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Independence Day: Resurgence Poster

Independence Day: Resurgence

We had twenty years to prepare. So did they.
2016 | 120m | English

(195971 votes)

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Popularity: 5 (history)

Details

We always knew they were coming back. Using recovered alien technology, the nations of Earth have collaborated on an immense defense program to protect the planet. But nothing can prepare us for the aliens’ advanced and unprecedented force. Only the ingenuity of a few brave men and women can bring our world back from the brink of extinction.
Release Date: Jun 22, 2016
Director: Roland Emmerich
Writer: Roland Emmerich, Nicolas Wright, James A. Woods, James Vanderbilt, Gabriel Sherman, Dean Devlin
Genres: Adventure, Action, Science Fiction
Keywords alien, alien invasion
Production Companies 20th Century Fox, Centropolis Entertainment, TSG Entertainment, Stereo D
Box Office Revenue: $389,681,935
Budget: $165,000,000
Updates Updated: Aug 03, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Liam Hemsworth Jake Morrison
Jeff Goldblum David Levinson
Jessie T. Usher Dylan Hiller
Bill Pullman President Whitmore
Maika Monroe Patricia Whitmore
Travis Tope Charlie Miller
AngelaBaby Rain Lao
Charlotte Gainsbourg Dr. Catherine Marceaux
Judd Hirsch Julius Levinson
William Fichtner General Adams
Brent Spiner Dr. Brakish Okun
Sela Ward President Lanford
Chin Han Commander Jiang Lao
Patrick St. Esprit Secretary of Defense
Vivica A. Fox Dr. Jasmine Hiller
Deobia Oparei Dikembe
Nicolas Wright Floyd Rosenberg
Gbenga Akinnagbe Agent Matthew Travis
Robert Loggia General Grey
John Storey Dr. Isaacs
Joey King Sam
Jenna Purdy Voice of Sphere
Garrett Wareing Bobby
Hays Wellford Felix
Mckenna Grace Daisy
James A. Woods Lt. Ritter
Robert Neary Captain McQuaide
Joshua Mikel Armand
Joel Virgel Jaques
Arturo del Puerto Bordeaux
Matthew Munroe Prison Tech
Jacob Browne Prison Tech
Ryan Cartwright Officer Ryan Collins
Travis Hammer Jeffrey Fineman
Lance Lim Kevin
Zeb Sanders Camper Henry
Donovan Tyee Smith Camper Marcus
Stafford Douglas Flight Officer
Jade Scott Lewis Salt Flat Tech
Beth Bailey Nurse
Mona Malec DC Hospital Nurse
Omar Diop African Guard
Ron Yuan Yeong
Grace Huang Lin Tang
Stephen Oyoung Young Man
J.P. Murrieta Local Reporter
Casey Messer Local Reporter
Ben Wang Chinese President
Nicholas Ballas French President
Jonathan Richards British Prime Minister
Ivan G'Vera Russian President
Sam Quinn Radar Officer
Richard Beal Military Brass (uncredited)
Alice Rietveld Secret Service Agent (uncredited)
Alma Sisneros Aide 2 (uncredited)
Kenny Leu Ping Li (uncredited)
Monique Candelaria Tech Officer (uncredited)
Leilei Chen Background (uncredited)
Ava Del Cielo Young Mother (uncredited)
Diana Gaitirira Comms Officer (uncredited)
Evan Bryn Graves Pilot P. Goodman (uncredited)
Jason E. Hill Marine (uncredited)
Catharine E. Jones Flight Officer (uncredited)
Tyler Kurtz Pilot (uncredited)
Aaron Tyler Tug Pilot (uncredited)
Michael Davis Old Man with Oxygen
Johnny Otto Secret Service Agent (uncredited)
John Christian Love Officer
Kelly V. Lucio Singapore Pedestrian (uncredited)
Michael Love Toliver Moon Base Tech (uncredited)
Name Job
Roland Emmerich Characters, Story, Director, Screenplay
Nicolas Wright Story, Screenplay
James A. Woods Story, Screenplay
James Vanderbilt Screenplay
Markus Förderer Director of Photography
John Papsidera Casting
Lisy Christl Costume Design
Dylan Goss Helicopter Camera
Claudette Barius Still Photographer
Robert Loggia In Memory Of
Amy Greene Line Producer
Jason Miller Post Production Supervisor
Charlie Picerni Stunt Driver
Paul Mercier Vocals
Kelli Barksdale Stunts
Buddy Joe Hooker Stunts
Scott Wilder Stunts
Al Goto Stunts
Ed Duran Stunts
Lauren Claret Second Assistant Accountant
Sean Noel Walker CG Supervisor
Hanzhi Tang CG Supervisor
Jalil Jay Lynch Stunts
Gabriel Sherman Writer
Thomas J. Larsen Stunts
David Greene Special Effects Coordinator
Lauren Abiouness Art Direction
Thomas Wander Original Music Composer
Adam Wolfe Editor
Jo Edna Boldin Casting
Ravi Bansal Art Direction
Luis Guggenberger Art Direction
Mark Hofeling Art Direction
Caty Maxey Art Direction
Christa Munro Art Direction
Eric Sundahl Art Direction
Clint Wallace Art Direction
Nancy A. King Art Department Coordinator
Richard T. Olson Art Department Coordinator
Samantha Avila Assistant Art Director
Tammy S. Lee Assistant Art Director
Barry Chusid Production Design
Laurent Ben-Mimoun Conceptual Design
Christian Scheurer Conceptual Design
Bill Holmquist Construction Coordinator
John Hoskins Construction Coordinator
John Malmborg Construction Coordinator
Deanna Brigidi Casting Associate
Marie A. Kohl Casting Associate
Mary Iannelli Assistant Costume Designer
Shanna Knecht Assistant Costume Designer
Dana Kay Hart Costume Supervisor
Red Rose Connerty Seamstress
Rachel Bris Set Costumer
Darryl Garcia Jr. Set Costumer
Oliver Hug Music Editor
Anele Onyekwere Music Editor
Matt Fausak Music Editor
Lorette Leblanc Script Supervisor
François Daignault Camera Operator
James Goldman Camera Operator
Jay Kemp Gaffer
Tim Walker Camera Operator
John Marzano Helicopter Camera
Richard Roles Helicopter Camera
Lamarr Gray Rigging Gaffer
Brian Malone Rigging Grip
Jennifer Bell Hair Department Head
Michael Scott Baker Hairstylist
Chase Heard Hairstylist
Delana Veirs Hairstylist
Megan Daum Key Hair Stylist
Thomas Nellen Makeup Department Head
Mary Castor Makeup Artist
Sara Roybal Makeup Artist
Stuart Gordon Tribble Makeup Artist
Jennifer M. Quinteros Makeup Artist
Phil Barrie Sound Effects Editor
Chris M. Jacobson Sound Effects Editor
Hamilton Sterling Sound Effects Editor
Michael Minkler Sound Re-Recording Mixer
Jan Philip Cramer Animation Director
John O'Connell 3D Supervisor
Eamonn Butler Animation Director
Simone Kraus Townsend Animation Supervisor
Alex Auriol Animation Supervisor
Christopher Downs CG Supervisor
Carlos-Christian Nickel CG Supervisor
Mark Wendell CG Supervisor
Adrian Corsei CG Supervisor
Andrew Roberts CG Supervisor
Ronnie Menahem CG Supervisor
Alessandro Cangelosi CG Supervisor
Marion Spates Digital Effects Supervisor
Liana Jackson VFX Editor
Michael Fournier VFX Editor
Holger Voss VFX Supervisor
Dominik Zimmerle VFX Supervisor
Todd Busch Visual Effects Editor
Tom Reagan Visual Effects Editor
Andy Stevens Visual Effects Editor
Thomas MacKenzie Visual Effects Editor
Evan Fisher First Assistant Editor
Larry Kemp Dialogue Editor
Robert Troy Dialogue Editor
Ronan Binding Animation
Kevin Collins Second Second Assistant Director
Nathan E. Davis Additional Second Assistant Director
Jonathan McGarry First Assistant Director
Erin Bosley Production Assistant
Brendan Garst Production Supervisor
Jeffrey Harlacker Post Production Supervisor
Jason Pomerantz Production Director
Duff Rich Unit Production Manager
Nathan L. Smith Production Supervisor
Adrien Flanquart VFX Artist
Shaila Tobin Animation
Kimberly Harris ADR Supervisor
John T. Cucci Foley Artist
Michael J. Broomberg Foley Artist
Jai James Second Assistant Director
Tom Elliott Stunts
Freddy Bouciegues Stunts
Jess Johnson Set Costumer
Larry Franco Unit Production Manager
Benjamin Last Concept Artist
Natalie Leggett Musician
Angela Chavez Construction Buyer
Claudio Gonzalez Cloth Setup
Lisa Gonzalez Matchmove Supervisor
John Giuliano Propmaker
Michael Melchiorre Compositing Supervisor
Dean Devlin Characters, Story, Screenplay
Harald Kloser Original Music Composer
Jay Hart Set Decoration
Patrick M. Sullivan Jr. Supervising Art Director
Paul N.J. Ottosson Sound Designer, Supervising Sound Editor
K.C. Hodenfield First Assistant Director
Carsten H.W. Lorenz Unit Production Manager
Keith Woulard Stunts
Diane Kingston Visual Effects Coordinator
Matt Aitken Visual Effects Supervisor
Phillip Leonhardt CG Supervisor
Name Title
Roland Emmerich Producer
Volker Engel Co-Producer
Marco Shepherd Co-Producer
Larry Franco Executive Producer
Ute Emmerich Executive Producer
Jeffrey Harlacker Associate Producer
Dean Devlin Producer
Harald Kloser Producer
K.C. Hodenfield Co-Producer
Carsten H.W. Lorenz Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 48 58 41
2024 5 62 82 43
2024 6 59 96 35
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2025 1 37 51 29
2025 2 35 70 6
2025 3 22 90 3
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2025 8 5 6 4

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Year Month High Avg
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2024 12 466 687
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2024 11 466 704
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2024 10 902 902
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2024 9 756 883
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2024 8 517 774

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Reviews

Simon Foster
N/A

"Independence Day: Resurgence entertains like few Hollywood blockbusters have of late, largely by foregoing pretension on every level and drilling down on the basic tenets of popcorn moviemaking..." Read the full review here: http://screen-space.squarespace.com/reviews/2016/6/22/independence-day- ... resurgence.html

Jun 23, 2021
Rangan
6.0

**The earthlings are united to defend the home from another alien attack.** I have said it many times that when I love a film, I always pray for a sequel to come. But I won't do that for all the films like perhaps 'Taken' and this one. These are not designed for that kind of a stretch or to own a ... franchise. So anyway they have made it and I'd watched. Since I was not expecting it, I did not care about the how it ends. I mean critically failed and the box office was okay, but did not meet the expectations. I mean not found anywhere near to the original film's collection. For me, minus half point for the Chinese flavour. I think the Hollywood must stop leaning towards Chinese contents. It is like they are ignoring the rest of the world. I want the old days American films, not this yuan targeted films. Sorry, that is one of the reasons why I disliked films like this, 'Now You See Me 2' and many other recent sino-Hollywood films. This story takes place 20 years later to the original film. Only a handful of characters returned and many of them were new. So now the humans leaped forward after adapting the alien technology. But when they learn the distress call was sent to the base of the enemy from the 20 years ago event, they are underprepared for another alien attack that follows very soon. Without any option they push their full force to defend the earth and it would they succeed or not is what the remaining film to reveal. Nowadays the graphics are not an issue. The filmmaking had touched down for a standard in the visual quality, especially a big production like this. So those parts even overplay the performances of the real actors. We have seen that from Gollum, King Kong and many other monster films. So if you are watching a today's high end film means, it is a pleasure from the blow ups we expect the most. Similar to killings from the horror thrillers. This film does that so well, that mean it is entertaining, but not the overall film very praisable. This story can be easily connected to many classics such as 'Star Wars' and 'Avatar'. Because how it ends seems like a story about the origins of those films. So the third film is like definitely takes us deep into the space. Looks very interesting, but does it work is the real question. It is already in the work with the same director. So lets wait and see how it corrects its mistakes. Meantime, you can watch this if you haven't yet, but it is an average film. _5.5/10_

May 16, 2024
Dark Jedi
7.0

Independence Day: Resurgence is pretty much what I expected. Actually, given all the negative reviews floating around, it is almost better than what I expected. As is almost always the case, all the 1 and 2 star ratings and “worst movie ever” reviews are pure bullshit. The biggest advantage the orig ... inal movie had was the novelty of it all. This movie is really pretty much the same except for the special effects being even bigger to the extent that they are somewhat over the top at times and the plot somewhat thinner. Having said the latter, the original movie did not really have much in terms of plot either and the nonsense of giving a totally alien computer a virus was so bad it really dragged down the movie. In the relatively short timespan of two decades humanity have improved their technology base by several orders of magnitude (ray guns on the moon etc. etc…). The speed of improvement is of course pretty unrealistic, even with access to alien technology, but hey, I can live with that in order to increase the coolness factor of the movie. Then comes an alien ship. Not the aliens we all expected by another one. The ship is totally different from the previous ones, do not seem aggressive but of course dumbass politicians manage to screw everything up. Fast forward a couple of scenes and the “real” aliens arrive. Of course this time they have a bigger flyswatter and they perfunctorily proceed to swat away the puny, extremely slow firing, little ray guns of the humans and we are back to where we started in the original movie. Huge space ship parks on Earth, time for plan B. Well there were quite a few scenes of big space ships, destruction and mayhem before the aliens finally manage to park their spaceship. I guess finding a parking space for a 5 000 kilometer space ship can be a bit tricky (I though I had an issue with my Jeep). Here is were I have quite some gripes about the movie. The special effects are cool, no question about it, but they are also exaggerated and throws any attempt to be remotely adhering to the laws of physics out the window. It is clear that whatever low intelligence storywriter that wrote that garbage flunked science classes in school, if he ever got that far of course. For instance, we have a 5 000 kilometer (the Earth radius is about 6 370 kilometer) that is big enough to generate its own gravity (apparently the engines somehow contributed to this) flies in and lands on earth. When it approaches items on the surface, cars, trains, ships, skyscrapers and bits and pieces of the Earth itself starts to fly upwards. It makes for cool effects but anyone with a mediocrum of intelligence ought to realize that such a force would actually destabilize Earth itself. Possibly change the speed of rotation as well as the orbit around the sun. The story is full of other typical Hollywood stupidities and plot holes. Christ even my kids could spot the plot holes which were often big enough to drive a battleship through! As for the acting. Well, I would say there is not too much to say about it. Most of the main actors managed to make it through the movie without screwing up too badly. Given that it was not the deepest or thought provoking movie one could imagine I would say that was good enough. The best character in my opinion was Judd Hirsch as Julius Levinson. The worst one was probably Dr. Okun. Not that Brent Spiner was making a bad job of representing him but the character was just to crazed out for my taste. Okay, I will stop whining now. This movie was pretty much exactly what I expected. Great special effects tied together with a paper thin story. I went into it hoping that the effects were going to be good with little expectations on the rest and that is exactly what I got. The movie fulfilled my expectations completely and thus I consider it worth 7 out of 10 stars. I enjoyed the two hours watching it.

May 16, 2024
RalphRahal
4.0

Independence Day: Resurgence makes a bold attempt to follow up on the legacy of its iconic predecessor, but it falls short in many areas. Liam Hemsworth delivers a solid performance, but the script doesn’t give him much to work with, leaving his character feeling shallow and unmemorable. The story i ... tself is straightforward and predictable, offering little in terms of surprises or emotional engagement. Attempts at humor and drama sometimes feel forced, detracting from the overall experience. While Roland Emmerich's direction keeps the film moving at a brisk pace, it often prioritizes spectacle over substance. The visuals work well enough to support the story, but they don’t push any boundaries, especially for a film released in 2016. Given the advancements in CGI and visual effects by that time, the production feels like a missed opportunity to deliver something truly jaw-dropping. Instead, it’s serviceable, doing just enough to convey the futuristic and alien elements but lacking the wow factor that could have elevated the experience. In the end, Independence Day: Resurgence is a decent popcorn flick for fans of sci-fi action, but it doesn’t live up to the standards set by the original. It’s fun in parts but ultimately forgettable, leaving viewers with the sense that it could have been so much more.

Dec 17, 2024