Popularity: 5 (history)
Director: | Roland Emmerich |
---|---|
Writer: | Roland Emmerich, Nicolas Wright, James A. Woods, James Vanderbilt, Gabriel Sherman, Dean Devlin |
Staring: |
We always knew they were coming back. Using recovered alien technology, the nations of Earth have collaborated on an immense defense program to protect the planet. But nothing can prepare us for the aliens’ advanced and unprecedented force. Only the ingenuity of a few brave men and women can bring our world back from the brink of extinction. | |
Release Date: | Jun 22, 2016 |
---|---|
Director: | Roland Emmerich |
Writer: | Roland Emmerich, Nicolas Wright, James A. Woods, James Vanderbilt, Gabriel Sherman, Dean Devlin |
Genres: | Adventure, Action, Science Fiction |
Keywords | alien, alien invasion |
Production Companies | 20th Century Fox, Centropolis Entertainment, TSG Entertainment, Stereo D |
Box Office |
Revenue: $389,681,935
Budget: $165,000,000 |
Updates |
Updated: Aug 03, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Liam Hemsworth | Jake Morrison |
Jeff Goldblum | David Levinson |
Jessie T. Usher | Dylan Hiller |
Bill Pullman | President Whitmore |
Maika Monroe | Patricia Whitmore |
Travis Tope | Charlie Miller |
AngelaBaby | Rain Lao |
Charlotte Gainsbourg | Dr. Catherine Marceaux |
Judd Hirsch | Julius Levinson |
William Fichtner | General Adams |
Brent Spiner | Dr. Brakish Okun |
Sela Ward | President Lanford |
Chin Han | Commander Jiang Lao |
Patrick St. Esprit | Secretary of Defense |
Vivica A. Fox | Dr. Jasmine Hiller |
Deobia Oparei | Dikembe |
Nicolas Wright | Floyd Rosenberg |
Gbenga Akinnagbe | Agent Matthew Travis |
Robert Loggia | General Grey |
John Storey | Dr. Isaacs |
Joey King | Sam |
Jenna Purdy | Voice of Sphere |
Garrett Wareing | Bobby |
Hays Wellford | Felix |
Mckenna Grace | Daisy |
James A. Woods | Lt. Ritter |
Robert Neary | Captain McQuaide |
Joshua Mikel | Armand |
Joel Virgel | Jaques |
Arturo del Puerto | Bordeaux |
Matthew Munroe | Prison Tech |
Jacob Browne | Prison Tech |
Ryan Cartwright | Officer Ryan Collins |
Travis Hammer | Jeffrey Fineman |
Lance Lim | Kevin |
Zeb Sanders | Camper Henry |
Donovan Tyee Smith | Camper Marcus |
Stafford Douglas | Flight Officer |
Jade Scott Lewis | Salt Flat Tech |
Beth Bailey | Nurse |
Mona Malec | DC Hospital Nurse |
Omar Diop | African Guard |
Ron Yuan | Yeong |
Grace Huang | Lin Tang |
Stephen Oyoung | Young Man |
J.P. Murrieta | Local Reporter |
Casey Messer | Local Reporter |
Ben Wang | Chinese President |
Nicholas Ballas | French President |
Jonathan Richards | British Prime Minister |
Ivan G'Vera | Russian President |
Sam Quinn | Radar Officer |
Richard Beal | Military Brass (uncredited) |
Alice Rietveld | Secret Service Agent (uncredited) |
Alma Sisneros | Aide 2 (uncredited) |
Kenny Leu | Ping Li (uncredited) |
Monique Candelaria | Tech Officer (uncredited) |
Leilei Chen | Background (uncredited) |
Ava Del Cielo | Young Mother (uncredited) |
Diana Gaitirira | Comms Officer (uncredited) |
Evan Bryn Graves | Pilot P. Goodman (uncredited) |
Jason E. Hill | Marine (uncredited) |
Catharine E. Jones | Flight Officer (uncredited) |
Tyler Kurtz | Pilot (uncredited) |
Aaron Tyler | Tug Pilot (uncredited) |
Michael Davis | Old Man with Oxygen |
Johnny Otto | Secret Service Agent (uncredited) |
John Christian Love | Officer |
Kelly V. Lucio | Singapore Pedestrian (uncredited) |
Michael Love Toliver | Moon Base Tech (uncredited) |
Name | Job |
---|---|
Roland Emmerich | Characters, Story, Director, Screenplay |
Nicolas Wright | Story, Screenplay |
James A. Woods | Story, Screenplay |
James Vanderbilt | Screenplay |
Markus Förderer | Director of Photography |
John Papsidera | Casting |
Lisy Christl | Costume Design |
Dylan Goss | Helicopter Camera |
Claudette Barius | Still Photographer |
Robert Loggia | In Memory Of |
Amy Greene | Line Producer |
Jason Miller | Post Production Supervisor |
Charlie Picerni | Stunt Driver |
Paul Mercier | Vocals |
Kelli Barksdale | Stunts |
Buddy Joe Hooker | Stunts |
Scott Wilder | Stunts |
Al Goto | Stunts |
Ed Duran | Stunts |
Lauren Claret | Second Assistant Accountant |
Sean Noel Walker | CG Supervisor |
Hanzhi Tang | CG Supervisor |
Jalil Jay Lynch | Stunts |
Gabriel Sherman | Writer |
Thomas J. Larsen | Stunts |
David Greene | Special Effects Coordinator |
Lauren Abiouness | Art Direction |
Thomas Wander | Original Music Composer |
Adam Wolfe | Editor |
Jo Edna Boldin | Casting |
Ravi Bansal | Art Direction |
Luis Guggenberger | Art Direction |
Mark Hofeling | Art Direction |
Caty Maxey | Art Direction |
Christa Munro | Art Direction |
Eric Sundahl | Art Direction |
Clint Wallace | Art Direction |
Nancy A. King | Art Department Coordinator |
Richard T. Olson | Art Department Coordinator |
Samantha Avila | Assistant Art Director |
Tammy S. Lee | Assistant Art Director |
Barry Chusid | Production Design |
Laurent Ben-Mimoun | Conceptual Design |
Christian Scheurer | Conceptual Design |
Bill Holmquist | Construction Coordinator |
John Hoskins | Construction Coordinator |
John Malmborg | Construction Coordinator |
Deanna Brigidi | Casting Associate |
Marie A. Kohl | Casting Associate |
Mary Iannelli | Assistant Costume Designer |
Shanna Knecht | Assistant Costume Designer |
Dana Kay Hart | Costume Supervisor |
Red Rose Connerty | Seamstress |
Rachel Bris | Set Costumer |
Darryl Garcia Jr. | Set Costumer |
Oliver Hug | Music Editor |
Anele Onyekwere | Music Editor |
Matt Fausak | Music Editor |
Lorette Leblanc | Script Supervisor |
François Daignault | Camera Operator |
James Goldman | Camera Operator |
Jay Kemp | Gaffer |
Tim Walker | Camera Operator |
John Marzano | Helicopter Camera |
Richard Roles | Helicopter Camera |
Lamarr Gray | Rigging Gaffer |
Brian Malone | Rigging Grip |
Jennifer Bell | Hair Department Head |
Michael Scott Baker | Hairstylist |
Chase Heard | Hairstylist |
Delana Veirs | Hairstylist |
Megan Daum | Key Hair Stylist |
Thomas Nellen | Makeup Department Head |
Mary Castor | Makeup Artist |
Sara Roybal | Makeup Artist |
Stuart Gordon Tribble | Makeup Artist |
Jennifer M. Quinteros | Makeup Artist |
Phil Barrie | Sound Effects Editor |
Chris M. Jacobson | Sound Effects Editor |
Hamilton Sterling | Sound Effects Editor |
Michael Minkler | Sound Re-Recording Mixer |
Jan Philip Cramer | Animation Director |
John O'Connell | 3D Supervisor |
Eamonn Butler | Animation Director |
Simone Kraus Townsend | Animation Supervisor |
Alex Auriol | Animation Supervisor |
Christopher Downs | CG Supervisor |
Carlos-Christian Nickel | CG Supervisor |
Mark Wendell | CG Supervisor |
Adrian Corsei | CG Supervisor |
Andrew Roberts | CG Supervisor |
Ronnie Menahem | CG Supervisor |
Alessandro Cangelosi | CG Supervisor |
Marion Spates | Digital Effects Supervisor |
Liana Jackson | VFX Editor |
Michael Fournier | VFX Editor |
Holger Voss | VFX Supervisor |
Dominik Zimmerle | VFX Supervisor |
Todd Busch | Visual Effects Editor |
Tom Reagan | Visual Effects Editor |
Andy Stevens | Visual Effects Editor |
Thomas MacKenzie | Visual Effects Editor |
Evan Fisher | First Assistant Editor |
Larry Kemp | Dialogue Editor |
Robert Troy | Dialogue Editor |
Ronan Binding | Animation |
Kevin Collins | Second Second Assistant Director |
Nathan E. Davis | Additional Second Assistant Director |
Jonathan McGarry | First Assistant Director |
Erin Bosley | Production Assistant |
Brendan Garst | Production Supervisor |
Jeffrey Harlacker | Post Production Supervisor |
Jason Pomerantz | Production Director |
Duff Rich | Unit Production Manager |
Nathan L. Smith | Production Supervisor |
Adrien Flanquart | VFX Artist |
Shaila Tobin | Animation |
Kimberly Harris | ADR Supervisor |
John T. Cucci | Foley Artist |
Michael J. Broomberg | Foley Artist |
Jai James | Second Assistant Director |
Tom Elliott | Stunts |
Freddy Bouciegues | Stunts |
Jess Johnson | Set Costumer |
Larry Franco | Unit Production Manager |
Benjamin Last | Concept Artist |
Natalie Leggett | Musician |
Angela Chavez | Construction Buyer |
Claudio Gonzalez | Cloth Setup |
Lisa Gonzalez | Matchmove Supervisor |
John Giuliano | Propmaker |
Michael Melchiorre | Compositing Supervisor |
Dean Devlin | Characters, Story, Screenplay |
Harald Kloser | Original Music Composer |
Jay Hart | Set Decoration |
Patrick M. Sullivan Jr. | Supervising Art Director |
Paul N.J. Ottosson | Sound Designer, Supervising Sound Editor |
K.C. Hodenfield | First Assistant Director |
Carsten H.W. Lorenz | Unit Production Manager |
Keith Woulard | Stunts |
Diane Kingston | Visual Effects Coordinator |
Matt Aitken | Visual Effects Supervisor |
Phillip Leonhardt | CG Supervisor |
Name | Title |
---|---|
Roland Emmerich | Producer |
Volker Engel | Co-Producer |
Marco Shepherd | Co-Producer |
Larry Franco | Executive Producer |
Ute Emmerich | Executive Producer |
Jeffrey Harlacker | Associate Producer |
Dean Devlin | Producer |
Harald Kloser | Producer |
K.C. Hodenfield | Co-Producer |
Carsten H.W. Lorenz | Executive Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 48 | 58 | 41 |
2024 | 5 | 62 | 82 | 43 |
2024 | 6 | 59 | 96 | 35 |
2024 | 7 | 65 | 112 | 34 |
2024 | 8 | 41 | 53 | 27 |
2024 | 9 | 36 | 50 | 26 |
2024 | 10 | 39 | 58 | 29 |
2024 | 11 | 38 | 54 | 29 |
2024 | 12 | 38 | 49 | 28 |
2025 | 1 | 37 | 51 | 29 |
2025 | 2 | 35 | 70 | 6 |
2025 | 3 | 22 | 90 | 3 |
2025 | 4 | 7 | 11 | 5 |
2025 | 5 | 6 | 11 | 4 |
2025 | 6 | 7 | 9 | 5 |
2025 | 7 | 5 | 7 | 4 |
2025 | 8 | 5 | 6 | 4 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 452 | 681 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 288 | 696 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 266 | 689 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 427 | 775 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 163 | 658 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 311 | 724 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 275 | 754 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 346 | 735 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 466 | 687 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 466 | 704 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 902 | 902 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 756 | 883 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 517 | 774 |
"Independence Day: Resurgence entertains like few Hollywood blockbusters have of late, largely by foregoing pretension on every level and drilling down on the basic tenets of popcorn moviemaking..." Read the full review here: http://screen-space.squarespace.com/reviews/2016/6/22/independence-day- ... resurgence.html
**The earthlings are united to defend the home from another alien attack.** I have said it many times that when I love a film, I always pray for a sequel to come. But I won't do that for all the films like perhaps 'Taken' and this one. These are not designed for that kind of a stretch or to own a ... franchise. So anyway they have made it and I'd watched. Since I was not expecting it, I did not care about the how it ends. I mean critically failed and the box office was okay, but did not meet the expectations. I mean not found anywhere near to the original film's collection. For me, minus half point for the Chinese flavour. I think the Hollywood must stop leaning towards Chinese contents. It is like they are ignoring the rest of the world. I want the old days American films, not this yuan targeted films. Sorry, that is one of the reasons why I disliked films like this, 'Now You See Me 2' and many other recent sino-Hollywood films. This story takes place 20 years later to the original film. Only a handful of characters returned and many of them were new. So now the humans leaped forward after adapting the alien technology. But when they learn the distress call was sent to the base of the enemy from the 20 years ago event, they are underprepared for another alien attack that follows very soon. Without any option they push their full force to defend the earth and it would they succeed or not is what the remaining film to reveal. Nowadays the graphics are not an issue. The filmmaking had touched down for a standard in the visual quality, especially a big production like this. So those parts even overplay the performances of the real actors. We have seen that from Gollum, King Kong and many other monster films. So if you are watching a today's high end film means, it is a pleasure from the blow ups we expect the most. Similar to killings from the horror thrillers. This film does that so well, that mean it is entertaining, but not the overall film very praisable. This story can be easily connected to many classics such as 'Star Wars' and 'Avatar'. Because how it ends seems like a story about the origins of those films. So the third film is like definitely takes us deep into the space. Looks very interesting, but does it work is the real question. It is already in the work with the same director. So lets wait and see how it corrects its mistakes. Meantime, you can watch this if you haven't yet, but it is an average film. _5.5/10_
Independence Day: Resurgence is pretty much what I expected. Actually, given all the negative reviews floating around, it is almost better than what I expected. As is almost always the case, all the 1 and 2 star ratings and “worst movie ever” reviews are pure bullshit. The biggest advantage the orig ... inal movie had was the novelty of it all. This movie is really pretty much the same except for the special effects being even bigger to the extent that they are somewhat over the top at times and the plot somewhat thinner. Having said the latter, the original movie did not really have much in terms of plot either and the nonsense of giving a totally alien computer a virus was so bad it really dragged down the movie. In the relatively short timespan of two decades humanity have improved their technology base by several orders of magnitude (ray guns on the moon etc. etc…). The speed of improvement is of course pretty unrealistic, even with access to alien technology, but hey, I can live with that in order to increase the coolness factor of the movie. Then comes an alien ship. Not the aliens we all expected by another one. The ship is totally different from the previous ones, do not seem aggressive but of course dumbass politicians manage to screw everything up. Fast forward a couple of scenes and the “real” aliens arrive. Of course this time they have a bigger flyswatter and they perfunctorily proceed to swat away the puny, extremely slow firing, little ray guns of the humans and we are back to where we started in the original movie. Huge space ship parks on Earth, time for plan B. Well there were quite a few scenes of big space ships, destruction and mayhem before the aliens finally manage to park their spaceship. I guess finding a parking space for a 5 000 kilometer space ship can be a bit tricky (I though I had an issue with my Jeep). Here is were I have quite some gripes about the movie. The special effects are cool, no question about it, but they are also exaggerated and throws any attempt to be remotely adhering to the laws of physics out the window. It is clear that whatever low intelligence storywriter that wrote that garbage flunked science classes in school, if he ever got that far of course. For instance, we have a 5 000 kilometer (the Earth radius is about 6 370 kilometer) that is big enough to generate its own gravity (apparently the engines somehow contributed to this) flies in and lands on earth. When it approaches items on the surface, cars, trains, ships, skyscrapers and bits and pieces of the Earth itself starts to fly upwards. It makes for cool effects but anyone with a mediocrum of intelligence ought to realize that such a force would actually destabilize Earth itself. Possibly change the speed of rotation as well as the orbit around the sun. The story is full of other typical Hollywood stupidities and plot holes. Christ even my kids could spot the plot holes which were often big enough to drive a battleship through! As for the acting. Well, I would say there is not too much to say about it. Most of the main actors managed to make it through the movie without screwing up too badly. Given that it was not the deepest or thought provoking movie one could imagine I would say that was good enough. The best character in my opinion was Judd Hirsch as Julius Levinson. The worst one was probably Dr. Okun. Not that Brent Spiner was making a bad job of representing him but the character was just to crazed out for my taste. Okay, I will stop whining now. This movie was pretty much exactly what I expected. Great special effects tied together with a paper thin story. I went into it hoping that the effects were going to be good with little expectations on the rest and that is exactly what I got. The movie fulfilled my expectations completely and thus I consider it worth 7 out of 10 stars. I enjoyed the two hours watching it.
Independence Day: Resurgence makes a bold attempt to follow up on the legacy of its iconic predecessor, but it falls short in many areas. Liam Hemsworth delivers a solid performance, but the script doesn’t give him much to work with, leaving his character feeling shallow and unmemorable. The story i ... tself is straightforward and predictable, offering little in terms of surprises or emotional engagement. Attempts at humor and drama sometimes feel forced, detracting from the overall experience. While Roland Emmerich's direction keeps the film moving at a brisk pace, it often prioritizes spectacle over substance. The visuals work well enough to support the story, but they don’t push any boundaries, especially for a film released in 2016. Given the advancements in CGI and visual effects by that time, the production feels like a missed opportunity to deliver something truly jaw-dropping. Instead, it’s serviceable, doing just enough to convey the futuristic and alien elements but lacking the wow factor that could have elevated the experience. In the end, Independence Day: Resurgence is a decent popcorn flick for fans of sci-fi action, but it doesn’t live up to the standards set by the original. It’s fun in parts but ultimately forgettable, leaving viewers with the sense that it could have been so much more.