyfriend. Samantha sets out to prove her daughter's innocence, discovering Chloe's ultimate plan is to "adopt" Samantha as her "mum". | |
| Release Date: | Dec 27, 2017 |
|---|---|
| Director: | Tom Shell |
| Writer: | Lindsay Hartley, Jason-Shane Scott |
| Genres: | Crime, Drama, TV Movie |
| Keywords | killing, exchange, murder, killed, deadly, murdered |
| Production Companies | Reel One Entertainment, The Cartel |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 06, 2026 Entered: Apr 20, 2024 |
| Name | Character |
|---|---|
| Lindsay Hartley | Samantha |
| Jason-Shane Scott | Scott |
| Victoria Konefal | Blake |
| Jon Herrmann | Travis |
| Cynthia Watros | Detective Hardy |
| Rhys Matthew Bond | Jack |
| Joanne Baron | Ruth |
| René Ashton | Lisa |
| Name | Job |
|---|---|
| Robert Wise | Production Design |
| Christopher Kinsman | Editor |
| Carole McClintock | Director of Photography |
| Bo Roses | Costume Design |
| Marc Bowen | First Assistant Director |
| Melanie Lavender | Script Supervisor |
| Lindsay Hartley | Writer |
| Jason-Shane Scott | Writer |
| Traci Hays | Art Direction |
| Tom Shell | Director |
| Lawrence Shragge | Original Music Composer |
| Miles Bergsma | Original Music Composer |
| Christian McIntire | VFX Artist |
| Name | Title |
|---|---|
| Steven Hawthorne | Executive Producer |
| Lindsay Hartley | Executive Producer |
| Sebastian Battro | Executive Producer |
| Eric Scott Woods | Producer |
| Stan Spry | Producer |
| Jason-Shane Scott | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 7 | 14 | 3 |
| 2024 | 5 | 9 | 17 | 5 |
| 2024 | 6 | 8 | 27 | 2 |
| 2024 | 7 | 6 | 9 | 4 |
| 2024 | 8 | 5 | 10 | 3 |
| 2024 | 9 | 5 | 8 | 2 |
| 2024 | 10 | 4 | 8 | 2 |
| 2024 | 11 | 4 | 14 | 2 |
| 2024 | 12 | 3 | 5 | 1 |
| 2025 | 1 | 4 | 9 | 2 |
| 2025 | 2 | 2 | 5 | 1 |
| 2025 | 3 | 2 | 3 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 2 | 6 | 0 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 4 | 5 | 3 |
| 2025 | 11 | 8 | 16 | 4 |
| 2025 | 12 | 2 | 5 | 0 |
| 2026 | 1 | 2 | 8 | 0 |
| 2026 | 2 | 1 | 3 | 0 |
Trending Position
**_Beware of the smooth-tongued liar, even if she’s an attractive young woman_** A mother & daughter in SoCal welcome a foreign exchange student from England into their family to help fill the grievous hole after a tragedy. Unfortunately, this is an exchange student from hell! "Deadly Exchange ... " (2017) is a made-for-TV drama produced by the same company that released "The Wrong Daughter" with Sydney Sweeney the next year. In fact, they have an identical plot, just with a few alterations. Both understandably lack the artistry of Drew Barrymore's "Poison Ivy," yet they work well enough for a family-oriented drama with coming-of-age elements and crime thrill bits. They’re just prosaic by comparison and hindered by a cookie-cutter vibe. Nevertheless, I like how they reveal the destructive power of a lie by smooth-talking people, IF it's believed. The only ones such BS-ers can deceive are those who lack discernment and don’t know their character yet; it’s wise to remain skeptical until concrete proof is obtained. Both flicks are successful in making you root against the manipulations of the liar with the middle portion causing tedium and frustration. Yet the last act delivers the goods for TV fare. Which is the better choice of the two? The Sydney Sweeney rendition, but not by much. Redhead Valentina Novakovic (Chloe) and brunette Victoria Konefal (Blake) stand out in the female department. There’s also a teen blonde in the periphery that’s worth a mention (uncredited). It runs 1 hour, 31 minutes, and was shot in the Los Angeles area, including Inglewood, Santa Clarita and Newhall. GRADE: B-/C+