Popularity: 2 (history)
Director: | J. Lee Thompson |
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Writer: | Richard Sale |
Staring: |
In this strange western version of Moby Dick, Wild Bill Hickok hunts a white buffalo he has seen in a dream. Hickok moves through a variety of uniquely authentic western locations - dim, filthy, makeshift taverns; freezing, slaughterhouse-like frontier towns and beautifully desolate high country - before improbably teaming up with a young Crazy Horse to pursue the creature. | |
Release Date: | May 01, 1977 |
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Director: | J. Lee Thompson |
Writer: | Richard Sale |
Genres: | Adventure, Action, Western |
Keywords | based on novel or book, wyoming, usa, saloon, buffalo, native american, shootout, gunfight, wild bill hickok |
Production Companies | United Artists, The De Laurentiis Company |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Charles Bronson | Wild Bill Hickok/James Otis |
Jack Warden | Charlie Zane |
Will Sampson | Crazy Horse/Worm |
Kim Novak | Poker Jenny Schermerhorn |
Clint Walker | Whistling Jack Kileen |
Stuart Whitman | Winifred Coxy |
Slim Pickens | Abel Pickney |
John Carradine | Amos Briggs |
Cara Williams | Cassie Ollinger |
Shay Duffin | Tim Brady |
Clifford A. Pellow | Pete Holt |
Douglas Fowley | Amos Bixby |
Ed Lauter | Tom Custer |
Martin Kove | Jack McCall |
Richard Gilliland | Corporal Kileen |
Eve Brent | Frieda |
Scott Walker | Gyp Hook-Hand |
Ed Bakey | Ben Corbett |
David Roya | Kid Jelly |
Phil Montgomery | Wes Pugh |
Linda Redfearn | Black Shawl |
Chief Tug Smith | Old Worm |
Douglas Hume | Aaron Pratt |
Cliff Carnell | Johnny Varner |
Ron Thompson | Frozen Dog Pimp |
Joseph Roman | Silky Smith |
Larry Martindale | Cheyenne Bar Man |
Scott Bryson | Frozen Dog Miner |
Gregory White | Frozen Dog Miner |
Bert Williams | Paddy Welsh |
Christopher Cary | Short Man (uncredited) |
Bob Harks | Bar Patron (uncredited) |
Dan Vadis | Tall Man (uncredited) |
Name | Job |
---|---|
J. Lee Thompson | Director |
John Barry | Original Music Composer |
Dan Perri | Title Designer |
George P. Wilbur | Stunts |
Richard Sale | Screenplay, Novel |
James L. Berkey | Set Decoration, Art Direction |
Larry L. Fuentes | Special Effects |
Michael Hancock | Makeup Artist |
Shirley Padgett | Hairstylist |
Ross Taylor | Sound Effects Editor |
Donald C. Rogers | Sound Director, Sound Technical Supervisor |
Jack Aldworth | Assistant Director |
Darrell L. White | Set Designer |
William L. McCaughey | Sound Re-Recording Mixer |
Richard M. Parker | Special Effects |
Ben Bates | Stunts |
Greg Walker | Stunts |
Terence Anderson | Associate Editor |
R. Anthony Brown | Location Manager |
Joyce Selznick | Casting |
Michael F. Anderson | Editor |
Ron Frantzvog | Second Assistant Camera |
Eric Seelig | Costume Design |
Lyle J. Burbridge | Sound Re-Recording Mixer, Sound Designer |
Frank Meadows | Boom Operator |
Pat Kehoe | Second Assistant Director, Sound |
Jack Nigh | Boom Operator |
Bennie E. Dobbins | Stunt Coordinator |
Eli Bo Jack Blackfeather | Stunts |
Michael Cipriano | Assistant Editor |
Tambi Larsen | Production Design |
Paul Lohmann | Director of Photography |
Roy L. Downey | Special Effects |
Phil Rhodes | Makeup Artist |
Harlan Riggs | Sound |
Hal Klein | Production Manager |
Alfred M. Kemper | Set Designer |
Michael J. Kohut | Sound Re-Recording Mixer |
Bruce Paul Barbour | Stunts |
Joe Pronto | Stunts |
J. Michael Marlett | Gaffer |
Ann Morrissey | Post Production Assistant |
Wayne Rose | Special Effects |
Name | Title |
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Pancho Kohner | Producer |
Dino De Laurentiis | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 18 | 22 | 15 |
2024 | 5 | 23 | 34 | 9 |
2024 | 6 | 18 | 32 | 8 |
2024 | 7 | 29 | 48 | 9 |
2024 | 8 | 20 | 51 | 9 |
2024 | 9 | 13 | 26 | 8 |
2024 | 10 | 14 | 25 | 7 |
2024 | 11 | 11 | 16 | 7 |
2024 | 12 | 13 | 22 | 6 |
2025 | 1 | 13 | 24 | 7 |
2025 | 2 | 9 | 17 | 3 |
2025 | 3 | 6 | 13 | 1 |
2025 | 4 | 2 | 5 | 1 |
2025 | 5 | 2 | 6 | 1 |
2025 | 6 | 1 | 3 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 1 | 2 | 1 |
Trending Position
_**This is what-were-they-thinking bad, but sorta enjoyable if you can acclimate**_ Wild Bill Hickok (Charles Bronson) is haunted by nightmares involving a legendary white buffalo and so travels to the Black Hills region to hunt the creature with his old geezer pardner (Jack Warden). The problem ... is Crazy Horse (Will Sampson) is seeking vengeance on the beast for killing his daughter. Meanwhile Clint Walker appears as a heavy. "The White Buffalo" was ready for release by 1976, but was withheld for over a year before being dumped into the general-circulation market. Based on a 1975 book, Director J. Lee Thompson described it as Moby Dick of the West. There’s also a “Jaws” (1975) angle with the three guys teaming up to find and slay the beast. The wintery outdoor locations are wonderful and the cast is great, also including notables Kim Novak, Stuart Whitman, Slim Pickens, Ed Lauter and John Carradine. I also appreciate the sensitive story of Wild Bill and the great chief Crazy Horse overcoming prejudice to discover common ground and friendship of sorts. In addition, there’s some profound explorations of finding yourself, seeking your destiny, ridding yourself of fears to become more human. Regrettably, the indoor sets are too artificial and the bison animatronics leave a lot to be desired, resembling a giant shaggy toy, but I guess producers had limited options in the pre-CGI era, especially if they lacked the necessary funds. These elements plus the comic book vibe will leave you wondering “What were they thinking?” The white bison’s godawful attack on the Oglala camp is Exhibit A. Another glaring issue is that not enough backstory is given for Hickok’s nightmares that would provoke him to suddenly wake-up all guns blazing and travel to some remote area to slay this legendary beast (I’m assuming such scenes were cut). But, if you can adjust, there’s a lot to enjoy here. It’s basically a cult Western — bad, for sure, but somehow entertaining and profound, IF you can adapt to its peculiarities. The film runs 1 hours, 37 minutes, and was shot partially in the studio & Bronson Canyon, Los Angeles, but also in Colorado, Arizona & New Mexico. GRADE: C