Popularity: 11 (history)
Director: | Andy Muschietti |
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Writer: | Stephen King, Gary Dauberman |
Staring: |
27 years after overcoming the malevolent supernatural entity Pennywise, the former members of the Losers' Club, who have grown up and moved away from Derry, are brought back together by a devastating phone call. | |
Release Date: | Sep 04, 2019 |
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Director: | Andy Muschietti |
Writer: | Stephen King, Gary Dauberman |
Genres: | Horror, Thriller |
Keywords | carnival, maine, lgbt, based on novel or book, clown, sequel, remake, creature, fear, ancient evil, loss of a friend |
Production Companies | New Line Cinema, Vertigo Entertainment, Rideback, Double Dream |
Box Office |
Revenue: $473,123,154
Budget: $79,000,000 |
Updates |
Updated: Aug 11, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Bill Skarsgård | Pennywise |
James McAvoy | Bill Denbrough |
Jessica Chastain | Beverly Marsh |
Bill Hader | Richie Tozier |
Isaiah Mustafa | Mike Hanlon |
Jay Ryan | Ben Hanscom |
James Ransone | Eddie Kaspbrak |
Andy Bean | Stanley Uris |
Teach Grant | Henry Bowers |
Jaeden Martell | Young Bill Denbrough |
Sophia Lillis | Young Beverly Marsh |
Finn Wolfhard | Young Richie Tozier |
Chosen Jacobs | Young Mike Hanlon |
Wyatt Oleff | Young Stanley Uris |
Jeremy Ray Taylor | Young Ben Hanscom |
Jack Dylan Grazer | Young Eddie Kaspbrak |
Nicholas Hamilton | Young Henry Bowers |
Molly Atkinson | Myra / Sonia Kaspbrak |
Luke Roessler | Dean |
Joan Gregson | Mrs. Kersh |
Jackson Robert Scott | Dead Georgie |
Javier Botet | Hobo / The Witch |
Xavier Dolan | Adrian Mellon |
Taylor Frey | Don Hagarty |
Stephen Bogaert | Alvin Marsh |
Stephen King | Shopkeeper |
Peter Bogdanovich | Peter |
Will Beinbrink | Tom |
Jess Weixler | Audra Phillips |
Martha Girvin | Patty |
Ryan Kiera Armstrong | Victoria Fuller |
Jake Weary | Webby |
Katie Lunman | Chris Unwin |
Kelly Van der Burg | Victoria's Mom |
Jason Fuchs | Richie's Manager |
Joe Bostick | Mr. Keene |
Megan Charpentier | Young Gretta |
Juno Rinaldi | Gretta |
Neil Crone | Chief Borton |
Ry Prior | Connor |
Owen Teague | Dead Hockstetter |
Jake Sim | Belch Huggins |
Logan Thompson | Victor Criss |
Connor Smith | Carny |
Amanda Zhou | Waitress |
Rob Ramsay | Meaner Nurse |
John Connon | John Koontz (Juniper Hill Security) |
Doug MacLeod | Head Honcho |
Brandon Crane | Big Guy |
Erik Junnola | Scuzzah |
Josh Madryga | Scuzzah |
Peter George Commanda | Shokopiwah Shaman |
Kiley May | Shokopiwah Woman |
Lisa Cromarty | Shokopiwah Woman |
Kevin Allan Hess | Shokopiwah Man |
Stephen R. Hart | Shokopiwah Man |
Rocky L. Burnham Jr. | Shokopiwah Man |
Billy Merasty | Shokopiwah Man |
Sladen Peltier | Shokopiwah Young Boy |
Ari Cohen | Stanley's Dad |
Alex Bird | Theatre P.A. |
Brody Bover | Shouting Kid |
Edie Inksetter | Shouting Kid's Mom |
Martin Julien | Janitor |
Sonia Maria Chirila | Fishtank Girl |
Colin Mcleod | Bully |
Declan Prior | Bully |
Marko Vujicic | Bully |
Eric Woolfe | Nurse |
Kate Corbett | Dean's Mom |
Shawn Storer | Dean's Dad |
Janet Porter | Richie's Mom |
Scott Edgecombe | Customer |
Anthony Ulc | The Butcher |
J. Bogdan | Swearing Patient |
Louise Stratten | Audra's Assistant |
Laura Thorne | Production Assistant |
Thomas Duhig | Assistant Director |
Carla Guerrier | Police Officer |
Liam MacDonald | Dean's Friend |
Chris D'Silva | Dean's Friend |
Tristan Levi Cox | 4-Year-Old Young Mike |
Torian Matthew Cox | 4-Year-Old Young Mike |
Lola Del Re Hudson | Betty Ripsom's Legs |
Thiago Dos Santos | Twitchy Man |
Divan Meyer | Audience Member (uncredited) |
Andy Muschietti | Pharmacy Customer (uncredited) |
Name | Job |
---|---|
Stephen King | Novel |
Jason Ballantine | Editor |
Rich Delia | Casting |
Luis Sequeira | Costume Design |
Benjamin Wallfisch | Original Music Composer |
Anna Beben | Unit Production Manager |
Michael Lerman | First Assistant Director |
Jamie Jones | Stunt Coordinator |
Peter S. Elliot | Additional Editor |
Alec Gillis | Makeup Designer |
Tom Woodruff Jr. | Makeup Designer |
Jeremy Gillespie | Graphic Designer |
Nick Alachiotis | Stunts |
Alex Armbruster | Stunts |
Derek Barnes | Stunts |
James Binkley | Stunts |
Matt Birman | Stunts |
Neil Davison | Stunts |
Brent Jones | Stunts |
Brook Jones | Stunts |
Kelly Jones | Stunts |
Torianna Lee | Stunts |
Regan Moore | Stunts |
Edward A. Queffelec | Stunts |
Aj Risi | Stunts |
Tim Cody | Stunts |
Vincent Rother | Stunts |
Geoff Scovell | Stunts |
Dan Skene | Stunts |
John Stead | Stunts |
Amy Szoke | Stunts |
Roberto Campanella | Choreographer |
Paul D. Austerberry | Production Design |
Nigel Churcher | Art Direction |
Shane Zander | Makeup Department Head |
Adam Bocknek | Second Unit Director |
Nicholas Brooks | Visual Effects Supervisor |
Penny Charter | Second Assistant Director |
Stephanie Gorin | Local Casting |
David Best | Graphic Designer |
Samantha Dick | Art Department Coordinator |
Brad Milburn | First Assistant Art Direction |
Sorin Popescu | First Assistant Art Direction |
David G. Fremlin | First Assistant Art Direction |
Alexander Melvin | First Assistant Art Direction |
Fred Espina | First Assistant Art Direction |
Lucas J. Wareing | First Assistant Art Direction |
Rebecca Reed | Second Assistant Art Director |
Ben Turnbull | Second Assistant Art Director |
Angelo Colavecchia | "A" Camera Operator |
Dean Stinchcombe | First Assistant "A" Camera |
Michael Carella | "B" Camera Operator |
Matthew Reid | Second Assistant "A" Camera |
Jasper Vrakking | Digital Imaging Technician |
Sylvain Arseneault | Sound Mixer |
Daryl Purdy | Sound Mixer |
Rob Beal | Sound Mixer |
Ryan Longo | Boom Operator |
Craig Seitz | Third Assistant Director |
Jordana Lieberman | Third Assistant Director |
Esther Sokolow | First Assistant Editor |
Dawn M. Stoliar | First Assistant Editor |
Lise Richardson | Music Editor |
Tim LeBlanc | Sound Re-Recording Mixer |
Erick Ocampo | Sound Designer |
Randy Torres | Sound Designer |
Bill R. Dean | Supervising Sound Editor |
John C. Stuver | ADR Editor, Dialogue Editor |
Michelle Pazer | ADR Editor, Dialogue Editor |
Thomas J. O'Connell | ADR Mixer |
Catherine Harper | Foley Artist |
Katherine Rose | Foley Artist |
Jessie Pariseau | Sound Effects Editor |
Ando Johnson | Sound Effects Editor |
Bruce Tanis | Sound Effects Editor |
Kris Fenske | Sound Effects Editor |
Jimmy Uddo | Visual Effects Producer |
Randy Starr | Visual Effects Producer |
Cheryl Francis | Production Office Coordinator |
Elaine Thurston | Production Accountant |
Katharine Duke | Payroll Accountant |
Shane B. Scott | Script Supervisor |
Randy Morgan | Location Manager |
Ann Steel | Assistant Costume Designer |
Suzanne Aplin | Costume Supervisor |
Rachel Archer | Costumer |
Miranda Lukaniuk | Costumer |
Nathalie Gysel | Costumer |
Anita Bacic | Costumer |
Mélanie Turcotte | Costumer |
Sara Schilt | Costumer |
Amy Sztulwark | Costumer |
Debbie Williams | Costumer |
Hanne Whitfield | Costumer |
Christina Cattle | Costumer |
Lisa Prince | Costumer |
Susan Nycz | Costumer |
Tamiyo Tomihiro | Costumer |
Ying Zhao | Costumer |
Alastair Muir | Key Makeup Artist |
Sarah Craig McEathron | Makeup Department Head |
Oriana Rossi | Makeup Artist |
Linda Dowds | Makeup Artist |
Stephanie Ingram | Hair Designer |
Carol Hartwick | Key Hair Stylist |
Sondra Treilhard | Key Hair Stylist |
Christopher Geggie | Property Master |
Warren Appleby | In Memory Of, Special Effects Coordinator |
Brooke Palmer | Still Photographer |
Lisa Shamata | Unit Publicist |
Coco Kleppinger | Casting Associate |
Kay Rogers | Background Casting Director |
Matthew Wolchock | Transportation Coordinator |
William Waring | Second Unit Director |
Teresa Leong | Digital Compositor |
Marco Bianco | Stunts |
Christine Cleary | Stunts |
Amanda Dellapenta | Stunts |
Dustin Faith | Stunts |
Tom Farr | Stunts |
Cam Fergus | Stunts |
Steve Gagne | Stunts |
Brayden Jones | Stunts |
Ciara Jones | Stunts |
Dana Jones | Stunts |
Dennis Lafond | Stunts |
Daniel Lavigne | Stunts |
Patrick Mark | Stunts |
Cotton Mather | Stunts |
Geoff Meech | Stunts |
Daryl Patchett | Stunts |
Steve 'Shack' Shackleton | Stunts |
Wayne Wells | Stunts |
Mark Purcell | Sound Mix Technician |
Danielle Carney | Visual Effects Coordinator |
Amanda H. Campbell | Visual Effects Coordinator |
Cole Darby | Visual Effects Coordinator |
Candace Tempelmeyer | First Assistant Accountant |
John Mackenzie | Construction Coordinator |
Vanessa Galvez | Digital Intermediate Producer |
Josh Simmonds | Visual Effects Supervisor |
Ineke Majoor | Visual Effects Producer |
Brooke Lyndon-Stanford | Visual Effects Supervisor |
Liam Kiernan | Assistant Location Manager |
Al Vrkljan | Stunts |
Richard 'Rico' Emerson | Key Grip |
Shane Vieau | Set Decoration |
Michael Keller | Sound Re-Recording Mixer |
Jason Gosbee | Stunts |
Stephen Nakamura | Digital Intermediate Colorist |
Andy Muschietti | Director |
Gary Dauberman | Screenplay |
Checco Varese | Director of Photography |
Marty P. Ewing | Unit Production Manager |
Nancy Nugent Title | Supervising Sound Editor |
Randy K. Singer | Foley Mixer |
Ryan Reed | Hair Department Head |
Name | Title |
---|---|
Roy Lee | Producer |
Richard Brener | Executive Producer |
Seth Grahame-Smith | Executive Producer |
Jason Fuchs | Co-Producer |
David Katzenberg | Executive Producer |
Victoria Palmeri | Co-Producer |
Darin Read | Associate Producer |
Dan Lin | Producer |
Marty P. Ewing | Executive Producer |
Dave Neustadter | Executive Producer |
Barbara Muschietti | Producer |
Gary Dauberman | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 115 | 249 | 70 |
2024 | 5 | 272 | 329 | 209 |
2024 | 6 | 214 | 306 | 80 |
2024 | 7 | 119 | 171 | 90 |
2024 | 8 | 77 | 95 | 63 |
2024 | 9 | 74 | 89 | 59 |
2024 | 10 | 114 | 175 | 74 |
2024 | 11 | 104 | 184 | 69 |
2024 | 12 | 74 | 130 | 57 |
2025 | 1 | 72 | 95 | 54 |
2025 | 2 | 55 | 88 | 11 |
2025 | 3 | 14 | 72 | 3 |
2025 | 4 | 9 | 12 | 8 |
2025 | 5 | 11 | 16 | 7 |
2025 | 6 | 12 | 13 | 10 |
2025 | 7 | 10 | 12 | 9 |
2025 | 8 | 11 | 13 | 9 |
2025 | 9 | 11 | 13 | 9 |
Trending Position
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2025 | 9 | 269 | 661 |
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2025 | 7 | 169 | 674 |
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2025 | 6 | 400 | 768 |
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2024 | 9 | 796 | 917 |
Year | Month | High | Avg |
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2024 | 8 | 664 | 820 |
‘It Chapter 2’ isn’t as stable or as refined a film as its predecessor, and while it feels lacking by comparison, it’s still far better than most studio horror films. It’s epic, ambitious, crazy, witty and unafraid to go for the heart as well as the throat. As a whole, this adaptation of maybe Steph ... en King’s greatest work feels singular in the landscape of modern horror cinema: two films built on strong interconnected relationships spread over decades, as sentimental as they are vicious, and executed on the scale of a fantasy epic. They also may be amongst the best adaptations of King’s work, understanding what makes his writing (and this novel in particular) so horrifying and so arresting, the human horror amongst the fantastical. Andy Muschietti aimed big with ‘It’, and even in the moments its reach exceeds its grasp, you’re still so glad it reached so high in the first place. - Daniel Lammin Read Daniel's full article... https://www.maketheswitch.com.au/article/review-it-chapter-2-the-ambitious-conclusion-to-the-beloved-horror-epic
If you enjoy reading my Spoiler-Free reviews, please follow my blog :) So, Chapter Two is a sequel to It (2017), and my expectations were a bit high. I really enjoyed the latter to the point of considering it one of the year’s best, as well as one of the best Stephen King cinematic adaptations. A ... ndy Muschietti returning to the director’s chair and having such a fantastic cast portraying the adult versions of the Losers (not only in terms of quality acting but also regarding how well the adults look like the older versions of the young actors) are two of the main reasons why I was genuinely excited. Also, the runtime (longest horror movie ever?!) definitely left me wondering how a horror flick could have the same duration of some of the most epic films in cinema… Well, I got to be honest: I’m disappointed. It’s not a bad movie, at all, but it doesn’t even come close to its predecessor’s heels. I disagree with some headlines I’ve read though. Some say the comedy was misplaced, taking away impact from emotional or dark moments. There’s barely a moment where it was expected seriousness and laughter kicked in instead, but when it does occur, it actually works. I just think it wasn’t as funny as the previous film, overall. Granted, Bill Hader as Richie Tozier is hilarious, and a perfect cast as an adult Finn Wolfhard. His chemistry with James Ransone (Eddie Kaspbrak) resembles the one Wolfhard, and Jack Dylan Grazer had, therefore this/these duo(s) being the comedy highlight. Some say the movie is too long. Now, this is a tricky one. Usually, when people feel bored or not as entertained as they wanted to be, they tend to blame it on the film’s runtime, especially if it’s over 100 minutes. I agree that the movie FEELS long, but I disagree that the runtime is too long. There’s more than enough story to explore, and literally, every single character from the Losers Club has an interesting arc. The problem here is that not all of them are explored in a way that’s funny, scary, or just captivating enough. The fact that Jessica Chastain’s (Beverly Marsh) sequence with the old lady is entirely displayed in one of the trailers (and consequently shown at every single screening) doesn’t help the pacing. The first act is pretty decent. As expected, it shows us where everyone is, what they’re doing for a living, and how they get back together. During this act, it’s pretty clear that Muschietti is going to give time to develop each character and follow their respective arcs to the end, hence the lengthy runtime. However, the second act falls flat. Bill Denbrough (James McAvoy / Jaeden Martell) has the most emotionally impactful storyline, one that affects the main plot, making the time that is spent with him worth it. Same goes for Richie’s subplot. On the opposite side, the rest of the group doesn’t have entertaining sequences or new developments whatsoever. Beverly continues to be affected by her childhood of abuse from her father. Ben Hanscom (Jay Ryan / Jeremy Ray Taylor) keeps being in love with Bev. Eddie is still a whiny little “kid” who’s scared of everything that might make him ill. Stanley Uris (Andy Bean / Wyatt Oleff) doesn’t do anything, and Mike Hanlon is surprisingly the engine that moves the plot forward, which is a problem of its own since I never really cared for that character (he was definitely the one put aside in the 2017’s movie). Honestly, he just serves as an exposition device considering he spends the whole time just explaining everything the audience needs to know to understand where the film is going. Finally, the third act is a mixed bag. While it does provide a climactic ending with a sweet message, it feels very much like its predecessor. I don’t want to spoil anything, but it’s incredibly repetitive comparing to the first movie. Considering all things together, it’s a big letdown since it feels like the exact same film, but with older versions of the characters. Obviously, each of them has a different arc in this one, something the first didn’t have the time to explore, but looking at the main story, it’s pretty much the exact same thing, including how it ends (just with a minor twitch). Nevertheless, the performances are all great… James McAvoy continues his streak of amazing displays, and Bill Hader has to be the MVP for the range he demonstrates. I wish Skarsgård had more time to shine as Pennywise, though. In 2017, I thought he really nailed the character and made it his own. Unfortunately, this time around, Pennywise doesn’t have that much screentime (such a disappointment), and when it appears, it often looks too CGI-ish, taking away from the gripping performance of its actor. The finale has almost no Bill Skarsgård since there’s so much CGI. Despite that, I congratulate the team(s) behind the makeup, hairstyling, costume, and production design. Derry looks terrific, and the time jumps between the young and the old gang worked seamlessly partially due to these visual achievements. Andy Muschietti knows how to work a camera, and the movie is very well-shot. However, he should have been able to come up with creative sequences to deliver a different level of entertainment, especially during the tiresome second act. Gary Dauberman’s screenplay is clever, and it brings this enormous story to a fitting conclusion, but he also could have imagined some new ideas for some of the characters. There are a couple of great sequences though, especially one with Bill going through a theme park tent with illusions. In the end, It Chapter Two fails to deliver a conclusion worthy of its epic runtime. Even with a phenomenal cast, it isn’t as funny, as scary or even as captivating as its predecessor. Its runtime is appropriated having in mind that each character has a personal arc, but only a couple of them are genuinely compelling and entertaining. Therefore, the film feels too long, uneven, and it could have used a bit more creativity when it comes to its climactic finale. Its central story feels very similar to the last movie, its scary sequences are nowhere near the quality seen before, and even though the costume and production design are top-notch, there’s excessive use of CGI on Pennywise. It still carries some emotionally convincing moments, as well as a couple of cool sequences. Overall, it’s … okay. Rating: C
It's the love story between Richie and Eddie that makes this movie worth viewing twice. Looking forward to the conclusion! ...
A pretty odd choice too undercut every scare in the movie, but I was less disappointed with _Chapter Two_ than everyone else seems to be. I gave it the same star rating as the first Muscietti _It_ movie, but if I'm being honest, that one was definitely better. Doesn't make this bad though. _Fina ... l rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
Wasn't a huge fan of the first but did like the young cast but the scares were non-existent. This sequel had a couple okay moments and I did like the characters as adults, but Bill Hader easily was the standout. Still wasn't very scary yet even with the lengthy running time never felt like it dragge ... d. One day I may try watching the two back to back, but between the two, not overly impressive. **3.5/5**
“You lied and I died!” Making us proud Georgie. I re-watched the 1990 mini-series and 2017 remake last month in preparation for this movie in terms of judging in quality. The 90's version had it moments, but I find some scenes unintentionally funny where it reeked of early Stephen King adaptat ... ions. 2017 was surprisingly good and a massive improvement, but laid back on cheap thrills. ‘IT: Chapter Two’ was a tough act to follow up on after the monster success of the first and with the second chapter being the hardest to adapt. I thought the movie both succeeds and stumbles in parts. Although reflecting back makes it feel more like a parody than a serious horror movie. An epic finale that ended in a over the top fashion - with themes of childhood trauma and the idea of holding on to the past despite growing up with age are sprinkled through out. The loser club are all grown up now and returning home to kill IT. Whoever cast the grow up version of the loser club deserves massive praise here, because it’s pitch perfect casting and I could definitely see the child stars growing up to be the adult stars. James McAvoy, Jessica Chastain, Jay Ryan, and Isaiah Mustafa were all great in bringing the more dramatic aspects to the film. While Bill Hader and James Ranson bring the comedic aspects, but not to say they weren't dramatic as well, even making me tear up at one point. Bill Skarsgard was truly amazing as Pennywise. The physicality in his movement has a certain silliness that you would expect to see from a clown, yet predatory with his animal-like attacks with drool running down his mouth and eyes staring in opposite directions despite looking straight at you. I find the dancing clown incredibly terrifying whenever he becomes playful and kind to deceive children. Andy Muschietti truly shines as a director when it comes to bizarre imagery and unsettling camera angles, while also capturing some real emotions through the lens. The opening scene at the bridge where a homophobic attack takes place was really brutal and starts the movie off strong - on par with the Georgie meets Pennywise scene in the first movie. Despite the run time being nearly three hours long, but I can’t recall ever being bored. It moved at a even pace in my opinion. I guess a few scenes could’ve been cut as most of it is unused footage from the first movie. Although it would be difficult to cut scenes as everything follows up to the next scene and that emotional punch towards the end wouldn’t be earned. Now for the issues: Henry Bowers was completely pointless in this movie and was only used for jump scars. Same thing with Mike, who through out these movies has nothing to do and the important things he did in the book was given to different characters. I didn’t like how Stan’s suicide was handle, because you find out he actually “sacrificed” himself to save the others. Some of the humor didn’t always land, especially if it’s right after a tense scene where it kinda deflates the horror. At times I struggled to gasp what the film marker was going for in certain scenes. Is this scene suppose to be scary or funny? Both maybe? I wish there was more practical work for the monster scenes instead of CGI, because at times it looked really terrible. The finale battle at the end could’ve been in a video game boss fight. * Overall rating: Not as strong as the first, but still enjoyed it. Still, let’s kill this f**king clown.**strong text**
A step down, but <em>'It Chapter Two'</em> is still a very good film. It is, I will say, overly long, it did bore me a little at the midway point; not in a necessarily negative way, I just wanted more. However, it regains its footing with an entertaining ending. I'm usually not a fan of cast chan ... ges in film series, but this does it to good effect. I love the characters, whether it be in this film or the preceding entry. Jessica Chastain and Bill Hader are great choices to play the older versions of Sophia Lillis and Finn Wolfhard, they are very convincing casts. James McAvoy is also a positive addition, while Bill Skarsgård remains enjoyable as It. The score is, again, strong. I like the plot, even if I do feel like it's stretched out and could've had more freshness added to it. It isn't as creepy as the first film either, but still has a solid amount of uneasiness.
I watched the two films in a double bill and I really did want to enjoy this as much as I did the first - but boy, could this have been much more of a let down? The original has a far better cast; snappier direction and a much tighter script. This just rumbles along with a staccato, portmanteau-styl ... e storyline that robs the narrative of much of the cohesion of it's earlier, much more compelling, iteration. The ending is straight out of "Harry Potter and the Prisoner of Azkaban" (2004) without the roller skates and the pretty feeble efforts from Jessica Chastain and James McAvoy really don't help keep it on track at all!. Sadly, disappointing marshmallow monster mayhem.
How does a movie with no story become 3 hours long? Seriously, it's a real question. Nothing seems to happen... ever... and they virtue signal by changing a character, because you have to now... but nothing really happens for most of the movie. And the horror felt a bit like a kids movie. ... But ultimately it's 3 hours with no real plot.
Chapter 2 was more awesome then the first. I even got a little freaked out myself on some parts. This has easily become one of my favorite horror films of all time. ...